THE SAME, YET DIFFERENT!-The All Pulp New Pulp Ebook Best Seller List for March 8, 2013




Instead of having a calendar, I have a newspaper (kids: ask your parents). If it’s Tuesday, it’s Science Times. Wednesday it’s Dining. Thursday, my favorite, has Style and Home. Friday is two Arts sections. Saturday is Charles Blow.
And Monday shines a spotlight on the commerce in media in the business section.
This is great for me, because I write this column on Tuesday. This week, there was a discussion of the new Disney film, Oz the Great and Powerful, opening this weekend. It’s a big gamble for Disney, investing in characters they don’t own, at a time when many expensive fantasy films have not performed to expectations (I’m looking at you, Jack the Giant Slayer).
Hollywood is always looking for the next big thing. At the same time, the people making the financial decisions can be very conservative, especially when we’re talking big-budget special effects. So I guess what I mean is, Hollywood is always looking for the next big sure thing.
The problem is that money people are not always good judges about what the public will like. If it was only a question of appealing to the lowest common denominator, that would be simple, and the multiplex would play all Twilight all the time. That might bring in a steady rate of return, but eventually, the public would get bored and want to see something else. And that something else might cost a lot less than Twilight, and, while that movie not make Twilight money, would make a much more for each dollar invested.
This is why the movie companies look for ideas in other media. This is why they adapt stories from novels, or television shows, or even comic books.
Which brings me to the other story in Monday’s paper. David Carr wrote about The Walking Dead, and how it is more successful on cable’s AMC than many shows on the broadcast networks.
I haven’t been reading the comic, although Robert Kirkman is one of my son’s favorite writers. Still, I’m not surprised the show is so successful. Through dozens of issues, Kirkman wrote characters that appealed to people, that engaged them in a story. Other comics have spawned successful series on television, including Superman (with and without Lois in the title), Superboy, Flash, the Incredible Hulk and Green Arrow.
Comics have been less consistently successful as movies, and I think that’s because the producers do not have to rely as much on character. They seem to think a few good fight scenes will make up for ridiculous plots and people. Look at the difference in the way the Hulk was portrayed on television and on screen right up until The Avengers.
I think the difference is that Joss Whedon understands comics and why they are appealing. He’s actually written them. He has respect for the idea that the action flows from the character, not the other way around. He knows how to tell a character that has proven herself.
Which brings me to this week’s other hot topic. My old pal, Jerry Ordway, wrote a blog post about how difficult it is for comic creators of a certain age to get work. Jerry worked on the death and return of Superman story lines, the bestselling comics of all time. He continues to do work of excellent quality, but because he’s not the flavor of the month, he can’t get any assignments.
Other mass-market entertainment doesn’t play by these rules. Yes, it’s smart to always be scouting hot young talent, because it’s hot and it’s young. Even so, booksellers always want the next Stephen King book, or John Grisham, or J. K. Rowlings, and iTunes pushes Elvis Costello and Judy Collins. Martin Scorsese and Steven Spielberg still make movies.
The market appreciates proven talent because, well, it’s been proven. It would be great if comic book companies appreciated it too.
SATURDAY: Marc Alan Fishman
SUNDAY: John Ostrander
New Pulp Author Mark Ellis talks about his Kickstarter project The Justice Machine with The Book Cave’s hosts Ric Croxton and Art Sippo.
Listen to The Book Cave Episode 221: Mark Ellis now at http://thebookcave.libsyn.com/the-book-cave-episode-221-mark-ellis
UPDATE: Polls for Round 1 closed at 9 PM EDT Sunday night. Vote in Round 2 now!
The people have spoken, and the brackets are ready for the Mix March Madness 2013 Webcomics Tournament!
Thanks to the thousands of people who voted in the seeding process, as well as all of you who added your favorite webcomics to the list. Weâre adding all of the webcomics you suggested to our directory.
But now, the challenges start!
…wind down through the labyrinthine passage to the farthest depth of the cavern and there find a wire, and from the wire will come a spark, and from the spark a flame and from the flame a light that will illuminate the truth…
Well, sometime, maybe. But not today. Today is for blobbing – or, if you prefer a slightly classier and more contemporary work that I learned just this afternoon, chillaxing. Yesterday was the ordeal of being pulled for hours through a tube that’s a teeny bit narrower than I am while breathing sulfur or, as some would call it, airline travel.
I’ve been doing it pretty regularly for almost half-a-century and so you’d think I’d be used to it by now. Okay, I’m resigned to it, but that’s not exactly the same as being used to it.
The occasion, this brisk and, in some areas, snowy March, was a visit to a comics convention in a city I have fond memories of, Seattle. Now, some of you who are my age and have retained the ability to read and thus are reading this, may recall the early fanzines: generally produced on mimeograph machines on cheapish paper; these were not slick and often not very professional, but they had the charm of work done for the love of it, with no hope of gain other than the satisfaction of indulging in a cherished hobby. These publications often featured “convention reports,” accounts of visits to science fiction or comic book gatherings, written by the zine’s publisher or one of that person’s friends. About those conventions: some fans, a professional or two, maybe a movie, maybe – a real treat! – a reel of outtakes from film or television. And maybe…even the appearance of an actor from film or tv. (The first con I attended featured Buster Crabbe.)
Them days is gone forever, Clem. Any convention report would have to be quite lengthy to do justice to its subject. There were, give or take, 75,000 attendees in Seattle and a whole roster of show biz celebrities topped by Patrick Stewart or, as those of you adverse to reading credits might know him, Jean Luc Picard, captain of the starship Enterprise. This mammoth gathering is not the biggest convention – the ones held in New York City and San Diego are bigger – but its still pretty awesome and, I was told, has doubled in size since last year, so…watch your backs, New York and San Diego!
What can I bitch about? Not much. The accommodations bordered on luxurious and everyone we encountered – I’m talking everyone – was friendly and courteous.
What did I like? Well, let’s skip the women – hordes of lovely human beings in costumes, many with interesting tattoos and didn’t my dirty old man merit badge almost burn a hole through my vest! Let’s skip them and remark on how the idea of a convocation devoted to good ol’ comic books didn’t seem to be lost among all the show biz glitter and bling.
Yeah, I’d go back, even if I had to be pulled through a tube while breathing sulfur.
FRIDAY: Martha Thomases
SATURDAY: Marc Alan Fishman
This week MERKABAH RIDER Author Ed Erdelac joins Tommy Hancock to discuss his groundbreaking New Pulp Series, religion and Pulp, large monsters, and other projects as well as salient points about the Creature from the Black Lagoon! Listen in as one of New Pulp’s brightest makes his Podcast Debut as Ed Erdelac gets PULPED! CHECK OUT THE LATEST PULPED HERE!
After losing a show runner and being off the air for month, NBC;’s COMMUNITY is back and now the questions are out there. Is it the same show without creator Dan Harmon, and can it last? Series regulars Allison Brie and Danny Pudy weigh in on where things stand in the middle of the show’s fourth season, plus Red Sonja gets a new creator and Robert Kirkman has something new for both comics and television.
Take us ANYWHERE! The Point Radio App is now in the iTunes App store – and it’s FREE! Just search under “pop culture The Point”. The Point Radio – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any other mobile device with the Tune In Radio app – and follow us on Twitter @ThePointRadio.
PULPED! Returns with a fantastic episode looking at another side of New Pulp- Biographies!
Tommy Hancock welcomes Mystery and Pulp Biographer Jeffery Marks to this episode of PULPED! Considering academic works part of New Pulp, Jeffery discusses his work on his upcoming Erle Stanley Gardner biography. Listen to anecdotes, explanations, and origins of some of the best known Gardner creations, including a certain well known attorney! Join Jeffery Marks as he gets PULPED!
Check out the latest episode of PULPED! HERE!