American Comic Book Chronicles: 1960-64 by John Wells, TwoMorrows Publishing, $39.95 retail hardcover; $11.95 digital

When Editor-in-Supremo Mike Gold asked me to review American Comic Book Chronicles: 1960-1964, I said, “It sounds like my childhood between two covers.” So he sent it to me.

First, the bad news. This isn’t a bunch of reprints from the early Sixties. I realize that would be a nightmare in terms of getting all the necessary permissions, but that’s what I wanted. The book is lots of cover shots and panels and ads for other comics, with text in the middle.

Text. Lots of text.

I didn’t read it all. I didn’t have time. So this isn’t really a review. I just read the parts about comics I liked, or might have liked if I’d known about them when I was seven.

Seven is, as we all know, the Golden Age of Comics.

I think the book tries to cover too much ground. They consider comics to include newspaper strips and humor magazines like Mad and Help. These are interesting subjects, but I think covering them dilutes the main story.

The main story is really cool, too. In the 1960s there were so many different kinds of comics. There were superheroes, of course. There was Archie and other teen comics. There were war comics and comics pitched to the military, like Sad Sack. There were romance comics and science fiction comics and funny animal comics and doctor comics. There were comics based on television shows, and comics based on movies. There were comics for girls, comics for boys, comics for men and comics for women. That’s because comics were sold at newsstands, then, which offered magazines to all those potential readers.

The book shows you the ways that the times influenced the comics, whether it was the Beatles, the election and then the assassination of President Kennedy, or the civil rights movement, sometimes all at the same time.

It’s also just about the time that the guard changed. Boys (almost always boys) who grew up reading comics were old enough to write, draw and edit them. They started fandom. They wrote long, thoughtful letters to the letter columns.

And their involvement caused the characters to evolve. I remember reading the story of Lex Luthor’s marriage, on the planet Lexor where he was a hero. It made me feel something for him, like he was a person with feelings. That was a new insight for pre-teen me.

The stories started to have higher page counts, sometimes running across more than one issue. Characters had deeper relationships with each other and, therefore, with the readers. And yet, comics were still disposable enough that publishers would take ridiculous chances, so that, for example, they gave the Batman line to an editor whose only experience was in science fiction.

This is my favorite quote, from Julius Schwartz commenting on fan reaction (which was almost entirely positive) to the New Look Batman of 1964. “There’ll always be the diehards who resist any change, and we can always count on the nostalgic type who fancies that nothing in comics published today can match the so-called Golden Era of Comics.”

I hope to read more of the text in the future. And I definitely look forward to the next book (which I assume will cover the next five years of the Sixties), when underground comics emerge, and LSD makes such an impact on the public consciousness that even people who didn’t take it acted all trippy.

SATURDAY: Marc Alan Fishman

SUNDAY: John Ostrander

LOS ANGELES (February 19, 2012) ­ Twentieth Century Fox Home Entertainment today announced the availability of Oscar® Winning Director Ang Lee’s cinematic masterpiece Life of Pi on DIGITAL HD five days before the 85th Academy Awards. Nominated for 11 Oscars including Best Picture and Best Director, the inspirational epic journey can be enjoyed on connected HDTVs in your home, or on your tablet or smartphone on the go.

“Today, digital platforms offer us greater flexibility to innovate our consumer offerings,” said Mary Daily, President of Worldwide Marketing and Chief Marketing Officer, Twentieth Century Fox Home Entertainment. “Revisiting the magical world that Ang Lee has created with Life of Pi on Digital HD gives audiences the choice to enjoy this beautiful masterpiece on the device of their choice.”

Life of Pi on Digital HD is available at digital stores including Amazon Instant Video, CinemaNow, Google Play, iTunes, Kindle Fire, NOOK Video, PlayStation, VUDU, Xbox Video and YouTube for under $15, arriving four weeks before Blu-ray, DVD and video-on-demand (VOD). LIFE OF PI is also playing in theaters nationwide, experience it in stunning 3D.

Based on the acclaimed best-selling novel from Yann Martel that has been published in 40 languages, and brought to life by visionary Academy Award winning director Ang Lee, this magical adventure of hope, wonder, survival, and the power of the human spirit has been celebrated by critics all over the world. A “magnificent and moving” (Peter Travers, Rolling Stone) motion picture event that has been hailed as “a masterpiece” (Betsy Sharkey, Los Angeles Times), taking in over $500 million in worldwide box office.  LIFE OF PI follows Pi Patel, a young man on a fateful voyage who, after a spectacular disaster, is marooned on a lifeboat with the only other survivor, a fearsome 450 lb Bengal Tiger named Richard Parker. Hurtled into an epic journey of adventure and discovery Pi and his majestic companion make an amazing and unexpected connection.

Of late, Orson Scott Card has been causing controversy for his work on a digital Superman storyline. However, the story that made him a bestselling author, Ender’s Game, continues production for release Novenber 1. Now we’re getting some of the first visuals, featuring Asa Butterfield and Hailee Steinfeld.

The film is being written and directed by Gavin Hood and also stars Ben Kingsley, Viola Davis, Abigail Breslin, and of course, Harrison Ford.

The official film synopsis reads:

In the near future, a hostile alien race (called the Formics) have attacked Earth. If not for the legendary heroics of International Fleet Commander Mazer Rackham (Ben Kingsley), all would have been lost. In preparation for the next attack, the highly esteemed Colonel Hyrum Graff (Harrison Ford) and the International Military are training only the best young children to find the future Mazer. Ender Wiggin (Asa Butterfield), a shy, but strategically brilliant boy is pulled out of his school to join the elite.

Arriving at Battle School, Ender quickly and easily masters increasingly difficult war games, distinguishing himself and winning respect amongst his peers. Ender is soon ordained by Graff as the military’s next great hope, resulting in his promotion to Command School. Once there, he’s trained by Mazer Rackham, himself, to lead his fellow soldiers into an epic battle that will determine the future of Earth and save the human race.

Catholic priest Humberto Alvarez from the village of Ojo de Agua in Saltillo, Mexico, wanted to reach the children of the community, and found a unique way to do so– by wearing tunics with pictures of Superman, Batman, and Spider-Man on them.

In an interview for the magazine “Zocalo” in Saltillo, the pastor told he made ​​the decision during a Mass at the Cathedral of Santiago in 2012. His decision was supported by the Bishop, but not by many faithful who decided to retire because they did not accept comic characters on a sacred site. This has not overshadowed his success.

His outfit comes complete with a water pistol filled with holy water, with which he shoots “jet blessings” to the faithful children.

While religious comics have been around for a long time for a variety of denominations, this is a new one on us.

The original article is at La Informacion, which has more photos of his outfits. We, of course, will be patiently waiting for DC and Marvel to send cease-and-desist letters.