The Mix : What are people talking about today?

Mike Gold: Commuters Are A Superstitious and Cowardly Lot

gold-art-130220-4388534Last week I had the distinct honor and privilege of dining with my fellow ComicMix columnist Martha Thomases. Whereas I’d love to squawk on and on about the finest fried chicken I’ve ever eaten in Manhattan, it was after I left to go home when things got interesting, weird, surreal… and dangerous.

I got to my commuter train just in time to make the 9:07. I’d be home by 10:15. Not bad. We arrived on time in Harlem at 9:17 and proceeded up to the Bronx… where we came to a dead halt at approximately 178th Street and Park Avenue. After a few minutes we were told we were being delayed by a “police action.” OK; that’s life in the big city. I commenced to read the latest issue of Futurama Comics on my iPad. Then another announcement: oh, geez, they were mistaken. No police activity. The train broke down. It was a brand-new train, built by the Canadian company Bombardier. They set about to fix it.

Then the power went out. The emergency lighting was fine and my iPad had its own luminosity, but there was no air circulation and the temperature started to rise – quickly. People began to look at those emergency windows; you know, the ones that you can pop out in case the train is derailed and Bruce Campbell is walking around with a machete.

Some time later they said they power pads that draw the juice from the third rail had been ripped off, probably due to debris on the track. They’re working on it. Yeah, right. I started wondering if a texted last will and testament would hold up in court. Then they announced the train was, in fact, broken, and they were awaiting a diesel engine to tow us back to Harlem where, “hopefully,” there would soon be a train to which we could transfer.

The crowd started getting testy. Perhaps hypoglycemic shock is communicable.

Later still we were rammed by a coupling engine and it was announced all they had to do was hook up the air brakes and we’d be Harlem bound. A half hour later, they admitted they couldn’t get the brakes to work. Plan B: they’d find another train, bring it alongside mine, shut down the third rail and we’d bridge over to the new train. A few people who had been around that block said that would take at least an hour because they only open two doors for the bridge and everybody would have to walk through all the cars to get to the transfer point, then walk through the new train to find a seat. A few people started to freak.

Two ladies who evidently flunked out of their Connecticut finishing school started swearing profusely. Aside: why is it women are not very creative in their choice of curse words? “Fucking liars” is simply not sufficient. The situation called for something like “Jesus fuck a shit soufflé, these in-bread assholes couldn’t stack a pile of Ritz Crackers without a goddamned schematic.” Note to self: look into conducting training sessions for the malediction impaired.

Before long one of my comrades-in-boredom started screaming. Another started wailing. The lady sitting next to me kept on tossing her used Kleenex on the floor, along with her half-eaten food. I looked around to see if anybody had grown a Joker smile.

Eventually a train pulled alongside and maybe 15 minutes later the train bridge was in place and the third-rail was powered down. We made the long march to our new magic carpet ride. Of course, the new train was two cars shorter. The third rail was powered up and the air brake checks started.

And… they didn’t work.

And people went nuts. Remember the “preparing for crash landing” scene in Airplane?

I reconsidered my attitude towards zombies. Finally, after a platoon of train people manually pumped the air brakes into action (and yes, that looks as obscene as it sounds), we slowly moved forward. They apologized and said the next stop was Stamford. I said to myself “yeah, but will we be able to stop?” Then some guy made that very same statement out loud. Nobody laughed.

As we picked up speed, I noticed that one of my fellow travelers was Green Arrow.

No shit. Look carefully at the photo atop this column. This was not Photoshopped.

I got home just before 1 AM. One of our cats was waiting in the window, tapping his watch. Yes, he’s got a Mickey Mouse watch. You need a sense of humor to make it through the day in my house.

Of course, this was a fart in a blizzard next to the horrors of those riding that Carnival cruise ship, but my respect for my fellow Connecticuttians hit a new low, as my enthusiasm for the creators of Futurama Comics grew proportionately.

THURSDAY: Dennis O’Neil

FRIDAY: Martha Thomases

 

THE WHITE ROCKET PODCAST REVIEWS JAMES CLAVELL’S ASIAN SAGA!

White Rocket 014: James Clavell’s Asian Saga!

This week author Rick Lai joins Van Allen Plexico to discuss one of the greatest achievements in both literature and television: James Clavell’s epic ASIAN SAGA– SHOGUN, NOBLE HOUSE, TAI-PAN, KING RAT, GAI JIN and WHIRLWHIND.  Climb aboard Struan & Co’s Lasting Cloud and try not to get shipwrecked in the Japans, you foreign devil, as Van and Rick explore the (gargantuan) novels and the TV miniseries and movies that were made from them!

Learn more at http://erthstationone.wordpress.com/2013/02/19/white-rocket-014-james-clavells-asian-saga/

Available as always on iTunes, or visit www.whiterocketbooks.com.

League of Gentlemen’s Reece Shearsmith playing Patrick Troughton in 50th anniversary Doctor Who special

Additional casting for the 50th anniversary Doctor Who special An Adventure in Space and Time has been trickling out slowly as filming has proceeded.  Today it was revealed that the role of the second Doctor, Patrick Troughton, will be played by Reece Shearsmith, a member of the surreal comedy team The League of Gentlemen. The team also includes Doctor Who writer and actor Mark Gatiss, who wrote the anniversary adventure.

Reece Shearsmith (Photo credit: Wikipedia)

“I first asked Reece 12 years ago when I started thinking about this project.” Gatiss was quoted in the Mirror. “We were in the midst of League of Gentlemen and I just remember thinking, if anyone plays Patrick Troughton, it should be Reece. Like the Second Doctor, he’s small, saturnine and a comic genius. The complete package. He thought it was a fantastic idea and I’ve kind of nurtured it all this time.”

While the team have been long-time fans of the series, Reece is the only member of the League not to have made an appearance in the returned show.  In addition to writing several episodes for the new series, Mark Gatiss played Dr. Lazarus in The Lazarus Experiment, voiced one of the Spitfire pilots in his episode Victory of the Daleks, and was almost unrecognizable under makeup (and a pseudonym) as Gantok in The Wedding of River Song.  Steve Pemberton played Strackman Lux in the Moffat-penned two-parter Silence in the Library / The Forest of the Dead.

While he’d not made it to the big game till now, Reece’s history with Doctor Who is quite long indeed.  His first professional acting credit is with the fan-produced Doctor Who Homage series P.R.O.B.E. a production written by Gatiss.  The show attempted to pay homage to Doctor Who, even casting many classic Who actors like Caroline John (playing her Who role of Liz Shaw) and several Doctors including Peter Davison.

An Adventure in Space and Time is a dramatization of the creation of Doctor Who, centering mostly on the show during the early years, and the growing professional relationship between first Doctor William Hartnell and the show’s producer Verity Lambert.  It will be one of the last productions to be produced in the original BBC Television Centre, where the original series was filmed,  before the property is redeveloped.  David Bradley (Argus Filch from the Harry Potter films) will play Hartnell, and Call the Midwife‘s Jessica Raine will portray Verity Lambert.

Michael Davis: Brokeback Bastard

Davis Art 130219DC Comics is hiring a very anti-gay writer named Orson Scott Card to write for them.  That’s bad enough in my opinion, but they are giving him Superman to write.

Damn DC.

Giving a guy who wishes gay people were wiped off the face of earth is one thing, but giving him Superman is just ballsy as shit.

The outcry in the industry is loud and clear. There’s a movement to have DC just fire the guy outright.

Not gonna happen.

Let me be clear, I don’t think DC will fire the guy unless videotapes are found of him doing unnatural things with a German Sheppard… a girl German Sheppard, of course. I don’t want to offend him in case he’s reading this.

This is a win – win for DC. They get a pretty good writer and massive publicity so why fire the guy? When the book comes out they will get another round of colossal exposure so like I said, why fire the guy? For DC this is not personal, it’s business.

I say, let the guy write the book. Really.

If you want to take a stance against him and his views as I do, trying to get him fired is the wrong way to go about it at least I think so. Nothing short of a massive boycott will make a dent in stopping this guy from doing the Superman story.

But there is another way…

Take the writer to task at every turn. Make him own his views. Challenge him all the places where DC will send him to promote the book. Like comic book conventions, or any online forums, or any book signings anywhere he will show his bigoted face. Then the story is about his hated, his views and his failings as a human being. No company wants that shit following them around, over and over and over.

Trust me on this; I know first hand just how hard that sort of bad press hits corporate America. The way they are perceived by the public is easy to weather unless it keeps happening.

Now is if they also just happen to be a publicly traded company…

Yippee Ki Yay Mother Fucker.

I like what DC is doing with its line these days. I don’t like to think that one of my favorite comic book characters is going to be written by a guy who would deny others their right to exist.

I don’t blame DC for hiring the guy, I don’t blame them for standing behind him (although it better not be a guy standing behind him) because like I said for them it’s not personal it’s business.

For me and I’m guessing many of you making his comic book journey miserable is not business, it’s personal.

WEDNESDAY: Mike Gold

THURSDAY: Dennis O’Neil

 

Emily S. Whitten: The Dresden Files and The Dresden Files

Whitten Art 130219For Christmas this year one of the books I got was The Dresden Files graphic novel, Welcome to the Jungle. By that point, I’d read all of the novels; but what got me into them was actually the TV show.

When the show came out back in 2007, I remember hearing vaguely about it via a friend’s blog or two, but I never actually saw it. Thanks to the wonder of Netflix, though, a couple of years ago I discovered and watched it on streaming video, and enjoyed it enough to want to see more – but sadly, it only ran for one short season of 12 episodes. Thus I went back to acquire and read all of the books as well; and now, of course, I want more.

The TV show adaptation wasn’t perfect, but it had a lot of positives, the first three being Paul Blackthorne as Harry, Valerie Cruz as Murphy, and Terrence Mann as Bob. All three actors did very well with the material they were given, and just as important, had excellent character chemistry with each other. Their acting made the friendships (and possibly more, in the case of Harry and Murphy) feel natural, and anchored the crazy storylines happening all around them.

Another thing it had going for it was that Paul Blackthorne has the acting chops to carry a humorous narrative voice-over without it getting tedious (and I am behind on the current episodes, but for an example of When Voice-overs Get Tedious, the first several episodes of Arrow unfortunately come to mind). Blackthorne (who is also on Arrow, funnily enough) kept the energy of the show going with his engaging portrayal of Harry Dresden, much of which felt like it came straight from the books. The writing was also fast-paced and fun.

One area where the show went wrong, I think (or, more accurately, didn’t go right far enough) was in whatever concessions it made to watering down the lore of the books for primetime. Granted, it seems that genre shows and movies have gained more mainstream acceptance in recent years (comic book movies and shows like The Vampire Diaries, Supernatural, True Blood, etc.), and in 2007 maybe a genre show was a harder network sell and required some compromise (I don’t know), but I firmly believe that any time you tell a story well, and can draw the viewer in, the viewer will be able to handle and possibly embrace the complexity. And despite my dislike of some of Harry’s tiresome views on women, and the blatant male gaze readers are forced to sit through on occasion (particularly in the early books), The Dresden Files books are good, smart, complex stories, and should be adapted as such.

As I said, the TV show only lasted one season – and whether it was from creative choice or Firefly Syndrome (network meddling), it didn’t delve into or only briefly touched on a lot of the cool things that anchor and drive the direction of the books, like Harry’s past and progression in magic, or his place on the Council of wizards, or just how good he really is at magic and how that looks to outsiders.

I think one reason it just slightly missed sometimes was in this “not going far enough,” so to speak – because, for example, part of the charm of Harry is that he’s humble enough to know there are more powerful things than him out there and to be properly frightened of them 90% of the time; but whenever we see him through others’ eyes or whenever he really gets going with his magic…we the viewers get a glimpse of the discrepancy between Harry’s inner uncertainties and his bombastic power. And that can be a lot of fun, but was only shown rarely in the show.

For much the same reason that I enjoy, e.g. an episode of Supernatural where the FBI agent hunting the Winchesters because he thinks they’re nuts finally discovers that, in fact, demons and all manner of other creepy creatures are real, I enjoy stories that switch up characters’ points of view and give us different takes on the same situation, and particularly stories that shake up our, or a character’s, inaccurate assumptions. Reading about Harry dealing with Murph and trying to pay the bills and inner monologuing about how he’s not sure how he’ll make some spell work and all, and then e.g., going out and burning a house party full of vampires like it was no big thing, is that sort of story.

I say all of this to come back to the fact that last week I finally read Welcome to the Jungle, which is a visual adaptation that does well in this regard, and it reminded me of the times the show got it right, and of how much I’d really like to see more of The Dresden Files on television, or if not on TV, then in more graphic novels. Jim Butcher has said himself that he’s always imagined the series in graphic form. Despite the fact that I loved Blackthorne as Harry, I doubt a network would try to revive the old show. However, I could easily see a new adaptation being done; and I think if it, from the beginning, didn’t shy away from the more complex stuff, and embraced the big special effects as well as the small, it would be a truly awesome thing. I know that a new show is probably not likely to happen…but hey, a girl can dream, eh? So this is me, just dreaming a little dream at y’all. Anyone else think a new Dresden Files TV show would be cool?

Tell me if you do, and until next time, Servo Lectio!

TUESDAY AFTERNOON: Michael Davis

WEDNESDAY MORNING: Mike Gold

 

SINBAD SAILS AGAIN!

Art: Steven Wilcox

On their Facebook page, Airship 27 Productions announced that artist Steven Wilcox has signed on to do the interior illustrations to the second volume of “SINBAD -The New Voyages.”

Sinbad – The New Voyages Vol. 1 is still available.

You can find more of Steven’s work here.

NEW INTERVIEW WITH AUTHOR BOBBY NASH

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New Pulp Author Bobby Nash was interviewed by fantasy fiction writer Nadia Bashoo on her blog. You can read the interview at http://www.nadiabashoo.com/author-spotlight-bobby-nash/#comment-229

To find out what’s next from Bobby, visit www.bobbynash.com

Tell ’em All Pulp sent ya.

HOLMES AGAIN, HOLMES AGAIN, JIGGITY JIG-THE NEW PULP BESTSELLER LIST FOR FEBRUARY 18, 2013

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Welcome to the February 18, 2013 installment of All Pulp’s New Pulp Best Seller List, originally created by Barry Reese! Before we get to what you’re all waiting for, here are the rules by which this little list comes together.

1)    This list only tracks sales through AMAZON. It does not keep track of sales through Barnes and Noble, face-to-face or anything else!

2)   
This list only tracks PRINT sales. Exactly how Amazon calculates these things is mostly a trade secret and they vary wildly from day to day. If we checked this tomorrow, the list could be very different. This list reflects sales ranks as of Monday morning February 18, 2013.


3)   In order to keep the focus on new releases, eligible works must have been published within the last three months. So, since this list is being done on February 4, 2013, we are only looking at books published since November 18, 2012. Please keep that in mind before complaining that Title X is not listed. Also, keep in mind that for the most part, we are tracking sales from smaller and mid level press publishers who actively publish New Pulp material. We won’t generally track sales from Simon and Schuster or places like that — they have the New York Times Bestseller List for that. If one of the major publishers starts doing The Shadow or something, we’ll track that, but some publishers will not be listed here in order to keep the focus on the publishers actively working toproduce and promote New Pulp.

4)   
Like the name suggests, we’re tracking “New” pulp —not sales rankings for reprints of classic material. In order for something to qualify for this list, it has to be at least 50% new material that has not been printed in book form before.


5)    We are human. If you are aware of a title that should be listed below (keeping in mind all the rules above), please let us know and we will make sure to remedy the situation.


6)    This information is garnered mostly from All Pulp, New Pulp, the Pulp Factory mailing list and a few other sites. If you think we might miss your release, let us know in advance — drop All Pulp a line and tell us when it’s beingreleased.

Without further ado, here’s the completely and totally unofficial New Pulp bestseller list as of right now (title, then publisher, then release date, then sales rank):

1) The Detective, The Woman, and the Winking Tree by Amy Thomas (MX Publishing, January 22, 2013) – 48,357

2) Sherlock Holmes, Consulting Detective, Volume 4 by Various (Airship 27, January 19, 2012) – 59.480

3) Sherlock Holmes and Young Winston: The Deadwood Stage by Mike Hogan (MX Publishing, December 10, 2012) – 281.858

4) Sherlock Holmes and Young Winston: The Jubilee Plot by Mike Hogan (MX Publishing, February 18, 2013) – 313,897

5) Fourteen Western Stories by Lloyd Fonvielle (Lloyd Fonvielle, January 23, 2013) – 354,460

6) Sherlock Holmes and the Texas Adventure by Dicky Neely (MX Publishing, December 14, 2012) – 424,878

7) Finn’s Golem by Gregg Taylor (Autogyro, January 10, 2013) – 554,763

8) Prohibition by Terrence McCauley (Airship 27 Productions, December 15, 2012) 561,277.

9) The Cestus Concern by Mat Nastos (Nifty Entertainment, January 4, 2013) – 1,081,653

10) Fight Card: Bluff City Brawler by Heath Lowrance as Jack Tunney (Fight Card, January 31, 2013) – 1.212.585

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Just missing the list were: Monster Earth by Various (Mechanoid Press, January 18, 2013) -1,322,176, The Fangslinger and the Preacher by Bret Lee Hart ( Western Trail Blazer, January 3, 2013) – 1,440,987, Three Against the Stars by Joe Bonadonna (Airship 27, November 26, 2012) – 1,491,938, Pro Se Presents 15 by Various (Pro Se Productions, November 29, 2012) -1,494,161

This is quickly becoming the Holmes list as the top four spots are held by books featuring Conan Doyle’s classic character.  It might be said that recent news concerning suits against the author’s estate may have something to do with that, but it’s much more likely it is simply the popularity of the character

The list is fairly soft again this week, but with upcoming releases from Altus, Pro Se, Airship 27 and others in the near future, that is very likely to change.

Pro Se doesn’t appear in the list this week, which may be a first or at least a rarity.   That will most likely change in the near future with the rate at which Pro Se produces new titles.

One notable new entry on the list is ‘Fourteen Western Stories’ by Lloyd Fonvielle, the author of the screenplay for ‘The Mummy’, usually a favorite among New Pulp Fans.

This week, MX Publishing carries four titles in the list, with Airshipfollowing up with two.  Lloyd Fonvielle, Nifty Entertainment, Fight Card, and Autogyro all make the list with one title each. Don’t forget, folks.  This list comes with its own grain of salt and should be taken with same.