The Mix : What are people talking about today?

CAPTAIN HAZZARD BRAVES THE CITADEL OF FEAR ONCE MORE!

PRESS RELEASE:

CAPTAIN HAZZARD The Citadel of Fear By Ron Fortier & Martin Powell NEW AIRSHIP 27 EDITION 

Airship 27 Productions is happy to once again announce the availability of its second Captain Hazzard adventure; Citadel of Fear by Ron Fortier & Martin Powell.

 In 2011 Airship 27 Productions parted ways with their former publisher and many of their titles soon sold out at distributors such as Amazon etc. Eventually copies could only be found at various independent bookstores selling for exorbitant prices.

“It was always our intention to get all our titles back out in these new Airship 27 editions,” explains Managing Editor & Co-author Fortier. “Of course we have to juggle doing these reprint editions around our schedule for releasing new titles. It’s not always an easy task. Over the past year, many Captain Hazzard fans have written us complaining of the book’s unavailability at a fair and reasonable price.”

Fortier also notes that the remaining two Captain Hazzard novels that he has written; Curse of the Red Maggot and Cavemen of New York will also be offered in new editions as time allows. “Obviously it’s our goal to have all of them up soon and we thank our loyal fans for their patience in this process.”

When scientists from all studies begin disappearing, Captain Hazzard and his team of adventures take up the mystery which leads them to a secluded city of wonders deep within Rocky Mountains ruled by the daughter of a would-be world conqueror. The book is the first co-writing venture between Fortier and Powell, long time friends and features interior illustrations by Art Director Rob Davis with a stunning cover by Laura Givens.  

Fortier is currently writing a fifth Captain Hazzard novel he hopes to have completed soon.

 CAPTAIN HAZZARD – CITADEL OF FEAR Now available at – Create Space (https://www.createspace.com/4148616_) Soon at Amazon and Kindle. Currently still available at their website – (http://robmdavis.com/Airship27Hangar/index.airshipHangar.html)

VAN ALLEN PLEXICO ONCE AGAIN DIVES INTO THE BOOK CAVE

New Pulp Author Van Allen Plexico visits The Book Cave to talk about the latest installment in his Sentinels series of books as well as his new Lords of Fire sci fi novel with Art Sippo, Bruce Rosenberger, and Ric Croxton.

Listen to The Book Cave Episode 215: Van Plexico and The Sentinels now at http://thebookcave.libsyn.com/the-book-cave-episode-215-van-plexico-and-the-sentinels

Disney Teases Two Films

EVANORA_DARK_GENERICWalt Disney announced today that the hotly rumored 1952 project is officially titled Tomorrowland. Written by Damon Lindelof and Brad Bird from a concept by Lindelof and Jeff Jensen. Lindelof (Star Trek, LostPrometheus) will produce and Bird (The IncrediblesMission: Impossible – Ghost Protocol) will produce and direct. Jensen, a longtime contirbutor to Entertainment Weekly and one-time Teen Titans writer, is making the jump to the big leagues with this one. George Clooney is signed to star in the film which is scheduled for released December 19, 2014.

Coming out far sooner is Sam Raimi’s Oz the Great and Powerful. The studio released this teaser for the Super Bowl ad set to air on Sunday. Apparently, once the spot airs, the Disney website will be taken over by one of the witches. Willit be a good witch or a bad witch remains to be seen.

DARK_GLINDA_GENERICDisney’s fantastical adventure “Oz The Great and Powerful,” directed by Sam Raimi, imagines the origins of L. Frank Baum’s beloved wizard character. When Oscar Diggs (James Franco), a small-time circus magician with dubious ethics, is hurled away from dusty Kansas to the vibrant Land of Oz, he thinks he’s hit the jackpot—fame and fortune are his for the taking—that is until he meets three witches, Theodora (Mila Kunis), Evanora (Rachel Weisz) and Glinda (Michelle Williams), who are not convinced he is the great wizard everyone’s been expecting. Reluctantly drawn into the epic problems facing the Land of Oz and its inhabitants, Oscar must find out who is good and who is evil before it is too late. Putting his magical arts to use through illusion, ingenuity—and even a bit of wizardry—Oscar transforms himself not only into the great wizard but into a better man as well.

Oz The Great and Powerful is produced by Joe Roth, with screen story by Mitchell Kapner and screenplay by Mitchell Kapner and David Lindsay-Abaire. Grant Curtis, Palak Patel, Josh Donen and Philip Steuer are serving as executive producers. Oz The Great and Powerful opens in U.S. theaters on March 8, 2013.

The Point Radio: Why THE FOLLOWING Will Just Get Hotter

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THE FOLLOWING has exploded onto Fox primetime, and we begin our exclusive look at the show that everyone is talking about. Creator Kevin Williamson along with actors Anna Parisse and Shawn Ashmore talk about just a few of the ways the series stands put from the rest of TV, plus as 30 ROCK prepares to say goodbye, we talk to cast member Grizz Chapman who thinks the exit might be a little premature. And did you hear that the old X-MEN Movie gang is getting back together?

Check out our <a href=”

target=”_blank” rel=”noopener”>exclusive video interview with KEVIN BACON right here on our YouTube Channel. Take us ANYWHERE! The Point Radio App is now in the iTunes App store – and it’s FREE! Just search under “pop culture The Point”. The Point Radio  – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any other  mobile device with the Tune In Radio app - and follow us on Twitter @ThePointRadio.

Monday Mix-Up: Superhero Hockey!

Now that the NHL strike is over and hockey is back, who saved the season? Superheroes!

Playing for the heroes: Batman, Spider-Man, Rogue, Gambit, and Iron Man. Playing for the villains: Bane, Joker, Mystique, Catwoman, and Deadpool… and Commissioner Gordon as the referee!

 

Mindy Newell: Today’s About Yesterday

Newell Art 130128Last week I told you about my family’s celebration of my dad’s 90th birthday. This week I’m going to talk about another birthday.

The Doctor’s.

Doctor who?

That’s right.

He turns 50 years this year, plus another 1000 – give or take. And tonight – uh, last night, actually – all us Whovians are – uh, were, actually – being treated to the first of a series of special events celebrating his golden anniversary, with The Doctors Revisited: The First Doctor, which is going to be – uh, was, actually – on at 9:00 PM, to be followed – uh, was followed – by a re-airing of the sixth episode, The Aztecs. I’m surprised – I mean was surprised – that the producers didn’t choose to air the first episode, An Unearthly Child.

In that episode, schoolteachers Ian Chesterton and Barbara Wright become – became – curious and concerned about their 15-year-old student, Susan Foreman. Although the girl is – was – brilliant in science and history, but she doesn’t – didn’t – know how many shillings there are – were – in a pound. In fact, she says – said – that English currency is – was – on the decimal system. And she argues – argued – that she cannot – couldn’t – solve an equation about dimensions with only “a.” “b,” and “c” – there must be a “d” and an “e,” she insists – insisted. They follow – followed – her home one evening and discover – discovered – that Susan apparently lives – lived – in a police box sitting in the middle of the junkyard. Shortly afterwards, Barbara and Ian break – broke – into the police box and meet – met – Susan’s grandfather, a churlish old man who introduces – introduced – himself as the Doctor.

And that’s when they discover – discovered – that the police box is – well, actually, the police box is still the – a TARDIS, a strange machine which is bigger on the inside than it appears on the outside – well, actually, it still is – and which travels through space and time – well, actually, it still does, though it can’t return to fixed points in time, as we saw in this season’s The Angels Take Manhattan. The Doctor is – was – afraid that Barbara and Ian will – would – tell the authorities what they have seen, so he activates – activated – the TARDIS and takes – took – them all to the Stone Age.

I’ve never seen any of William Hartnell’s episodes – uh, well, actually, now I have – and I’m really looking forward to seeing The Aztecs – uh, I mean, I was looking forward to it.

It was really good.

Wasn’t it?

TUESDAY MORNING: Emily S. Whitten

TUESDAY AFTERNOON: Michael Davis

 

PRO SE ANNOUNCES YESTERYEAR AS ROLE PLAYING GAME!

For Immediate Release

PUBLISHER ANNOUNCES PULP/SUPER HERO ROLE PLAYING GAME
FEATURING NEWLY DESIGNED SYSTEM
psp_table_2-9378129

Pro Se Productions, a leading Publisher of Genre Fiction and New Pulp, announces that one of its most consistently popular properties is stepping beyond its covers and into the world of gaming.


YESTERYEAR by Tommy Hancock is a novel featuring a new universe of Heroes and Villains that explores the history of these characters, from their Pulp Roots in the Early 20th Century to the chaotic, power driven modern era of super powered beings.  Centered around a manuscript that disappeared in the 1950s -along with its author -that has resurfaced, YESTERYEAR weaves a tale between two books; The original manuscript that peels back the gilded curtain from the Golden Age and the story of a modern publisher who has possession of the mythic tell all and has to sort out how best to use and it and stay alive.  


Pro Se in conjunction with lost gamers productions announced that YESTERYEAR is being developed into a Role Play Game and will debut at Pulp Ark 2013.  


“It’s really great,” Hancock stated, “that YESTERYEAR has gone to this level.  In working on the second book (Nomorrow) it became quickly evident that there’s even a richer world than I first thought that can be played with in this series, not just by me, but by people who really know how to play.  And to work with the guys at LGP is fantastic.  They’re not only experts in game design and mechanics, but they came by that expertise by being gamers themselves.    And to watch them apply their knowledge to my stories and to really breathe a whole new life into the universe I’ve gladly created, has been awesome.”

Not only will YESTERYEAR be a role playing game, it will actually be able to played in two different ways, thanks to a card-based system developed by LGP.  The Quadrant System will allow YESTERYEAR to be a tabletop RPB as well as a LARP (Live Action Role Play) with no required variances.

“Although I’ve played a few RPGs,” Hancock said, “I by no means would qualify myself as a gamer.  Yet, when I participated in one of the first testings of the Quadrant System for YESTERYEAR, it was simple and easy for me to understand.  The ease with which the game can transition from tabletop to LARP is simple and amazing.”

YESTERYEAR has been and will continue to be tested in a variety of ways by the minds behind LGP, both internally and through application at conventions between now and April.  The first official unveiling and playing of the game will be April 26-28, 2013 at Pulp Ark in Springdale, Arkansas.


Currently the Game Description is- Former Masked Man Ramsey Long’s  once missing tell all journal has resurfaced and both Hero & Villain alike are determined to take possession of it, by any means necessary. What secrets are kept within the journal? What really happened to Ramsey Long? And when the dust settles, where will your loyalties lie?
As for what materials will be available for purchase at Pulp Ark 2013 related to the game, details are still forthcoming.  “Source books,” Hancock stated, “are in the planning stages and will be put together by some of Pro Se’s top talent as soon as all the particulars are worked out.   As far as having something available for fans to walk away with at Pulp Ark 2013, we most definitely hope to have just that.”

For more information on YESTERYEAR’s debut as an RPG at Pulp Ark 2013, please go to www.pulpark.blogspot.com, email Hancock at proseproductions@earthlink.net, or call at 870-834-4022!

lostgamers productions (never capitalized), or LGP, is a gaming development group out of Memphis, TN. What started out as a small group of friends, arguing about every type of game available, has grown into tight-knit force of creative innovation. Since its inception, one major focus of LGP has been to evolve beyond the traditional style of tabletop & live action role-playing games and give its audience something different. Something they didn’t have collecting dust on a shelf at home. Along the way, they’ve introduced us to furniture-obsessed soldiers, multi-cultural pitchmen, living miniatures and computerized wrestlers. So, whether you’ve been SHAFTED or manipulated in a game of GEEK BALL, you can attest to their commitment to make sure you’ve experienced something fun. And nothing proves that better than their premiere experience, DEBATE OF THE DEAD.



Pro Se Productions is Your Home for New Pulp!  Come join us as we Put The Monthly back into Pulp at www.prosepulp.com and www.pulpmachine.blogspot.com


John Ostrander’s Crossing Realities

Ostrander Art 130127There’s a plethora of “reality” shows on the tube and some fit into the niche of what I call “redneck reality” – shows like “Here Comes Honey Boo Boo,” “Redneck Vacation,” “Alligator Wrestlers” and so on. There’s also a niche of “supernatural reality” shows such as Ghost Hunters, Finding Bigfoot, and other “investigative” shows. Of course there is also fictional horror shows that are real big like “The Walking Dead” and “American Asylum.” At least, these are shows that intend to be fictional.

I’m not loathe to hop on a bandwagon and I love combining genres or niches so I’ve come up with an idea for a supernatural redneck reality show I’m calling “Zombie Wranglers”.

Cue theme music and opening credits: Zombie Wranglers with Joe Bob Briggs, Ellie Mae Clampett and Simon Pegg.

Narrator: Zombie encounters depicted in this show are handled by self-proclaimed experts in the field. Do not attempt these at home. If you see a zombie, run like hell.

Opening visuals: The team walking through bayou country with Joe Bob in the lead. And he talks to the camera. Ellie Mae, in a tied off red plaid shirt opened to the third button and cut offs cut way up high, is on one side, Simon, carrying all the equipment, brings up the rear.

JOE BOB: This week me and the Zombie Wranglers team are in Bayou Country of Loosiana. Lots o’ Zombie sighting out this way. A few running wild. Hopefully, we can hook up with a local bokor, or voodoo priest, who can give us the lay o’ the land.

Now, your average bokor, he may raise himself up some zombies but mostly it’s just to work around the hut or run errands and such. Very rarely do you come across a bokor trying to create a zombie army and I myself personally have never come across one trying to create a zombie apocalypse. Stands to reason – if zombies take over the whole world, where’s the bokor gonna live, I ask you.

Sometimes you might get a hybrid, like a zombie loupy garou or werewolf. Those are nasty. I’ve heard some talk ‘bout bigfoot zombies but, personally, I’ve never believed in sasquatches myself. That’s a little too out there for me.

Some ignorant types said they don’t find zombies all that scary because you can just outrun ’em. That’s not always true. An older zombie, one that’s come back to life a while ago and whose grave is old, yeah, okay. Their joints are stiff and they just creak along. A newly raised zombie or one created by a zombie bite? That’s a different story. They can move pretty fast and you may not know which is which just to look at ‘em.

Hey, Simon – we seem to be getting’ nowhere in a hurry. How ‘bout you send up a zombie call?

Visual: cut to Simon, muttering.

SIMON: How ‘bout yew carry yer own weight on this show, yew bloody gobshite.

JOE BOB: What was that?

SIMON: I’m doin it!

Visual: Simon cups his hands around his mouth and calls.

SIMON: Urgh! Aargh!

Visual: All three heads turn as a cry comes back from close by.

VOICE (off) Urgh! Aargh!

Visual: Camera turns to catch a pretty fresh zombie lurching out of the brush.

ZOMBIE: Urgh! Aargh!

Visual: Joe Bob keeps his eyes on the off camera zombie as he gives direction. Middle background – Ellie Mae unbuttons another button on her shirt. Simon starts sneaking off in the background.

JOE BOB: Okay, Ellie Mae, prepare to lure him on. Not too fast now. And undo another button on that shirt; that’s pure ratings gold right there. Simon, start circling ‘round now behind him.

ELLIE MAE: Right you are, Joe Bob.

Visual: Ellie Mae, glancing behind her with wide eyes, faking being scared, prances on in front of the zombie, her breasts heaving, The zombie, distracted, follows her, reaching for her.

ZOMBIE: Hurrr?

ELLIE: EEEEEEEEE!

Visual: Joe Bob talks to the camera in a calm, professional manner.

JOE BOB: It’s a little known fact that zombies are easily distracted by a purty woman running just out of reach and screaming, especially if she has large hooters on display.

Visual: Joe Bob calling to Ellie Mae.

JOE BOB: Ellie Mae? You want to run a little faster than that, girl. This is a speedy critter.

Visual: The zombie grabs Ellie Mae by her hair, yanks her back, and bites her on the side of her throat. Ellie Mae no longer fakes being terrified; her screams are for real.

ZOMBIE: Hurrr! Aargh!

ELLIE MAE: Gaaaaaah!

Visual: Simon, coming up from behind, furiously plants a machete in the top of the zombie’s head. The zombie releases Ellie Mae but her eyes roll up in her head.

SIMON: Let go of her, ya bloody beastie!

Visual: The zombie, the machete still in its head, turns around and bites Simon in the arm. His eyes start to roll up in his head as he grimaces in pain.

ZOMBIE: Urgh! Aargh!

JOE BOB: (off camera) See now, this is a classic mistake in combating zombies. You want to strike crossways across the neck and take off their head. Top wise like Simon did does no damn good a’tall. Tell ya the truth, I’m a little surprised at Simon for bein’ so unprofessional.

Visual: Back to Joe Bob as he keeps a wary eye out off camera.

JOE BOB: Now yew folks are gonna get a little extra treat here. You’ll see how someone bit turns into a zombie like Ellie Mae and Simon are about to do.

Visual: Simon and Ellie Mae, their faces going white and their eyes sinking back in their sockets, stand jerkily and raise their arms in classic zombie fashion.

JOE BOB: (off camera) There now. Skins getting’ all pasty white and stuff. See that? Sure sign of them turnin’ into zombies, you bet.

ELLIE MAE: Braaains. . .

SIMON: Braaaains. . .

Visual: Joe Bob seeing that their coming for him and turning to run.

JOE BOB: Well, that’s about all the time we got for this week. I’ll be back next week with a new Zombie Wrangler crew. In the meantime, don’t let em’ grab you! Bye all!

Visual: long shot of the zombies chasing Joe Bob through the bayou as ending credits and theme run.

The Author Concludes: Discovery Channel, TLC – I’m waiting for your call.

The Editor annoyingly adds: Illustrating Mr. Ostrander’s column today is a Wasteland piece by the gifted artist and energetic entrepreneur Michael Davis, best known for his long-running ComicMix column published every Tuesday afternoon… when we can find him.

MONDAY: Mindy Newell

PRO SE ANNOUNCES BLACK PULP FEATURING BEST SELLING AUTHORS!

FOR IMMEDIATE RELEASE

Publisher Announces BLACK PULP Collection

Featuring Best Selling Authors


Batesville, AR – 1/26/2013 – Pro Se Productions, a publisher of Genre Fiction, works to not only harken back to the classic fiction of Pulp magazines and adventure tales, but also to push the boundaries of modern Genre fiction in many directions.   To that end, Pro Se Productions reveals a new anthology to be released in early 2013, a collection featuring the work of various authors, including bestsellers Walter Mosley and Joe R. Lansdale. 

Cover for BLACK PULP
by Adam Shaw

Black Pulp is a collection of stories featuring African characters in leading roles in stories running the genre gamut.   Pulp Fiction of the early 20th Century rarely, if ever, focused on characters of color and the handful of black characters in these stories were typically portrayed as racial stereotypes.  Black Pulp, a concept developed by noted crime novelist Gary Phillips, brings some of today’s best authors together with up and coming writers to craft adventure tales, mysteries, and more, all with black characters at the forefront.

 Also co-editor of Black Pulp, Phillips observed, “While revisionism is not history, as Django Unchained signifies, nonetheless historical matters find their way into popular fiction.  This is certainly the case with new pulp as it handles such issues as race with a modern take, even though stories can be set in a retro context.  Black Pulp then offers exciting tales of derring-do and clear-eyed heroes and heroines of darker hues appealing to all.”


Black Pulp features a new original essay on the nature of Pulp, both classic and modern, by award winning author Walter Mosley.  Known for his bestselling Easy Rawlins novel series as well as books featuring Private Eye Leonid McGill, Mosley is widely published in fiction, both literary and genre, and non-fiction. Mosley has received several honors, including a Grammy, PEN America’s Lifetime Achievement Award, and an O. Henry award.

Also featured in the anthology is a classic story by Joe R. Lansdale. Lansdale is not unfamiliar to Pulp, having written such notable characters as Tarzan as well many of his own original creations, including Hap & Leonard.  Winner of the Edgar Award, multiple Bram Stoker Awards, The Horror Writers Association Lifetime Achievement Award and many others, Lansdale’s story provides his own take on Black Pulp.

Black Pulp Co-Editor, Contributor,
And Idea Bringer
Gary Phillips

Other contributing writers include Chester Himes Award winner Phillips, two time Shamus Award winner Gar Anthony Heywood, noted author Kimberly Richardson who currently has two works enlisted for Pulitzer Prize nomination, Dixon Medal winner Christopher Chambers, critically acclaimed novelist Mel Odom, hip-hop chronicler Michael Gonzales, Pulp Factory and Pulp Ark Award winner Ron Fortier, Pulp Factory Award winner Charles Saunders, Pulp Ark Award winners Derrick Ferguson and Tommy Hancock(also Publisher co-editor of Black Pulp), and noted writers Michael Gonzales and Alan D. Lewis.


Black Pulp is slated for print and digital release in early 2013 and features an original cover by Adam Shaw.  For more information concerning Black Pulp and Pro Se Productions, contact proseproductions@earthlink.net.

Peter David’s Tigerheart eBook on Sale for $2.99

tigerheart-e1359210042131-6028433As you know, Peter is facing some horrific medical bills in the coming months and everyone is doing their part to help out. This now includes his publisher, Random House, which has temporarily reduced the eBook price of his fabulous fantasy, Tigerheart, to a mere $2.99.

The pastiche of J.M. Barrie’s Peter Pan was originally released in 2008 and remains one of his proudest achievements.

For those unfamiliar with it, here’s the official description:

For all readers who have ever lent an enthusiastic ear to a wonderfully well told tale, or tumbled gladly into pages that could transport them anywhere, now comes novelist Peter David’s enchanting new work of fantasy.

Action-packed and suspenseful, heart-tugging and wise, it weaves a spell both hauntingly familiar and utterly irresistible for those who have ever surrendered themselves to flights of fancy, and have whispered in their hearts, “I believe.”

Paul Dear is a good and clever boy, doted on by a father who fills his son’s head with tall tales, thrilling legends, and talk of fairy-folk, and by a mother who indulges these fantastic stories and tempers them with common sense. But Paul is special in ways that even his adoring parents could never have imagined. For by day, in London’s Kensington Gardens, he walks and talks with the pixies and sprites and other magical creatures that dwell among the living-but are unseen by most. And at night in his room, a boy much like himself, yet not, beckons to Paul from the mirror to come adventuring. It’s a happy life for Paul, made all the more so by the birth of his baby sister.

You can find it for this low, low price at Amazon’s Kindle or Barnes & Noble’s Nook and it comes highly recommended by those who have read it.

A big thank you to Nook’s Ali T. Kokmen for helping make this a reality.