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Michael Davis: Dark Saturday Knight

davis-art-130108-1522096I finally watched The Dark Knight Rises last Saturday.

Just a short recap: personal demons of mine kept me from seeing the film when it opened because of the shootings that happened during an opening night screening.

The first day the film came to Blu-Ray I brought a copy and planed a Dark Knight Rises night, complete with all the man cave fixings. That week another mass shooting happened and again I put the film on hold. Then Sandy Hook happened and again I put the film on hold.

I freely admit that I’m a pussy when it comes to confronting my own demons. I also freely admit that because of those demons I’ve made stupid decisions and reacted quickly instead of smartly.

Comics, animation, video games and the like take up a great deal of my time and my life, but they are not all my time or all my life.

I was not ready to see The Dark Knight Rises and waited until I was.

The film was, in a word, great.

I don’t regret waiting I don’t regret not seeing it on the big screen because the film was so badass I could have watched it on an iPhone and loved it.

On another note…

Dwayne McDuffie was a dear friend and creative partner of mine. I have yet to watch All-Star Superman, written by Dwayne, which debuted around the time of his death. I’m just not ready. But it sure is something to look forward to.

WEDNESDAY MORNING: Mike Gold Laughs!

 

REVIEW: House at the End of the Street

house-at-the-end-of-the-street-3792594There are flashes of characterization, wit, and warmth in House at the End of the Street, making you hope it is a cut above your modern day horror film. The movie largely focuses on the mother and daughter tandem of Sarah (Elisabeth Shue) and Elissa (Jennifer Lawrence), as they struggle to start fresh in a town after divorce. They can only afford to rent such a nice house because it is situated near the home where a young girl murdered her parents so is tainted. Of course, right there, you know the daughter is still around. Then we learn the son, who had been living with relatives when the heinous act occurred, had moved back in. And we’re off.

The movie, said to be inspired by a short story written by Jonathan Mostow, probably worked better as prose, where more could be done to set mood and character without falling into the tropes that reduce this to a cookie cutter thriller that fails to really thrill. The best thing it has going for it as some twists and turns towards the end that are interesting but are not explored (nor will I discuss so as not to spoil it for fans).

What makes the movie interesting to watch is the cast, headed by Shue, who hasn’t done much interesting work since Leaving Las Vegas, but makes the most of the underwritten role of the mother tightening her grip on the teenage daughter she loves, realizing she’s losing her at the same time. Lawrence, a major star thanks to Winter’s Bone and The Hunger Games, also doesn’t really get enough to work with but plays the new girl at high school rather well. Her scenes with Max Theriot, the boy next door, are some of the best in the film.

Had screenwriter David Loucka and director Mark Tonderai –two men with negligible credits — played more with the mother/daughter, new girl in town threads, this could have been a far richer, more believable tale. Instead, they fell into the trap of using that as window dressing, focusing instead on the mystery of who is trapped under the floor of the cursed house. The soundtrack by Theo Green adds a level of suspense that the perfunctory photography fails to deliver.

The disc coms with the 101-minutetheatricalversion and the unrated 107-minute version, which is just more of the same, making it all the more disappointing. The promised shocking added twist is interesting and could have made the film more interesting, and certainly more of a Hitchcockian thrill ride as promised in the short extra “Journey Into Terror” where the cast and crew heroically make it sound like the film was worth the effort. For Lawrence, this is one of those she will keep on her resume and probably never talk about again.

This release, out now from 20th Century Home Entertainment comes with both versions on a Blu-ray disc and the standard DVD and digital copy are on the second disc.

Emily S. Whitten: Geeklitism – Part I

whitten-art-130108-5164849I think tomorrow I’ll call up Merriam-Webster and suggest a new word for their dictionary. That word? Geeklitism. (Not to be confused with Geekleetist, which posts fun stuff).

It should be in the dictionary, because it certainly is a thing that exists. But how would I suggest they define it? Damned if I know, although I guess the short version could be: “claiming you’re a ‘real geek’ and other people aren’t; claiming you’re the superior geek.” But really, the various aspects of both this attitude and of being a “geek” generally are so broad that I’m not sure they can be encompassed in a dictionary definition.

The reason for this, and the funny thing about “being a geek,” is that it’s a different experience for everyone. For instance, I’ve been a geek probably all of my life; but I don’t know that I ever really knew it until adulthood, when, thanks to the increased ease of finding like-minded people via the internet, it suddenly turned out it wasn’t such a bad thing to be. As far as I recall, no one called me a geek growing up. I had no idea I was part of this mysterious group of people called “geeks.”

“What??” I can hear a geeklitist out there crying out in triumph. “No one called you a geek? That must mean that you didn’t get bullied by the “cool kids” in school! Haha! You can’t understand the suffering and hardships that I went through in my formative years because of my love of stories about hobbits! You are not a real geek like me!” (This is the kind of thing geeklitists say, don’t you know. Sometimes they also add, “And all the girls made fun of me!! I’ve never gotten over that! My life was so hard!”)

But that’s not really what I said, is it? Of course I got picked on. Most kids do. For instance, when I was in first grade and all the cool kids in my new school had moved on to jeans or whatever was in fashion, my mom, bless her, still dressed me in cutesy pastel sweatsuits with big decorative (but pointless) buttons and bows on them. It follows that one of my first memories of my new school is three girls in my class making fun of my clothes on the playground – at which point I probably said something mean.

I was a well-read little child, who could creatively insult other children with words that none of us really knew the meaning of; but they sounded like insults, so it all worked out. For example, at some point in my primary school years, one of the biggest insults I remember using was, “You’re corroded!” (Which makes no sense under the real definition but sounds like maybe you have a gross skin condition?) My favorite of the weird words I personally transmogrified into an insult when young was “You’re a transubstantiationalist!” No one else had any idea what it meant, but I managed to convince the kids I was using it on that it was a really horrible thing to be. Mwahaha. But I digress. Anyway, at that point, we all got in a fight. Like a physical fight, of the kicking and punching and hair and decorative bow-pulling variety. Yowch.

“Whatever!” the geeklitist is saying. “That’s not what I meant. That’s just fashion. You were only a geek if you were ostracized because of your offbeat hobbies and/or love of genre fiction as a child! That’s what makes you a real geek like me.” Well, yes. I was that, too. I used to sit by myself at lunch and read giant books that were too “old” for me, like Clan of the Cave Bear and The Mists of Avalon, propped up in front of me as I ate with painful slowness (something else for which I was occasionally teased, but which turns out to be the healthy way to eat. Take that!). I’d walk down the school halls reading A Swiftly Tilting Planet or maybe The Deed of Paksenarrion without looking up (during which I developed a great sixth sense for not running into people while looking down, which is very handy these days when texting while walking to work).

I was definitely called weird, and often, annoying (because I used big words and talked a lot) more times than I can count. I engaged in some geek activities that probably would have been thought cool by at least the little boys in my class, like watching Teenage Mutant Ninja Turtles and X-Men cartoons, but I never realized that, because at that point in my life, boys had cooties. (Of course.) I’m not saying I didn’t have friends; I did, and they were a lot of fun. But I also got made fun of; and as far as I knew, most of my friends were not actually interested in The Lord of the Rings or Batman: The Animated Series. I don’t even know that I ever thought to ask most of them.(Or if I did, and received blank stares, I probably never brought it up again. This is why I’d never make a good Whedonvangelist, another word I’ve decided should be in the dictionary.)

Those were the sorts of things I often enjoyed alone, and didn’t really talk about that much, and that was fine. I knew (from others telling me, repeatedly) that I was a weird child, and I guess I just kind of assumed that was how life was and would continue to be for me – having some interests that nobody around me shared. Of course, that feeling of being alone in one’s interests is often cited as part of the experience of geekdom; and of course, in truth, lots of other people also had those interests; I just hadn’t discovered them yet. But I guess that’s all part of being a geek.

“Ahaha!” an entirely different brand of geeklitist is chortling. “But none of that matters! That’s just kid stuff! You’re not a real geek like me unless you can list, right this minute, in reverse alphabetical order, every superhero who turned out to be a Skrull during Secret Invasion! And until you can name at least three obscure continuity errors in [my favorite comics character’s] ongoing storyline! And unless you can tell me your three favorite fighting tactics for the video game character whose costume you are now wearing!” But, second brand of geeklitist…the water is wide, and the world is large, and I might like a different character than you do, or I might focus on something for different reasons than you do. Are you saying your viewpoint and favorite genre things and factoids are inherently better and geekier than mine, and are the only things that can bestow upon all of us admission into the uber-exclusive society of geekdom, just because they are yours? …Well, yes, yes you are, and that’s pretty self-centered. We can all be geeks in our own ways, with our own specific areas of interest and knowledge. Right?

“No no,” chides another, lone geeklitist, standing apart with one brow raised and pointing a finger at each of us in turn. “You will never, ever be a real geek, because you didn’t watch Firefly until it came out on DVD! You only like the newest Doctor Who! You never participated in the drive to keep Chuck on the air via purchasing mounds of Subway sandwiches. You’ll never be a real geek, not any of you, because (cue dramatic music and Iwo Jima flag-raising reenactment) I was here first, and I claim this geekdom in the name of Geekmoria! It’s mine, all miiiiine!!!!!

…What? No, really, what? That’s just asinine.

“…”

“…”

“Well…maybe,” says the lone geeklitist doubtfully. “But I was here first.”

How do you know, lone geeklitist? Did you turn on your TV to a new show before anyone else in the entire world? Acquire an ARC of the first book in a now-beloved series? Hold in your excited hands the very first copy of the very first appearance of a comic book character? And even if you did…why does that give you any more claim to an appreciation of it than anyone else? Why does timing somehow make you more passionate about your geekdom than all the other geeks?

“…?”

Exactly.

So, any other geeklitists out there want to make a stand about how they’re the real geeks? I just ask because I don’t like to exclude people, although I realize the irony of saying that to you, geeklitists.

I’m hearing a lot of silence out there. Guess I’ll just wrap this u–what? I’m sorry? What did you say?

A chorus of low, angry, guttural voices rises from the deep to repeat itself, as one last group of geeklitists has its say:

You can’t be a real geek! You’re a girrrrrrrl!!

Oh, seriously. Shut up already.

And until next time, Servo Lectio!

TUESDAY AFTERNOON: Michael Davis Rises!

WEDNESDAY MORNING: Mike Gold Laughs!

 

Haters Gonna Hate

peterdavid-150x200-8492928While we fully believe that you should help Peter David recover from his stroke by buying his e-books here at ComicMix, we also believe we should give equal time to opposing views.

In that spirit, we point you to The OutHousers and Ten Reasons Why You Shouldn’t Help Peter David.

ZONE 4 PODCAST HITS 200 EPISODES!

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On Friday, January 11, 2013, the Zone 4 podcast celebrates its 200th episode with a LIVE video recording! Several guests will be dropping by, and all of you can watch and chat with us LIVE or catch it later on our YouTube channel later. Please join us in celebrating this monumental milestone! There will be giveaways!

The show will appear on the Zone 4 YouTube channel as it airs, and you can leave comments there. If you ask us questions, we’ll answer what we can on air!

GRAVEDIGGER TAKES ON THE SCAVENGERS BEGINNING FEBRUARY 4TH

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Art: Rick Burchett

Beginning on February 4th, 2013, Christopher Mills and Rick Burchett’s Gravedigger web comic returns. Visit www.gravediggercomic.com every Monday for a new installment of the critically-acclaimed crime thriller, “The Scavengers,” starring the toughest tough guy since the 70s, “Gravedigger” McCrae.

FRANCESCO FRANCAVILLA’S BLACK BEETLE PREMIERE’S TO RAVE REVIEWS

Art: Francesco Francavilla

Dark Horse Comics has released the above poster as part of a promotional campaign of new “SUPER” titles that are launching in January 2013, including Francesco Francavilla’s Black Beetle.

Look for Black Beetle: No Way Out #1 coming January 2013.

Learn more about The Black Beetle at http://theblackbeetle.blogspot.com.
Dark Horse Press Release
Dark Horse Comics is thrilled to announce a new creator-owned series from Francesco Francavilla, the 2012 Eisner Award winner for Best Cover Artist!
Francavilla’s critically acclaimed The Black Beetle returns in December with The Black Beetle #0, which will collect the three-part story entitled Night Shift that originally appeared in the pages of the Eisner Award–winning Dark Horse Presents. The issue will feature a brand-new cover, twenty-four story pages, and bonus sketch material and art!
January brings The Black Beetle: No Way Out, a four-issue story that marks the first full series for Francavilla’s Black Beetle, continuing from the self-published, limited-edition ashcan comic of the same name—the first appearance of this exciting new pulp hero!
In Night Shift, an ancient artifact known as the Hollow Lizard—a powerful totem of dark magic—shows up at the Colt City Natural History Museum. Hitler sends his fearsome Werwolf Korps to collect the piece in hopes it will help him unlock the secrets of ancient Egypt’s Black Priests. Unfortunately for the führer, Colt City’s protector, the Black Beetle, is on the case!
In No Way Out, Black Beetle’s investigation of two local mob bosses is interrupted when a mysterious explosion murders them and a pub full of gangsters—taking out most of Colt City’s organized crime in one fell swoop. Who could pull off such a coup, and what damage might that murderous bomber inflict upon Colt City and Black Beetle?
Francavilla’s The Black Beetle series will also showcase a letter page so fans have the chance to have their thoughts, comments, and compliments answered by the creator himself! E-mail blackbeetle@darkhorse.com for a chance to see your letter in The Black Beetle: No Way Out!
“Francavilla delivers the pulp noir that suits his style perfectly.”—Comic Book Resources
The Black Beetle #0 hit comic store shelves everywhere December 19, 2012!
The Black Beetle: “No Way Out” #1 in store January 2013!

GANGSTER SQUAD’S PULPY ADVERTISEMENT CAMPAIGN

Warner Brothers ran the following ad in The LA Times to promote the upcoming film, Gangster Squad. We couldn’t help but notice it’s pulpy nature.

Gangster Squad chronicles the LAPD’s fight to keep East Coast Mafia types out of Los Angeles in the 1940s and 50s.

An elite police squad fights to save the city of Los Angeles from a power-hungry East Coast mobster in this gritty police-detective film set in the 1940s, and based on Paul Lieberman’s seven-part Los Angeles Times series “Tales From the Gangster Squad.” Sean Penn, Josh Brolin, and Ryan Gosling star in a film directed by Ruben Fleischer (Zombieland), and featuring Nick Nolte, Michael Peña, Emma Stone, and Robert Patrick.

Visit Gangster Squad’s official Facebook page here.

Gangster Squad is in theaters January 11, 2013.
Here’s the trailer.

JONATHAN MABERRY WANTS YOU TO NAME HIS ASSASSIN

The Joe Ledger series by Jonathan Maberry

New Pulp Author Jonathan Maberry has announced the first of three contests for the upcoming Joe Ledger novel, Code Zero.

From Jonathan Maberry:
Joe Ledger/ CODE ZERO contest #1

I’m launching the first of (three) CODE ZERO contests.

THE RULES: come up with a name for an assassin. Male or female. No comical names. Something cool and compelling. Something memorable.

You may post as many suggestions as possible.

All suggestions must be posted on the contest thread on either of my Facebook pages [here and here]. (Twitter followers need to cruise over to Facebook to post your entry). Email and IM postings are not accepted. For duplicate names, the first posted entry will count.

THE PRIZE:

Three runners up will win signed 1st editions of the rare hardcover of ASSASSIN’S CODE and they will each be thanked in the acknowledgements page of CODE ZERO (scheduled for release March 2014).

The grand prize winner will have their character name used in the book; plus you will also appear in CODE ZERO (though it’s likely to be a short and painful walk-on). You’ll also get an ECHO TEAM coffee mug. And you’ll be thanked in the book’s acknowledgements page.