Dear Uncle Huff ,

Look, I know that your guns are important to you: more important than Emmy’s knitting is to her, more important than the twins’ comic book collection is to them, maybe more important than Gran’s daily mass and communion is to her.

For openers, there’s your collection, the best in town. From the nifty little .22 derringer to the awesome AK47, it’s a display of firearms you’re justly proud of. And yes, I remember sitting in your living room, cocking and dry-firing your Colt Peacemaker. Sure, guns fascinate me. I’m an American male.

But the collection is only the beginning. Guns provide a focus for your energy and enthusiasm. They give you a social life, too. I’ve seen you at the gun shows, kidding around with your pals, sharing information and opinions with them. They’re your tribe and you’re happy to have a tribe and to be part of this one. And guns give you an area of expertise – something most of us want. You stand holding the Glock in both hands and empty it downrange and the target you’re shooting at is shredded. You smile. You’re a damn good shot and you know it.

I wonder if fear isn’t part of your devotion to weapons. Some where along the line, you realized that the world is dangerous and unpredictable and having the capability to end an enemy’s life with a half-pound of pressure on a trigger give you a feeling of security.

Let us not forget your patriotism. When the “liberals” – a word you expel from your mouth like it has a bad taste – criticize guns and gun owners, you cite the Second Amendment and when the liberals suggest that our founding fathers meant for state militias to be armed and said nothing about ordinary Joes, you shrug.

Even if the founding fathers hadn’t limited their recommendation to military organizations, they lived and wrote about 236 years ago. Do you still ride to work on a horse?

I’ll ask one more question – a snide question, I admit: if you’re so star-spangled patriotic, why have you never worn a uniform? You’re strong and healthy and intelligent and, let us remember, a fine marksman; the Army would have welcomed you. Okay, like I said: snide. I have no right to judge you, or anyone else.

So instead of judging you, let me plead with you to be enormously brave. Admit that you’ve been ignoring the elephant in the punch bowl, that guns may bear some responsibility for the barbaric slaughter of innocents we are continuously witnessing. Heed facts and ignore slogans. Find the courage to abandon important elements of your life so a greater good can exist. Admit that you might be wrong.

Whenever there’s an Aurora or Virginia Tech or Gabby Gifford, the pro-gun pundits say that now is not the time to discuss gun control, let’s wait until emotions cool. Then time passes and other matters claim the national attention, and eventually, there is more cause for mourning.

At least start asking the questions. Last week, 20 school children were shot to death.

Your nephew,

Jimmy

THURSDAY: Martha Thomases

THE ADVENTURES OF NICHOLAS SAINT, Tommy Hancock’s Pulp interpretation of Santa Claus and much to do with him, continue at http://pulpmachine.blogspot.com/2012/12/the-adventures-of-nicholas-saint-day-2.html for you to read for free!

Discover hidden wonders at the top of the world in Part 2 of the Adventures of Nicholas Saint and get the first peek at the man we all think we know as Santa!

And remember, click http://www.pulpmachine.blogspot.com/p/the-adventures-of-nicholas-saint-free.html to keep up with previous chapters!

Designed by Perry Constantine

Cover Art: Alex Ross

Dynamite Entertainment has shared a preview of the new ‘The Shadow Special’ #1, which is available in comic shops next week.

About The Shadow Special #1:
The Shadow knows what evil lurks in the hearts of men.  But when Lamont Cranston crosses paths with an old friend–a fellow veteran of “the war to end all wars”–Cranston’s justice serving alter ego must judge a man whose path to villainy began with their friendship!  At the risk of his own secrets being laid bare, Cranston accepts an invitation to join a very exclusive club of adventurers whose dark hearts might be the worst The Shadow has ever encountered!

Writer: Scott Beatty
Artist: Ronan Cliquet
Cover: Alex Ross
Format: 40 pgs., Full-Color
Cover Price: $4.99
Rating: Teen+

Click on images for a larger view.

Using the new Doctor Who Limited Edition Gift Set, your noble author will make his way through as much of the modern series as he can before the Christmas episode,The Snowmen.

For a person as long-lived as The Doctor, all his relationships seem to go by quickly.  This one goes by REALLY quickly…for him, that is.  But quite a long time for…

THE GIRL IN THE FIREPLACE
by Steven Moffat
Directed by Euros Lyn

“What do monsters have nightmares about?”  “Me.”

A young  woman in 18th-Century France is calling into her fireplace for The Doctor.  And after the opening credits, the narrative shoots 3000 years later, where the TARDIS lands on a spaceship light years from Earth.  Mickey is fascinated at the view, Rose is enjoying showing him the ropes, and The Doctor is wondering why there’s an antique fireplace in a derelict spaceship.  Looking into the hearth, he is rather surprised to see a young girl named Reinette looking through the other side.  She is even more surprised, because her side of the fireplace in in 18th century Versailles. After a brief talk, he examines the fireplace, and finds a latch, causing the whole thing to rotate around to the other side, into the 18th century.  The young girl is there, but she explains confusedly that their chat was months ago.  The Doctor examines the room briefly, noticing the clock on mantle is broken…but he still hears ticking.  He finds the sound under Reinette’s bed, and discovers a mysterious figure, clearly from the ship, but clad in period dress.  The creature has been scanning Reinette’s brain, and The Doctor can’t imagine why they’d expend the energy to cross time and space to scan a seemingly normal young girl.  Rather than spend time placing her in danger, The Doctor lures the thing back over the fireplace portal and onto the ship, quickly incapacitating it.  It’s an intricate clockwork android whose design The Doctor can’t help but admire, but it teleports away before he can inspect it.

Telling Rose and Mickey to stay put (because that ALWAYS works), he spins the fireplace back around, only to discover that Reinette has grown in QUITE the attractive young lady…specifically, the one we saw calling for hope in the pre-credit sequence.  She chats with him, catching up with her childhood friend, and plants a quite passionate kiss on him.  It’s only after she leaves, and he’s confronted by a guard that she realizes that young Reinette is the Madam du Pompadour, possibly one of the most famous (certainly the most successful) courtesans in human history.

Back on the spaceship, Mickey and Rose are off exploring, and The Doctor finds a horse, clearly having wandered onto the ship through another transfer point between the ship and Versailles. Walking through that one, The Doctor sees his now slightly older and even MORE hot friend in the garden of the palace. Meanwhile, Mickey and Rose have discovered that human body parts have been used to repair and maintain the ship – a human eye in a camera and a heart running as a pump.  The part they need the most is Reinette’s brain, which they will take on her thirty-seventh birthday.

Why does a spaceship from 3,000 years later think the brain of a French courtesan will be compatible with its computer system?  Well, that is a rather good bit of the story.

This is one of Moffat’s best episodes, mixing the complex time-travel plot that he will soon become (in)famous for, and a simple love story. Others clearly thought so as well, it’s the first of his Hugo wins for the show as well. What’s interesting is that he really only spends a couple hours with Reinette, but it’s across most of her life.  We’ll see this theme pop up a couple times – it’s basically the same way the Eleventh Doctor met Amy Pond.  And the idea of the out of sync timelines will re-appear with Amy again, in The Girl Who Waited.

The sets were built in a very unique way for this episode.  The spaceship and bedroom sets were actually next to each other, so the fireplace could actually rotate between them.  The rest of the rooms of the palace connected as well, for the various moments of moving between rooms.  One of the most complicated effects shots in the episode was The Doctor crashing through the mirror.  A number of elements, including CGI glass, the jump being done at a different location, and all the people in the room.  Sometimes the stuff that looks the best and takes the longest doesn’t look like an SFX shot at all.

Are comic books too violent?

Sure, this is a question some will ask in the wake of a tragedy like last Friday’s massacre in Newtown Connecticut – and a question soon-to-be-ex Senator Joe Lieberman asks every day. But let me put aside my deep-seated prejudice against book-burners for the moment and tell you who else is asking this question right now.

DC Comics is asking this question. Actually, it’s asking the question “Are DC Comics too violent?” And that’s a valid question, as long as those asking it are aware that they’ve been continuing a trend of some decades and that there is no real evidence that there’s a causal link. But that DC name, now synonymous with Warner Bros, is right there on the cover… as well as on all those movies, profitable and otherwise. But movies are a horse of another color: for one thing, children actually go to movies.

Way back in the fall of 1976, DC Comics published Action Comics #466, pictured above. I ran it slightly larger than our usual graphics so you can see what I’m talking about. This was a somewhat controversial cover: several big-name creators found it abhorrent. They felt we shouldn’t beat up babies on the covers of DC Comics. (No, causing harm was what those old Johnson-Smith ads inside were for.) The story was reprinted in a trade paperback back in 2000.

But at that time I was DC’s entire marketing and publicity department, so publisher Jenette Kahn brought me in, showed me the cover, and asked what I thought. “Well, to be honest,” I said paraphrasing like hell, “I hadn’t noticed it as untoward when I first saw the cover several months prior to publishing. Now that you mention it, I see the point. It doesn’t offend me, but little does. Professionally, unless one of the nut-groups is having a slow day I doubt it’ll be a problem.” It wasn’t.

Jenette said it didn’t bother her either, but we had a nice conversation about limits. That’s a good thing to do from time to time, particularly if you’re in the media racket and you are dependent upon the pleasure of mom’n’pop store-owners.

But you can’t please everybody.

Given some of DC’s recent comics – and by “recent” I mean “at least since the time they broke Batman’s back” – one wonders how they will evaluate the standards. Note that the Comics Code Authority, the guardian of comic book morality and the exorciser of four-color excess, approved the above cover. Today such decisions are made where they should be, in-house.

If, by way of example, it is deemed the current Batman mega-arc “Death Of The Family” crosses that revalued line, would DC alter it for the trade paperbacks and omnibus editions? Or forgo these editions entirely? If not, well, so much for the new standards.

Which is OK by me, but it’s not my call. It’s been a while since I’ve been on their payroll and, knowing me as well as I do, were I still in editorial I’d be pushing those new limits right up to that “you’re meeting with Human Resources tomorrow morning” point. Hey, I’m a brat.

I’m not expressing concern or outrage, nor am I screaming censorship. It’s good for such concerns to evaluate and reevaluate their standards from time to time and, besides, as the great A. J. Liebling said, “Freedom of the press is guaranteed only to those who own one.”

THURSDAY: Dennis O’Neil

Using the new Doctor Who Limited Edition Gift Set, your noble author will make his way through as much of the modern series as he can before the Christmas episode,The Snowmen.

Dear Sweet Sarah Jane.  She was the queen of the companions, and when she showed up on screen again, decades vanished.  The Doctor and Sarah are up for a…

SCHOOL REUNION
by Toby Whithouse
Directed by James Hawes

“Oh my God…I’m the tin dog.”

Mickey has called The Doctor and Rose back to earth after learning about strange goings on at Deffry Vale High School. The Doctor is posing as a teacher, and Rose is posing as a lunch lady.  The Doctor has met students who possess knowledge that outstrips Earth Technology, let alone an eighth grade textbook, and Rose watches a fellow lunch lady taken into a back room after getting what looks like toxic waste poured on her.  So there certainly seems to be something going on.  But things take a nostalgic twist when journalist Sarah Jane Smith comes to the school to investigate the school as well. The Doctor doesn’t tell her who he is right away, but when she finds the TARDIS while snooping around the school at night, it’s not hard for her to connect the dots.  After a very emotional meeting, and a scream, they’re off and running.  Rose and Sarah start off quite catty, each making fun of the other’s age, what Mickey calls “Every man’s worst nightmare — The Missus and the Ex”.

The school has been taken over by batlike aliens called the Krillitanes.  The team makes their way out of the school, but The Doctor think he needs to head back in to analyze the mysterious oil the aliens have been sneaking into the food.  Sarah Jane has another alternative – in her car is K-9, albeit in need of repair.  While The Doctor repairs K-9, he and Sarah Jane have a heart to heart talk about what it’s like to travel the universe one day, and be back on Earth the next.  The Doctor looks guilty, but says nothing.

The Krillitanes’ plan is to use the mentally advanced schoolchildren like a massive shared-processing biocomputer, all of them running code on their PCs, attempting to crack the Skaksas Paradigm, AKA the unified field theory.  If they can do so, they will have the cheat codes to the universe.  And their leader comes to The Doctor, and offers him a chance to join them, letting his wisdom guide their new power.  He refuses of course, which starts the running up again  Chased to the kitchens, The Doctor realizes the oil they’ve been using on the kids is a perfect weapon against the aliens – their form has changed so many time, the product of their own planet is now poisonous to them.  K-9 volunteers to remain behind and set off the vats, an act that will likely result in his destruction.

There’s a lot of emotion in this episode. When Rose and Sarah Jane are introduced, the emotions are priceless.  They start off snipping at each other, and as soon as they get a chance to bond, they turn their commentary about The Doctor.  They’re perfectly written as if they’re the new and old girlfriend, each jealous of the other.  The explosive laughter when The Doctor bursts into the room after they start dishing was legitimate – David Tennant had a moustache painted on, which was hidden since his back was to the camera.

Mickey also goes through some changes as well — as he says himself, he’s not the tin dog, and he does do a good job of helping out.  But look at the look on Rose as Mickey asks to come along.  She’s not happy about it.  She’s just gotten used to the idea that she wasn’t the only person The Doctor traveled with, and she doesn’t care for the idea of Mickey sharing it with her.  It’s another sign of the rather new and unique vibe that she and The Doctor have.  But the part to realize is that no matter what he says about how he’d never leave her and all that, he does, and he’ll do it again, and come Christmas, we’ll see him find a new friend, and it’ll be off for another ride.

Elisabeth Sladen was glorious.  Coming back to Doctor Who connected the new series to the old better than any villain or baddie or witty reference ever could  Her spinoff series, The Sarah Jane Adventures, was glorious.  It’s amazing to realize that for a couple years there, we were no more than a couple months between new Doctor Who material.  she was taken from us too, too early.  But we had her for a time, and then a second time, and that’s more than we can say about a lot of people we like.