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THE RUBY FILES VOL. 2 INTERIOR ARTIST ANNOUNCED

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Artist Nik Poliwko

It was announced on the Airship 27 Productions Facebook page today that artist Nik Poliwko has been tapped to provide interior illustrations for the upcoming 2013 release of The Ruby Files Volume 2.

From the announcement:

Talented artist Nik Poliwko has signed on to do the illustrations for THE RUBY FILES Vol II to be released next year. This series follows the adventures of hard-hitting 1930s New York private eye, Rick Ruby. Volume two will contain new stories by Alan J. Porter, Ron Fortier & the creators of the series, Bobby Nash and Sean Taylor.

Art: Nik Poliwko

Learn more about The Ruby Files at http://rickruby.blogspot.com.

The Ruby Files Volume 1 is still available in paperback and ebook editions.
Click here for purchasing information.

A Doctor A Day – “Bad Wolf / The Parting Of The Ways”

bw-7065703Using the new Doctor Who Limited Edition Gift Set, your noble author will make his way through as much of the modern series as he can before the Christmas episode, The Snowmen.
The Doctor’s on Big Brother, Rose is on The Weakest Link, and Captain Jack is on What Not To Wear.  IN SPAAAAaaaaace.  And behind it all, following them, is the…

BAD WOLF / THE PARTING OF THE WAYS
by Russell T Davies
Directed by Joe Ahearne

100 years after the last visit to Satellite Five in The Long Game, the GameStation, a subsidiary of the Bad Wolf Corporation has gone from broadcasting the news to broadcasting entertainment TV, specifically reality shows.  So clearly, the hope that mankind will go back to rising to its height has gone wrong somewhere.  The TARDIS-traveling trio all wake up in different locations, having been abducted via a transmat beam.  The Doctor is now the latest Housemate on Big Brother, Rose is up against the host “Anne Droid” on The Weakest Link, and Captain Jack is getting along quite well with a cybernetic Trinny and Susannah.  That is, until each show takes a grisly turn.  Contestants don’t walk off with parting gifts, they’re disintegrated, and the hosts on WNTW offer Captain Jack quite an extreme makeover.

The Doctor gets himself evicted from the Big Brother house, and when they don’t scatter him to atoms, he knows he’s been brought there on puspose.  He escapes from the house and into the body of the GaneStation, formerly Satellite Five.  Hundreds of reality and game shows are broadcasting constantly all with the same very final endings.  As before, the advancement of the human race is being held back by the broadcasts from this station; formerly with carefully controlled news, now with the more base stratagem of bread and circuses.  Earth has become a pollution-choked mess, far from the Fourth Great and Bountiful Human Empire it’s supposed to be.  The Doctor realizes that by shutting down the news feeds from Satellite Five, he cause a global panic that ended in this sad state of affairs.

Captain Jack catches up with The Doctor, and they find Rose…seconds too late.  The Anne Droid fires, and Rose vanishes.  Fighting their way to Floor 500, they find the TARDIS in an out of bounds archive closet, and a very important piece of information – People aren’t being disintegrated, they’re being transported.  To the new Dalek fleet.  The Doctor has to fly straight into the fire range of 200 Dalek saucers, rescue Rose, defeat the Daleks, and set mankind back on its proper route.  No wonder this was a two-parter.

The Dalek emperor’s ship survived the Time War, sent back in time.  It’s he who’s been behind the activities of Satellite Five, grabbing humans from earth as raw material for new Dalek mutants.  Through the centuries, the Emperor and his creations have gone mad – the Emperor has declared himself a god.  And with their disguise gone, they make their move on the Earth

This was the first season finale of the new series, and as such presented the culmination of the new narrative format of the series.  The entire season is part of a larger story arc, with plot threads laid in earlier episodes that tie up here.  More then simply the Bad Wolf meme, the events of both Dalek and Long Game were important factors that set up events that ended here.  Even Boom Town presented the idea of the heart of the TARDIS, which allowed the deus ex machina that brought the story to an end.

Well, an end for Christopher Eccleston,  anyway.  Citing differences of opinion with higher-ups in the series (which rather suggests Davies and producers Gardner and Collinson), Christopher decided to leave the series after only one season, and the plans for his departure were set in place well before the final episode.  Which basically means that as he gave all those interviews about how exciting the new series was, he’d already left it.

This only presented new possibilities – only one season in, and the new audience would be able to experience a regeneration.  The effects were a far site better than the simple dissolves of the old days – indeed, they went to great lengths to link the effects design of the regeneration and the energy from the heart of the TARDIS.  The energy is connected to all facets of Time Lord technology – it powers the TARDIS, and allows a Time Lord to live impossibly long.  and as we learn in this episode, it’s more than a human being can withstand.  In fact, even though she doesn’t get a name till Neil Gaiman’s episode, Rose communes with the sentient soul of the TARDIS that inhabited Idris here.  “I want you safe…My Doctor” – those are her exact words.  And just as with Idris, the power is killing Rose, and The Doctor saves her, at the expense of this regereration.

Patterson Joseph, who played Roderick in the Weakest Link game, played the Marquis de Carabas in the mini-series adaptation of Neil Gaiman’s Neverwhere.  He was one of the people rumored to be up for the role of The Doctor when David Tennant left the show, which of course went to Matt Smith.  Both Davies and Moffat have made a habit of bringing back actors for larger roles later on in the series, or on one of the spinoffs.  We’ve seen a few examples of that this season, and we’ll see more in seasons to come, including several companions.

We meet the new Doctor, David Tennant for just a moment, along with a promise that he’ll be back in the first Christmas special, which we’ll look at tomorrow.  It’s amazing how much happened in just this first season, and how much more is to follow.

THE SHADOW FAN DONS A MASK

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The Shadow Fan Podcast returns for another thrilling episode devoted to the greatest pulp hero of them all, The Shadow! This time around, host Barry Reese talks about Loren Estleman’s essay “Was Sherlock Holmes the Shadow?”, the radio episode “Death House Rescue,” The Shadow’s # 1 scout (Hawkeye) and the debut issue of Masks from Dynamite Comics!

Join the conversation about pulp’s greatest hero today at http://theshadowfan.libsyn.com/masks.

YOU BETTER WATCH OUT! DOC CLAUS IS COMING TO TOWN!

Cover Art: Teel James Glenn

Pulp Empire has announced the release of Doc Claus in trade paperback format for your reading pleasure. Doc Clause is available at Amazon and CreateSpace. (Ebook editions coming later this week) and features a cover by Teel James Glenn.

About Doc Claus:
You may know him as the Man of Presents, but his friends know he is far more than that!

Doc Claus springs off the pages in five new adventures! With a bit of comedy and a bit of parody, our hero and his allies set out to protect the world… 364 days a year! And with the rest of the Holiday Patrol: Cupid, Easy, Remmy, Montgomery, Comet, and of course, the Missus, he may be the only defense against the most nefarious threats the world has to offer!

Doc and company star in five new adventures by a quintet of talented writers: Travis Hiltz (Horror Heroes), Terry Alexander (Modern Pulp Heroes), Robbie Lizhini (Presidential Pulp) and Pulp Empire newcomers M. H. Norris and Greg Daniel bring a book overflowing with adventures for the holidays and beyond!

Buy the print edition for a mere $10 at Createspace and Amazon. Digital readers can expect digital editions just in time for Christmas!

This isn’t the St. Nick you know!

JOHN CARTER TAKES ON THE GODS OF HOLLYWOOD

Michael D. Sellers’ new book, John Carter and the Gods of Hollywood, takes a look at the story that brought John Carter of Mars to the big screen.

About John Carter and the Gods of Hollywood:

It took 100 years to bring Edgar Rice Burroughs’ John Carter of Mars to the big screen. It took Disney Studios just ten days to declare the film a flop and lock it away in the Disney vaults. How did this project, despite its quarter-billion dollar budget, the brilliance of director Andrew Stanton, and the creative talents of legendary Pixar Studios, become a calamity of historic proportions? Michael Sellers, a filmmaker and Hollywood insider himself, saw the disaster approaching and fought to save the project – but without success. In John Carter and the Gods of Hollywood, Sellers details every blunder and betrayal that led to the doom of the motion picture – and that left countless Hollywood careers in the wreckage. JOHN CARTER AND THE GODS OF HOLLYWOOD examines every aspect of Andrew Stanton’s adaptation and Disney’s marketing campaign and seeks to answer the question: What went wrong? it includes a history of Hollywood’s 100 year effort to bring the film to the screen, and examines the global fan movement spawned by the film.

John Carter and the Gods of Hollywood is now available at Amazon.

15 MINUTES OF FAME WITH MODESTY BLAISE

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Daphne Alexander as Modesty Blaise

BBC Radio adds Modesty Blaise to their 15 Minute Drama. You can listen to sample clips at www.bbc.co.uk/programmes/p012gc6l.

Meet Modesty Blaise (aka the female James Bond)
Modesty Blaise is glamorous, intelligent, rich and very, very cool. She’s been called the female James Bond but she’s much more interesting than that.

Modesty started life in 1963 as a strip cartoon in the London Evening Standard. The first of the novels followed three years later.

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Daphne Alexander plays Modesty in Radio 4’s adaptation of A Taste for Death.

Modesty Blaise – A Taste for Death Episode 1 of 5
Duration: 15 minutes
First broadcast: Monday 17 December 2012
She’s glamorous, intelligent, rich and very, very cool. Modesty Blaise has been called the female James Bond but she’s much more interesting than that. With her expertise in martial arts and unusual weapons, the ability to speak several languages and her liking for fast cars, twenty-something Modesty became a female icon long before the likes of Emma Peel, Lara Croft, or Buffy.

In Stef Penney’s brand new radio adaptation of Peter O’Donnell’s novel, Sir Gerald Tarrant, Head of a secret British agency, tempts Modesty out of retirement and into a job involving a young woman with extra sensory powers, an exotic desert location, and a larger than life public school villain, intent on murdering his way to a vast fortune. With its perfect cocktail of glamorous settings, hidden treasure, a twisting turning plot, and characters to root for, A Taste for Death is an action packed treat – and a guilty pleasure.

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With an original score by Goldfrapp’s Will Gregory, arranged by Ian Gardiner, and performed by the BBC National Orchestra of Wales, conducted by Ben Foster.

Produced and Directed by Kate McAll

Interesting Modesty Facts:
Modesty first started life in 1963 as a strip cartoon in the London Evening Standard – the first of the novels followed three years later.

Vincent Vega, played by John Travolta, is seen reading a Modesty Blaise book in Pulp Fiction.

Learn more about Modesty Blaise – A Taste for Death Episode 1 of 5 here.

The Point Radio: How Bilbo Almost Wasn’t THE HOBBIT

There is no doubt, THE HOBBIT will be doing big box office this weekend, but did you know there was a point where Martin Freeman may not have returned as Bilbo Baggins? Director Peter Jackson shares the story plus answers the question on why two more HOBBIT films are on the way. And Image confuses retailers with  a new “no reprint” policy.

Take us ANYWHERE! The Point Radio App is now in the iTunes App store – and it’s FREE! Just search under “pop culture The Point”. The Point Radio  – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any other  mobile device with the Tune In Radio app – and follow us on Twitter @ThePointRadio.

SENTINELS: METALGOD Arrives in Trade Paperback!

The Next Epic Adventure in “The World’s Greatest Superhero Novel Series” Begins Here!

White Rocket Books proudly announces the release in trade paperback format of Van Allen Plexico’s SENTINELS: METALGOD, the newest adventure in the famed and very popular cosmic superhero saga!
Debuting in 2008 with Sentinels: When Strikes the Warlord from Swarm Press, Plexico’s Sentinels series has built a worldwide base of enthusiastic fans eager for another installment in the action-packed series.  Now the new volume has arrived—as has perhaps the deadliest threat yet encountered: Metalgod!
In the wake of the Worldmind/Stellarax Crisis, what’s left of the team has scattered to the four winds. Brachis and Mondrian cross the depths of space in a desperate attempt to stave off galactic civil war, while Pulsar and her sister work to assemble an entirely new team of heroes back on Earth. Time is short, the supply of heroes is shorter, and no one is exactly who he appears to be.  And into this precarious situation arrives the deadly and enigmatic mechanoid from space—the being known only as METALGOD!
Presenting the first volume in the new SENTINELS story arc—a great “jumping-on point”—where action and adventure await at every turn, and nothing is quite what it seems!  Interior illustrations are by fan-favorite series artist Chris Kohler, who also takes over cover art duties this time around, assisted with fantastic color work by the incomparable Sarah White.
“This book accomplishes several major things,” says Plexico of METALGOD. “We get to see Pulsar fighting to become the leader everyone hopes she can be, attempting to assemble an entirely new team before another disaster strikes—as you know it will.  We see Esro and Mondy assuming their rightful roles as members of the Elites, dealing with a coming galactic war. There’s action, danger, and even comedy—and we get what I think is the biggest shock ending in the series to date.  Better buckle up!”
“I’ve already bought the next Sentinels book! Van’s got me hooked!” says Percival Constantine, author of Fallen.
“Spectacular.  Action-packed. Imaginative and wonderful,” adds Pulp Fiction Reviews.  “If you grew up loving the Avengers comic books from Marvel, these books are for you in a big, big way.”
The previous volume, Stellarax, was nominated for Author, Artist, and Novel of the Year by PulpArk.
White Rocket Booksis a leader in the New Pulp movement, publishing exciting action and adventure novels and anthologies since 2005, in both traditional and electronic formats.   White Rocket books have hit the Amazon.com Top 15-by-Genre and reached as high as #2 on the New Pulp Bestsellers List, and have garnered praise from everyone from Marvel Comics Vice-President Tom Brevoort to Kirkus Reviews.
SENTINELS: METALGODis a $14.95, 6×9 format trade paperback from White Rocket Books.  (Previous volumes in the series are available in two omnibus paperbacks, and each is a $2.99 e-book for Kindle and other e-readers.)
194 pages; 5 full-page illustrations by Chris Kohler
ISBN-13:   978-0-61573-390-6 (6×9” Trade Paperback)

Martha Thomases: The Wonderful Party

thomases-art-121214-2629242The responsible thing to do this week would be to write about The State of Women in Comics. With Gail Simone booted off Batgirl, coupled with Karen Berger’s departure from Vertigo, one can conjure all sorts of misogynist conspiracy theories, and one would have more than a 50% chance of being right.

But I don’t want to write about that. For one thing, I don’t have any inside knowledge, so I would only be speculating.

Here’s the thing. Comics is such a small world that I know both of these women. I worked with Karen for the better part of a decade, threw the launch party for Vertigo in my apartment when I couldn’t get DC to pay for it, and enjoyed her work a great deal. I don’t know Gail as well, but I’ve met her a few times, I love her writing, admire her work for the Hero Initiative, and think she’s a really classy person.

These are big names in the business. I am not. But comics is still low-profile enough that we are, more or less, peers. Or at least colleagues.

I was reminded of this last week, when I hosted our annual Hanukah party, the first one since my husband died. It was a bittersweet occasion, an event he loved very much. I thought it was an outrage that he wasn’t here for it, but I also thought it was important to continue the tradition. Life goes on, despite my best efforts.

My friends came out to support my son and myself, and that’s what friends do. The guest list isn’t just my friends from comics. It’s my friends from different aspects of my life, including my son and his friends. My apartment isn’t so large that the comics people can avoid the knitters, or the anti-war people can be in a room separate from my high school pals.

One of our guests is an aspiring comics creator whom I introduced to a few pros at New York Comic-Con last year. He happily told me about the other people in the business he’d met since then, and how great each of them had been to him.

That’s comics.

This is not to go all rose-colored-glasses on you. There are people in the business I don’t like. There are people in the business who don’t like me. There are people I don’t know, and more of them all the time. There isn’t any one of them I’d be intimidated to talk to.

And there isn’t anybody I wouldn’t defend against the attacks of the broader culture, the sneers of elitists who look down on the medium (fewer every day).

We’re in this together, and we have each other’s back. It reminds me of this lyric:

Faithful friends who are dear to us

Will be near to us once more

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Have Yourself a Merry Little Christmas

And that brings me to my wish for you this season.

Someday soon, we all will be together

If the Fates allow

Until then, we’ll have to muddle through somehow

So have yourself a merry little Christmas now.

Or, of course, the solstice holiday of your choice.

SATURDAY: Marc Alan Fishman