Cartoon Network Crows About ‘Clone War’ Ratings
It was about time George Lucas got some good news. After the critical and commercial drubbing his feature-length Star Wars: The Clone Wars received news that the television series debuted to spectacular numbers must have been most welcome.
A Cartoon Network press release declared, “The new Lucasfilm Animation series scored as the most-watched series premiere in network history, according to preliminary data from Nielsen Media Research. The one-hour new series premiere also reigned as the #1 program from 9-10 p.m. among all major kids networks in kids 6-11, kids 2-11, tweens 9-14, teens 12-7 and persons 2+, earning triple-digit increases compared to the same time period last year. The weekly, CG-animated series also attracted the largest tweens 9-14 audience for any premiere telecast of an original series in Cartoon Network’s 16-year history.”
"This is a great start for our new night of fantasy-action-adventure programming," said Stuart Snyder, president and chief operating officer of Turner Broadcasting’s Animation, Young Adults and Kids Media group. "Kids and their parents made it a point to tune in to the amazing storytelling and brilliant animation of Lucasfilm’s Star Wars: The Clone Wars." "We are looking forward to building on this foundation and are thrilled with this turnout and record numbers for Cartoon Network."
The Secret Saturdays also debuted last week and earned 35% more kids 6-11 and 86% more boys 6-11 than programming that appeared in the same time period in 2007.
An animated, comedy-action series created by Jay Stephens, The Secret Saturdays reveals a family of world-saving adventure scientists, Doc, Drew and Zak Saturday. They live in a hidden base and are part of a network of scientists who protect against all the underlying evil in world. To the Saturdays, ordinary folk-tales aren’t just legends, but real-life mysteries and adventures.

David Cronenberg, the director best known for creepy fare such as The Fly and Scanners, is about to change genres.
Cinema Blend
Jimmy Gownley’s delightful Amelia Rules! has been picked up by a division of Simon & Schuster for repackaging for the bookstore market. Gownley began sel-fpublishing the comic in 2001 thoruhg his Renaissance Press imprint and features the advenuteres of Amelia Louise McBride and her fourth grade buddies. Since its inception, the series has tackled real world issues through the prism of youth and has received priase.
A bitterly fought election had come to a close but the victor had little time to enjoy himself. Instead, still in a rage over a blackmail attempt targeting his family, Jonathan Kent clutched his chest and collapsed, dying in the arms of his wife and son. Speaking of this pivotal event in Smallville’s 100th episode (January 26, 2006), executive producer Al Gough told TV Guide that this was “part of the Superman mythology that was always going to have to be told.” But did it really correspond with the comics?
Something is going on in comic books. Have you noticed? It’s been happening for a few years now. For some reason, certain comics are not making sense with the rest of the established universe and history. For some reason, things that don’t make sense have been running rampant throughout the fictional realities of DC and Marvel.
Gotta love those studio bigwigs. Even in the midst of an impending Screen Actors Guild strike and the greatest financial crisis in modern American history, these head honchos still have dollar signs in their eyes.
Marvel Comics sent out a press release this morning announcing that production has begun on a new animated series, The Avengers: Earth’s Mightiest Heroes.
Back in the spring during my job hunt, I took care of my annual checkup. I’d gotten fed up with my New Rochelle physician who’d kept up a steady drumbeat of “you need to lose weight” as the answer for everything from my heart scare to high blood pressure to allergies (the allergy advice seemed to always be supplemented by free samples of Flonase, from which she was doubtless getting a kickback), and heck if I wanted to schlep into New Rochelle again anyway. So I went to a local doctor who was listed as a
Trevor von Eeden returns to comics tomorrow with a series that is especially meaningful to our American culture. It’s the story of boxer Jack Johnson, whom von Eeden describes as “the first psychologically free black man in American History.” This is the first major biography of Johnson created by an African-American artist.
After retiring from the ring, he opened a Harlem night spot in 1920 that became to be famously known a few years later as The Cotton Club. Johnson also holds a patent for modifications he made to a wrench.
