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THE WHITE ROCKET PODCAST LIFTS OFF!

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Prometheus

The White Rocket Podcast debuted this week. Hosted by New Pulp Author Van Allen Plexico, the White Rocket Podcast is a one-on-one conversation with the leading figures in the worlds of Science Fiction, Fantasy, Pulp and New Pulp, Action and Adventure Literature, Movies, Comics and Television.

In episode 1, Mark Bousquet, movie reviewer and novelist, joins Van to discuss Ridley Scott’s PROMETHEUS, the sort-of ALIEN prequel– just released on Blu Ray and DVD.

You can listen now at www.whiterocketbooks.com/wrpodcast.

REVIEW: Prometheus

prometheus-6186619Ridley Scott rarely repeats himself, avoiding formulaic sequels, useless prequels, and remakes. Instead, the stylist conjures up new works and attempts to be thought-provoking time after time. You might have bought into the hype that this year’s Prometheus is an out and out set up to his Alien, but you’d be wrong. While tangentially connected to the first successful science fiction/horror film hybrid, this film is a pure science fiction film owing plenty to Stanley Kubrick.

The movie, now out on disc from 20th Century Home Entertainment, is an ambitious production with a strong cast, surrounded by amazing visuals. While we laughed at how weak the story and characterizations were in James Cameron’s Avatar, here, we are merely disappointed the story isn’t a match for the visual virtuosity on display. While far from Scott’s best, he deserves credit for trying something different and challenging his audience.

Scott sets his story in 2093, optimistically thinking we will be regularly working in space and ready to traverse the distant reaches of the galaxy. Scientists Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green) find a map as part of a 30,000-year-old cave painting on the Isle of Skye, confirming there is sentient life elsewhere in the universe. Dubbed The Engineers, they seemingly beckon mankind to find them. The audience has already met them in an opening sequence that suggests they arrived on Earth with some goo that ignited the spark of life (and was also seen as the mummified Space Jockey way back in 1979). To discover the answer, deep-pocketed Peter Weyland (Guy Pierce) funds the construction of The Prometheus, which is thusly launched, its crew in hibernation en route to moon LV-223 and the evidence of intelligent life.

Heading up the crew is Mereditch Vickers (Charlize Theron) alongside the ship’s captain Janek (Idris Elba) with android David (Michael Fassbender), geologist Fifield (Sean Harris), and biologist Millburn (Rafe Spall). One trick he does reuse from Alien is that before long, things go horribly awry. The story has gaping, starship-sized plot holes and the grand themes – where do we come from? — do nothing to mask them. It would have been nice if the crew had more depth of character or interacted in more interesting ways.

Fassbender has the toughest job, making his eight generation android different than the others seen in earlier films making up the Alien universe. Theron is strong with her work but Rapace gives us the more interesting, nuanced performance.

Scott shot this for big screen 3-D, framing things to pop just so, and dazzle us with detail. Thankfully, that all transfers pretty nicely to the home screen and 2-D. The transfer is pretty spectacular both audio and visual.

The Combo Pack offers you the film on Blu-ray, DVD, and Ultraviolet (a larger Combo Pack with 3-D Blu-ray is also an option, with a fourth disc containing an amazing three-and-half-hour documentary by Charles de Lauzirika). The special features provided on the standard Blu-ray begins with Scott’s audio commentary, supplemented with one from co-writers John Spaihts and Damon Lindelof.

There are thirty-seven minutes of Deleted, Extended & Alternate Scenes which you can on their own or with audio commentary by editor Pietro Scalia and VFX supervisor Richard Stammers. These are all interesting to watch, several of which would have made the film stronger. The Peter Weyland Files (18:57) are culled from the Internet.

HANCOCK TIPS HIS HAT TO ‘SUPERHEROES VS. ZOMBIES’

Tippin’ Hancock’s Hat- Reviews of All Things Pulp by Tommy Hancock
SUPERHEROES VS ZOMBIES
By Various
Edited by Eric S. Brown and Anthony Giangregorio
Published by Living Dead Press, 2011
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I have said this many times before and will hold this as a standard of my interest in Pulp for years to come.  Although it was not called such back in the days of the Classic Pulps and had just started its long life then, the phenomenon known as the genre mash up I think has blossomed full grown in today’s society and is a major part of New Pulp!  Seeing how writers masterfully weave two apparently disparate genres into one cohesive, knock your socks off collection always thrills me.
Except when it doesn’t.  At least not completely.
SUPERHEROES VS. ZOMBIES is a collection that mashes two things together that I feel passionately about.  One genre I am absolutely enthralled with and makes me feel like a little kid every time I read something from it.  And another that makes the bile rise in my mouth like a Baptist preacher griping because Christmas has become over commercialized and there’s just too much fat old man.  Except in this case, the fat old men are dead bodies that just won’t stay down.  Yeah, Walking Dead Fanatics, I’m not one of you.
These two genres have similarities most definitely, but at their root, there is one major difference.  Despite all of the post modern takes on the mask and cape crowd, the essence of Superheroes for me at least is that there is always one thing- The Hope that Good will overcome Evil in whatever form it takes.  Yeah, call me corny and retro or whatever, but it’s why I read comics as a kid and why I still thrill to the antics of masked types today.  Because, even in the darkest hours, they are the tiny bit that might make the difference.
Zombie stories, on the other hand, though having some of the trappings of Good overcoming Evil, tend to be more about how the World is Hell and no one’s getting out alive, except the already dead.  There’s a sense of dread, of hopeless, even in the victories.  And lately authors have gotten divided on just who should win in the end, the useless living or the rotting dead.  ‘
SUPERHEROES VS. ZOMBIES is a mix of mismatch.  The stories that fail to engage me, some of them even outright disgusting me both for content and lack of ability to blend the genres well, sadly outnumber the tales that overcome the inherent problem in blending these two.   But let’s focus on the positive.
M by Alan Spencer, Zomcomm by E. M. Maccallum, Whiz Bang by Terry Alexander, and The Heart of Heroism by Rebecca Besser are definite jewels in this book.  They portray the horror of being in a zombie-infested wasteland and balance it with the horror of being a hero, perhaps the only one in this landscape.  And don’t get me wrong; these tales don’t all end with the Zombie menace forever squashed.  What they do is balance the best parts of both genres extremely well.
Two other stories do this excellently as well, but in a very twisted way.  The Last Superhero by Anthony Giangregorio and The Detective by Kelly M. Hudson each take a well-known super hero archetype and turn it on its edge in the land of the Zombie.   Even with the way these two turn out, the basic tenets of what a Hero tries to do remains strong throughout the tale.
The others, some get close, some miss the mark for me completely.
THREE OUT OF FIVE TIPS OF THE HAT- If you could get the aforementioned stories as eBook singles, I’d definitely recommend them.

Mindy Newell: Trust Me, This Is About Comics. Really.

newell-art-121022-5239375There’s a lot of hogwash being said by Republicans these days concerning women. Legitimate rape. (What the hell is that?) A woman has the ability to shut down her ovaries if she doesn’t want to get pregnant. (Gee, I wish I had known that.) Contraception should not be covered by health insurance. (But Viagra and other anti-erectile dysfunction drugs are.) A mother’s life is no longer at risk when pregnant, so an abortion to save her life is not necessary. (Placental abruption, preeclampsia, eclampsia, peripartum cardiomyopathy and other cardiac problems, thromboembolytic disease, diabetes, seizures, bleeding disorder, genetic disorders.) A woman has no right to equal pay for equal work. (She-Hulk, Captain Marvel, Wonder Woman, Invisible Woman, have you checked your paychecks lately?) Women in binders. (Nobody puts Baby in a binder.)

I personally cannot understand any woman voting the Republican ticket right now. Which got me to wondering…

What side of the aisle do some of the women of comics sit on?

Lois Lane: Journalistic integrity is her middle name. I imagine Lois being a frequent guest on MSNBC, Jon Stewart, and Stephen Colbert, as well as having guest-hosted SNL more than once. She’s also friends with Joan Walsh of Salon.com, Maureen Down and Gail Collins of the New York Times, Candy Crowley and Christine Amanpour of CNN, not to mention Andrea Mitchell, Katie Couric, and Rachel Maddow. Voted for Hillary Clinton in 2008, proud of Hillary’s work as Secretary of State, and a strong supporter of Barak Obama. Decision: Registered Democrat.

Carol Danvers (Captain Marvel): Hmm, this is a tough one. Given her Air Force brat upbringing and her own service in the United States Air Force, the natural inclination is that Carol is a staunch Republican, as the Republicans have long been believed to be the stronger party on defense. However, Carol’s heroes are Amelia Earheart, Jacqueline Cochrane, Geraldlyn Cobb, Sally Ride and now Colonel Jeannie Flynn Leavitt, the first female fighter pilot in the U.S. Air Force, and I can’t see her being behind the Republicans these days because of their stance on women and women’s rights when it comes to equal pay for equal work. And I’m positive she doesn’t want anyone sticking an ultrasound probe up her vagina if it’s not medically necessary. Still, I’m sure she’s voted Republican in the past. But I think she also admires Obama’s tough stance on terrorism and his ability to quietly and efficiently green-light the hunt for Bin Laden, which resulted in his (good riddance!) death; and although I think she’s confused about what happened in Libya (just like the rest of us), she knows that fuck-ups happen. Decision: Independent.

Susan Storm Richards (Invisible Woman): I’m sure Susan, along with her husband, is heavily invested in technology in the market, and I’m betting the Richards (not to mention the entire Fantastic Four team) lost mucho dineros in 2008 when the market crashed. Still, I bet her hubby sits on the boards of some of the major defense contractor industries, such as General Electric, JPL, and Boeing. Still, while her husband may be strongly pro-Wall Street and a staunch Republican, I’m thinking they have a marriage like James Carville and Mary Matalin, only in reverse, with Susan, with her strong feelings about women’s rights, especially equal pay for equal work and pro-choice advocacy, working behind the scenes for Obama, throwing fundraisers and donating money. Decision: Democrat.

Wonder Woman: This one is easy for me, since I believe Wonder Woman is firmly against abortion. Not that she can vote, since she’s only got a green card (I presume.) Decision: Republican.

Jennifer Walters (She-Hulk): Jennifer is a lawyer. She’s probably met Elena Kagan and Sandra Day O’Conner, and I wouldn’t be surprised if she knows Gloria Allred, Judge Judy, and Nancy Grace. I’m thinking she believes in the idea of the Constitution as a living document, able to mature and grow, so she’s s definitely not a fan of Clarence Thomas, Antonin Scalia, or Robert Bork. Chief Justice Roberts’s decision on the Affordable Health Care Act as constitutional probably surprised her as well as everybody else, knowing his legal record. I’m thinking that she believes Roe vs. Wade is now the de facto law of the land, so she would never work for a client who wants to overturn it, though I’m not sure if she’s pro-choice. I think she hates the way the Tea Party, which has been absorbed into the Republican Party, quotes the intents of the Founding Fathers as if they were there. She thinks Sarah Palin is a joke and feels sorry for John McCain, who ruined his long and honorable career by picking her as a running mate. (She would have voted for him otherwise.) Has voted Republican in the past, but leans Democrat these days. Decision: Registered Independent.

In closing, there’s terrific video over at Jezebel.com that I recommend every woman reading this to watch – and pull up a chair for the man (or men) in your life. It’ll make you laugh…

And think.

Oh, and for the record, I’m a registered Democrat.

As if you couldn’t guess.

TUESDAY MORNING: Emily S. Whitten Watches Green Arrow

TUESDAY AFTERNOON: Michael Davis… We hope.

 

PRO SE ONLINE PROMO PARTY-ROOK VOLUME 1 RE RELEASE AND MONSTER ACES!

Following the tremendous success of its first online promotion party with Shindig, Pro Se Productions proudly announces its next Promo Party for upcoming releases!


October 27- From 2:00 PM- 3:30 PM EST

PRO SE PRODUCTIONS PROMO EVENT- THE ROOK VOLUME 1 SPECIAL EDITION
AND MONSTER ACES!

Professional Author Barry Reese is perhaps best known for his seminal New Pulp Creation, The Rook! Join Barry as he discusses all things Rook to promote the re release of The Rook Volume 1 as a Pro Se Productions Special Edition! Giveaways, readings, and more! Also, Join Barry Reese as well as concept creator Jim Beard to talk about the all new MONSTER ACES anthology featuring great heroes against classic monsters out in time for HALLOWEEN!!


Get your mike ready and your webcam, too (if you have one) and enjoy the fun!

To RSVP, go to www.shindig.com/event/prose2 and sign up today!

Sunday Cinema: “Iron Man 3” Teaser Trailer

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Well, this is a new one– a trailer for the trailer of Iron Man 3, starring Robert Downey Jr. and Gwyneth Paltrow, which will be released on Tuesday on the Apple trailers web site.

Let the frame-by-frame analysis commence!

Sadly, this teaser of a trailer strategy comes all too close to this news story:

REVIEW: Chernobyl Diaries

Producer Oren Peli commanded our attention with the interesting Paranormal Activity, but has since proven to be a lot less interesting to watch. His subsequent works have lacked flaw or much suspense or originality. His latest disappointment is the post-apocalyptic Chernobyl Diaries, which is a horror film using the Russian nuclear disaster as the catalyst. The film, out on Blu-ray from Warner Home Video, lets down the viewer by not being good, scary, or by having anything to say about nuclear reactors at a time when the topic is bubbling up once again as we scramble for alternative energy sources.

The basics of the story show a group of friends take an “Extreme Tour” of Prypiat, the town next door to the fabled power plant which exploded in 1986 and currently sits buried under concrete. When they somehow get stranded from the tour, you know nothing good will come of this decision. Uri (Dimitri Diatchenko), the tour guide, is the one to make the inane decision to spend the night rather than hike through the night the twelve miles to get help or find appropriate shelter. In a thankfully brief eighty-six minutes, we watch several get killed and a few lucky ones survive. Ho hum.

Peli knows how to scare us, having made his name with Paranormal Activity but he and Bradley Parker reuse all the same techniques in a new setting, recycling without any benefit to the audience. At least visually they make things look and feel bleak with Hungary and Serbia standing in for poor Prypiat.

This film was shot on the cheap, reportedly $1 million, which may explain the lack of adequate script or solid cast to convince us something bad is really going on. The quartet of kids is led by singer Jesse McCartney and Norwegian actress Ingrid Bolsø Berdal, neither of whom are bad enough to deserve Razzies, just bland. They run, they hide, they get hunted by who-knows-what, which miraculously transforms into I-don’t-care long before the fifty minute mark.

Before he is allowed to shot another movie, Peli needs to convince us he has something to say or something to show us. Right now, we’ve seen it all and have little need to come back for more.

The movie looks and sounds fine on the transfer. The Combo Pack offers us the Blu-ray, DVD, and Ultraviolet along with a few extras including Uri’s Extreme Tours Infomercial (1:19); Chernobyl Conspiracy Viral Video (2:25); a single deleted scene and an alternate ending that doesn’t help.

John Ostrander: Pros At Cons

ostrander-art-121021-1917176Once again I didn’t make it to the NYCC but I’ve been to umpty-bum comic book conventions over the years, both as a fan and a professional, and I’ve learned one or two things along the way. Being a pro (especially if you’re a guest at the con) and being a fan are two very different experiences. I always regard being a guest at a con as a working weekend and it can, in fact, be more tiring for me than going as a fan.

My first job is giving any fan that comes up to my table a good experience. These are people who buy my books and that fact keeps me employed. I may be tired, I may be stressed, there may be any number of things bothering me but none of that matters. The Con promoter has paid my way with the expectations that my name may help draw more paying customers and that the paying customers will enjoy themselves well enough at the Con to want to come again next year. I’m part of that equation. It’s part of my job as a professional.

I also want to create more fans. I greet people who pass by, try to engage them in conversation, try to interest them in what I do. If I have something to sell, I have a quick spiel to give passers-by an idea of what’s there. Folks at neighboring tables soon learn to tune me out because it can get repetitive. My Mary has noted that I have developed a “Con persona” – an aspect of myself that I trot out at Cons. I call upon my theater and acting background to “play” a version of myself. It’s an authentic version of me but it’s meant to give those I meet a good experience of me, no matter how I may be feeling. That’s important. They deserve it. It also creates positive word of mouth.

That’s not to say I’m above goofing around. At one Star Wars Convention, there were lots of people in costume, some playing characters I created. That’s always interesting – meeting real life versions of characters that had existed only in my head. I have to admit I pay closer attention to those cosplaying Darth Talon. For those who don’t know the character, suffice it to say that it’s sexy female in a brief costume and lots of body paint. One such young lady was posing in front of the Dark Horse booth and she sure could wear that body paint. I sidled up to her during a pause in the snapshots, smiled, and told her, “I’m your Daddy.”

She gave me a look and said, “Excuse me?” I then hastily explained that I was one of the two creators of the character she was cosplaying. Then she smiled and said, “Oh, you’re so cute!” Which, translated, means, “Look at you! Old enough to be my grandfather and you’re flirting with me! That’s so cute!”

Yeah. Cute. Swell.

On the other hand, I can’t complain too much. I met the two big loves of my life – Kimbery Yale and Mary Mitchell – at conventions. Kim was at a big combined Doctor Who/Comic Convention in Chicago during one sweltering summer. I was trying to get the rights to do a Doctor Who live action play and was talking with the show’s producer, John Nathan Turner, and Terry Nation, one of the legendary writers for the show and creator of the Daleks. This young woman accompanied Mr. Nation. She had a slight accent and I assumed she was his secretary or some such. Turns out she was working security for Mr. Nation, she was local, and her name was Kim Yale.

The other woman was, of course, My Mary – Mary Mitchell. I’ve told the story elsewhere of how we met; she came down to Chicago and the Con to show her portfolio and chose to show it to me. The reason she chose me was that she saw me playing with some young, shy kids at my table, trying to draw them out, and she thought if I was kind to them I might be kind to her. I wasn’t kind; I was enthusiastic. Before she knew it, this madman had her portfolio and was dragging her around to all sorts of people insisting she get work. The funny thing is that she didn’t really know who I was when she approached me; she just knew I was nice to children.

I was and I am. Those kids may be readers some day and they might become my readers. Also, the parents who are towing them around the Convention floor are appreciative if you’re nice to their kids. I even discouraged some children from reading some of my work, like GrimJack, if I feel they’re a little young for the material. I’d prefer to steer them towards good comics for their age group even if I had nothing to do with them. Parents appreciate that and some have even written me thank you letters. All part of that good Con experience.

I’ve also learned to be careful naming favorites or least faves of my work before fans. I once, on a panel, named my least fave book in a given series, going so far as to state that, if I could, I’d buy all the copies of it and destroy them. I thought I was being clever. One fan in the front row had a wounded expression and said, “But that was my favorite issue!” So I don’t do that anymore.

I also try to be open. At one Con I was having a quick lunch from the food at the venue. I was sitting at a table by myself when a fan approached me. She and some other fans were sitting at another table and recognized me and wondered if I would care to join them. While I don’t mind eating by myself, I said “yes” and we all had a very good time.

I do have fun at Conventions and it gives me a chance go see old friends – mostly pros – and make some new ones. For me, however, they are working weekends. Writing is solitary work but there is that social aspect, the selling of yourself and your work, and for me being a professional means making sure the fans are happy.

MONDAY: Mindy Newell

BREAKING NEWS!- TWO LEADING PULP COMPANIES ANNOUNCE NEGOTIATIONS AND MORE!

FOR IMMEDIATE RELEASE

Girasol Collectables Inc, known for top quality reprints and replicas of Classic Pulp Tales, and Radio Archives,LLC, a leader in Pulp Audiobooks, eBooks, Old Time Radio, and Pulp Reprints, revealed today results of recent negotiations.

Girasol and Radio Archives have a long standing history of doing business together.  Due to this already strong relationship, Radio Archives has purchased Girasol’s The Spider double novel product line. This line, containing double novels numbered 1 through 25, has thrilled enthusiasts with its high quality and consistent publication and introduced new fans to the exploits of the Master of Men, The Spider. Girasol will continue publishing their extremely popular The Spider Pulp Replicas product line which is the Finest reprint of the Spider ever done.

Neil and Leigh Mechem, owners of Girasol Collectables, Inc. stated, “We’re especially pleased to have Radio Archives taking over the handling of sales of our Spider Pulp Doubles. The scope of the pulp related material they have to offer, combined with their excellent customer service, make them the ideal one-stop shopping venue for pulp fans. We’re proud of the 25 issues we produced, and seeing them managed diligently helps enormously while we concentrate on the prep work required for our Pulp Replica line.”

Recognizing this and the overall quality of Girasol’s work, Radio Archives is proud to add The Spider Double Novel line to its already impressive lineup of not only Pulp, but specifically Spider related material.   “This product line,” said Tom Brown, Owner of Radio Archives, “dovetails so well into our Spider Audiobooks and eBook product lines.”  The purchase includes existing inventory, intellectual property, and substantial amounts of artwork and other material.


Radio Archives and Girasol have also formed a strategic relationship for future projects that will insure the cooperation of the two companies continues on and that top quality Pulp products will be available to fans and enthusiasts for years.

Wholesale dealer inquiries are now accepted at Radio Archives for this product line.  Email Radio Archives at Service@RadioArchives.com or call 1-800-886-0551.

Visit Girasol Collectables at www.girasolcollectables.com

Visit Radio Archives at www.radioarchives.com