HALLOWEEN HORRORS BEWARE-MONSTER ACES DEBUTS FROM PRO SE!


Many know Arnold’s name as the editor of noirmeister Jim Thompson at Lion books – Hano was the man who guided Thompson during his most productive period. Others may know Arnold penned A Day in the Bleachers, the seminal book about baseball from a fan’s perspective centered around “The Catch” by Willie Mays in the 1954 World Series. But what few may not be aware of is that Hano, under his own name and several aliases, wrote novels featuring driven, flawed characters.
HANCOCK TIPS HIS HAT-Reviews o f All Things Pulp by Tommy Hancock
GALEN
by Allan Gilbreath
Published by Kerlak Publishing
It is no secret, I do not think, to anyone who follows my reviews that I am not the biggest fan of the current books produced by the wave of interest in monsters. In no way am I a proponent of Zombie fiction, I cough up hairballs at the thought of sexy werewolves, and my blood absolutely runs cold at the thought of sparkling bloodsuckers. So a ‘modern monster’ book is a really hard sell for me.
Enter ‘Galen’ by Allan Gilbreath.
A writer known by many far and wide for his ability to essentially conquer any genre he takes a swipe at, Gilbreath is also the maniacal mind behind Kerlak Publishing, a publishing house spotlighting many up and coming works and writers of all types, including a name or three familiar to New Pulpsters and others that will be soon enough. Gilbreath brings his tremendous talent to bear on a trope of fiction. Vampire tales, that many have believed was so tired and exhausted that it required prettying up and repackaging.
Gilbreath did just that, but not by turning vampires into eternal teenagers, but by taking the beast back to its roots in a lot of ways. ‘Galen’ is the first book in a series about the title character, a vampire. Almost instantaneously, Galen reminds readers of the gentlemanly vampire, popularized by Bela Lugosi, the regal bearing, the genteel trappings. But under that refined sophistication lurks something sinister, something single minded, something hungry. Allan Gilbreath in just a handful of pages reminds his readers that vampires are monsters. And Galen, in all his complex dealings to live amongst humans and his meticulous planning as well as his description of potential victims as if they were cattle in front of a butcher shop, is most definitely most modern and monstrous.
‘Galen’ follows two stories essentially, of course both tying back into our title character. One concerns a past feeding of Galen’s and, when he returns to the area several years later, the renewed interest of one of his victim’s friends in the mysterious deaths from before. The other thread focuses squarely on Galen’s need to feed and who and what he seeks out for dinner.
This book is filled with an eerie pulpiness that many writers don’t even attempt to reach anymore. It’s not got explosions, ray guns, or many fist fights. This book is all about pursuit, the hunt, prey and predator. In that, Gilbreath builds the action at a subtle pace that ends up being breakneck before you know it. Galen is reprehensible, yet likable. He is thirsty, yet affable. He is hunger made human, but you simply can’t get enough of him.
The only technical negative with ‘Galen’ is that the transition between the two threads was a tad wobbly at times, but that can be overlooked largely by the fantastic way that Gilbreath tied them together when it counted.
FOUR OUT OF FIVE TIPS OF THE HAT-Definitely no sparkles here (Although Gilbreath will gladly tell you about how that part of being a Vampire is actually part of the original legends!). Galen is a flat out monster book with a monster you can’t help but like. And he’d like you too. With a pinch of salt.
Having watched all three presidential debates and the vice-presidential debate, I’m in the kind of stupor that is recognizable to other political junkies. With about ten days to go, I am chewing on my fingernails, tensely watching the polls as if it is only my focused attention that will allow things to go my way.
The last debate, about foreign policy, made me think about war, and entertainment inspired by war, and my response to it.
There are brilliant war comics, written by people like Archie Goodwin, Larry Hama, Garth Ennis and, especially, Harvey Kurtzman. I admire them. And yet, I don’t particularly enjoy them.
I think the problem is that I am so repulsed by the reality of battle. I don’t find it dramatic nor exciting. It may reveal character, but I don’t want to see it. I don’t entirely believe that war reveals nobility, and even if it does, I think there are better ways to get to the same place.
And yet. And yet. I do like action movies, and I like cartoonish action movies that include war. I love The Dirty Dozen. I can get a good laugh out of 300.
I can admire more realistic war movies, like The Hurt Locker, but I don’t enjoy them. I don’t want to go see them. I avoid them as carefully as I avoid actual battle. I go only when it is necessary to be part of the cultural conversation. Oh, and Apocalypse Now.
It’s possible that I don’t like war movies because they are so stereotypically masculine. Even modern war movies, the ones that acknowledge that women serve and sacrifice, are models of machismo. A movie like Since You Went Away, which shows life on the home front, is just as much inspired by war as my other examples, but is considered a “women’s picture,” or a soap opera because it is about women.
I can think of two exceptions in comics where I actually enjoyed a war comic I was reading. The first is Blackhawk when Howard Chaykin was doing it. I think this had less to do with the military aspects, and more to do with Chaykin’s sense of humor, which is very close to my own.
The other is George Pratt’s Enemy Ace: War Idyll, which is, sadly, out of print. It’s beautiful and moving, as all entertainment should be.
When you vote, don’t just consider the impact of this election on the economy. Think about the wars that can happen as a result of your vote. And then think about the schlock comics those wars will inspire. Personally, I don’t want to see Dan Didio get his hands on Iran.
SATURDAY: Marc Alan Fishman
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| Cover: Douglas Klauba |
Moonstone Books has released Green Hornet: Still At Large in ebook format at Amazon (Kindle) and Barnes & Noble (Nook).
Edited by Joe Gentile, Win Scott Eckert, and Matthew Baugh, this third anthology featuring the 1960s Green Hornet, based on the television program starring Van Williams and Bruce Lee, follows The Green Hornet Chronicles and The Green Hornet Casefiles.
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| Cover: Ruben Procopio |
Contents:
“Hero” by S.J. Rozan
“The Black Torpedo” by Will Murray
“The World Will End in Fire” by Richard Dean Starr
“The Man Inside” by Matthew Baugh
“Death from Beyond” by Ron Fortier
“Play the Game” by Thom Brannan
“The Gauntlet” by Bobby Nash
“Chaos and the Year of the Dog” by Bobbie Metevier
“Axford’s Stingâ by Dan Wickline
“Revenge of the Yellowjacket” by Howard Hopkins
“The Man in the Picture” by Patricia Weakley
“Masks” by C.J. Henderson
“Bad Man’s Blunder” by John Allen Small
“Losers, Weepers” by Rich Harvey
“Stormfront” by Greg Gick
“The Night I Met The Hornet” by Mel Odom
“Progress” by Win Scott Eckert
Ordering information:
Amazon (ebook)
B&N (ebook)
Moonstone direct (trade paperback)
Moonstone direct (limited hardcover)
Amazon (trade paperback)
Amazon (limited hardcover)
B&N (trade paperback)
B&N (limited hardcover)
David Wood, author of the best seller Cibola, a Dane Maddock adventure, joins hosts Ric Croxton and Dr. Art Sippo in The Book Cave this week. Listen to the conversation now at http://thebookcave.libsyn.com/webpage
Learn more about Author David Wood at his website, ThrillerCast podcast:, and Gryphonwood Press.
Visit The Book Cave at http://thebookcave.libsyn.com/webpage.
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| Dane Maddock Adventures |
New Pulp Author Barry Reese has released the first episode of The Shadow Fan, a new weekly podcast. The Shadow Fan Podcast is easily accessible via Barry’s website, libsyn, and iTunes.
Every week Barry will talk about Shadow news, reviewing old novels & new comics, and just generally shooting the breeze about pulp’s greatest hero.
Give the first episode a listen now at http://theshadowfan.libsyn.com.
The latest Fight Card has been released and it looks to be a knockout. You can find Fight Card: Golden Gate Gloves at Amazon.
PRESS RELEASE:
GOLDEN GATE GLOVES (FIGHT CARD)
San Francisco 1951
Conall O’Quinn grew up at St. Vincent’s Asylum For Boys, a Chicago orphanage where he learned the sweet science of boxing from Father Tim, the battling priest. After a stint in the Army, Conall finds work on the docks of San Francisco – a place where his fists make him the dock champion. Soon, however, he gets on the bad side of a union boss and is set up for a dock side brawl designed to knockout his fighting career. When Conall comes out on top, things go from bad to worse when he is framed for the docks going up in flames.
Along with Benson, his best friend and trainer, Conall heads for the hills in search of a lost treasure in the vicinity of a mine controlled by the union boss. However, where Conall goes trouble follows and he is quickly embroiled in a heated grudge match between fist-happy miners and lumberjacks.
Championing the miners in an all out slugfest, Conall is about to find out there is more to fighting than just swinging fists… giant, hammer-fisted lumberjacks, the mine owner’s beautiful daughter, union flunkies, and mob thugs all want a piece of him… and when the opening bell rings, the entire world appears to be against him…
You can learn more about The Fight Card series at www.fightcardbooks.com.
Join poet-violist (and ComicMix contributor) Alexandra Honigsberg, international artist composer-clarinetist Demetrius Spaneas, soprano Christina Rohm, and pianist-conductor James Siranovich at the premiere of Lilith: Mother of Dreams, a chamber opera of the iconic demon goddess. It’s debuting on Halloween Weekend (this Sunday at 7 p.m.) at a historic haunted opera house, Flushing Town Hall.
The Lilith Project is conceived as a modern American suitcase opera, a chamber monodrama: intense, human, universal, compact in form and forces, accessible.
Before there was Eve, there was Lilith: Adamâs first lover, once human, made from the same dust, sensualityâs queen, bride of the Angel of Death, mother of opposing cosmic forces â strong, willful, unstoppable. She rules the storms of the skies and the heart â night owl, holy woman of power. From ancient tales of Gilgamesh and Enkidu, to King Solomon and the Queen of Sheba, to Greeceâs Lamiae and Daughters of Hecate, to Native American lore and Victorian Gothic Horror, Lilith looms large in the minds of men and women when the lights go out and they enter dream time. Some call her demon, vampire, child killer â others mother, lover, elder, friend. But whatever the appellations, she persists in the realms of our imaginations, from holy books and high literature to popular feminist concert series, TV shows, and Japanese anime. Child of Light? Daughter of Darkness? Both? Neither? You decide.
Composer Spaneas is a long-time professional, curator of Cornelia St. Caféâs Serial Underground award-winning new music seriesâ 25th year, and Fullbright Specialist of the State Departmentâs musical diplomats. Librettist Honigsberg is a veteran violist, award-winning songwriter, long-time published poet, and this yearâs winner of the Mayorâs Poetry Prize. Both Rohm and Siranovich have established opera careers all over the US and cities abroad. Long-time colleagues in many configurations over the years, Lilith marks this creative teamâs debut.
There will be a talk by the artists before the performance and then time for questions and answers, afterwards, and a reception to which all are invited. Come as you are, but gala premiere attire, period dress, and other unique finery is encouraged!
The production is fiscally sponsored by Composers Collaborative, Inc. $10 suggested donation/FTH members free, all welcome.