The Mix : What are people talking about today?

Mindy Newell: The Right Stuff

newell-art-121015-8972164There is a wonderful thing happening for me and other girls and women who read comics.

A new hero has appeared.

As frequent readers of this column should remember, Kara Zor-el, Supergirl, was the character and hero that rocked my pre-adolescent world. She was smart, brave, and not only did she have the same powers as Superman but she was his secret weapon, which is a powerful message to little girls. And yes, she was pretty, which I don’t think is a sexist thing to say. Everybody wants to be “pretty” when they grow up. Okay, little boys generally don’t want to be pretty when they grow up, but I don’t think they want to look like Quasimodo either.

Not that little girls and women have been without heroes since Kara first popped out of her rocket in Action Comics #252 in May, 1959. Wonder Woman, Princess Diana of Themiscrya, has been with us since All-Star Comics in December 1941.   Jean Grey debuted as Marvel Girl in X-Men #1 in September 1963, and Storm – Ororo Munro – was created in Giant Size X-Men #1 in May 1975. Kitty Pryde – she of the 1,001 names–joined the Uncanny X-Men as Sprite in January 1980. The introduction of the Legion of Super-Heroes in Adventure Comics #242 in April 1958, included Saturn Girl, a.k.a. Imra Ardeen.

And then there was Carol Danvers.

Major Carol Danvers of the United States Air Force first appeared in Marvel Super-Heroes #13 in March 1968. In 1977, Carol was empowered by the fusion of her body with Kree genes, and became Ms. Marvel, appearing in the eponymously titled Ms. Marvel #1 in January 1977. She has also been known as Binary and Warbird.

And then, in July 2012, Carol Danvers accepted the mantle of Captain Marvel

Kelly Sue DeConnick, as writer of the series, has taken the ball and run with it. In fighter jock parlance, DeConnick – and through her, Carol Danvers – is pushing the envelope of what it means to be a woman and a hero. To quote DeConnick from her interview with Corrina Lawson in Lawson’s Geek Mom column for Wired magazine, “My pitch was Carol Danvers as Chuck Yeager.”

As the daughter of P-51 fighter jock, I get it. Completely.

Carol’s not looking for medals. She’s not looking for accolades. Yeah, she’s chasing those demons that live beyond the sound barrier. Yeah, she’s out there every day pushing the envelope, punching holes in the sky. But she’s just doing what she’s gotta do. Doing it ‘cause, well…’cause she’s doing it.

Knocking out Absorbing Man by smothering his air supply with impermeable sash.

Comparing the hurt she’s gonna feel knocking out a gi-normous alien eyeball to the pain of a mascara wand in her own eyeball.

Girls and women get that.

We’re out there every day, not looking for accolades, not looking for medals. Just doing our jobs. Juggling family and work and relationships and life and just doing it.

‘Cause that’s what we do.

‘Cause that’s what Carol Danvers does. And if we said to her, “Man, Carol, you surely are our hero.”?

I think she’d just shrug her shrug her shoulders and say, “Whatever.”

‘Cause that’s what a hero does.

TUESDAY MORNING: Emily S. Whitten Survives New York

TUESDAY AFTERNOON: Michael Davis Survives Paris

 

PRO SE ANNOUNCES NEW DIGEST SERIES FEATURING CHARACTERS OF CLASSIC PULP AUTHOR!

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Pro Se, a growing Publisher specializing in Heroic Fiction, New Pulp, and tales covering multiple genres, announced an open call today for a new series of books from Pro Se that mark the collaboration between the New Pulp Publisher and a classic Pulp Author!

Charles Boeckman, a 91 year old author/world traveler/jazz musician recently self published SUSPENSE, SUSPICION, & SHOCKERS.  This collection of 24 stories was written by Boeckman, many of them under the name Charles Beckman,  Jr. and were printed in Pulps such as Dime Detective, Detective Tales, Dime Mystery, and others as well as in digest mystery magazines such as Manhunt and Alfred Hitchcock’s Mystery Magazine.  With a career ranging from the 40s into the modern era in fiction, much of it crime and mystery related, Boeckman is truly one of the last remaining true Pulp Authors today and has crafted characters that, although they only appeared once originally, have potential for further adventures, a potential Pro Se Productions plans to tap.

“This book,” Tommy Hancock, Editor in Chief and Partner in Pro Se, states, “is truly a fantastic read.  Mr. Boeckman’s words sing with the huskiness and weight of a torch singer and the stories deliver blows like gunshots from all sides.   He breathes life into every character, every locale, and every situation these hard luck heroes find themselves in.  And one of the great things about his stories is, although there are definitely heroes between the beginning and end, they’re not cast in bronze or refined from gold.   These are bruised, battered, often broken souls who have talents for music, in a lot of cases, or mystery and are almost as talented in getting themselves in trouble that most people would have to die to get out of.”

“After reading his book,” Hancock continues, “I contacted Mr. Boeckman and, following drowning him in compliments and fanboy like sentiments, I identified several characters that I felt like could have life in new stories and would appeal to a modern audience, both for nostalgic reasons as well as the fact that these characters, even the ones written back in the 1940s, were definitely written with a sensibility that makes them viable to modern readers.  I requested the permission to put together anthologies and books based around these characters in a series of digests that sport Mr. Boeckman’s name and he agreed to that.”

Pro Se will begin publishing the CHARLES BOECKMAN PRESENTS line of digest sized anthologies and novellas featuring characters originally created and featured in stories written by Boeckman.  Although each individual digest may focus on a different theme or character, they will all appear under the CBP banner, and will feature new stories based on Boeckman’s work.

Charles Boeckman

“This is an open call,” Hancock states, “to any and all writers who might be interested in trying their hand at Mr. Boeckman’s characters.  The first step in this process will be for interested writers to look over the brief descriptions of the characters provided and email proseproductions@earthlink.net with any and all they may be interested in.  Based on that interest, story bibles and other information will be sent to interested authors who will then be required to draft a proposal for a story, length being minimum 8,000 words to a full novella length of 30,000.  The proposal must be no more than a page long and, if the writer has never submitted to Pro Se before, a writing sample of at least 3 pages of narrative must be supplied as well. One thing to note, also.  Although these characters were originally created by Mr. Boeckman and  Pro Se will be insuring that they remain true to the source material, we are not wanting any writer to ape or copy Mr. Boeckman’s style.  We will be great stewards of these classic ideas as well as the skills and styles of the modern writers pouring life into them.”

Charles Boeckman

Detective Mercer Basous from ‘The G-String Corpse’- A homely 1970s New Orleans Detective who knows three things very well- New Orleans, the people that make it up, and how to do his job.

Big Lip from ‘The Last Trumpet’-A piano player on1950s Broadway who solved the murder of his great friend and one of the greatest horn players the world has ever known who moves onto further tales and adventures in a band in a world without The Earl.

Buddy Gardner and Frank Judson from ‘Blind Date’- Frank, a mid 1960s small town reporter, and Buddy, a deputy in the small town with detective skills to spare, find new stories and cases to follow and crack in Kingsbury after their initial tale, where Frank finds a dead woman in his trunk that all evidence said he had an affair with, then murdered, but he’d never met her before.

Lt. Mike O’Shean and Lil Brown of the Daily Herald from “I’ll Make The Arrest”-Mike O’Shean, a passionate two fisted cop  of the early 1950s who sinks his teeth into a case and won’t let go, even if it kills him, and Lil Brown, the reporter who knows her job and city better than anyone…and knows O’Shean better than that.   These two are at the beginning of what may be a beautiful relationship if crime and corruption don’t get in the way!

Doc and Sally from ‘A Hot Lick for Doc’-Fresh in 1950s LA from their debut tale, Doc, a washed up clarinet player who found his music again following being involved and solving a murder, and Sally, the recovering heroin addict who accompanied him, would be ready to write new tunes and chop a new life out of whatever life and LA throws at them.

Johnny Nickle from ‘Run, Cat, Run’-A trumpet player who’s claim to fame was having played on a supposedly haunted Jazz Classic that led to him being on the run from a curse and a murderer for years, Johnny Nickle is now back on top in the early 1950s blowing his horn and finding trouble almost everywhere he finds a stage to stand on.

The stories will be set in the periods mentioned for each of the characters.  If a writer wishes to go beyond that period, then that must be clearly mentioned in the proposal.

Deadline for initial proposal submissions is November 1st, 2012.  

Other characters from Mr. Boeckman’s many stories may be added to the available list to write from at a later date, Hancock points out, but these are currently the only characters discussed thus far.

“This,” Hancock says, “is not only a great opportunity for Pro Se, but it is truly an honor to have not only made the acquaintance of such a great writer and part of Pulp history as Mr. Boeckman, but to have the privilege of giving new life to these classic friends of his, there’s no real words for that except We intend to make him proud.”  

For more information on Pro Se Productions, go to www.prosepulp.com.  To get a copy of SUSPENSE, SUSPICIONS, AND SHOCKERS go to http://www.amazon.com/Suspense-Suspicion-Shockers-Charles-Boeckman/dp/1479238732/ref=sr_1_6?s=books&ie=UTF8&qid=1350269187&sr=1-6.

PULP ARK 2013 DATES AND LOCATION ANNOUNCED!

PRESS RELEASE- FOR IMMEDIATE RELEASE AND DISTRIBUTION

PULP ARK 2013 DATES AND LOCATION ANNOUNCED!  
APRIL 26-28TH, 2013
10/14/12
Pro Se Productions, a leading publisher of Heroic and Action/Adventure Fiction as well as the Founder and organizer of Pulp Ark, a writer’s conference/convention that began in Batesville, AR in 2011 announces today the dates for the third annual event, PULP ARK 2013 as well as a change of venue.
Pulp Ark is a Writer’s Conference/Convention focused on ‘Pulp’ fiction.  Although defined narrowly by many, Pulp Ark promotes Pulp Fiction as multi genre multi medium storytelling that typically involves action, adventure, larger than life heroes and villains, and a strong focus on both plot and characterization.  “Pulp,” Hancock said, “began as a medium in which many great writers told a lot of wonderful stories and readers could pick ’em up a 100 or more pages at a time for a dime.  Although it’s no longer that necessarily, the sensibilities of Pulp storytelling, the style, the methodology, all the stuff fans have remembered and enjoyed for over 80 years about those kinds of tales, all of that is still around and available from all sorts of authors, artists, performers and companies.  That is what Pulp Ark is all about.”
“Pulp Ark 2013,” stated Tommy Hancock, Pulp Ark Organizer, “will take place in a new facility and a new town, but remains in Arkansas!  Batesville, Arkansas (the site of the first two Pulp Ark conventions) has been nothing but a positive experience for Pulp Ark and the success we’ve had there, particularly in 2012, is one of the myriad reasons we decided to make a move.  Pulp Ark 2012 cemented for us the fact that not only would we have faithful vendors and guests willing to return for another go around or two, but that we also had a concept that appealed to fans of all ages and genres and mediums.  With that, the decision was either to grow or not.   Part of the decision to grow was whether or not to stay in Batesville.  Several factors, most notably partnering with an excellent facility that truly will take Pulp Ark to another level, led us to decide that the home of Pulp Ark 2013 would be Springdale, Arkansas.”
Springdale is in Washington County located in Northwest Arkansas.  Considered part of the Fayetteville Metropolitan Area, Springdale is one town of several that are considered a piece of one of the fastest growing metropolitan areas in the country.  With over 500,000 residents in and near Springdale, Pro Se believes that not only will this increase fan attendance and interest in the Writer’s Conference/Convention that blends every genre and medium possible together, but will also attract both the loyal guests and vendors from the first two years of Pulp Ark as well as a whole host of new participants on that side of the table.
“Pulp Ark is a wonderfully unique creature in a lot of ways,” Hancock stated.  “We definitely enjoy having that small town, almost family type feel for what we do, but we also have a truly kaleidoscopic reach with all the genres and creators that fall into our umbrella.  Prose, comics, audio, cosplay, even music, all of that and more contributes to what Pulp is.  Classic, new, and even Pulp yet to come all has a home at our convention and it was time to move Pulp Ark to a place where it…and all its wonderful supporters…could truly spread their wings.”
Pulp Ark 2013 will be held in Springdale, Arkansas April 26-28, 2013 at the Holiday Inn Springdale Hotel and Convention Center in Springdale, Arkansas, 1500 South 48th Street, phone number- 1-479-751-8300.  For a peek at the venue, click HERE!  
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PULP ARK 2013-Springdale, Arkansas!  For further information, go to www.prosepulp.com or contact Hancock at 870-834-4022 and/or proseproductions@earthlink.net.  Expect more Pulp Ark Announcements VERY SOON!

SPACE JUMP!

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Felix Baumgartner just seconds before the jump.

The Red Bull Stratos Space Jump aired live on The Discovery Channel and across the internet today. Although this isn’t pulp fiction, the brave man who performed the jump is the true definition of a pulp hero, brave and possibly just a little crazy.

All Pulp congratulates Felix Baumgartner on making history.

CHALLENGER STORM AND THE VALLEY OF FEAR EPISODE 5 PREMIERES

Challenger Storm: The Valley of Fear episode 5: “Marauders” by New Pulp Author Don Gates is now live at
http://challengerstorm.blogspot.com/2012/10/challenger-storm-valley-of-fear-episode.html

NOTE: This serial takes place out of order chronologically with the Challenger Storm novels, which are being written with a definite timeline in mind. “The Valley of Fear” happens after at least book 5 or 6, but this shouldn’t hinder the reading experience. I’m flying by the seat of my pants here, so I make no guarantees in regards to quality or coherence.

A second Challenger Storm novel, The Curse of Poseidon, has been announced for 2013 release.

You can read The Valley of Fear at http://challengerstorm.blogspot.com/
Challenger Storm: The Isle of Blood is still available from Airship 27 Productions.

John Ostrander: Dueling Capes

ostrander-art-121014-5946860There are the Great Eternal Fanboy Questions. (The Eternal Fanboys sounds like a comic itself or a geek Goth band.) One of them is “Who is stronger, the Hulk or the Thing?” Or the variation “Thor or the Hulk?” You can even ask who is stronger – the Hulk, the Thing, or Thor, but that gets complicated and a little metaphysical.

The Classic Eternal Fanboy question, though, predating the others is “who would you rather be, Superman or Batman?” Supes can fly and has all those powers; he’s become sort of the Swiss Army Knife of superheroes as more and more abilities were added over the years, like super-breath. There are mornings when I’ve had super-breath. Not quite like Superman’s but still pretty potent. It had me grabbing the Kryptonite mouthwash.

Batman, on the other hand, is all dark and moody and mysterious and he has all those wonderful toys! And, underneath that cowl and cape, he’s human. One of the prevailing arguments in the debate is that we could never be Superman because he’s an alien from another planet but if we really worked at it, if we were as dedicated as Bruce Wayne, we could become the Batman.

In your dreams, pal. Never going to happen. All us Eternal Fanboys also have second lives as the Eternal Couch Potatoes. Maybe we could be Herbie the Fat Fury, who got his powers from special lollypops, but not The Batman.

As a comic book writer, I’ve been asked the question more than once (and have pondered the answer a few times) which character would I prefer to write – Superman or Batman? Most of you who know my work would probably guess Batman and, for much of my early career, it was true. My forte are dark, moody, violent characters and Batman certainly fit into that. Superman was this big blue Boy Scout with an annoying girlfriend and a personality almost as thin as the paper on which he was printed.

Over the years, however, that’s changed and these days I find I’m drawn more to the Man of Steel. I suppose it started with Christopher Reeve’s portrayal in the 1978 Superman movie. It was Superman’s humanity that struck me. That also came out in Grant Morrison’s superb All-Star Superman run, simply one of the best incarnations of Superman that I’ve seen.

For me, the heart of Superman, the basis of who he is, is not the powers that he has. It’s that he was raised on a farm in Kansas and those are the values that were instilled in him. At heart, he is Clark Kent. Not Kal-El of Krypton and not Superman. Not even the Clark Kent as perceived at the Daily Planet. At heart, at his core, he’s that Kansas farm boy. There is a humility in him; his upbringing is what defines him as a character and not his powers and that, I think, is how it should be. It’s who he is and not what he can do.

Batman has become a much darker and less human character over the years. It’s his way or the highway. He no longer tries to intimidate just the bad guys but his friends and co-workers as well. Batman is the central personality; Bruce Wayne barely appears and then only to serve Batman’s needs. He’s a compelling character, no question – but not one I feel drawn to as much anymore.

Maybe it’s just that I’m growing older but I value Superman – Clark Kent – for that humility, that humanity, and find that it speaks more to me. For all his being an alien, I think Superman is more human than Batman. So, for me, the answer to the Eternal Fanboy question is – I’d rather be Superman.

Your mileage may vary.

MONDAY: Mindy Newell

 

MARS ATTACKS IDW!

IDW Publishing has revealed the cover for the upcoming MARS ATTACKS POPEYE comic book along with others in the Mars Attacks… line. Mars Attacks Popeye is written by Martin (Halloween Legion) Powell with art by Terry (The Phantom) Beatty. Mars Attacks Popeye will be in stores January 2013 from IDW.

PRESS RELEASE:

IDW has released the details on their upcoming crossover event between Topps’ MARS ATTACKS property and… well, pretty much every license under the IDW banner.

Spread out over five weeks in January, the full list of planned one-shots includes:

MARS ATTACKS POPEYE by Martin Powell, Terry Beatty, and Tom Ziuko
MARS ATTACKS KISS by Chris Ryall, Alan Robinson, and Tom Ziuko
MARS ATTACKS THE REAL GHOSTBUSTERS by Erik Burnham and Jose Holder
MARS ATTACKS TRANSFORMERS by Shane McCarthy and Matt Frank
and
MARS ATTACKS ZOMBIES VS. ROBOTS by Chris Ryall, Andy Kuhn, and John Rauch

IDW Editor-in-Chief and Chief Creative Officer Chris Ryall is the brains behind the event, and had this to say about it:

“The ‘Mars Attacks’ property is a bit more insane than most of the licenses we have. There’s lots of good carnage in there, so we thought it’d be fun if we could spin that into some of our other books that are more respectful properties. Normally in ‘Transformers’ you don’t get the level of insanity of a ‘Mars Attacks’ comic. We thought it’d be fun to mash that all together.

I wanted ‘Mars Attacks’ to fit into these universes by the rules already established in these books. So if there’s a Popeye story, the Martians can only cause as much damage as you’d see in an old Popeye strip or a Fleischer cartoon. It’s not going to be quite as over-the-top violent as John Layman’s ‘Mars Attacks’ comic. It’ll fit well into the Popeye universe. So every issue is a stand-alone story, and they roll out chronologically by era. Popeye comes first and takes place further back in the timeline around the 1930s.”

You can learn more about IDW and their books at www.idwpublishing.com.

THE MAN OF A THOUSAND FACES RETURNS!

Cover Art: Rob Davis & Shane Evans

Back Cover: Rob Davis

Airship 27 Productions has announced that volume 4 of the publisher’s Secret Agent X anthology series is now available for purchase.

Press Release:

AMERICA’S ACE SPY RETURNS

Airship 27 Productions is thrilled to announce the release of the fourth volume in their best selling pulp series; Secret Agent X – Man of a Thousand Faces.

The greatest pulp spy of them all, Secret Agent X returns in four brand new adventures. Continuing the excitement and thrills generated by the previous three volumes in this series, the Man of a Thousand Faces is back in four daring adventures written by today’s most talented pulp writers.

“Since starting Airship 27, Secret Agent X has been our flagship series,” explains Managing Editor Ron Fortier. “Pulp fans just love this golden age spy and every time we put out a new book they not only rush to get a copy but they instantly begin clamoring for more of his exciting new adventures. Pulps fans just can’t get enough of Secret Agent X and we’re only too happy to provide them with more.”

Art: Rob Davis

Deep in mountains of central Europe, Bobby Nash pits X against a deadly beast-man with a special agenda while Jarrod Courtemanche has the master spy confronting a scientist who controls fears. In a one of a kind cross-over, Agent X confronts one of the most nefarious pulp villains of them all, Fantamos, courtesy of Kevin Noel Olson and finally Frank Schildiner chronicles one of our hero’s earliest missions alongside the famed Sir Lawrence of Arabia in the burning sands of the Sahara.

“This is by far the most eclectic collection we’ve released thus far,” added Fortier. The book features twelve interior illustrations by Art Director & Company Designer Rob Davis with a terrific cover by Davis and Shane Evans. It is their second artistic collaboration on this highly popular series.

Collect Them All

Dedicated to the protection of his country, the master of disguises, America’s top secret agent is in wavering his loyalty and courage as he once against takes on villainy in all its myriad forms. He is the one and only Secret Agent X!

AIRSHIP 27 PRODUCTIONS – Pulp Fiction for a New Generation!

Available now from CreateSpace AND as a Digital Download.
And within the next two weeks from Amazon, Kindle, and Indy Planet.

Secret Agent X volumes 1, 2, and 3 are still available as well.

TARZAN SWINGS ONTO THE BIG SCREEN IN 2013!

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Tarzan returns to the big screen in 2013 in a new motion capture movie starring Kellen Lutz from “Twilight” performing the motion capture of Tarzan. Spencer Locke from the “Resident Evil” movies plays Jane. A teaser trailer has been released showing the lord of the jungle in action.

PRESS RELEASE:

Tarzan Official Trailer #1 (2013) – Motion Capture Movie HD

Reinhard Klooss will direct. Robert Kulzer will produce with a script written by Klooss, Yoni Brenner and Jessica Postigo. According to THR, the story is being updated: “Tarzan’s parents, billionaire adventurers, are now killed in airplane crash rather than being marooned with their child. And the movie’s villain is the CEO of Greystoke Energies, a man who took over the company from Tarzan’s deceased parents. In the script, Jane is the daughter of an African guide and is committed to the conservation and preservation of the African jungle. She eventually works with Tarzan to defeat the mercenary army of Greystoke Energies.”

All Pulp will bring you more news as it becomes available.

Marc Alan Fishman: Comic Books – Where A Kid Can Be a Kid

fishman-art-1210131-8871849So the other day, in my second life, I was discussing Unshaven Comics with a coworker. He’d just read our first two issues of Disposable Razors. Suffice to say, these early issues of ours were geared towards our peers – violent, misogynistic, foul-mouthed, and raunchy fun. He then asked me about the next issue, featuring the Samurnauts.

“Dude. Why did you go kiddie?”

“Simple,” I retorted. “I’m still a kid.”

Deep down, beard be damned, I’m still 12. I can’t walk into a Target / Wal-Mart / Meijer without taking a detour through the toy aisle. My DVR is as full of worthless NBC comedies as it is high quality cartoons. And to a degree, my continuing love for comics in general fulfills that childish need for escapism that obviously will never leave me.

Beyond myself though, I am lucky to be surrounded by two others who share the exact same mentality. We Unshaven Lads make no bones about it… at our core we’re far more interested in giant robots, Kirby krackle, and figuring out the relative power levels of various Power Rangers than the latest polling data, Iranian diplomacy, and the relative cost of bathroom tissue. Suffice to say it was a no-brainer that we’d eventually strike gold by tapping into those roots and pulling out The Samurnauts. Iran be damned.

And what’s truly refreshing? Being able to share our book with everyone. From kids to teens to adults, no one is safe; kung fu monkeys and zombie-cyborg space pirates makes everyone giggle. And when they read the issue and see we do it without having to wink and nudge our audience? Well, that’s when we show that this isn’t just for a gag. Frankly, it’s what’s missing throughout much of mainstream comic books these days. Yup. I’m going there.

You see, when I was growing up (frankly, not all that long ago) we were already knee-deep into the Angst-Era of comics. There was a hard line: either you spurted blood and boobs all over the page or you dubbed your book for kiddies, and neutered everything about it, quality included. And despite the relative universal success of titles like Tiny Titans, Super Dinosaur, and dare I suggest Fables, most books on the shelf still seem to be stuck in a rage. But at the same time Spawn was murdering the comic book world, there was an epiphany in kid-level fiction; animation.

I was truly blessed to grow up on what I consider is the truest golden age of cartoons – Batman: The Animated Series, Superman, the X-Men, and my personal favorite Exo-Squad. All employed the most basic tactic that elevated the term all-ages to an unforeseen level of quality. Simply put, these series all decided it was easier to tell a great story, than worry about talking down to kids. And as a kid, I recognized it.

Here were cartoons that dealt with war, murder, politics, government, ethics, and god knows what else. And sure, there were batarangs, guest stars like Lobo, the Dark Phoenix saga, and Neo-Sapien uprisings, but they were presented and treated without a hip wink at the camera. And because of it, when I turned to the world of comics, I gravitated towards Alan Moore, early Frank Miller, John Ostrander, and Denny O’Neil. Here were guys giving me the same credit as Bruce Timm, and Paul Dini, all without having to plunge their books into infinite sadness and meaningless quarrels.

Don’t get me wrong. I enjoy a touch of the ultra-violence. But when its used every other issue, it deadens the impact. DC especially seems to be marred in grit and angst again, and because of it I’m down to less than half the subscriptions I enjoyed a little over a year ago. The best ongoing title in recent memory was Fantastic Four, which in and of itself was too kind to not spend all its time with gnashed teeth. Meanwhile, Harley Quinn is being plunged into a vat of acid and donning a corset as a costume. Maybe the kid in me is just sick and tired of rape, death, cursing, and thigh pouches in my cape’n’cowls every week, in an effort to boost sales. Maybe it’s why I spend my time amidst future space stations and pirate ships when it’s time for me to give back to the world of comic books.

Now if you’ll excuse me… I need to go load up my Nerf guns. Thundercats is on.

SUNDAY: John Ostrander on Comics