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DOUBLE HEADER REVIEW-CLASSIC PULP AUTHOR’S COLLECTION A MUST HAVE!

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ALL PULP REVIEWS by Ron Fortier
SUSPENSE, SUSPICION & SHOCKERS
By Charles Beckman Jr.
Von Boeckman Fiction Factory Publications
ISBN # 9781479238736
265 pgs.
Several months ago I received an e-mail from a woman named Patti Boeckman. She told me her husband, Charles Boeckman, for most of his life had been a professional pulp writer working in the 40s and 50s under the name of Charles Beckmen.  Between 1945 through to 1975 his short crime stories had appeared in such pulp magazines as Dime Detective, All-Story Detective, Manhunt, Detective Tales to name just a few leading up to many sales in 60s and 70s to Alfred Hitchock’s Mystery Magazine.

A native of Texas, raised during the Great Depression, Charles had two loves; writing and music.  He became a success in both fields.  He taught himself to play saxophone and clarinet and during his travels throughout the south from Texas to Florida he often played with many reputable jazz bands until he formed his own.  In 1990, he earned a star in the South Texas Music Walk of Fame and his band to this day still plays in October Texas Jazz Festival.
What Charles and Patti were unaware of until recently was the resurgence in pulp fiction brought about via the internet which allowed life-long fans and newcomers to come together and begin creating forums to share their love of this escapist literary genre.  Patti, a former school teacher, discovered all this accidently while surfing the web and began to dig deeper into this wonderful phenomenon which invariable led her to the New Pulp Fiction movement.  A smart lady, she jotted down names and e-mail addresses and methodically reached out to many of these “new” pulp enthusiasts and that was how her letter of introduction popped up in my e-mail box.
At that time Patti and Charles were considering collecting many of his crime stories and self-publishing a book.  Hearing this, I, and many of my colleagues, encouraged them to pursue this plan.  The idea of a new collection of authentic pulp tales produced by the actual writer was too good a dream to let slip away.  Then after a few months, Patti wrote again.  This time with the news that they had gone and achieved their objective and the result was this book, “Supsense, Suspicions & Shockers,” by Charles Beckman Jr.  She asked if I would like a copy to review.  That had to be the easiest question I’ve ever answered in my life.
This book, which sports a truly gorgeous cover by amazing Laura Givens, is crammed with twenty-four stories; every single one of them a dazzling display of originality and deft story-telling technique.  Like the finest writers of the pulp era, Beckman had a keen, unerring grasp of human psychology and he employed it like a skillful surgeon carving up plot twists that turn on a time and more often than not, leave the reader both surprised and delighted.  No easy feat.  At the same time, because the book is so packed with stories, a true sense of the times emerges from the pages enveloping the reader taking them on a nostalgic journey back to an American landscape that can only be remembered in such pieces.  And throughout, Beckman’s background in music, especially the vibrancy of New Orleans jazz, is often the spiritual background to his cautionary yarns about desperate men and women struggling to survive in a bleak and desolate world.
Here is a sniveling coward bitten by a rattlesnake facing his own demise with joy, a walking dead man with a hole in his head, a musician being hunted by death itself, a cop after the punk who killed his wife and a husband who believes his devoted wife is about to murder him for absolutely no other reason than to simply do him in.  These are a small sampling of the unique characters that populate Charles Beckman’s fiction and once you’ve met them, I doubt seriously you will ever forget them.  There is a true humanity to these tales that seeks to uncover the good in even the worst of people and thus leaves the reader with a poignant optimistic hope for the future.  
“Suspense, Suspicion & Shockers,” is a genuine treasure trove of great pulp fiction by one of the best writers to ever tap his fingers over the keys of a mechanical typewriter.  There was magic in those fingers and it awaits you in this book.
PS – My copy arrived autographed.
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TIPPIN’ HANCOCK’S HAT-Reviews of All Things Pulp by Tommy Hancock
SUSPENSE, SUSPICION & SHOCKERS
By Charles Beckman Jr.
Von Boeckman Fiction Factory Publications
 Every time I sit down to read a story with the New Pulp label attached to it or one that I just categorize as New Pulp, there’s always a thought that runs through my head.  How will it measure up, I ask myself, to those who came before…those who left us the legacy of Pulp?  When I write, that judgment is even harsher?  Even though I’m not necessarily trying to emulate Dent, Gibson, and the others who made Pulp what it was to me as a young fan, I do, as I put words to paper, think about the Pulp masters who came before…
And now, there’s a new name that’ll be added to that list every time I do it.
Charles Boeckman.
SUSPENSE, SUSPICION, & SHOCKERS is a book published by Boeckman, with assistance from his wife Patti, containing stories ranging from 1945 to 1975, tales that saw printed life in Pulp magazines and digest mags like Alfred Hitchcock, one even being picked up by Screen Gems for a television show.   Billed often as Charles Beckman Jr., this now 91 year old author recently learned that there were still indeed readers and fans, not to mention creators, who collected, discussed, and found inspiration in the Pulp tales of the Past.   Tales just like the 24 he wrote that make up this collection.
Boeckman’s work appeared in a who’s who of classic magazines- Alfred Hitchcock, All- Story Detective, Pursuit, Detective Tales, Dime Detective, Manhunt, and more.  Just as varied as the titles carrying his tales are the stories themselves-ranging from horror to crime to straight mystery to music inspired mayhem.   Drawing on his background as a jazz musician as well as his love for traveling, the author carries his readers through the back alleys of Corpus Christi, down the blues filled streets of New Orleans, to the arid land of Texas, and all around the country, following gangsters, murderers, molls, and ne’er do wells on their way.
Boeckman writes with a starkness, a reality, that wasn’t present very much in the work of most of his contemporaries.  His characters are flawed, many addicted to something, be it marijuana or music, and they make mistakes.   Boeckman also, however, reflects the one wonderful aspect all humanity shares.   That even in the darkest hour, when all hope is lost, a blackened soul might just reach out for the light and do one good thing in an otherwise worthless life.  Simultaneously, Boeckman’s work is dark and moody while also being hopeful and even at times, when you look really hard in the shadows for it, light hearted. 
Another appealing aspect of Boeckman’s SUSPENSE, SUSPICION, & SHOCKERS is the characters themselves.   With all the reading I do of both new and classic stories, I find many I enjoy, but not so many that truly inspire, that make me want to read more of what doesn’t exist, to up my game in ways I can’t understand.   When you meet Boeckman’s Big Lip, Johnny Nickle, Michael OShean, and other citizens that populate this fantastic collection, you’ll know what I mean, especially if you’re an avid Pulp fan and/or creator. 
FIVE OUT FIVE TIPS OF THE HAT- SUSPENSE, SUSPICION, & SHOCKERS by Charles Boeckman, often billed as Charles Beckman, Jr. and published by Boeckman and his wife is a must have for any true Pulp fan…or Crime Fan…or anyone who can read.  Definitely in the top three of books I’ve ever tipped my hat to.

DARK HORSE COMICS FOR JANUARY

Dark Horse Comics has released their pulpy offerings coming in January 2013. Comic book shops and bookstores are pre-ordering these titles now to be in store in January. If you want your local shop to carry these titles, please let them know now.

THE UNAUTHORIZED TARZAN HC & LTD. ED. HC
Joe Gill (W), Sam J. Glanzman (P/I), Bill Montes (P), and Ernie Bache (I)

A classic run of Tarzan comics, reprinted for the first time! In the 1960s, believing Tarzan to have fallen into the public domain, Charlton Comics enlisted Joe Gill (Flash Gordon, House of Mystery) and Sam Glanzman (Hercules, Our Army at War) to create a new comics version of the Lord of the Jungle. Only four issues were produced before Charlton was forced to end the series, and much of the original print runs were destroyed. Collects Chalton’s Jungle Tales of Tarzan #1–#4. Includes never-before-seen Tarzan comic strips by Glanzman and historical essays by Roger Broughton!

112 pages, $29.99 (limited edition, signed, $59.99), in stores on March 20.

THE BLACK BEETLE: NO WAY OUT #1
Francesco Francavilla (W/A/Cover)

Black Beetle’s investigation of two local mob bosses is interrupted when a mysterious explosion murders them and a pub full of gangsters–taking out most of Colt City’s organized crime in one fell swoop. Who could pull off such a coup, and what danger might that murderous bomber do to Colt City and Black Beetle?

32 pages, $3.99, in stores on Jan. 16.

THE CHRONICLES OF CONAN VOLUME 23: WELL OF SOULS TP
Jim Owsley (Christopher Priest) (W), John Buscema (P), Ernie Chan (P/I), Bob Camp (I), George Roussos (C), and Steven Mellor (C)

Conan and his companions pursue a grand treasure through lands beset by civil war, murderous cults, and demonic horrors. And while the mighty Cimmerian will–and does!–spit in the very face of death itself, he and his comrades discover that not all treasures are of gold and precious gems. Collects Marvel’s Conan the Barbarian #174–#181 and Conan the Barbarian Annual #10.

232 pages, $18.99, in stores on March 20.

CONAN THE BARBARIAN #12
Brian Wood (W), Declan Shalvey (A), Dave Stewart (C), and Massimo Carnevale (Cover)

Unable to obtain a cure for the deadly illness afflicting Belit and the crew of the Tigress, Conan feels the fear of loss for the first time. With no hope and a broken heart, the Cimmerian is horrified at how appealing he finds Belit’s order to abandon the ship and his queen! The haunting conclusion of “The Death”!

32 pages, $3.50, in stores on Jan. 16.

CRIME DOES NOT PAY ARCHIVES VOLUME 4 HC
Dick Wood (W), Lev Gleason (W), Rudy Palais (A), Charles Biro (A), Bob Q. Siegel (A), Richard “Dick” Briefer (A), R. W. Hall (A), Art Gates (A), Art Mann (A), and Alan Mandel (A)

Crime Does Not Pay–the true-crime comic that enjoyed massive circulation throughout the forties and fifties–was a hit with readers. Issues #34-#37 of this visceral, provocative series are now collected into one fine, head-walloping hardcover.

264 pages, $49.99, in stores on March 13.

CRIMINAL MACABRE: FINAL NIGHT–THE 30 DAYS OF NIGHT CROSSOVER #2
Steve Niles (W), Christopher Mitten (A), Michelle Madsen (C), and Justin Erickson (Cover)

Cal has always wanted the Feds to focus on vampires, and now they are, one in particular–Eben Olemaun, now on a quest to bring mankind to its knees. But the FBI is up to more than tracking down Eben. Will Cal and Alice figure it out before it kills them both?

32 pages, $3.99, in stores on Jan. 30.

NUMBER 13 #2
Robert Love (W/A/Cover), David Walker (W), Dana Shukartsi (I), and Brennan Wagner (C)

Number 13 struggles to regain his memory and the purpose of his existence, while the manipulative Mother Goose seeks to control his power. She’s not prepared for the forces of the Professor, Number 13’s sinister creator. No one is safe in the battle to control Number 13–a battle that will determine the fate of a future world.

32 pages, $3.99, in stores on Jan. 23.

R.I.P.D.: CITY OF THE DAMNED #3
Peter Lenkov (W), Jeremy Barlow (W), Tony Parker (A), Michelle Madsen (C), and Dave Wilkins (Cover)

For newly recruited R.I.P.D. officer Roy Pulsipher and his senior Puritan partner Crispin Mather, the train that awaits them is their only hope of reaching the City and saving Creation, but climbing aboard means also aligning with a dark enemy and renouncing their very beliefs . . . forcing a choice that could doom their souls forever! Prequel to the upcoming feature film starring Ryan Reynolds and Jeff Bridges!

32 pages, $3.50, in stores on Jan. 30.

R.I.P.D. VOLUME 1 2ND EDITION TP
Peter Lenkov (W), Lucas Marangon (P), Randy Emberlin (I), Dave Nestelle (C), and Dave Wilkins (Cover)

Welcome to the Rest In Peace Department–the devoted, yet dead, officers of divine law enforcement. Nick Cruz was gunned down in the line of duty at the height of his personal and professional life. Now he’s traded a hundred years of service to the R.I.P.D. in exchange for a shot at solving his own murder. Collects the original four-issue miniseries.

104 pages, $12.99, in stores on March 20.

For a full listing of Dark Horse’s January Releases, visit them at www.darkhorse.com.

PULP EMPIRE TAKES TO THE HIGH SEAS WITH PIRATES & SWASHBUCKLERS!

Pulp Empire, an imprint of Metahuman Press, has released their newest Pulp Empire title, Pirates and Swashbucklers in paperback and ebook.

PRESS RELEASE:

After far too long of a wait, Pirates & Swashbucklers Volume II is now available as part of our Pulp Empire line! Featuring five new novelettes from Pam Bitner, Garrett Calcaterra, Teel James Glenn, Jason Kahn & Vincent Morgan, Pirates & Swashbucklers Volume II follows in the tradition of the previous volume released just over a year ago. Abounding with pulp adventures set on the high seas, you cannot go wrong with the pirate adventure in these pages!

Buy it now in print for only $11 on Createspace and Amazon.
The ebook edition is now available on Smashwords! Kindle & Nook editions coming soon!

Go pick up a copy today!

You can learn more about Pulp Empire at www.metahumanpress.com.

MATT WAGNER TO WRITE THE SHADOW: YEAR ONE!

Dynamite Entertainment has announced a new series starring one of pulp’s greatest heroes, The Shadow. Veteran comic book creator Matt Wagner has been tapped to tell The Shadow’s early adventures in The Shadow: Year One.

PRESS RELEASE:

THE LEGENDARY COMIC BOOK CREATOR TELLS THE SHADOW’S ORIGIN STORY IN 2013!

October 12th, 2012, Mt. Laurel, NJ – Legendary comic book creator Matt (Mage, Grendel) Wagner takes on The Shadow in 2013 with The Shadow: Year One. Much as he did with Dynamite’s Green Hornet: Year One, Matt plans to tell the definitive origin story of The Shadow, showing fans why the character has endured in popularity for so many years! Look for Matt Wagner’s The Shadow: Year One in 2013!

“THE SHADOW has long been one of my absolute favorite established characters and I’m thrilled to finally get the chance to contribute to his continuing adventures,” says Matt Wagner. “I’m getting to help define The Shadow’s mysterious origins in a Year One story arc! For all his published history in both the pulps and comics, as well as his radio adventures, there’s surprisingly no depiction of his very first adventures as the dark-clad Master of Men. This series will explore the events that first drew Kent Allard/Lamont Cranston back to the States, how he began to assemble his vast network of agents and how he first adopted the famous black hat and cloak as his alter-ego’s disguise-secrets that, up until now…only The Shadow knew!”

“Matt’s a legend and it’s always great to work with him,” stated Dynamite Editor Joe Rybandt. “Everything about his work is infused with realism and authenticity, and his Shadow: Year One will raise the bar for pulps and their heroes.”

“I’ve known Matt for 30 years now, since he lived in Philadelphia and was working on Mage for Comico Comics. I’ve mentioned this for years, that I repeatedly asked him if he would work on a comic with me as even at a young age, his scripts, art and ability to tell stories was some of the best I had seen. I never would have thought that 25 years later we would start a relationship with Matt working together. This is the third project with Matt, and it keeps getting better each time. I’m proud to be working with Matt, and can’t wait for this new adventure to begin!” – States Dynamite President and Publisher Nick Barrucci

For art and more information, please visit: www.dynamite.net.

The Point Radio: 30 ROCK Gets Ready To Exit

pt101212-6241061We are losing some good shows this television season, not the least of which is NBC’s 30 ROCK. We talk to Jack McBrayer (Kenneth) and EP Robert Carlocke about how they are making the exit graceful, plus Stan Lee is gonna sue somebody and CBS fires the first “cancelled” bullet.

We cover NEW YORK COMIC CON – live from the floor – all weekend on The Point Radio  – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any mobile device with the Tune In Radio app - and follow us on Twitter @ThePointRadio.

Martha Thomases: My NYCC Shoes

thomases-art-121012-1264633New York Comic-Con starts today. Almost as big an event as San Diego, but closer to my refrigerator, it is a monolith in the comic-book calendar. NYCC attracts fewer movie and television folk but more people who work in publishing – a (mostly) Manhattan-based business – since NYCC is at the Javits Center, which is technically in Manhattan but more difficult to get to than many parts of New Jersey.

Also, the food choices are terrible, expensive, and such small portions! It’s like being a modern high-school student, but without the calculus. Like high school, I am still filled with anxiety about getting to hang out with the cool kids. I can see from the schedule that I’m already missing out on the cool parties, sold out before I even heard about them.

I am not a person who attended comic book conventions since they started. The first ones I went to were the Phil Seuling shows, and I only went to the parties because I was a struggling freelance writer and there was free food. A hat-tip here to Denny O’Neil for sneaking me in.

When I worked at DC Comics in the 1990s, I went because they paid me to go. Even the big shows then were mostly about comics, not so much movies and television, so being with one of the Big Two made me feel like a vital part of the industry. When I see my friends who are still at DC at recent shows, I don’t get the same feeling from them.

Still, for four days there is a large comic book show in New York. The hotels, especially on the West Side, will have paying guests who are here for the show, who will meet each other in the lobbies otherwise full of foreign tourists. Bars and restaurants host private parties for publishers, studios, and industry-related non-profits. In other words, we’ll be spending a lot of money, which is the easiest way to get respect in this town.

(The other way is to actually accomplish something, and that is much more difficult. Or be British.)

Anyway, this is a long way to say that I’m kind of frazzled, and I’m not sure what there is I can say about comics this week. There are probably some trends that reflect on How We Live Now, but I’m distracted wondering what shoes will best protect my feet from the hard, cruel Javits Center floor.

It is at times like this, when I’m wary and distracted, that comics are most likely to come through for me. This time, I need to thank Grant Morrison. If you haven’t read this yet, check it out.

You can even enjoy it barefoot.

SATURDAY: Marc Alan Fishman

#NYCC sold out; tickets going for up to $300 a day

img_2120-300x224-5568102Well, this is impressive: a quick look at StubHub is showing people selling passes to New York Comic Con at really heavy price markups, going for as much as $300 for a single day pass.

We’ll be providing coverage of the convention over the next few days, as soon as we can find places to type and decent wifi to upload. Keep checking here and on our Facebook and Twitter feeds.

Dennis O’Neil: Arrows

So okay, we can get our superhero fix without leaving the house. (And isn’t this what we all desire? And pass the chips…) SyFy’s Alphas, which is watchable, is back doing its weekly thing and this week we’ll see the debut of Arrow, based on a character who’s been around for 71 years. I mean, of course, Green Arrow created by Mort Weisinger and George Papp and, shall we say, “inspired” by The Green Archer, first a novel by Edgar Wallace and later a movie serial, and further inspired by the success of another costumed vigilante, Batman, who was getting mighty popular along about 1941.

I know very little about the television incarnation of – let me confess – my favorite arrow slinger beyond this: the TV folk are using the character’s first origin story, which has Oliver Queen, one of those soigne millionaires who littered the pop culture of the pre-war era, shipwrecked on a deserted island and learning to be a whiz with a bow in order to survive. That’s what I know. I don’t want to know more.

We are saturated with information about our entertainments and I wonder if that doesn’t get in the way or responding to them as evolution intended. We know that this actor is feuding with that actress and they’re both mad at the producer and… I guess we can still perpetrate a willing suspension of disbelief (which your English teacher told you was vital to enjoying fiction). But maybe such suspension doesn’t come as easily as it did in the pre-information age and maybe we bring to the story expectations fostered by show-biz venues which influence, for better or worse, how we respond to what we’re being shown. Maybe it’s becoming a chore to bring to the enterprise what some meditators call “bare attention” – simply responding to, and being amused by, what’s there in front of us. As for being surprised by plot twists and the like, once a staple of light drama… good luck!

Am I blowing smoke? If I am, I’m blowing it into a fan.

I used to enjoy Mel Gibson movies. But I can’t, not any more, not after his anti-Semitic ravings and espousal of Neanderthal Catholicism, all of which was thoroughly reported in the media.

A few months ago, I saw a Batman movie. I thought it was a fine movie and I still think so. But I knew that Talia – let me confess – my favorite daughter of a maniacal mass murderer, was in the story somewhere and I kept trying to jump ahead of the screenwriters and guess exactly when she would appear who she would turn out to be. (I was wrong.) Yep, nifty flick, all right, but maybe my enjoyment of it was just a bit dimmed.

On the other hand…Marifran said that if she’d known that the cult portrayed in the fine new film The Master was based on Scientology, she would have enjoyed it more.

It is not a one-size-fits-all universe.

But, dammit, I know that there’s information about Arrow available on the net. And I’m not going near it.

FRIDAY: Martha Thomases

 

NEW PULP AUTHOR MARTIN POWELL VISITS EARTH STATION ONE

Art: Diana Leto

New Pulp Author Martin Powell and Diana Leto, artist of The Halloween Legion visit the Earth Station One podcast to spill all the spooky secrets behind the world’s weirdest heroes. The Countdown to Halloween Interview with Martin Powell & Diana Leto begins at 0:34:28 on the podcast.

Earth Station One Episode 132: Dexter and Other Serial Killers–
ESO continues the Countdown to Halloween with a psychotic episode! Mike Faber, Mike Gordon, and Bobby Nash are joined by Jessa Phillips, Jason De La Torre, and Dan Rynn to reveal the demented, deranged, maniacal, and downright freaky schizoids we admire. I mean condemn. Or rather those we identify with, and by that I mean we highly disapprove of. And speaking of straightjackets, we chat with Martin Powell and Diana Leto about their Halloween Legion project and they each take a twisted turn in The Geek Seat. Plus, the usual crazy Rants, Raves, Khan Report and Shout Outs.

Join us for yet another episode of The Earth Station One Podcast we like to call: Dexter and Other Serial Killers at www.esopodcast.com
Direct link: http://erthstationone.wordpress.com/2012/10/10/earth-station-one-episode-132-dexter-and-other-serial-killers/