The Mix : What are people talking about today?
John Ostrander says “Continuity Be Damned!”
Got The Avengers DVD on the day of its release and watched it all over again. My Mary and I enjoyed ourselves immensely and, from all indications, so did a lot of other people since its big screen release made more money than all but two other films.
Yes, previous Marvel films (Iron Man 1 and 2, Thor, Captain America, and the last Hulk film) all built up to it. It was great how it took the basic stuff we knew about all of them, including the initial Avengers comics, and was true to them but do you know what really made The Avengers such a juggernaut?
It was accessible.
You don’t need to know anything about the comics. You don’t need even to know anything about the other films. Everything you need to know to sit back and enjoy the movie is in the movie. Yes, if you know your Marvel lore it adds to the enjoyment but the fun of the movie and your understanding of the story is not predicated on that lore.
Over at DC, the Silver Age began when the legendary Julius Schwartz (hallowed be his name) took a bunch of character titles and concepts from the Golden Age, re-imagined them for what were more contemporary tastes, and re-ignited the superhero comic. He wasn’t concerned with continuity with the Golden Age, which was itself never too concerned with internal continuity; he wanted to sell comics.
When Marvel started (as Marvel) back in the Sixties, it started with all new characters at first so they didn’t have continuity problems. Even when they worked in Golden Age characters like Captain America and Namor, you didn’t need to have ever read any of the old stories. Everything you needed to know about those characters were in the stories.
Say that you’ve seen the movie The Avengers and you’d like to read a comic based on what you saw. So you go into a comic book shop and find: The Avengers, The Uncanny Avengers, The New Avengers, The Secret Avengers, Avengers Assemble, Avengers Academy, Dark Avengers, and, if you hurry, Avengers Vs. X-Men. This doesn’t include The Ultimates, which might be closest to the movie. Which one do you choose? And, if you do choose one, can you understand the story? Is it accessible or so caught up in past or current continuity as to not make sense to a casual reader?
I’m not excluding DC either. Say that you saw and liked The Dark Knight Rises and would love to know what happened next. So you go to the comic book store and you will not only find nothing that would tell you what happened next but nothing that isn’t tied to a crossover.
Look, I’m well versed in the ways of continuity. I’ve mined it for my own uses. However, when I started my run on Suicide Squad I essentially dropped everything but the title, even redefining the concept. Yes, I made use of continuity but I never assumed that the reader of the new book would know anything about the old series or care about the old characters.
I work in Star Wars and believe me when I say that the continuity there is as dense and complicated as anything at Marvel or DC. I’ve learned how to negotiate those reef filled waters by either creating new characters or going forward or backwards or even sideways in time. I research the continuity where my stories touch upon it but I don’t get tied down to it.
The ones who care about continuity are the fans and the hardcore fans care about it most. I’ve had all sorts of fans who want to tell a story based upon some obscure plot point that doesn’t fit quite snuggly enough into continuity (or how they perceive it) and explains it all. It’s hard to tell stories based on continuity alone. They’re bloodless. Story comes from characters and their desires and interactions.
This summer we’ve seen a load of very successful superhero movies – The Avengers, The Dark Knight Rises, The Amazing Spider-Man (itself a reboot from the last Spider-Man movie which was out only about five years ago). So there is a market out there. Yes, yes – comics and movies are two different media but the concepts are the same in both. Do we want to attract even a portion of that audience? For the survival of a medium we love, all of us – fans and pros alike – need to say yes.
The way to do that is with well-told stories that are accessible to all readers. Mary and I know a friend who watched The Avengers with her grandson and both enjoyed it. And they enjoyed watching it together. That’s something we should aim for.
In the end, if continuity gets in the way of a really good, accessible story, then I say – continuity be damned.
MONDAY: Mindy Newell
TUESDAY MORNING: Emily S. Whitten
REVIEW: Dark Shadows
I don’t recall how I first stumbled across the ABC soap opera Dark Shadows back in the 1960s. Normally, back then, I‘d come home from school and watch ‘50s reruns on WNEW or WPIX but somehow, I found the Dan Curtis series and fell for it thanks to the supernatural overtones. It was was heady mix of vampires, werewolves, witches, parallel universes and lots of secrets. When the show reached its conclusion, I was in high school, at a friend’s house and insisted we watch it even though he’d never seen it. I read many of the Marion Ross novels, some of the Gold Key comics, and even the short-lived syndicated strip with terrific Ken Bald artwork. The attempts to revive the series ever since never worked. Ever. So, when I heard both Tim Burton and Johnny Depp were fans, I figured they’d be ideal for a modern film version.
The casting sounded spot on and the first visuals looked great. Then came the first trailer and it was a bit of culture shock, much like Barnabas Collins’ resurrection after 196 years of undead contemplation in the Maine soil. It was quirky and akin to Burton’s Mars Attacks! but I was game to see more. Thankfully, word from screenings indicated the trailers emphasized the quirk and the movie was actually stronger. Perhaps, but not strong enough, and the tepid reviews in the wake of The Avengers meant it was DOA at the box office.
Now we have a chance to re-examine it as Warner Home Video releases the film on disc, notably its Combo Pack (Blu-ray, DVD, Ultraviolet). Visually, it’s stunning, capturing the beauty of Maine, the creepiness of Collinwood mansion and replete with grace notes harkening back to the black and white series, especially the water crashing on the rocks. Danny Elfman’s score eerily echoes the original music and supplements that with songs culled from 1972, punctuating the cultural dissonance experienced by Barnabas.
Depp is well supported by Michelle Pfeiffer, Johnny Lee Miller, Helena Bonham Carter, Jackie Earle Haley, and Chloe Grace Moretz. In some cases they closely resemble their television counterparts and their characterizations are close enough to be satisfying. Eva Green as Angelique, the witch who cursed him to be a vampire after spurning her love two centuries ago, is trampy, campy and sex as hell.
While the film has all the elements to be a strong remake of the series, it falls apart because of a thin script, surprising for a Burton production. Seth Grahame-Smith’s script, from a story concocted by Smith and John August, hints at many soap opera threads but rarely strays from the core conflict between would-be lovers. Angelique is frustrated because Barnabas’ true love, Josette, has been resurrected as Victoria Winters (Bella Heathcote), the newly arrived governess. Further complicating the triangle is the unhealthy interest Dr. Grayson (Carter) has in Barnabas’ vampiric qualities.
The supporting cast is good and does fine with what they’re given, but it’s not enough, especially given how rich and varied the storylines were, which propelled the series for years. We’re reminded of that and Burton deserves credit for including members of the original cast – Jonathan Frid, David Selby, Lara Parker, and Kathryn Leigh Scott—make a cameo appearance at a party. It’s as if they come on scene, have a moment and vanish until needed again which robs the overall film of a richness the material deserves.
The film’s final act, with its pyrotechnic climax was overdone, overlong and totally out of place, more Harryhausen than Curtis.
Depp, with oversized ears and long, tapering clawed fingers, channels Frid’s Barnabas, without the tortured soul that made the original actor an unexpected heartthrob. Instead, he’s devoted to family, playful with the kids, and determined to break the curse that causes him to kill. He is boggled by the technological and cultural changes but it’s all on the surface and worthy of exploration.
As a result, the sum is less than the parts and the movie is a misfire from Burton. For the diehard fans of the cast, director, or series, it’s certainly worth a look. The Blu-ray transfer is both strong with terrific color and sound.
The handful of extras include about 15 minutes of deleted scenes, several of which would have enhanced the film, especially a scene between Barnabas and young David (Gulliver McGrath).You can also watch the film in Maximum Movie Mode that lets you see special featurettes on the casting, production, effects, etc. Thankfully, they are all provided as standalone pieces so you can watch whatever catches your fancy.
Banned Comic Books for Banned Books Week
(In honor of Banned Books Week (September 30-October 6, 2012) we are reprinting this list from the Comic Book Legal Defense Fund, and will be reprinting lots of stuff from them over the coming week to highlight their efforts. Donate now! âCM)
Banned Books Week is upon us, and itâs telling that the event is more relevant than ever in its 30th year. Given their visual nature and the rampantly held misconception that comic books are for children, comics are among the most challenged and banned books in libraries and schools. Letâs take a look at some frequently challenged and banned comicsâ¦
Amazing Spider-Man: Revelations by J. Michael Straczynski, John Romita, Jr., and Scott Hanna
⢠Location of key challenge: A middle-school library in Millard, Nebraska
⢠Reason challenged: Sexual overtones
The parent of a 6-year-old who checked out the book filed a complaint and took the story to the media; the parent also withheld the book for the duration of the review process rather than returning it per library policy.
Batman: The Dark Knight Strikes Again by Frank Miller and Lynn Varley
⢠Location of key challenge: Stark County District Library in Canton, Ohio
⢠Reason challenged: Sexism, offensive language, and unsuited to age group
Despite the challenge, the library retained the book and now holds two copies, which are shelved in the Teen section.
Blankets by Craig Thompson 
⢠Location of key challenge: The public library in Marshall, Missouri
⢠Reason challenged: Obscene images
CBLDF wrote a letter to the Marshall library on behalf of Blankets and Alison Bechdelâs Fun Home, playing a key role in keeping both books on shelves.
Bone by Jeff Smith 
⢠Location of key challenge: Independent School District 196 in Rosemount, Minnesota
⢠Reason challenged: Promotion of smoking and drinking
A letter from Jeff Smith decrying the attempted ban of his book was read aloud at the library review committeeâs hearing, and the challenge was ultimately rejected by a 10-1 vote, to the praise of Smith and the CBLDF.
Dragon Ball by Akira Toriyama
⢠Location of key challenge: All public school libraries in Wicomico County, Maryland
⢠Reason challenged: Violence and nudity
The library review committee recommended that the books in the Dragon Ball series, which were recommended by the publisher for ages 13+, be removed from the entire public school library system, including at the high school level.
Fun Home by Alison Bechdel 
⢠Location of key challenge: The public library in Marshall, Missouri
⢠Reason challenged: Obscene images
CBLDF wrote a letter to the Marshall library on behalf of Fun Home and Craig Thompsonâs Blankets, playing a key role in keeping both books on shelves.
Ice Haven by Daniel Clowes
⢠Location of key challenge: A high school in Guilford, Connecticut
⢠Reason challenged: Profanity, course language, and brief non-sexual nudity
A high school teacher was forced to resign from his job after a parent filed both a complaint with the school and a police complaint against the teacher for lending a high school freshman a copy of Eightball #22, which was later published as the graphic novel Ice Haven.
In The Night Kitchen by Maurice Sendak
⢠Location of key challenge: Multiple locations
⢠Reason challenged: Nudity
In the Night Kitchen was not often removed from shelves; instead, librarians censored it by painting underwear or diapers over the genitals of the main character, a precocious child named Mickey.
League of Extraordinary Gentlemen: The Black Dossier by Alan Moore and Kevin OâNeill
⢠Location of key challenge: Jessamine County Public Library in Kentucky
⢠Reason challenged: Sex scenes
Two employees of the Jessamine County Public Library in Kentucky were fired after they took it upon themselves to withhold the libraryâs copy of League of Extraordinary Gentlemen: The Black Dossier from circulation because they felt it was pornographic.
Maus by Art Spiegelman
⢠Location of key challenge: Pasadena Public Library in Pasadena, California
⢠Reason challenged: Anti-ethnic and unsuited for age group
Nick Smith of the Pasadena Public Library describes the challenge as being âmade by a Polish-American who is very proud of his heritage, and who had made other suggestions about adding books on Polish history⦠The thing is, Maus made him uncomfortable, so he didnât want other people to read it. That is censorship, as opposed to parental guidance.â
Neonomicon by Alan Moore and Jacen Burrows![]()
⢠Location of key challenge: The public library in Greenville, South Carolina
⢠Reason challenged: Sexual content
Despite giving her 14-year-old daughter permission to check out the book, which was appropriately shelved in the adult section of the library, a mother filed a complaint, claiming the book was âpornographic.â CBLDF wrote a letter in support of the book, but it remains out of circulation pending review.
Pride of Baghdad by Brian K. Vaughn and Niko Henrichon
⢠Location of key challenge: Various
⢠Reason challenged: Sexual content
Despite receiving high praise from the ALA and Booklist and featuring a cast consisting of animals, the book has been challenged at libraries for sexual content.
Sandman by Neil Gaiman and various artists
⢠Location of key challenge: Various
⢠Reason challenged: Anti-family themes, offensive language, and unsuited for age group
When asked about how he felt when Sandman was labelled unsuitable for teens, Gaiman responded, âI suspect that having a reputation as adult material thatâs unsuitable for teens will probably do more to get teens to read Sandman than having the books ready and waiting on the YA shelves would ever do.â
SideScrollers by Matthew Loux
⢠Location of key challenge: The public school district in Enfield, Connecticut
⢠Reason challenged: Profanity and sexual references
The school district removed the book from non-compulsory summer reading lists, possibly violating its own review policy, which states in part that âno parent nor group of parents has the right to negate the use of educational resources for students other than his/her own child.â CBLDF wrote a letter in support of the book and is still awaiting a response from the school board.
Stuck in the Middle, edited by Ariel Schrag
⢠Location of key challenge: The public school system in Dixfield, Maine
⢠Reason challenged: Language, sexual content, and drug references
CBLDF wrote a letter in support of the book, and the school board voted to leave the book on library shelves with the caveat the students must have parental permission to check out the book. âWhile weâre pleased to see the book retained in the libraryâs collection, weâre very disappointed that it is retained with restrictions,â said Executive Director Charles Brownstein.
Stuck Rubber Baby by Howard Cruse
⢠Location of key challenge: Montgomery County Memorial Library System, Texas
⢠Reason challenged: Depiction of homosexuality
The book was challenged alongside 15 other young adult books with gay positive themes. The book was ultimately retained in the Montgomery County system, but was reclassified from Young Adult to Adult.
Tank Girl by Alan Martin and Jamie Hewlett
⢠Location of key challenge: Hammond Public Library in Hammond, Indiana
⢠Reason challenged: Nudity and violence
The Tank Girl books are meant to entertain an adult audience, frequently depicting violence, flatulence, vomiting, sex, and drug use. After the 2009 challenge, the Hammond Public Library chose to retain the book, and it remains on shelves today.
The Color of Earth by Kim Dong Hwa
⢠Location of key challenge: Various
⢠Reason challenged: Nudity, sexual content, and unsuited to age group
When the American Library Associationâs Office of Intellectual Freedom released their list of the Top Ten Most Frequently Challenged Books of 2011, the second-most challenged book on that list was The Color of Earth, the first book of a critically-acclaimed Korean manwha, or comic book, series.
Watchmen by Alan Moore and Dave Gibbons
⢠Location of key challenge: Various
⢠Reason challenged: Unsuited to age group
Watchmenreceived a Hugo Award in 1988 and was instrumental in garnering more respect and shelf space for comics and graphic novels in libraries and mainstream bookstores. The inclusion of Watchmen in school library collections has been challenged by parents at least twice, according to the American Library Associationâs Office for Intellectual Freedom.
Given their visual nature, graphic novels and comic books are among the most-challenged books in libraries and schools. CBLDF is an official sponsor of Banned Books Week, which takes place September 30 â October 6, 2012. Please help support CBLDFâs defense of your right to read by making a donation or becoming a member of the CBLDF!
HARD CASE BRINGS LOST NOIR NOVEL TO READERS!
MCCAULEY AND FERGUSON GET ON THE FIGHT CARD
New Pulp Authors Derrick Ferguson and Terrence P. McCaulley join the Fight Card series line up. Look for their respective Fight Card novels in 2013.
PRESS RELEASE:
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| Derrick Ferguson |
Fight Card is excited to announce the addition of Derrick Ferguson and Terrence P. McCaulley to the Fight Card Team of two-fisted, hard-punching, writers who will have fighters slugging it out on the pages of Fight Card main events in 2013.
New Pulp sensation Derrick Ferguson â the creator of the modern pulp hero Dillonâ is a native of Brooklyn, New York. His interests include radio/audio drama, Classic Pulp from the 30âÂÂs, 40âÂÂs, 50âÂÂs, and the current New Pulp movement.
With his podcast partner, Thomas Deja, Derrick currently co-hosts the Better In The Dark podcast where he rants and raves about movies on a bi-weekly basis. Derrick is also a rotating co-host of the PULPED! podcast, where he interview writers of the New Pulp Movement as well as discusses the various themes, topics, ebb and flow of what constitutes New Pulp and why you should be reading it.
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| Terrance P. McCauley |
His books include, Dillon and the Voice of Odin, Dillon and the Legend of the Golden Bell, Four Bullets For Dillon, Dillon And The Pirates of Xonira, and The Adventures of Fortune McCall, all of which are available through Amazon.com as paperbacks and ebooks.
Terrence P. McCauley is a proud native of the Bronx, NY. He first gained recognition as a writer by winning TruTVâÂÂs Search for the Next Great Crime Writer contest in 2008.
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| You ready to step into the ring? |
His short story Blood Moon of 1931 appeared in Matt HiltonâÂÂs Acton: Pulse Pounding Tales Vol. 1 and his short story Lady MadelineâÂÂs Dive appeared in the first edition relaunch of Thug Lit in 2012. Both anthologies are available for the Kindle at Amazon.com. His novels include, The Slow Burn from Noir Nation Books (as an e-book), and Prohibition from Airship 27, both of which will be published in late 2012.
McCauleyâÂÂs novel Fight Card: will be released in January 2013.
FergusonâÂÂs Fight Card: Brooklyn Beatdown will be released in February 2013.
Learn more about Fight Card Books at http://fightcardbooks.com.
Check out All Pulp’s recent interview with Fight Card co-creator Paul Bishop here and his Earth Station One podcast interview here.
ALTUS PRESS PRESENTS THE PULPMASTER
Altus Press presents Pulpmaster: The Theodore Roscoe Story. Released on September 23, the book is written by Audrey Parente and features a forward by Theodore Roscoe himself.
About Pulpmaster: The Theodore Roscoe Story:
The allure of French Foreign Legionnaire Thibaut Cordayâs adventures flowed from the pen of Theodore Roscoe. Exotic tales from a dusky outpost unfolded in glossy-covered 10-cent magazines, before television. Hundreds of Roscoeâs yarns, published on cheap pulp paper unraveled mysteries, immortalized hometown heroes and stirred the imagination of a generation. In real life, Roscoe stowed aboard tramp steamers and mingled with locals in far away corners. His intriguing style later echoed in non-fiction works, when he was among the first to view declassified Lincoln assassination documents and when he documented historic American military operations. Journalist Audrey Parente became steeped in American pulp history when she lived blocks away from Roscoe in Ormond Beach, Florida, where she chronicled his life for this book.
Pulpmaster: The Theodore Roscoe Story is available in paperback from Amazon, in a limited edition (only 100 made) hardcover, and from Mike Chomko Books.
CHALLENGER STORM AND THE VALLEY OF FEAR EPISODE 4
Challenger Storm: The Valley of Fear episode 4: “The King’s Tale” by New Pulp Author Don Gates is now live at http://challengerstorm.blogspot.com/2012/09/challenger-storm-valley-of-fear-episode_29.html
NOTE: This serial takes place out of order chronologically with the Challenger Storm novels, which are being written with a definite timeline in mind. “The Valley of Fear” happens after at least book 5 or 6, but this shouldn’t hinder the reading experience. I’m flying by the seat of my pants here, so I make no guarantees in regards to quality or coherence.
A second Challenger Storm novel, The Curse of Poseidon, has been announced for 2013 release.
You can read The Valley of Fear at http://challengerstorm.blogspot.com/
Challenger Storm: The Isle of Blood is still available from Airship 27 Productions.
Psychopomp Volume #1
PSYCHOPOMP VOLUME #1 RELEASED FOR KINDLE ON AMAZON
London (NW3), 29th September, 2012 – Published by Vietnamese Wallflowers, the first edition of new anthology title Psychopomp debuts for Kindle e-readers and apps on Amazon this weekend.
Featuring short stories by seven new and upcoming authors from North London and around the world, Psychopomp showcases the best in both genre and literary fiction, a combination of challenging and engaging tales to intrigue all readers.
Originating within the leafy calm of Hampstead and established to give voice to local authors and likeminded friends and colleagues the world over, Psychopomp intends to address and explore themes of loss and departure within the context of modern pop culture and shifting genres. The work is structured in such a way that each author approaches their conflict on a personal level, coaxing and inviting the reader into communion with the heart of their themes.
Present for dissemination within the first volume are tales of time travel, isolation, obnoxious passengers on public transport, public executions, endless shadows and failed romance. Each story is both a challenge and a secret, an invitation to delve deeper into ideas and events that underpin our everyday lives yet are forever set apart by emotional resonance.
Described by Vietnamese Wallflowers author and nouveau pornographer, Kevin Joyce as being comparative of the ancient Greek nekyia –the ritual of journeying into the dark and asking questions of the future – Psychopomp is a collection of stories for those who have set sail from traditional realms and entered into darker waters.
Of paramount importance to Carl Jung’s theories of analytical psychology, the nekyia forces the traveller to ask questions of him or herself; questions to which answers may not be entirely welcomed. Through Psychopomp, the reader is invited upon their own journey.
Showcasing work by Martin David Edwards, Samuel James White, Jack Buxton, Jericho Vilar, Adrian J. Watts, Alice Old and Jacob Milnestein, Psychopomp is over 40 pages of unique storytelling and engaging tales from the emerging North West London set and beyond.
Available now from Amazon, Psychopomp Volume One is priced at $1.
For further information please contact Kevin Joyce at utsukushuu.dreamer@gmail.com.
Follow us on twitter – @Psychopompadour
Follow us on Facebook – http://www.facebook.com/psychopompmedia
Marc Alan Fishman: Guerrilla Marketing That Ain’t
Call me a silly fool, but did you really think youâd get away with it? Or were you just playing dumb, knowing full-well that weâd blog and post about it. You sly dogs you.
But who are you really kidding? Everyone knows youâre dumb as a box of rocks. Ever since the Harry Potter cash cow stopped giving milk, you knew the Brothers Warner would turn towards its in-house fiction generator to start making with the profits.
And guess what? As soon as they turned their steely gaze towards you, wouldnât you know it… those rat bastards that used to be across the street scored a near two-billion dollar movie. Sure, you had the last Batman movie, and hey, no one is blaming you for that not banking on higher expectations. The franchise made you a small mint, and almost made all of us forget Green Lantern.
Almost.
So, here you are, the Mouse already ramping up a second season of super hero flicks, and the only thing thatâs been worthwhile from your studio just ended. Youâve got that Superman reboot coming. Luckily, most of us snarky a-holes have only politely ribbed you for letting Snyder make a trailer that looks like Supes is on an extended episode of Deadliest Catch. Weâre on pins and needles that it works out for you. Seriously. The million-dollar question? Whatâs next?
And weâre back to the beginning again. You dress up a few interns in fresh Batman tee-shirts and send them to the local geekatorium with âcasual questionsâ in hand. I canât help but be honest guys â itâs not the best idea youâve had. We geeks may not be fit to ask the cheerleaders out to the prom, but we know when someone is trying to sell is some snake oil. Hell, we buy that damn oil from you every week, without the need to be sly! I guess what Iâm getting at is pretty simple; if youâre out of answers, itâs OK to ask us to help you.
But it wonât help.
Do you think, even for a moment, that your base will give you the insidersâ scoop on how to make a Justice League movie that will bank big buckaroos? It wonât. Because even if we told you exactly what we wanted, and you made it exactly like we asked, it doesnât mean instant gratification. Ask Edward Wright. Scott Pilgrim looked great on paper. The trailer was tight. The San Diegons all reported nothing but geek-love. And the actual film was stupendous. But it didnât blow the doors off the bank vault. The thing of it all is that a film like The Avengers, one that hits the zeitgeist, is a bit of right-place-right-time and the payoff to a 5+ year gamble. You took the same bet in 2001. It paid in spades. Lesson to learn: thereâs no quick payoff for what youâre wanting.
And letâs not leave here today without being frank about Frank. Look, Miller is a legend, and weâll not dispute that. And in context, some of his best work has been given amazing treatments on film. 300 and Sin City hold substantial places in many of our DVD collections. But, the ghost of the Spirit (heh) still leaves a very bitter taste in our mouth. That crime against celluloid has soured us all to the church of Frank Miller. Be warned. And if you still feel like he might be worth our praise, let me be blunt:
 âWeâre the God-Damned Justice League.â
Since Iâm in a festive mood, Iâll leave you with what may be the answers youâre seeking. If you want to make a Justice League movie that topples Marvelâs Mightiest Heroes, the recipe is simple. And like all dishes that have only a few ingredients, this isnât going to be easy. You need quality product to start from. Your director needs to be someone who is in-tune with us nerds, but can stand on his own. Brad Bird perhaps (Thanks, Uncle Glenn!)?
Perhaps Iâm putting the cart before the horse though. What Marvel pulled off wasnât rocket science; it was an assembling of feeder movies that each stood up on their own. That means if you want to bring together Superman, Batman, Wonder Woman, Green Lantern, The Flash, and others? Then you need to earn that right. You canât skip past the preamble if you want the masses to love you. Simply put… the world at large doesnât know your Justice League from Adam. If you start off well with Man of Steel, youâre on the right track.
Just donât put the cart before the horse. And man up; if you have a question to ask the geek world at large, just put it on the Internet.
Sunday: John Puts Shingles on the Chicken Coop?
Monday: Mindy Newell
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