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Martha Thomases: Fanboys In Congress

Because it is an election year and I’ve given money to candidates in the past (and foolishly included my phone number with the donations, because I’m an idiot and also it’s required by law), I get phone calls from people looking for more money. Most often, these calls are from organizations or PACs, but sometimes the actual candidate picks up the phone to call me.

Mostly I dismiss the calls from organizations because they are annoying and I don’t want to encourage them to keep calling me. However, ever since my pal, <a href=”

Sedarbaum, ran for office and told me how difficult it is to make those calls, and how great it is when someone will listen, I cut the individual candidates some slack. I listen. I engage. And, when I can, I make a pledge.

What does this have to do with comics? I recently got a call from Nate Shinagawa who is running for the U.S. Congressional seat for the 23rd district in New York. I’m sure he got my name from Eric Massa’s list, because Massa is from the same aea and I liked him a lot before his shenanigans got him into trouble.

Anyway, he introduced himself, and then we started to talk about Superman.

It turns out that Nate is a big old fanboy. He started reading comics around the time the Death of Superman story was playing out. He explained this to me in case I didn’t feel old enough.

We chatted for a far longer time than I suspect he allotted for me. We talked about comics, and I explained to him my theory that Superman is, at heart, a New Deal Democrat. To put it in a perspective more appropriate to the 21st century, he’s a superhero, sure, but he also demonstrates that the things that make us different from each other are what make us valuable, and we should use those things to make the world a better place.

So I’m not surprised that people who like superhero comics are occasionally inspired to live a life of public service. Most famously, Vermont Senator Patrick Leahy is a Batman fan. I’m sure there are Marvel fans in politics, and conservative candidates who are comic book fans, but its unlikely I would come across them. I hope they found something equally valuable in the stories they love.

My point is that, like all art forms, graphic storytelling can inspire people. And the more commercially successful it is, the more people it reaches, and the more it can inspire.

Sometimes, a candidate will even set himself on a campaign against a super-villain.

Saturday: The Return of Marc Alan Fishman?

 

THE SKINVESTIGATOR INVESTIGATES ON KINDLE

  • News
  • August 9, 2012

For Immediate Release:

(Melbourne, Florida – August 8, 2012): Dermatologist detective series: The second Skinvestigator novel is now available on Kindle

The second novel in a new Florida noir trilogy, The Skinvestigator: Rash Guard has just become available for download on the Kindle, Amazon.com‘s handy digital reader. The novel follows the adventures of Florida dermatologist turned detective, Dr. Harry Poe, as he tries to help the Miami Police with a new murder investigation involving surfers, syphilis, and the State department.

Author Terry Cronin describes the surf noir story as both “an inside look at the exciting world of South Beach” and “a mystery novel that quickly escalates into a medical/political thriller involving tattoos, sexually-transmitted diseases, illicit cosmetic surgery, and murder”.

Ripped from today’s headlines about “scalpel tourism” where Americans travel to foreign nations to get cheaper cosmetic surgery, Cronin’s books have been described as “razor sharp”and “skincredible”. Reviewers have categorized them as “sunshine noir”, and made “for page-turner mystery fans”. The print version of the first novel is distributed by Atlas Books and is available at Amazon, Barnes and Noble and Tower Books.

skinvestigator_sunburnc-8459740

While the Kindle version of the first novel, The Skinvestigator: Tramp Stamp, is promotionally priced at 99 cents for a limited time only!

The final book of the Sunshine State Trilogy, The Skinvestigator: Sunburn has been released as a print edition. Cronin, who is known for creating the critically-acclaimed horror-adventure comic series, Students of the Unusual and writing for Indie Comics Magazine, took advance copies of this new novel with him to the San Diego Comic-Con this year. “I’m known as a comic book writer but I found that comic readers and genre fans also enjoy reading hard-boiled detective novels and pulp fiction.” The new novel follows Doctor Poe whose been abducted by Venezuelan thugs from his past and is poorly prepared for their increasing level of violence. Sexy mysterious tattoos, illicit cosmetic surgery, and espionage round out book three of the Sunshine State Trilogy and may just mark the end of the career of the Skinvestigator.

The Kindle version of The Skinvestigator: Tramp Stamp can be downloaded here:
http://www.amazon.com/The-Skinvestigator-Sunshine-Trilogy-ebook/dp/B005OCTWVM/ref=sr_1_3?ie=UTF8&qid=1344462348&sr=8-3&keywords=skinvestigator

The Kindle version of The Skinvestigator: Rash Guard can be downloaded here:
http://www.amazon.com/The-Skinvestigator-Sunshine-Trilogy-ebook/dp/B008UFHNTS/ref=sr_1_5?ie=UTF8&qid=1344462348&sr=8-5&keywords=skinvestigator

The new print edition of The Skinvestigator: Sunburn is available at:
http://www.amazon.com/The-Skinvestigator-Sunburn-Terry-Cronin/dp/0983766711

Batcave Being Built In Connecticut

  • News
  • August 9, 2012

So, fanboy, you think you’ve got a cool mancave?

According to the Greenwich Connecticut Time, a local resident in the mega-wealthy community is spending two million dollars to build himself a home theater.

Yeah, I know. Big deal. Well… this home theater is built in the form of the Batcave. Or, given the multitude of visions over the years, a Batcave. The 12,000-square-foot private home will include a Batcomputer, Batmobile, Batsuits, a 180° screen, a deafening sound system, gargoyles and an Bat-elevator, eliminating the need to hit the switch mid-way down the Batpoles. With luck, the whole thing should be done by Thanksgiving.

The company that’s doing the build-out, Canada’s Elite Home Theater Seating, says they’ve done this once before, so the Connecticut Batcave isn’t exactly original. Hey, what do you expect for two million bucks? There’s no word if there will be a dinosaur and an even bigger giant penny in the “cave.”

The property owner is maintaining his anonymity. I wonder why.

 

REVIEW: The Art and Making of the Dark Knight Trilogy

The Art and Making of the Dark Knight Trilogy
By Jody Duncan Jesser and Janine Pourroy
304 pages, Abrams, $40

There is so much visually wonderful about Christopher Nolan’s trilogy of Batman films that this book seemed an obvious event. An oversized hardcover, it has amazing production values with gorgeous photography on heavy paper, cleanly designed (thank you, Chip Kidd), and overall appealing. Clearly, the authors had access to everyone from Nolan on down and they spoke freely about the challenges of conceiving themes to marketing the films.

And yet, everything feels like we’ve just touched the surface and each chapter –Screenplay, Production Design, Cast, Costumes & Makeup, The Shoot,  Special Effects & Stunts, Editing, Music & Sound, Visual Effects, and Marketing – all leave you wondering about what else happened. For example, during the Shoot, one chapter per film, you never get a feel for how Nolan directs his cast, or how he adjusts to the needs of each actor. How did Katie Holmes and Maggie Gyllenhaal differ in their interpretation of Rachel Dawes. We’re left wondering why the comic book antecedents for most of the characters are referenced but not Henri Ducard nor are we told about the various reveals through the films (such as Ducard really being Ra’s al Ghul, echoed in the third film by Miranda Tate being revealed as Talia). Michael Caine writes an introduction that extols Nolan’s virtues as a director, but after that, we’re still left wondering what those are.

This reads about two steps above the usual press materials sent out when films open, the canned features sent to media outlets hungry for content. The writing is clear and facile, but a little too fawning in spots and far from critical about things that worked and didn’t work.

Perhaps the most glaring omission is a real in-depth look at the wildly successful viral marketing. This section needed more content, more images of the viral marketing at work, and more examples of the Internet phenomena, especially for The Dark Knight, which raised the bar for films.

You get some great shots of how the costumes, sets, and vehicles were built and see some of the shooting challenges that were presented over the last decade. It certainly works as a primer to Nolan’s take on the caped crusader and his world, but you don’t necessarily get into the filmmaker’s head, especially why he felt he was done after three. Nor does he comment how his successful reinterpretation of the hero led to supervising next summer’s Man of Steel. The contributions from screenwriters David S. Goyer and Jonathan Nolan are acknowledged but hearing more from them would have certainly helped us better understand how the films evolved, especially the themes for the final film in the wake of Heath Ledger’s death. Nolan writes in his foreword, “I never thought we’d do a third – are there any great second sequels?” Well, there’s The Last Crusade for starters, but Batman has endured monthly for seventy-five years so the answer is yes.

The book is a fine read but given the size and weight of the tome, one would have hoped for depth in the written content. It leaves you want much, much more and at this price, readers deserve all that and more.

Dennis O’Neil: Sound and Fury, Signifying Nothing?

We’ve been pretty grim, these last couple of weeks, so I thought maybe I should lighten up. What I thought I’d do, last night, was take my place at the computer and spin some wordfluffle suitable for submission to ComixMix and then…what? Continue existing? But before I could get to it, I saw the news window on the screen and learned that some lone gunman – anything familiar in those words? – had killed six Sikhs in a Wisconsin temple before being himself gunned down by police. We don’t yet know why. We probably won’t be too surprised when we do.

The politicians – no surprise here – beat me to the fluffle. The same dreary litanies we hear so often: hearts and prayers going out to and deep sadness and troubled days ahead… Democrat, Republican, independent all saying the same thing and in so doing actually saying nothing.

Look: I get ritual. I don’t much like it and I’m no good at it, but I think I understand it. Somebody dies or gets married or gives birth and you recite some variation of a limited set of sentiments and it’s not the words that have meaning, it’s the act of saying them. We use these formulae to console and rejoice and lament because, really, language isn’t up to these primal needs and so we let the clichés act as signifiers to express what resists expression. And that’s all good.

But when ambitious strangers say the words? When they claim that a tragedy that happened to strangers makes their hearts heavy? Allow us, please, to doubt. Allow us to at least suppose that the ambitious ones are using tragic occasions, at the very least, only because the recitation of the words is expected of them or, even less admirably, to further their own agendas. The word for this is hypocrite.

Let’s agree that hypocrisy stands pretty far down in the catalogue of major transgressions, and I’d have no serious quarrel with it if it were followed by action of some kind. Any kind. We’re not advocating anything draconian here. We’re not even advocating a program of legislation and, to be honest, I doubt that any single law or even set of laws will solve the problems that lay deep in the senseless acts of violence that are happening again and again and again.

But shouldn’t we start? Somewhere? As Jon Stewart pleaded, let’s agree to discuss everything, openly and honestly, with nothing withheld from consideration. Then maybe the hollow words will begin to have meaning.

FRIDAY: Martha Thomases and the Fanboy Politicians

 

FORTIER TAKES ON COLLINS, HELLER, AND ‘TRIPLE PLAY!’

  • Uncategorized
  • August 9, 2012
ALL PULP REVIEWS by Ron Fortier
TRIPLE PLAY
(A Nathan Heller Casebook)
By Max Allan Collins
Thomas & Mercer
211 pages
I am a fan of Max Collins’ historical detective series, the Nathan Heller mysteries.  From the 1940s through the 60s, each book has taken Heller on an incredible journey connecting him with many of the most celebrated criminal cases of the twentieth century.  Now comes this collection of three Heller novellas, each a delicious reading gem and worthy addition to the Heller canon.
What is even more entertaining is Collins’ introductory essay on the matter of the short literary form itself.  What is the difference between a novella and novelette?  Or are they the same thing and is that best described as a long short story or a short novel?  The fun of the essay is his insightful comprehension that the form is the product of the classic pulp tales of the 1930s and 40s.  It is evident that short novels were born in the pulp magazines and have sadly morphed in an awkward, literary white elephant in this age of bloated, fat thriller novels. Collins details the history of each of the three pieces in this volume, collected here for the very first time, and how length did factor into the writing of each.
First up is “Dying in the Post-War World,” my personal favorite of the three and by far the most convoluted and gruesome.  The story centers on the infamous Lipstick Killer case of 1946 where a young girl was kidnapped from her home, murdered and dismembered.  A veteran of the World War Two, Heller is trying to fit into this supposedly brighter new tomorrow with a new business and a pregnant wife.  Along comes this brutal case and he’s left wondering what kind of a world it truly is he and his fellow soldiers fought to persevere.
“Kisses of Death,” is an interesting entry in that it gives us Heller’s first meeting with Marilyn Monroe and their burgeoning relationship which is later explored in his recent novel, “Bye Bye Baby.”  It also has Heller working in New York City, Mickey Spillane’s old stomping grounds.  The tale also peeks in to the life of Chicago journalist turned screenwriter Ben Hecht is another winner.
Finally comes “Strike Zone,” about one of the most bizarre moments in professional baseball which this reviewer, a fan of the game, had never heard before.  It caused me to spend a few hours on-line checking out the histories of several of these characters who participated in a madcap publicity stunt concerning the most unusual pinch hitter to ever step up to home plate in a Major League contest.
If like me, you’re a Nathan Heller fan, then you have to pick this up.  If you are one of those yet to have encountered Collins’ pragmatic, world-weary hero then we can’t think of a better way to make that introduction.  “Triple Play,” is very much a grand slam, no matter what your favorite sport is.

SENTINELS: THE GRAND DESIGN– OMNIBUS PAPERBACK!

  • News
  • August 8, 2012

The First Trilogy of Van Allen Plexico’s Superhero Novel Series—At Last in a One-Volume Edition!

 (August 8, 2012)  White Rocket Books proudly announces the release in trade paperback format of Van Allen Plexico’s SENTINELS: THE GRAND DESIGN, a one-volume collection of the first three novels in the famed cosmic superhero saga!
Weighing in at a whopping 624 pages and with a stunning painted cover by celebrated artist Mitch Foust, the “Grand Design” Omnibus also features no fewer than fifteen full-page interior illustrations by series artist Chris Kohler.
The book contains all three volumes of the first Sentinels trilogy (When Strikes the Warlord, A Distant Star, and Apocalypse Rising) in their entirety, introducing the heroes and villains (and those in between) that make up this fascinating and compelling superhero universe. 
What begins as an attempted abduction of a young student from her college campus quickly spirals out to engulf a diverse collection of individuals, including billionaire inventor and hero-wannabe Esro Brachis, beloved national savior (and amnesiac) Ultraa, wisecracking daredevil Damon “Cavalier” Sinclair, and mysterious alien powerhouse Vanadium.  Can this motley crew come together as a team in time to save the Earth from conquest or destruction?
Through the eyes of central character Lyn Li, a Chinese-American teen that possesses amazing electromagnetic powers, we encounter aliens and androids, geniuses and demigods, megalomaniacal arch-villains, space-borne monsters, and everything else one would expect from a classic Bronze-Age comic series—in New Pulp novel form!
“For most of my life I’ve loved the concept of a superhero team made up of very distinct individuals who barely get along with one another,” says author Van Allen Plexico.  “The fun comes in watching them encounter mind-blowing menaces and have to find a way—some way!—to work together long enough to miraculously save the day.  Throw in the ability that a novel series provides, to allow characters to really change and grow (and even die!) along the way, and you get what I strongly believe is a saga every superhero comics fan will love.  And with Chris Kohler illustrating the whole thing, you can’t go wrong!”
Plexico’s Sentinelsseries has been praised by Kirkus Reviews for offering “a fresh take on the superhero theme,” and by Pulp Fiction Reviews as “spectacular, action-packed, imaginative and wonderful.”  Noted superhero novelist Ian Thomas Healy called them “Kirbyesque,” describing Volume One as “the first book that successfully translates the feel of a comic book into prose.”
White Rocket Booksis a leader in the New Pulp movement, publishing exciting action and adventure novels and anthologies since 2005, in both traditional and electronic formats.   White Rocket books have hit the Amazon.com Top 15-by-Genre and have garnered praise from everyone from Marvel Comics Vice-President Tom Brevoort to Kirkus Reviews.
On sale as of August 8, 2012, SENTINELS: THE GRAND DESIGN (Omnibus) is a $21.95, 6×9 format trade paperback from White Rocket Books.  (The individual novels are already available as $2.99 e-books for Kindle and other e-readers.)
624 pages
ISBN-13: 978-0-98413-925-5 (6×9” Trade Paperback; 15 full-page illustrations)

JACK KIRBY MUSEUM SPOTLIGHTS BLACKTHORN ARTIST JAMES BURNS

  • Uncategorized
  • August 8, 2012
Blackthorn: Thunder on Mars Art: James Burns

The Jack Kirby Museum site spotlighted the Blackthorn: Thunder on Mars cover on their Kirby-Vision page.
Direct link: http://kirbymuseum.org/blogs/kirby-vision/2012/08/08/blackthorn/

Congratulations to cover artist, and Lance Star: Sky Ranger “One Shot!” artist, James Burns.

Learn more about Blackthorn: Thunder on Mars at www.whiterocketbooks.com

Harvey Awards website updates, now with online voting!

  • News
  • August 8, 2012

new-harvey-logo-web-2012-2-6860226We’re very happy to announce that the Harvey Awards have upgraded their web site (with a little help from us) and is now able to take votes directly online instead of downloading a ballot and emailing (or even just mailing, shudder) it back. It is hoped that this will increase the voting turnout tremendously.

The final ballot for 2012 closes next Friday, August 17th, so get your votes in now if you haven’t already. Please remember that only comic book professionals – those who write, draw, ink, letter, color, design, and edit comic books and graphic novels - are eligible to vote.

The 2012 awards will be handed out at the Baltimore Comic-Con on September 8th. We hope to see you there!

Named in honor of the late Harvey Kurtzman, one of the industry’s most innovative talents, the Harvey Awards recognize outstanding work in comics and sequential art. Nominations for the Harvey Awards are selected exclusively by creators – those who write, draw, ink, letter, color, design, edit, or are otherwise involved in a creative capacity in the comics field.  They are the only industry awards both nominated and selected by the full body of comic book professionals. The awards have been presented annually since 1988.

Mike Gold: Cold Ennui

  • Uncategorized
  • August 8, 2012

Here’s a sucky way to spend one’s birthday: voiceless with a serious summer head cold. Bitch, bitch; moan, moan. Okay, I had a great day-before-my-birthday in Manhattan lunching with Danny Fingeroth and dinnering with fellow ComicMixer Martha Thomases. Nine hours of fantastic conversation in the best thing in life with your clothes on.

Sadly, as the overly-breaded but otherwise tasty General Tzu’s was being presented to me at our Greenwich Village dungeon of culinary delight, I was starting to sound like a frog in a blender. By the time I was on the subway back to Grand Central Terminal, I was grateful somebody bothered to invent texting. The gifted Miss Adriane picked me up and dragged me home. That was birthday-eve.

On birthday day, we first had to ransom my car back from the shop – I can’t complain; 100,000 miles on one battery is pretty damn good and I guess you really do need functioning breaks. After a quick stop at Walgreens to clean them out of toxic chemicals and chocolate Twizzlers, we returned home. As Miss Adriane procured the prerequisite chicken soup, I retired to celebrate the anniversary of my mother’s major inconvenience in a time-honored way: I picked up my stack of comic books (e-comics; I’m nothing if not hip and trendy in my dotage) and commenced to read.

As luck would have it, there wasn’t a winner in the bunch. Only one or two sucked; the rest were poignantly mediocre. This is not to say that I hadn’t read some worthy stuff while on the train to Manhattan – I consumed all the good stuff as a matter of fate and ill-planning. But you’d think that out of a dozen or so hand-picked titles, there’d be at least one that reaffirmed my fannish enthusiasm. Let us remember: I was under the weather, and my cockles needed to be warmed.

There were three New 52 titles in the electronic pile. All 12th issues. None motivated me to pick up the 13th, two months hence. There are a number of New 52ers I really enjoy: Batgirl, Batwoman, All-Star Western, and everything with the words “written by James Robinson” on the credits page. These weren’t them. The most enjoyable of the DC books was, oddly, the only Before Watchman mini I’m reading: Night Owl, and that’s because I’d read prescription warning labels if Joe Kubert drew them. Reading Kubert, for me, is a lot like drinking chicken soup. You might have to be Ashkenazi to fully grok that.

The Marvel titles were okay; slightly better in that none chased me away. But, damn, why is it that each and every good Marvel “event” series has four times as many issues as necessary? Okay, we know the answer to that one. Still, the Avengers Vs. X-Men series was established to put Marvel on a somewhat different course for a while and it’s doing its job. It’s not a reboot, it’s just your standard dramatic shuffling of the Marvel deck. But it should have been over by now.

The so-called indies were all over the map as they are supposed to be, so my luck of the draw was simply a bad hand. No, not bad. Just mediocre. Too many unnecessary middle-issues in overly long story arcs. I regret the day publishers decided to put six solid pages of story in each 24-page issue, and I look forward to our next GrimJack series to once again prove you can actually put 28 pages of story into a 24-page issue… without being Stan Freberg, and, yes, that was just to see if Mark Evanier’s paying attention.

Okay, all that sucked. On the other side of the scale, I got more than 200 emails and Facebook shout-outs from friends old and new. That’s great anytime, but after a speechless day of aches and not-breathing and a dozen mediocre comics, all that made be feel on top of the world. And not in the Cody Jarrett sense, either. To one and all, my deepest thanks.

Daughter Adriane and I finished the day watching Paul, a genuinely funny and essentially heartwarming movie written by and starring Simon Pegg and Nick Frost. I’m a sucker for anything with Jane Lynch that doesn’t involve high schoolers spontaneously combusting into song, and Pegg and Frost have never disappointed me.

Moral of the story: when you’re feeling low, reach for something positive and funny. Tomorrow is… another day.

Thursday: Dennis O’Neil… Sound and Fury, Signifying Nothing?

 

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