The Mix : What are people talking about today?

SENTINELS: THE GRAND DESIGN– OMNIBUS PAPERBACK!

The First Trilogy of Van Allen Plexico’s Superhero Novel Series—At Last in a One-Volume Edition!

 (August 8, 2012)  White Rocket Books proudly announces the release in trade paperback format of Van Allen Plexico’s SENTINELS: THE GRAND DESIGN, a one-volume collection of the first three novels in the famed cosmic superhero saga!
Weighing in at a whopping 624 pages and with a stunning painted cover by celebrated artist Mitch Foust, the “Grand Design” Omnibus also features no fewer than fifteen full-page interior illustrations by series artist Chris Kohler.
The book contains all three volumes of the first Sentinels trilogy (When Strikes the Warlord, A Distant Star, and Apocalypse Rising) in their entirety, introducing the heroes and villains (and those in between) that make up this fascinating and compelling superhero universe. 
What begins as an attempted abduction of a young student from her college campus quickly spirals out to engulf a diverse collection of individuals, including billionaire inventor and hero-wannabe Esro Brachis, beloved national savior (and amnesiac) Ultraa, wisecracking daredevil Damon “Cavalier” Sinclair, and mysterious alien powerhouse Vanadium.  Can this motley crew come together as a team in time to save the Earth from conquest or destruction?
Through the eyes of central character Lyn Li, a Chinese-American teen that possesses amazing electromagnetic powers, we encounter aliens and androids, geniuses and demigods, megalomaniacal arch-villains, space-borne monsters, and everything else one would expect from a classic Bronze-Age comic series—in New Pulp novel form!
“For most of my life I’ve loved the concept of a superhero team made up of very distinct individuals who barely get along with one another,” says author Van Allen Plexico.  “The fun comes in watching them encounter mind-blowing menaces and have to find a way—some way!—to work together long enough to miraculously save the day.  Throw in the ability that a novel series provides, to allow characters to really change and grow (and even die!) along the way, and you get what I strongly believe is a saga every superhero comics fan will love.  And with Chris Kohler illustrating the whole thing, you can’t go wrong!”
Plexico’s Sentinelsseries has been praised by Kirkus Reviews for offering “a fresh take on the superhero theme,” and by Pulp Fiction Reviews as “spectacular, action-packed, imaginative and wonderful.”  Noted superhero novelist Ian Thomas Healy called them “Kirbyesque,” describing Volume One as “the first book that successfully translates the feel of a comic book into prose.”
White Rocket Booksis a leader in the New Pulp movement, publishing exciting action and adventure novels and anthologies since 2005, in both traditional and electronic formats.   White Rocket books have hit the Amazon.com Top 15-by-Genre and have garnered praise from everyone from Marvel Comics Vice-President Tom Brevoort to Kirkus Reviews.
On sale as of August 8, 2012, SENTINELS: THE GRAND DESIGN (Omnibus) is a $21.95, 6×9 format trade paperback from White Rocket Books.  (The individual novels are already available as $2.99 e-books for Kindle and other e-readers.)
624 pages
ISBN-13: 978-0-98413-925-5 (6×9” Trade Paperback; 15 full-page illustrations)

JACK KIRBY MUSEUM SPOTLIGHTS BLACKTHORN ARTIST JAMES BURNS

Blackthorn: Thunder on Mars Art: James Burns

The Jack Kirby Museum site spotlighted the Blackthorn: Thunder on Mars cover on their Kirby-Vision page.
Direct link: http://kirbymuseum.org/blogs/kirby-vision/2012/08/08/blackthorn/

Congratulations to cover artist, and Lance Star: Sky Ranger “One Shot!” artist, James Burns.

Learn more about Blackthorn: Thunder on Mars at www.whiterocketbooks.com

Harvey Awards website updates, now with online voting!

new-harvey-logo-web-2012-2-6860226We’re very happy to announce that the Harvey Awards have upgraded their web site (with a little help from us) and is now able to take votes directly online instead of downloading a ballot and emailing (or even just mailing, shudder) it back. It is hoped that this will increase the voting turnout tremendously.

The final ballot for 2012 closes next Friday, August 17th, so get your votes in now if you haven’t already. Please remember that only comic book professionals – those who write, draw, ink, letter, color, design, and edit comic books and graphic novels - are eligible to vote.

The 2012 awards will be handed out at the Baltimore Comic-Con on September 8th. We hope to see you there!

Named in honor of the late Harvey Kurtzman, one of the industry’s most innovative talents, the Harvey Awards recognize outstanding work in comics and sequential art. Nominations for the Harvey Awards are selected exclusively by creators – those who write, draw, ink, letter, color, design, edit, or are otherwise involved in a creative capacity in the comics field.  They are the only industry awards both nominated and selected by the full body of comic book professionals. The awards have been presented annually since 1988.

Mike Gold: Cold Ennui

Here’s a sucky way to spend one’s birthday: voiceless with a serious summer head cold. Bitch, bitch; moan, moan. Okay, I had a great day-before-my-birthday in Manhattan lunching with Danny Fingeroth and dinnering with fellow ComicMixer Martha Thomases. Nine hours of fantastic conversation in the best thing in life with your clothes on.

Sadly, as the overly-breaded but otherwise tasty General Tzu’s was being presented to me at our Greenwich Village dungeon of culinary delight, I was starting to sound like a frog in a blender. By the time I was on the subway back to Grand Central Terminal, I was grateful somebody bothered to invent texting. The gifted Miss Adriane picked me up and dragged me home. That was birthday-eve.

On birthday day, we first had to ransom my car back from the shop – I can’t complain; 100,000 miles on one battery is pretty damn good and I guess you really do need functioning breaks. After a quick stop at Walgreens to clean them out of toxic chemicals and chocolate Twizzlers, we returned home. As Miss Adriane procured the prerequisite chicken soup, I retired to celebrate the anniversary of my mother’s major inconvenience in a time-honored way: I picked up my stack of comic books (e-comics; I’m nothing if not hip and trendy in my dotage) and commenced to read.

As luck would have it, there wasn’t a winner in the bunch. Only one or two sucked; the rest were poignantly mediocre. This is not to say that I hadn’t read some worthy stuff while on the train to Manhattan – I consumed all the good stuff as a matter of fate and ill-planning. But you’d think that out of a dozen or so hand-picked titles, there’d be at least one that reaffirmed my fannish enthusiasm. Let us remember: I was under the weather, and my cockles needed to be warmed.

There were three New 52 titles in the electronic pile. All 12th issues. None motivated me to pick up the 13th, two months hence. There are a number of New 52ers I really enjoy: Batgirl, Batwoman, All-Star Western, and everything with the words “written by James Robinson” on the credits page. These weren’t them. The most enjoyable of the DC books was, oddly, the only Before Watchman mini I’m reading: Night Owl, and that’s because I’d read prescription warning labels if Joe Kubert drew them. Reading Kubert, for me, is a lot like drinking chicken soup. You might have to be Ashkenazi to fully grok that.

The Marvel titles were okay; slightly better in that none chased me away. But, damn, why is it that each and every good Marvel “event” series has four times as many issues as necessary? Okay, we know the answer to that one. Still, the Avengers Vs. X-Men series was established to put Marvel on a somewhat different course for a while and it’s doing its job. It’s not a reboot, it’s just your standard dramatic shuffling of the Marvel deck. But it should have been over by now.

The so-called indies were all over the map as they are supposed to be, so my luck of the draw was simply a bad hand. No, not bad. Just mediocre. Too many unnecessary middle-issues in overly long story arcs. I regret the day publishers decided to put six solid pages of story in each 24-page issue, and I look forward to our next GrimJack series to once again prove you can actually put 28 pages of story into a 24-page issue… without being Stan Freberg, and, yes, that was just to see if Mark Evanier’s paying attention.

Okay, all that sucked. On the other side of the scale, I got more than 200 emails and Facebook shout-outs from friends old and new. That’s great anytime, but after a speechless day of aches and not-breathing and a dozen mediocre comics, all that made be feel on top of the world. And not in the Cody Jarrett sense, either. To one and all, my deepest thanks.

Daughter Adriane and I finished the day watching Paul, a genuinely funny and essentially heartwarming movie written by and starring Simon Pegg and Nick Frost. I’m a sucker for anything with Jane Lynch that doesn’t involve high schoolers spontaneously combusting into song, and Pegg and Frost have never disappointed me.

Moral of the story: when you’re feeling low, reach for something positive and funny. Tomorrow is… another day.

Thursday: Dennis O’Neil… Sound and Fury, Signifying Nothing?

 

GREEN HORNET: STILL AT LARGE NOW AVAILABLE!

Cover: Douglas Klauba

New Pulp writer/editor Win Scott Eckert has announced that Moonstone Books release of Green Hornet: Still At Large is now available.

Green Hornet: Still at Large is back from the printer and is now shipping direct from Moonstone Books! (I’m sure it will show up as “available” on Amazon soon.)

NOTE: Green Hornet editor, Win Scott Eckert should have copies available at PulpFest later this week. You can find Win at the Meteor House table. Win will also be doing a “New Fictioneers” session where he will read from his Green Hornet tale, “Progress.”

Edited by Joe Gentile, Win Scott Eckert, and Matthew Baugh, this third anthology featuring the 1960s Green Hornet, based on the television program starring Van Williams and Bruce Lee, follows The Green Hornet Chronicles and The Green Hornet Casefiles, and ships in two editions.

The softcover trade paperback features a cover by Douglas Klauba, while the limited edition hardcover boasts a cover by Ruben Procopio. It is anticipated that as with the prior books, the third volume will also see an eBook edition, although the specific date has not been announced.

Cover: Ruben Procopio

Contents:
“Hero” by S.J. Rozan
“The Black Torpedo” by Will Murray
“The World Will End in Fire” by Richard Dean Starr
“The Man Inside” by Matthew Baugh
“Death from Beyond” by Ron Fortier
“Play the Game” by Thom Brannan
“The Gauntlet” by Bobby Nash
“Chaos and the Year of the Dog” by Bobbie Metevier
“Axford’s Sting” by Dan Wickline
“Revenge of the Yellowjacket” by Howard Hopkins
“The Man in the Picture” by Patricia Weakley
“Masks” by C.J. Henderson
“Bad Man’s Blunder” by John Allen Small
“Losers, Weepers” by Rich Harvey
“Stormfront” by Greg Gick
“The Night I Met The Hornet” by Mel Odom
“Progress” by Win Scott Eckert

The limited edition hardcover also features:

“The Green Hornet Timeline,” a chronology of the Moonstone stories from the three anthologies, fit into the timeline of the original television episodes, by Win Scott Eckert

A bonus story featuring the 1930s-40s Green Hornet from the radio show and serials, “The Green Hornet Meets The Avenger” by Michael Uslan

Ordering information:
Moonstone direct (trade paperback)
Moonstone direct (limited hardcover)
Amazon.com (trade paperback)
Amazon.com (limited hardcover)
B&N.com (trade paperback)
B&N.com (limited hardcover)

Joss Whedon is in for “Avengers 2” and Marvel live-action TV series

It’s official: the man who wrote and directed “Marvel’s The Avengers” and grossed $1.5 billion and counting at the box office is coming back to do it all over again. Slashfilm seems to have caught it first:

It was just announced on the Walt Disney Investors Conference Call that Joss Whedon will return for The Avengers sequel. Whedon is signed to both write and direct the upcoming sequel. Disney confirmed that Whedon is also involved in the development of the previously-rumored long-lead ABC live-action television series which will be set inside the Marvel cinematic universe.

Whedon had previously said that he was “very torn” about coming back: “It’s an enormous amount of work telling what is ultimately somebody else’s story, even though I feel like I did get to put myself into it. But at the same time, I have a bunch of ideas, and they all seem really cool.”

Marvel is notoriously cheap when it comes to contracts, so some fans were worried that a deal wouldn’t be made. I think everyone will be excited that Whedon is back for the next one. If I were Kevin Feige I would secure Whedon to a long term contract as an executive producer, overseeing the marvel universe on a Pixar braintrust-level. The Avengers is being tentatively planned for a Summer 2015 release, although Disney and Marvel have not formally announced a date.

via Joss Whedon Signed for ‘The Avengers 2′ and Marvel Live-Action TV Series.

Let’s see how he pulls all of it together… again.

Indiana Jones The Complete Adventures Blu-ray Bonus Features Announced

It was 30 years ago, that magical summer when we had our minds blown with amazing regularity. Among the highlights, of course, was this collaboration between George Lucas and Steven Spielberg. as they channeled their childhoods into something new and delightful for the present generation. We’ve been awaiting this collection and share with you the press details about what you will find in addition to the four films.

SAN FRANCISCO, Calif. (August 7, 2012) – Every unforgettable exploit of world-renowned, globetrotting hero Indiana Jones finally comes home with pristine picture and sound when INDIANA JONES: The Complete Adventures debuts on Blu-ray September 18, 2012 from Lucasfilm Ltd. and Paramount Home Media Distribution. The cinematic classic that started it all—Raiders of the Lost Ark—has been meticulously restored under the supervision of director Steven Spielberg and sound designer Ben Burtt.  Additionally, Indiana Jones and the Temple of Doom and Indiana Jones and the Last Crusade have both been remastered alongside 2008’s Indiana Jones and the Kingdom of the Crystal Skull making this landmark release the first time all four films in the epic and award-winning franchise have been available together in sparkling high definition. INDIANA JONES: The Complete Adventures will also be available on iTunes, so the adventure is just a click away!

In addition to all of Indy’s thrilling adventures, the set includes seven hours of fascinating documentaries, featurettes and interviews with cast members and filmmakers.  This comprehensive collection of behind-the-scenes bonus features is augmented by a brand new two-part documentary entitled “On Set with Raiders of the Lost Ark – From Jungle to Desert and From Adventure to Legend.”  Featuring nearly an hour of rarely seen footage from the set of the film and archival interviews with Steven Spielberg, George Lucas and Harrison Ford, these captivating pieces transports fans back to where the legend began.

Raiders of the Lost Ark has been painstakingly restored with careful attention to preserving the original look, sound and feel of the iconic film.  The original negative was scanned at 4K and then examined frame-by-frame so that any damage could be repaired.  The sound design was similarly preserved using Burtt’s original master mix, which had been archived and unused since 1981.  New stereo surrounds were created using the original music tracks and original effects recorded in stereo but used previously only in mono.  In addition, the sub bass was redone entirely up to modern specifications and care was taken to improve dialogue and correct small technical flaws to create the most complete and highest quality version of the sound possible while retaining the director’s vision.

Disc Specifications:

Disc 1—Raiders of the Lost Ark

Raiders of the Lost Ark is presented in 1080p high definition with English 5.1 DTS-HD Master Audio, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Spanish 2.0 Dolby Digital, Portuguese 5.1 Dolby Digital, Portuguese 2.0 Dolby Digital and English, English SDH, French, Spanish and Portuguese subtitles. The disc includes the following:

  • Teaser Trailer (HD)
  • Theatrical Trailer (HD)
  • Re-Issue Trailer (HD)

Disc 2—Indiana Jones and the Temple of Doom

Indiana Jones and the Temple of Doom is presented in 1080p high definition with English 5.1 DTS-HD Master Audio, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Spanish 2.0 Dolby Digital, Portuguese 5.1 Dolby Digital, Portuguese 2.0 Dolby Digital and English, English SDH, French, Spanish and Portuguese subtitles. The disc includes the following:

  • Teaser Trailer (HD)
  • Theatrical Trailer (HD)

Disc 3—Indiana Jones and the Last Crusade

Indiana Jones and the Last Crusade is presented in 1080p high definition with English 5.1 DTS-HD Master Audio, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Spanish 2.0 Dolby Digital, Portuguese 5.1 Dolby Digital, Portuguese 2.0 Dolby Digital and English, English SDH, French, Spanish and Portuguese subtitles. The disc includes the following:

  • Teaser Trailer (HD)
  • Theatrical Trailer (HD)

Disc 4—Indiana Jones and the Kingdom of the Crystal Skull

Indiana Jones and the Kingdom of the Crystal Skull is presented in 1080p high definition with English 5.1 DTS-HD Master Audio, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Portuguese 5.1 Dolby Digital and English Audio Description and English, English SDH, French, Spanish and Portuguese subtitles. The disc includes the following:

  • Theatrical Trailer #2 (HD)
  • Theatrical Trailer #3 (HD)
  • Theatrical Trailer #4 (HD)

Disc 5—Bonus Features

Bonus features are presented in standard and high definition (as indicated below) in English with English, French, Spanish and Portuguese subtitles.

  • NEW – On Set with Raiders of the Lost Ark
    • From Jungle to Desert
    • From Adventure to Legend
  • Making the Films
    • The Making of Raiders of the Lost Ark (1981 documentary previously unavailable on DVD)
    • The Making of Raiders of the Lost Ark
    • The Making of Indiana Jones and the Temple of Doom
    • The Making of Indiana Jones and the Last Crusade
    • The Making of Indiana Jones and the Kingdom of the Crystal Skull (HD)
  • Behind the Scenes
    • The Stunts of Indiana Jones
    • The Sound of Indiana Jones
    • The Music of Indiana Jones
    • The Light and Magic of Indiana Jones
    • Raiders: The Melting Face!
    • Indiana Jones and the Creepy Crawlies (with optional pop-ups)
    • Travel with Indiana Jones: Locations (with optional pop-ups)
    • Indy’s Women: The American Film Institute Tribute
    • Indy’s Friends and Enemies
    • Iconic Props (Crystal Skull) (HD)
    • The Effects of Indy (Crystal Skull) (HD)
    • Adventures in Post Production (Crystal Skull) (HD)

Marie Severin Gets What She Deserves – At Last!

It was 1978, and the electric current going through DC Comics’ offices could have lit Times Square. Vice-President and Production Director Jack Adler was strutting around like a proud papa. For the first time in what seemed like a millennium, Marie Severin was paying a visit.

If you were from outside the donut shop, you’d think the President was in the house. Work came to a complete stop. Everybody swarmed to the production department to meet, or to see once again, the famed artist and gifted humorist. That she toiled for the company’s competition and yet received this reception is an acknowledgement of her talent and abilities.

The masterful colorist of the legendary EC Comics line, Marie worked at Marvel Comics for decades as an art director, a penciler and an inker. Her credits read like a Who’s Who at the House of Ideas: Doctor Strange, the Incredible Hulk, Sub-Mariner, and Robert E. Howard’s Kull the Conqueror. That’s quite a range, but she was best known for her satirical work in Marvel’s underrated Not Brand Echh, a book worthy of Masterwork edition if there ever was one.

She was even better known within the industry for her sense of humor. I have never met a person who wasn’t a fan of her work – and a fan of hers, personally.

TwoMorrows just published Marie Severin: The Mirthful Mistress of Comics ($24.95; digital from TwoMorrows for $7.95), a long overdue review of her work written by Dewey Cassell with Aaron Sultan. It was worth the wait.

174 pages of analysis, history, interviews, photographs and about a zillion examples of her work, including a healthy amount of unpublished work – much of it in-house stuff reflecting her breathtaking sense of humor. Tributes abound: Marvel and EC honchos Stan Lee and Al Feldstein, Jack Davis, John Romita, Mark Evanier, Tony Isabella, Roy Thomas and maybe a dozen more folks, all fronted by a foreword from ComicMix columnist and comics luminary Denny O’Neil.

Marie has been one of the most important and most creative people in the history of this medium. Marie Severin: The Mirthful Mistress of Comics tells you why. If you’re already a fan of hers, you either have this book or it’s on your short list. If you’re not all that familiar with her legacy, you need this book.

 

Emily S. Whitten: Marvel Movies: Are They Going Too Far?

whitten-art-120807-8243395I suppose we could call this a follow-up or at least sister piece to last week’s column, in which I interviewed the fantastic Cleolinda Jones, author of Movies in Fifteen Minutes, about her experiences with comic book movies. Cleo noted that she tends to be more interested in Marvel characters because “Marvel has been so much more pro-active about getting movies made and characters out there;” which is true. Let’s look at some numbers for live action comic book movies, just for kicks.

Marvel Movies: 37 (33 + 4 from other Marvel imprints)

DC Movies: 33 (23 + 10 from other DC imprints)

Marvel Movies since 1998: 31 (28 + 3 from other Marvel imprints)

DC Movies since 1998: 18 (8 + 10 from other DC imprints)

Forthcoming Marvel Movies: 16 (8 announced – Iron Man 3; The Wolverine; Thor: The Dark World; Captain America: The Winter Soldier; The Amazing Spider-Man 2; X-Men: Days of Future Past; Avengers 2: Guardians of the Galaxy; Ant-man. 8 speculative – The Amazing Spider-man 3; Deadpool; Doctor Strange; Nick Fury; Runaways; The Hands of Shang-Chi; The Inhumans; Fantastic Four)

Forthcoming DC Movies:   9 (1 announced – Man of Steel. 8 speculative – Constantine 2; The Flash; Green Lantern 2; Justice League; Batman reboot (again); Wonder Woman (maybe?); Suicide Squad; Lobo)

Sources: Wikipedia’s Marvel and DC movie pages; IMDB; tooling around the Internets for all the announcement mentions I could find.

As we can see from the numbers, Marvel consistently beats DC overall in live action movies and soundly whups DC’s behind in live action movies (released and upcoming) from 1998 forward, which I think of as the current/modern comic book movie era (it started with Blade and gained momentum thanks to X-Men and Spider-Man in 2000 and 2002). In the upcoming movies department, not only does Marvel have almost twice as many movies as DC, but at least eight of them are pretty definitely moving forward; as opposed to the one DC has in the can and ready to go. Although DC has announced or sort-of announced several more, they have been much less forceful in confirming their future line-up, and most are not yet locked in.

The Dark Knight Rises (and Christopher Nolan’s trilogy in general) was a huge success; but The Avengers is currently ranked third overall  in box office sales, and Marvel is pushing full steam ahead with a long list of upcoming movies to expand on that success. But is their current success making them go too far? With future movies pulling from somewhat second-string characters like Ant-Man, Doctor Strange, and The Runaways, is Marvel stretching itself too thin and being too ambitious? Are they going to burn out moviegoers with a plethora of new movies about characters people might not know?

Actually, I’d say the answer is no; Marvel is doing exactly what it should to continue producing quality comics movies, and to continue beating the pants off of DC. There are two reasons Marvel’s exuberance in greenlighting all kinds of characters is going to pay off. The first is that Marvel’s attempt to interlock its movies and continue to build off of its shared movie universe, as it has built off of its shared comics universe, has been a resounding success; and if the quality of upcoming movies is consistent, there’s no reason why that should change. In fact, if the future movies are quality, things can only get better for Marvel. Everyone loves a good series, and Marvel’s movies promise to be an ongoing and expanding series like nothing we’ve ever seen in mainstream cinema. They will pull in, if they haven’t already (and dollars to donuts they have) those who don’t read comics but love sci-fi and fantasy series’ like Lord of the Rings, or even those who just like stories that keep on giving. As long as the overall weight of the expanding universe doesn’t drag down the individual movies, love for the whole series will increase exponentially.

The second is that making movies about possibly second-string-ish but still fully developed characters gives Marvel more creative freedom. Despite Ant-Man being a member of The Avengers, he doesn’t have the pull and wide recognition of Iron Man or Captain America. And while Brian K. Vaughan’s Runaways was a great series, since it doesn’t often cross paths with a lot of the more enduring characters, even core Marvel readers may not have picked it up before. By greenlighting some less familiar faces, I’d say Marvel has the leeway to be a bit looser with the source material if it will result in a better movie. Similar to what DC has tried to do with the New 52 comics, Marvel can make these characters accessible to the modern audience, but in an easily digested format in which it’s already accepted that stories may be adapted to serve the medium. I see this as a strong benefit, because often being too enmeshed in the sometimes complex source material can drag a movie down. Thanks to the successful movie platform they’ve built, Marvel now has a great opportunity to introduce some less known characters, including to casual or even serious comics readers, for the very first time through the movies, as they continue to build a more and more of a “realistic” and layered movie world that viewers can lose themselves in.

So I predict that Marvel’s method of movie-making (say that three times fast!) is going to keep working for them. And with that in mind, even though Marvel’s got a super-awesome and full line-up in mind already, here are some other (slightly more minor) characters I’d love to see greenlit for movies:

Taskmaster – He’s a villain, he’s a hero, he’s a villain, he’s a…oh, who knows. Probably not him. All I know is that his backstory is already intertwined with S.H.I.E.L.D. (and Deadpool!) so he could be woven into the overall movie universe; and that he’s fun to read about. And that I’d like to see those photographic reflexes at work on the big screen.

BAD Girls, Inc. – A group with ambiguously good/bad members, Diamondback, Asp, and Black Mamba have crossed paths with Captain America, Iron Man, and more. They could eventually be folded into the wider universe, but given that there are three of them with great interplay and distinct personalities, and given their eventual status as reformed criminals, I could first envision a great mostly standalone strong female action/adventure/crime-related movie with solid and engaging character arcs and redemption. Unfortunately, one of the three, Asp, has been revealed to be a mutant, so I’m not sure if there would be rights issues; but then again, Marvel is doing Runaways, and in that group, Molly is a mutant; so maybe FOX only owns the rights to mutants who have been tied to the X-Men.

Hawkeye/Mockingbird/Black Widow – Marvel’s teamed these three S.H.I.E.L.D. agents up in the comics before, and Hawkeye and Black Widow have already been introduced in the movie universe. I definitely want to see a movie featuring those two, but I like the idea of bringing Mockingbird in as well. I’d love to see a movie that casually establishes that she was already a known entity with an established history with Hawkeye in The Avengers but was just not part of that particular fight; it adds to that “layered universe” feel to have characters who have been presumably going about their lives offscreen before being brought in to the event we’re watching. Plus there’d be some great interplay between those three, and I feel like a S.H.I.E.L.D.-focused movie would benefit from a small team of fairly equal major players.

Ms. Marvel – Okay, she’s not actually a minor character. She’s a major character, an Avenger, and a fucking badass powerhouse. Despite the horrifyingly fanservicey costume, she’s a super-strong (literally) female character, and we need to see her on the big screen. Like, yesterday.

Black Panther – He’s got an interesting backstory and eventually does a stint with The Avengers, but is also powerful and important in his own right. There’s a lot to choose from in his history, since he’s been around since 1966. Also, obviously, it’d be great to see a minority character getting first billing.

…And after Marvel does all of these movies, when we’re all eighty-five years old and hobbling to the movies on our walkers…then they can finally wrap it up by thumbing their noses at us with a Nextwave: Agents of HATE movie. And then maybe close out with X-Babies to make us feel better about everything. Because awwwwwwww, X-Babies.

After all this talk of Marvel, one obvious question is: what can DC do to be more successful in the movie arena? One answer is that they can build up an interlocking universe like Marvel; and it looks like that’s what they’re now planning to do. But as they’re developing that, there are a couple of other things I’d recommend for them. One is to put a lot of energy and love into making a Wonder Woman movie a staple part of that interlocking universe, and do it right. There have been several attempts to get a modern Wonder Woman something off the ground, but the proposed TV series never came to pass, and although the modern animated movie was fun, it didn’t reach a wide audience. Wonder Woman is a major and much-loved DC character, and perfect for the current climate of successful strong female character movies. For whatever reason, though, adaptations seem to struggle with what part of her giant backstory to tell. I’d advise DC to simplify things by deciding how Wonder Woman would be living today, and picking up only the threads of her long-running story that will play with modern audiences. Look first at what makes the best contemporary story that embodies who she is, and second at how faithful each individual bit is to the preceding comics.

Another thing DC can do is to stop rebooting Batman. There have been three versions of Batman to date, and now there’s talk that Christopher Nolan will eventually be helming another Batman reboot. Now, it could be that this rumored reboot is actually going to continue the story Nolan left us with at the end of The Dark Knight Rises and connect it to Man of Steel and other DC movies. If so, great. But if it is indeed a fourth iteration of a character that just wrapped a super-successful trilogy…well I don’t even know what to do with that. DC should be focusing on characters it hasn’t featured instead of relying too heavily on continuously reimagining its two staple stars, Batman and Superman. I hope it does.

Whatever happens, I’m looking forward to the movies that are in the works, and continue to cross my fingers and hope that they’ll all be amazing.

Until next week, Servo Lectio!

(And thanks to my friend @wmslawhorn for inspiring this topic while in a WSFAn’s kitchen eating brownies and drinking beer.)

WEDNESDAY: Mike Gold’s Cold Ennui

 

The Point Radio: Will & Zach Laugh It Up On THE CAMPAIGN Trail



This weekend, Will Farrell and Zach Galifianakis bring the funny to the movies with THE CAMPAIGN – a political sature that also has a message. Will and Zach talk about that message, who will “get it” and how they created these characters. Plus a BIG July in the comic stores and look who MIGHT be coming to THE ARROW TV series!

Don’t miss a minute of pop culture news – The Point Radio  – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any mobile device with the Tune In Radio app – and follow us on Twitter @ThePointRadio.