The Mix : What are people talking about today?

Dennis O’Neil: Sound and Fury, Signifying Nothing?

We’ve been pretty grim, these last couple of weeks, so I thought maybe I should lighten up. What I thought I’d do, last night, was take my place at the computer and spin some wordfluffle suitable for submission to ComixMix and then…what? Continue existing? But before I could get to it, I saw the news window on the screen and learned that some lone gunman – anything familiar in those words? – had killed six Sikhs in a Wisconsin temple before being himself gunned down by police. We don’t yet know why. We probably won’t be too surprised when we do.

The politicians – no surprise here – beat me to the fluffle. The same dreary litanies we hear so often: hearts and prayers going out to and deep sadness and troubled days ahead… Democrat, Republican, independent all saying the same thing and in so doing actually saying nothing.

Look: I get ritual. I don’t much like it and I’m no good at it, but I think I understand it. Somebody dies or gets married or gives birth and you recite some variation of a limited set of sentiments and it’s not the words that have meaning, it’s the act of saying them. We use these formulae to console and rejoice and lament because, really, language isn’t up to these primal needs and so we let the clichés act as signifiers to express what resists expression. And that’s all good.

But when ambitious strangers say the words? When they claim that a tragedy that happened to strangers makes their hearts heavy? Allow us, please, to doubt. Allow us to at least suppose that the ambitious ones are using tragic occasions, at the very least, only because the recitation of the words is expected of them or, even less admirably, to further their own agendas. The word for this is hypocrite.

Let’s agree that hypocrisy stands pretty far down in the catalogue of major transgressions, and I’d have no serious quarrel with it if it were followed by action of some kind. Any kind. We’re not advocating anything draconian here. We’re not even advocating a program of legislation and, to be honest, I doubt that any single law or even set of laws will solve the problems that lay deep in the senseless acts of violence that are happening again and again and again.

But shouldn’t we start? Somewhere? As Jon Stewart pleaded, let’s agree to discuss everything, openly and honestly, with nothing withheld from consideration. Then maybe the hollow words will begin to have meaning.

FRIDAY: Martha Thomases and the Fanboy Politicians

 

FORTIER TAKES ON COLLINS, HELLER, AND ‘TRIPLE PLAY!’

  • Uncategorized
  • August 9, 2012
ALL PULP REVIEWS by Ron Fortier
TRIPLE PLAY
(A Nathan Heller Casebook)
By Max Allan Collins
Thomas & Mercer
211 pages
I am a fan of Max Collins’ historical detective series, the Nathan Heller mysteries.  From the 1940s through the 60s, each book has taken Heller on an incredible journey connecting him with many of the most celebrated criminal cases of the twentieth century.  Now comes this collection of three Heller novellas, each a delicious reading gem and worthy addition to the Heller canon.
What is even more entertaining is Collins’ introductory essay on the matter of the short literary form itself.  What is the difference between a novella and novelette?  Or are they the same thing and is that best described as a long short story or a short novel?  The fun of the essay is his insightful comprehension that the form is the product of the classic pulp tales of the 1930s and 40s.  It is evident that short novels were born in the pulp magazines and have sadly morphed in an awkward, literary white elephant in this age of bloated, fat thriller novels. Collins details the history of each of the three pieces in this volume, collected here for the very first time, and how length did factor into the writing of each.
First up is “Dying in the Post-War World,” my personal favorite of the three and by far the most convoluted and gruesome.  The story centers on the infamous Lipstick Killer case of 1946 where a young girl was kidnapped from her home, murdered and dismembered.  A veteran of the World War Two, Heller is trying to fit into this supposedly brighter new tomorrow with a new business and a pregnant wife.  Along comes this brutal case and he’s left wondering what kind of a world it truly is he and his fellow soldiers fought to persevere.
“Kisses of Death,” is an interesting entry in that it gives us Heller’s first meeting with Marilyn Monroe and their burgeoning relationship which is later explored in his recent novel, “Bye Bye Baby.”  It also has Heller working in New York City, Mickey Spillane’s old stomping grounds.  The tale also peeks in to the life of Chicago journalist turned screenwriter Ben Hecht is another winner.
Finally comes “Strike Zone,” about one of the most bizarre moments in professional baseball which this reviewer, a fan of the game, had never heard before.  It caused me to spend a few hours on-line checking out the histories of several of these characters who participated in a madcap publicity stunt concerning the most unusual pinch hitter to ever step up to home plate in a Major League contest.
If like me, you’re a Nathan Heller fan, then you have to pick this up.  If you are one of those yet to have encountered Collins’ pragmatic, world-weary hero then we can’t think of a better way to make that introduction.  “Triple Play,” is very much a grand slam, no matter what your favorite sport is.

SENTINELS: THE GRAND DESIGN– OMNIBUS PAPERBACK!

  • News
  • August 8, 2012

The First Trilogy of Van Allen Plexico’s Superhero Novel Series—At Last in a One-Volume Edition!

 (August 8, 2012)  White Rocket Books proudly announces the release in trade paperback format of Van Allen Plexico’s SENTINELS: THE GRAND DESIGN, a one-volume collection of the first three novels in the famed cosmic superhero saga!
Weighing in at a whopping 624 pages and with a stunning painted cover by celebrated artist Mitch Foust, the “Grand Design” Omnibus also features no fewer than fifteen full-page interior illustrations by series artist Chris Kohler.
The book contains all three volumes of the first Sentinels trilogy (When Strikes the Warlord, A Distant Star, and Apocalypse Rising) in their entirety, introducing the heroes and villains (and those in between) that make up this fascinating and compelling superhero universe. 
What begins as an attempted abduction of a young student from her college campus quickly spirals out to engulf a diverse collection of individuals, including billionaire inventor and hero-wannabe Esro Brachis, beloved national savior (and amnesiac) Ultraa, wisecracking daredevil Damon “Cavalier” Sinclair, and mysterious alien powerhouse Vanadium.  Can this motley crew come together as a team in time to save the Earth from conquest or destruction?
Through the eyes of central character Lyn Li, a Chinese-American teen that possesses amazing electromagnetic powers, we encounter aliens and androids, geniuses and demigods, megalomaniacal arch-villains, space-borne monsters, and everything else one would expect from a classic Bronze-Age comic series—in New Pulp novel form!
“For most of my life I’ve loved the concept of a superhero team made up of very distinct individuals who barely get along with one another,” says author Van Allen Plexico.  “The fun comes in watching them encounter mind-blowing menaces and have to find a way—some way!—to work together long enough to miraculously save the day.  Throw in the ability that a novel series provides, to allow characters to really change and grow (and even die!) along the way, and you get what I strongly believe is a saga every superhero comics fan will love.  And with Chris Kohler illustrating the whole thing, you can’t go wrong!”
Plexico’s Sentinelsseries has been praised by Kirkus Reviews for offering “a fresh take on the superhero theme,” and by Pulp Fiction Reviews as “spectacular, action-packed, imaginative and wonderful.”  Noted superhero novelist Ian Thomas Healy called them “Kirbyesque,” describing Volume One as “the first book that successfully translates the feel of a comic book into prose.”
White Rocket Booksis a leader in the New Pulp movement, publishing exciting action and adventure novels and anthologies since 2005, in both traditional and electronic formats.   White Rocket books have hit the Amazon.com Top 15-by-Genre and have garnered praise from everyone from Marvel Comics Vice-President Tom Brevoort to Kirkus Reviews.
On sale as of August 8, 2012, SENTINELS: THE GRAND DESIGN (Omnibus) is a $21.95, 6×9 format trade paperback from White Rocket Books.  (The individual novels are already available as $2.99 e-books for Kindle and other e-readers.)
624 pages
ISBN-13: 978-0-98413-925-5 (6×9” Trade Paperback; 15 full-page illustrations)

JACK KIRBY MUSEUM SPOTLIGHTS BLACKTHORN ARTIST JAMES BURNS

  • Uncategorized
  • August 8, 2012
Blackthorn: Thunder on Mars Art: James Burns

The Jack Kirby Museum site spotlighted the Blackthorn: Thunder on Mars cover on their Kirby-Vision page.
Direct link: http://kirbymuseum.org/blogs/kirby-vision/2012/08/08/blackthorn/

Congratulations to cover artist, and Lance Star: Sky Ranger “One Shot!” artist, James Burns.

Learn more about Blackthorn: Thunder on Mars at www.whiterocketbooks.com

Harvey Awards website updates, now with online voting!

  • News
  • August 8, 2012

new-harvey-logo-web-2012-2-6860226We’re very happy to announce that the Harvey Awards have upgraded their web site (with a little help from us) and is now able to take votes directly online instead of downloading a ballot and emailing (or even just mailing, shudder) it back. It is hoped that this will increase the voting turnout tremendously.

The final ballot for 2012 closes next Friday, August 17th, so get your votes in now if you haven’t already. Please remember that only comic book professionals – those who write, draw, ink, letter, color, design, and edit comic books and graphic novels - are eligible to vote.

The 2012 awards will be handed out at the Baltimore Comic-Con on September 8th. We hope to see you there!

Named in honor of the late Harvey Kurtzman, one of the industry’s most innovative talents, the Harvey Awards recognize outstanding work in comics and sequential art. Nominations for the Harvey Awards are selected exclusively by creators – those who write, draw, ink, letter, color, design, edit, or are otherwise involved in a creative capacity in the comics field.  They are the only industry awards both nominated and selected by the full body of comic book professionals. The awards have been presented annually since 1988.

Mike Gold: Cold Ennui

  • Uncategorized
  • August 8, 2012

Here’s a sucky way to spend one’s birthday: voiceless with a serious summer head cold. Bitch, bitch; moan, moan. Okay, I had a great day-before-my-birthday in Manhattan lunching with Danny Fingeroth and dinnering with fellow ComicMixer Martha Thomases. Nine hours of fantastic conversation in the best thing in life with your clothes on.

Sadly, as the overly-breaded but otherwise tasty General Tzu’s was being presented to me at our Greenwich Village dungeon of culinary delight, I was starting to sound like a frog in a blender. By the time I was on the subway back to Grand Central Terminal, I was grateful somebody bothered to invent texting. The gifted Miss Adriane picked me up and dragged me home. That was birthday-eve.

On birthday day, we first had to ransom my car back from the shop – I can’t complain; 100,000 miles on one battery is pretty damn good and I guess you really do need functioning breaks. After a quick stop at Walgreens to clean them out of toxic chemicals and chocolate Twizzlers, we returned home. As Miss Adriane procured the prerequisite chicken soup, I retired to celebrate the anniversary of my mother’s major inconvenience in a time-honored way: I picked up my stack of comic books (e-comics; I’m nothing if not hip and trendy in my dotage) and commenced to read.

As luck would have it, there wasn’t a winner in the bunch. Only one or two sucked; the rest were poignantly mediocre. This is not to say that I hadn’t read some worthy stuff while on the train to Manhattan – I consumed all the good stuff as a matter of fate and ill-planning. But you’d think that out of a dozen or so hand-picked titles, there’d be at least one that reaffirmed my fannish enthusiasm. Let us remember: I was under the weather, and my cockles needed to be warmed.

There were three New 52 titles in the electronic pile. All 12th issues. None motivated me to pick up the 13th, two months hence. There are a number of New 52ers I really enjoy: Batgirl, Batwoman, All-Star Western, and everything with the words “written by James Robinson” on the credits page. These weren’t them. The most enjoyable of the DC books was, oddly, the only Before Watchman mini I’m reading: Night Owl, and that’s because I’d read prescription warning labels if Joe Kubert drew them. Reading Kubert, for me, is a lot like drinking chicken soup. You might have to be Ashkenazi to fully grok that.

The Marvel titles were okay; slightly better in that none chased me away. But, damn, why is it that each and every good Marvel “event” series has four times as many issues as necessary? Okay, we know the answer to that one. Still, the Avengers Vs. X-Men series was established to put Marvel on a somewhat different course for a while and it’s doing its job. It’s not a reboot, it’s just your standard dramatic shuffling of the Marvel deck. But it should have been over by now.

The so-called indies were all over the map as they are supposed to be, so my luck of the draw was simply a bad hand. No, not bad. Just mediocre. Too many unnecessary middle-issues in overly long story arcs. I regret the day publishers decided to put six solid pages of story in each 24-page issue, and I look forward to our next GrimJack series to once again prove you can actually put 28 pages of story into a 24-page issue… without being Stan Freberg, and, yes, that was just to see if Mark Evanier’s paying attention.

Okay, all that sucked. On the other side of the scale, I got more than 200 emails and Facebook shout-outs from friends old and new. That’s great anytime, but after a speechless day of aches and not-breathing and a dozen mediocre comics, all that made be feel on top of the world. And not in the Cody Jarrett sense, either. To one and all, my deepest thanks.

Daughter Adriane and I finished the day watching Paul, a genuinely funny and essentially heartwarming movie written by and starring Simon Pegg and Nick Frost. I’m a sucker for anything with Jane Lynch that doesn’t involve high schoolers spontaneously combusting into song, and Pegg and Frost have never disappointed me.

Moral of the story: when you’re feeling low, reach for something positive and funny. Tomorrow is… another day.

Thursday: Dennis O’Neil… Sound and Fury, Signifying Nothing?

 

GREEN HORNET: STILL AT LARGE NOW AVAILABLE!

  • News
  • August 7, 2012
Cover: Douglas Klauba

New Pulp writer/editor Win Scott Eckert has announced that Moonstone Books release of Green Hornet: Still At Large is now available.

Green Hornet: Still at Large is back from the printer and is now shipping direct from Moonstone Books! (I’m sure it will show up as “available” on Amazon soon.)

NOTE: Green Hornet editor, Win Scott Eckert should have copies available at PulpFest later this week. You can find Win at the Meteor House table. Win will also be doing a “New Fictioneers” session where he will read from his Green Hornet tale, “Progress.”

Edited by Joe Gentile, Win Scott Eckert, and Matthew Baugh, this third anthology featuring the 1960s Green Hornet, based on the television program starring Van Williams and Bruce Lee, follows The Green Hornet Chronicles and The Green Hornet Casefiles, and ships in two editions.

The softcover trade paperback features a cover by Douglas Klauba, while the limited edition hardcover boasts a cover by Ruben Procopio. It is anticipated that as with the prior books, the third volume will also see an eBook edition, although the specific date has not been announced.

Cover: Ruben Procopio

Contents:
“Hero” by S.J. Rozan
“The Black Torpedo” by Will Murray
“The World Will End in Fire” by Richard Dean Starr
“The Man Inside” by Matthew Baugh
“Death from Beyond” by Ron Fortier
“Play the Game” by Thom Brannan
“The Gauntlet” by Bobby Nash
“Chaos and the Year of the Dog” by Bobbie Metevier
“Axford’s Sting” by Dan Wickline
“Revenge of the Yellowjacket” by Howard Hopkins
“The Man in the Picture” by Patricia Weakley
“Masks” by C.J. Henderson
“Bad Man’s Blunder” by John Allen Small
“Losers, Weepers” by Rich Harvey
“Stormfront” by Greg Gick
“The Night I Met The Hornet” by Mel Odom
“Progress” by Win Scott Eckert

The limited edition hardcover also features:

“The Green Hornet Timeline,” a chronology of the Moonstone stories from the three anthologies, fit into the timeline of the original television episodes, by Win Scott Eckert

A bonus story featuring the 1930s-40s Green Hornet from the radio show and serials, “The Green Hornet Meets The Avenger” by Michael Uslan

Ordering information:
Moonstone direct (trade paperback)
Moonstone direct (limited hardcover)
Amazon.com (trade paperback)
Amazon.com (limited hardcover)
B&N.com (trade paperback)
B&N.com (limited hardcover)

Joss Whedon is in for “Avengers 2” and Marvel live-action TV series

  • News
  • August 7, 2012

It’s official: the man who wrote and directed “Marvel’s The Avengers” and grossed $1.5 billion and counting at the box office is coming back to do it all over again. Slashfilm seems to have caught it first:

It was just announced on the Walt Disney Investors Conference Call that Joss Whedon will return for The Avengers sequel. Whedon is signed to both write and direct the upcoming sequel. Disney confirmed that Whedon is also involved in the development of the previously-rumored long-lead ABC live-action television series which will be set inside the Marvel cinematic universe.

Whedon had previously said that he was “very torn” about coming back: “It’s an enormous amount of work telling what is ultimately somebody else’s story, even though I feel like I did get to put myself into it. But at the same time, I have a bunch of ideas, and they all seem really cool.”

Marvel is notoriously cheap when it comes to contracts, so some fans were worried that a deal wouldn’t be made. I think everyone will be excited that Whedon is back for the next one. If I were Kevin Feige I would secure Whedon to a long term contract as an executive producer, overseeing the marvel universe on a Pixar braintrust-level. The Avengers is being tentatively planned for a Summer 2015 release, although Disney and Marvel have not formally announced a date.

via Joss Whedon Signed for ‘The Avengers 2′ and Marvel Live-Action TV Series.

Let’s see how he pulls all of it together… again.

Indiana Jones The Complete Adventures Blu-ray Bonus Features Announced

It was 30 years ago, that magical summer when we had our minds blown with amazing regularity. Among the highlights, of course, was this collaboration between George Lucas and Steven Spielberg. as they channeled their childhoods into something new and delightful for the present generation. We’ve been awaiting this collection and share with you the press details about what you will find in addition to the four films.

SAN FRANCISCO, Calif. (August 7, 2012) – Every unforgettable exploit of world-renowned, globetrotting hero Indiana Jones finally comes home with pristine picture and sound when INDIANA JONES: The Complete Adventures debuts on Blu-ray September 18, 2012 from Lucasfilm Ltd. and Paramount Home Media Distribution. The cinematic classic that started it all—Raiders of the Lost Ark—has been meticulously restored under the supervision of director Steven Spielberg and sound designer Ben Burtt.  Additionally, Indiana Jones and the Temple of Doom and Indiana Jones and the Last Crusade have both been remastered alongside 2008’s Indiana Jones and the Kingdom of the Crystal Skull making this landmark release the first time all four films in the epic and award-winning franchise have been available together in sparkling high definition. INDIANA JONES: The Complete Adventures will also be available on iTunes, so the adventure is just a click away!

In addition to all of Indy’s thrilling adventures, the set includes seven hours of fascinating documentaries, featurettes and interviews with cast members and filmmakers.  This comprehensive collection of behind-the-scenes bonus features is augmented by a brand new two-part documentary entitled “On Set with Raiders of the Lost Ark – From Jungle to Desert and From Adventure to Legend.”  Featuring nearly an hour of rarely seen footage from the set of the film and archival interviews with Steven Spielberg, George Lucas and Harrison Ford, these captivating pieces transports fans back to where the legend began.

Raiders of the Lost Ark has been painstakingly restored with careful attention to preserving the original look, sound and feel of the iconic film.  The original negative was scanned at 4K and then examined frame-by-frame so that any damage could be repaired.  The sound design was similarly preserved using Burtt’s original master mix, which had been archived and unused since 1981.  New stereo surrounds were created using the original music tracks and original effects recorded in stereo but used previously only in mono.  In addition, the sub bass was redone entirely up to modern specifications and care was taken to improve dialogue and correct small technical flaws to create the most complete and highest quality version of the sound possible while retaining the director’s vision.

Disc Specifications:

Disc 1—Raiders of the Lost Ark

Raiders of the Lost Ark is presented in 1080p high definition with English 5.1 DTS-HD Master Audio, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Spanish 2.0 Dolby Digital, Portuguese 5.1 Dolby Digital, Portuguese 2.0 Dolby Digital and English, English SDH, French, Spanish and Portuguese subtitles. The disc includes the following:

  • Teaser Trailer (HD)
  • Theatrical Trailer (HD)
  • Re-Issue Trailer (HD)

Disc 2—Indiana Jones and the Temple of Doom

Indiana Jones and the Temple of Doom is presented in 1080p high definition with English 5.1 DTS-HD Master Audio, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Spanish 2.0 Dolby Digital, Portuguese 5.1 Dolby Digital, Portuguese 2.0 Dolby Digital and English, English SDH, French, Spanish and Portuguese subtitles. The disc includes the following:

  • Teaser Trailer (HD)
  • Theatrical Trailer (HD)

Disc 3—Indiana Jones and the Last Crusade

Indiana Jones and the Last Crusade is presented in 1080p high definition with English 5.1 DTS-HD Master Audio, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Spanish 2.0 Dolby Digital, Portuguese 5.1 Dolby Digital, Portuguese 2.0 Dolby Digital and English, English SDH, French, Spanish and Portuguese subtitles. The disc includes the following:

  • Teaser Trailer (HD)
  • Theatrical Trailer (HD)

Disc 4—Indiana Jones and the Kingdom of the Crystal Skull

Indiana Jones and the Kingdom of the Crystal Skull is presented in 1080p high definition with English 5.1 DTS-HD Master Audio, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Portuguese 5.1 Dolby Digital and English Audio Description and English, English SDH, French, Spanish and Portuguese subtitles. The disc includes the following:

  • Theatrical Trailer #2 (HD)
  • Theatrical Trailer #3 (HD)
  • Theatrical Trailer #4 (HD)

Disc 5—Bonus Features

Bonus features are presented in standard and high definition (as indicated below) in English with English, French, Spanish and Portuguese subtitles.

  • NEW – On Set with Raiders of the Lost Ark
    • From Jungle to Desert
    • From Adventure to Legend
  • Making the Films
    • The Making of Raiders of the Lost Ark (1981 documentary previously unavailable on DVD)
    • The Making of Raiders of the Lost Ark
    • The Making of Indiana Jones and the Temple of Doom
    • The Making of Indiana Jones and the Last Crusade
    • The Making of Indiana Jones and the Kingdom of the Crystal Skull (HD)
  • Behind the Scenes
    • The Stunts of Indiana Jones
    • The Sound of Indiana Jones
    • The Music of Indiana Jones
    • The Light and Magic of Indiana Jones
    • Raiders: The Melting Face!
    • Indiana Jones and the Creepy Crawlies (with optional pop-ups)
    • Travel with Indiana Jones: Locations (with optional pop-ups)
    • Indy’s Women: The American Film Institute Tribute
    • Indy’s Friends and Enemies
    • Iconic Props (Crystal Skull) (HD)
    • The Effects of Indy (Crystal Skull) (HD)
    • Adventures in Post Production (Crystal Skull) (HD)

Marie Severin Gets What She Deserves – At Last!

  • Uncategorized
  • August 7, 2012

It was 1978, and the electric current going through DC Comics’ offices could have lit Times Square. Vice-President and Production Director Jack Adler was strutting around like a proud papa. For the first time in what seemed like a millennium, Marie Severin was paying a visit.

If you were from outside the donut shop, you’d think the President was in the house. Work came to a complete stop. Everybody swarmed to the production department to meet, or to see once again, the famed artist and gifted humorist. That she toiled for the company’s competition and yet received this reception is an acknowledgement of her talent and abilities.

The masterful colorist of the legendary EC Comics line, Marie worked at Marvel Comics for decades as an art director, a penciler and an inker. Her credits read like a Who’s Who at the House of Ideas: Doctor Strange, the Incredible Hulk, Sub-Mariner, and Robert E. Howard’s Kull the Conqueror. That’s quite a range, but she was best known for her satirical work in Marvel’s underrated Not Brand Echh, a book worthy of Masterwork edition if there ever was one.

She was even better known within the industry for her sense of humor. I have never met a person who wasn’t a fan of her work – and a fan of hers, personally.

TwoMorrows just published Marie Severin: The Mirthful Mistress of Comics ($24.95; digital from TwoMorrows for $7.95), a long overdue review of her work written by Dewey Cassell with Aaron Sultan. It was worth the wait.

174 pages of analysis, history, interviews, photographs and about a zillion examples of her work, including a healthy amount of unpublished work – much of it in-house stuff reflecting her breathtaking sense of humor. Tributes abound: Marvel and EC honchos Stan Lee and Al Feldstein, Jack Davis, John Romita, Mark Evanier, Tony Isabella, Roy Thomas and maybe a dozen more folks, all fronted by a foreword from ComicMix columnist and comics luminary Denny O’Neil.

Marie has been one of the most important and most creative people in the history of this medium. Marie Severin: The Mirthful Mistress of Comics tells you why. If you’re already a fan of hers, you either have this book or it’s on your short list. If you’re not all that familiar with her legacy, you need this book.

 

Categories

Archives

Everything you need to make great comics!

comicmix-pro-300x69-2

Nucleus X

Bookshop Zaks