The Mix : What are people talking about today?

Marc Alan Fishman: Gone Fishin’

fishman-art-1208041-4551721After staying up for the better part of a week, or perhaps the worse part of a week, meeting his Unshaven Comics deadlines Marc has no printable words for us this week. Just some groans, moans, twitches, and a lotta snoring. All this is for the benefit of those attending next week’s Chicago Wizard World or the Baltimore Comic-Con September 8th and 9th, and you can see the results of their labors and actually meet the entire Unshaven Comics crew in person, in the respective Artists Alleys.

Warning: Several other ComicMixers will be at the Baltimore show as well. We will have you surrounded. Surrender Dorothy.

SUNDAY: In the Dark With John Ostrander

 

The Point Radio: TOTAL RECALL Can A Reboot Work?

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This weekend, TOTAL RECALL hits theaters and we find out if there is room for a re-imagined version of the 1990 film. Director Len Wiseman and actors Colin Farrell and Jessica Biel explain why this one is really different. Plus we talk to John Noble (FRINGE) about why DARK MATTERS on The Science Channel is summertime must see TV.

Don’t miss a minute of pop culture news – The Point Radio  – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any mobile device with the Tune In Radio app – and follow us on Twitter @ThePointRadio.

I PULP THE 80’S– 1982!

This week, the Earth Station One podcast crew travels back to a time before texts, tweets, and Twilight. A wondrous age when nearly every trip to the movie theater was a viewing of a future classic. Blade Runner, ET – The Extra-Terrestrial, The Dark Crystal, Tron, First Blood, Conan the Barbarian, Fast Times at Ridgemont High, and many more made their debut that year. Mike Faber, Mike Gordon, and Bobby Nash are joined by some familiar New Pulp guests Derrick Ferguson, Dr. Scott Viguie (a real life Indiana Jones), and award-winning artist Mark Maddox try to name them all, but one name keeps rising to the top of the list – KHAAAAAAANNNN!!!

Join us for yet another episode of The Earth Station One Podcast we like to call: Blockbuster – The Summer Movies of 1982 at www.esopodcast.com
Direct link: http://erthstationone.wordpress.com/2012/08/03/earth-station-one-episode-122-blockbuster-the-summer-movies-of-1982/

REVIEW: Economix

Economix
By Michael Goodwin and Dan E. Burr
304 pages, $19.95, Abrams ComicArts

economix_cover-300x426-4222079Having never taken economics in college, I find the world of high finance needlessly complicated and confusing. You spend what you need to make a good; you sell it for a reasonable profit. Repeat. The problem, though, is that the world makes it far more complicated to determine how those goods are made or what a reasonable profit might be. And as globalization has altered the way everyone on Earth lives and works, things have grown ever more complex.

Thankfully Michael Goodwin saw the need for a basic primary on how the economy currently works and how we got here. Better, he decided to really make it easy to follow thanks to using the comic format, hence the graphic novel Economix. Nicely illustrated by Dan E. Burr, best known for Kings in Disguise, the book from Abrams starts off in The Distant Past and walks us on a parallel path between what really happened and how the early economist philosophers thought it should happen.

Along the way, Goodwin makes it clear that for too long, people hewed to theories that sounded great on paper but were impractical in the real world which is why the early bubbles occurred. He also introduces us to the keep economic and political players, and how he talks about them makes it clear which ones he finds laudable and which ones deserve mockery.

This is not a classroom textbook but has a distinct point of view so the result is that some people and events have their dimensionality stripped away, leaving a caricature to make his point. This trait is on display beginning with the Industrial Revolution all the way through the modern day economic woes (the book’s information is nicely current through mid-2011 so it remains relevant).

He makes it clear that the bigger corporations got, the less and less they were to be admired. Instead, they prove to be the villains you expect in graphic fiction and while there’s a lot here that’s true, it’s certainly just one point of view. Goodwin is also harsh to many people, notably Calvin Coolidge and Warren G. Harding, who watched America’s economy grow, burst, and couldn’t figure out how to pick up the pieces. Using their own words against them, certainly sounds convincing.

Where Goodwin excels is simplifying the verbiage so even guys like me can follow it. He also pauses to show what is happening around the world, since opening trade with Asia or the Russian Revolution certainly had a bearing on American dollars and cents. The book also doesn’t expect you to remember everything, constantly pointing you back to relevant pages such as “That’s right – we live in a mixed economy, not in pure capitalism. For instance, let’s take another look at modern New York. We saw on page 24 how trying to control everything wouldn’t work…”

Obviously, the most interesting chapters are the ones covering the times we live in. The book pointedly takes us from Reagonomics through the housing bubble, pausing to chart how our National Debt has grown through various presidential administrations and the decisions they made.  Paul Volcker and Alan Greenspan both get taken task in this recounting. Clearly, today’s mess began in the 1980s and continues today.  A large part of the problem was the repeal of the 1932 Glass-Steagall Act in 1998 and today, many a politician and businessman has come to regret that – note the comments sandy Weill made last week.

Burr’s artwork nicely captures the text and makes it visually comprehensible with some fun portraits of how the economic machinery works, using iconic images of farmers, merchants, businessmen, and so on. He caricatures key figures and keeps his pages packed but not cluttered. On just a few cases his page layout and balloon placement challenge even the most veteran of comics readers so this might be a tough read for some novices but its well the effort.

A text like this would certainly help high school and college students gain their first taste of financial literacy and it comes recommended for the rest of us.

NEW FANTASY PULP FROM PRO SE AND HANSEN’S WAY- THE HUNTRESS OF GREENWOOD!

Pro Se Productions, one of the leading publishers in the New Pulp Movement, announces today the release of its latest volume, the newest release from the author centered imprint Hansen’s Way.  From the fantastic mind of one of Pro Se’s best selling authors, Nancy A. Hansen, comes a collection filled with Magick and Heroism, Monsters and Adventure- THE HUNTRESS OF GREENWOOD!

 When the northern frontier of a world in upheaval most needed a champion, a champion arrived– a short statured, buxom woman with piercing green eyes, a sizable streak of stubbornness, and a determined spirt that refused to accept defeat. Roshanna the Huntress is the warder of enchanted Greenwood, both a wanted outlaw and staunch defender of all good beings. With bloodlines of Elf, Dwarf, and Human coursing in her veins, she tirelessly treks the forest and countryside, bow over her shoulder and knife at her hip, struggling to maintain an uneasy peace while fighting to keep the creations of a Dark God at bay. 

Acclaimed Author Nancy Hansen and her own Pro Se imprint, Hansen’s Way, presents THE HUNTRESS OF GREENWOOD, a collection of thrilling tales of fantasy and adventure where a world of magick exists a mere heartbeat away! From Pro Se Productions– Puttin’ The Monthly Back into Pulp!

Now Available from Amazon at http://tinyurl.com/d6jw8el and at www.prosepulp.com! Coming soon in Digital Format! Featuring stunning cover artwork from David Russell and format and design from Sean E. Ali!

Looking for Action and Magick?  Ready for Creatures and Chaos and a bow slinging Heroine to save the day?  Then Nancy A. Hansen’s HUNTRESS FROM GREENWOOD is what you’re looking for.  From Hansen’s Way, an imprint of Pro Se Productions- Puttin’ The Monthly Back into Pulp!

Captain Marvel Flies In Captain Marvel Jr’s Wake

captainmarvel_3_cover-2008164On the left, the cover to Marvel Comics’ Captain Marvel #3, drawn by the gifted Ed McGuinness, out on sale in several weeks. If the first issue is any indication, it’s worth reading.

On the right, the cover to Fawcett Comics’ Master Comics #105, cover-dated July 1949 featuring Captain Marvel Jr., drawn by the legendary Kurt Schaffenberger .  

You might think I’m going to jump up and down screaming “Rip-off! Rip-off!” Well, what do you think this is, The Comics Journal? No, McGuinness is an honorable man (well, to the best of my understanding; I haven’t checked to see if he has an arrest record or anything) and, clearly, it’s the modern Captain Marvel nodding to the classic Captain Marvel – in each case, one of the many – and we have ever right to infer this is a tribute. A common, and noble, practice in comics. This ain’t Roy Lichtenstein trading off of other people’s work.

But it does deserve kudos (not the granola bar; get a dictionary). Ed reached back 63 years to what, in my mind, is a classic cover of the late golden age. This is no small feat, as Kurt (who I knew and worked with in the 1980s) followed in the wake of the artist most associated with Captain Marvel Jr., the astonishingly talented Mac Raboy .

So I wanted to bring this to your attention. Usually, when artists want to reflect back on previously published work, they go for the cover to Fantastic Four #1 or Amazing Fantasy #15. In fact, there’s a slew of such covers and, from time to time, I’ll be reflecting awkwardly upon them. Until then, let’s hear it for Ed McGuinness who reminds us of two legendary characters: Captain Marvel Jr., and Kurt Schaffenberger.

Martha Thomases: My Green Lantern Problem

thomases-120803-3925858If I’m reading their website correctly, DC Entertainment currently publishes three different Green Lantern titles, not counting the animated series tie-in. There is also a Red Lantern comic. The last several company-wide crossovers involved the Green Lantern Corps as major players.

It’s too much.

Don’t get me wrong. I like Green Lantern. I vividly remember when I bought my first copy. I was about eight years old (which would make it 1961, for those of you keeping score), and felt very grown up. I thought Green Lantern, being a science-based character, was much more intellectual than Superman or Batman at the time, with their dog pals and mischievous imps. Hal Jordan wasn’t a millionaire playboy nor an alien. He was a test pilot. He had a job.

A decade later, when Denny O’Neil and Neal Adams took over the title, I was mesmerized. They were using a character (one whom, by this time, I realized didn’t have much to do with science) in a comic book to express a point of view on the world in which I lived. How amazing was that?

By the time my son was reading comics, there were several Green Lanterns. He loved them. He especially liked Green Lantern: Mosaic, which featured John Stewart trying to assist a world that had a variety of intelligent life forms, immigrants from dozens of worlds. It seemed like a metaphor for life in New York, but I don’t know if that’s why he liked it so much.

I guess I’m trying to say that Green Lantern is a concept that different people, at different stages of their lives, can enjoy. A man (or woman) with a strong will, and a ring that can manifest that will, is a wonderful vehicle for imagination. With the introduction of the idea of the Green Lantern Corps, 3600 strong, each patrolling a different sector of the universe, the reader can see how different personalities affect the way the ring works. Some shoot green rays, some make green weapons, some create helpers. The stories are limited only by the imaginations of the creative teams.

Still, the heart of the stories was Hal Jordan. The supporting cast included fellow Lanterns Guy Gardner, Kyle Rayner, and the previously mentioned John Stewart. Sometimes one of them would replace Hal as the main Lantern for sector 2814 (that is, Earth).

Since the introduction of The New 52 last fall, the cast has expanded quite a bit. There are Lanterns of other colors of the rainbow, representing other emotions. Each color has 3600 champions (except orange, which is avarice, and its ring holder took all the other rings because, you know, avarice). The stories involving these characters, and the Guardians of the Universe who created the Corp, span all three books.

Believe me, I understand that this may be the direction that the creative teams want. They may enjoy having the cosmos as a canvas, and they may think that having different species as characters is a wonderful opportunity to comment on the human condition. If this is the case, I don’t think they’re succeeding.

I can’t keep up with everybody. Even worse, I don’t care.

I want some stories to take place on Earth. I want to see Carol Ferris, and not in her Star Sapphire costume. I want to watch John Stewart as an architect. I want to see how artist Kyle Rayner meets his magazine deadlines. I want to see Guy Gardner with Ice. Even better, I’d like to see story ideas that haven’t happened yet, but that engage me with situations with which I can relate.

I want to see humans. More to the point, I want to see human stories.

SATURDAY: Marc Alan Fishman, Gone Fishing

SUNDAY: John Ostrander, Friend to the Chickens

 

FORTIER TAKES ON ‘EMPIRE OF THE SUMMER MOON!’

ALL PULP REVIEWS by Ron Fortier


EMPIRE OF THE SUMMER MOON

By S.C. Gwynne
Scribner
371 pages

I love history, always have.  What has always fascinated me about the people and events of the past is how truly amazing their stories were and sadly how many have been either forgotten in time or completely been altered through the lens of imperfect history.  Thus the true pleasure of this amazing book by S.C. Gwynne in detailing the story of the western plains empire known as the Comencheria that encompassed a giant land mass from Colorado down through Oklahoma, New Mexico, Texas and into Mexico between the years 1836 and 1875.

Of course recalling some truly boring history classes in both high school and college, I long ago learned that the best histories are those that both entail the big picture of the social, cultural and economical movements that have shaped people at the same time refining this focus by spotlighting particular individuals representative of these greater factors.  Gwynne does that to perfection with this book as he sets out to relate the captivating story of the most powerful Indian tribe of them all; the Comanche, considered the best horse soldiers who ever rode into combat. 

Sadly most Americans my age first learned their western history via Hollywood movies and television which over the decades offered up two totally different and conflicting images of the American Indians.  From the silent movie era on through to the 1940s, the red men of the plains were portrayed as merciless savages. Then, after the second World War into the sixties, the pendulum swung radically in the opposite direction and they were showcased as the noble aborigines victimized by the onrushing invasion of the European bred white society and its Manifest Destiny.  Unfortunately both depictions, though containing kernels of truth, are gross exaggerations and for the most part equally untrue.

Gwynne, employing recorded accounts from various libraries, allows them to detail a race of nomads who lived off the massive buffalo herds that covered the plains and were constantly battling each other for supremacy.  War was their way of life and they were good at it, inflicting as much destruction and carnage on their foes as they were capable of which included killing women and children, enslaving others and torturing captives. They expected no less from their enemies were they to be defeated.  It was a cruel and barbaric way of life totally alien to anything whites of the time had ever experienced.

And as engrossing as this account is, the book then delves into the lives two of the most remarkable characters to have walk across this stage of time; Cynthia Ann Parker and her son, Quanah.  Kidnapped at the age of nine by the Comanche, Cynthia Ann was favored by them and as she matured became a true member of the tribe that had taken her eventually marrying a war chief and having three children with him; two boys and a girl.
The oldest, her son, Quanah, would go on to become the last and perhaps greatest Comanche war chiefs; a brilliant horseman, strategist and fearless in battle.  When Cynthia Ann was recaptured by U.S. Cavalry troops in a raid that killed her Comanche hasband, Quanah, twelve at the time, eluded the soldiers and with his younger brother in tow, escaped to find another related tribe.  From that point on he was on his own, a half-breed having to survive in a society that made no allowance for orphans. Through his inner strength, courage and intelligence, he became the Comanche’s most successful war chief and in the end, when the threat of total extermination loomed on the horizon, Quanah had the foresight to surrender and adapt to the new west; that imposed on him and his tribe by the victorious white invaders.

So much so, that by the time of his death, he was a famous, successful farmer who counted Teddy Roosevelt amongst his associates and allies.

“Empire of the Summer Moon,” was a finalist for the coveted Pulitzer Prize and this reviewer believes it should have won.  It is a truly powerful reading experience proving once again that truth is always stranger than fiction.  Amen.

HERE COMES COMMANDER X!

jayp01-5599254
Art: Jay Piscopo

FOR IMMEDIATE RELEASE

Nemo Publishing
Contact:
Tami Kennedy
207-838-0816
tami@maine.rr.com

Commander X goes solo in an all new “Commander X Adventures All-Star Special” comic book
Up next: Commander X will take to the skies in a cross-over comic with Captain Midnight

Note to Retailers:
Order from August Diamond Previews
Look for the Diamond Spotlight on page 323
DIAMOND CODE: AUG121224

Note to Reviewers: Review copies available.
Contact tami@maine.rr.com

PORTLAND, MAINE (July 31, 2012) Return to the Golden Age of high adventure with Commander X in three tales featuring giant monsters, robots, mystery and action. The stories in this 40 page, full color comic book are told in the spirit of the great adventure yarns of the 1930s and 1940s and take place from Tibet, to the Sargasso Sea, to the Sea of Japan. Written and illustrated by Jay Piscopo, this “Commander X All-Star Special” recaptures the excitement and energy of the Golden Age of comics when superheroes were born; featuring fast paced stories, science fiction gadgets, bright colors and breakneck action.

“In the sea, in the air, and on the land Commander X delivers the kind of ‘all in color for a dime’ entertainment that’s missing in comics,” noted award-winning comic book writer and editor Brian Augustyn.

“This comic book is an homage that recaptures the magic of the pulps and Golden Age of comics with a modern twist,” said Piscopo. “Our hero, Commander X, is a classic comic strip and movie serial hero with some high tech gizmos and time travel thrown in.”

Retailers can order “Commander X All-Star Special” from Diamond’s August Previews (DIAMOND CODE: AUG121224 — Look for the Diamond Spotlight on page 323). View story pages at http://ow.ly/cCKe3.

“Fans first met Commander X in “Capt’n Eli,” then they got to experience him as a limited edition Mego-style action figure, and now they get to see him in his own one-shot comic book,” continued Piscopo. “Next, fans will get to see him team up with the legendary Captain Midnight.”

This December, Nemo Publishing and Moonstone Books will publish a cross-over one shot comic book featuring Commander X with the renowned Captain Midnight. This 28 page, full-color book will be written by longtime DC Comics writer and editor Brian Augustyn. Artwork and co-plotting will be by Piscopo. View image gallery at this link.

Commander X in part of Piscopo’s Nemoverse of characters and is an integral part of his “Undersea Adventures of Capt’n Eli” graphic novel series. The tales in “Commander X All-Star Special” provide clues to some of the mysteries about Commander X uncovered in the first two volumes of “Capt’n Eli” and give hints to what’s to come in Volume 3, which will be released this winter

In the story “The Guardian of Tantarus,” the Red Octopus and the Axis powers want super weapons from Atlantis. Can Commander X stop them?

In “Allies,” fans meet Commander X as the Undersea Knight. This version of Commander X is also available as a limited edition Mego-style action figure (http://captneli.shipyardshopping.com/index.html).

“With this collectible figure, we’ve captured the nostalgic feeling of a special toy that could take you into another universe,” continued Piscopo. “Seeing Commander X in his Undersea Knight uniform really sparks the imagination.”

In “Wake of the War Beast,” Commander X and his scarlet-clad ally, the mysterious Circe, Sorceress of the Sea, team up to subdue an ancient sea monster in the Sea of Japan.

Ordering information:
“Commander X All-Star Special”
Published by Nemo Publishing
Written and illustrated by Jay Piscopo
40 pages | Full Color | $3.99
Order from August Diamond Previews
Look for the Diamond Spotlight on page 323
DIAMOND CODE: AUG121224

More about Jay Piscopo and Nemo Publishing: Piscopo is the author and illustrator of Nemo Publishing’s “The Undersea Adventures of Capt’n Eli” graphic novel series and “The Sea Ghost #1: The Sea Ghost in the Machine” comic book. He was also the artist for Moonstone’s new “The Spider” and “The Phantom Detective” comics.

Commander X is part of the Nemoverse of characters tied to the Capt’n Eli’s line of hand-crafted sodas from Portland Maine. Capt’n Eli is the namesake of real-life World War II veteran Eli Forsley who was also the inspiration for Capt’n Eli’s soda. Read the story behind the story at this link.

On the web:
www.captneli.com
www.theseaghost.com

REVIEW: Forever Marilyn

forever-marilyn-300x405-5595065Given her enduring appeal fifty years after her death, it can easily be argued that Marilyn Monroe was the signature pop culture icon of the 20th Century and her allure is lasting well into the next century. Last year, I read Max Allan Collins’ take on Marilyn’s death before watching Michelle Williams portray her in My Week with Marilyn. Her career has become the spine for the NBC series Smash. Her image is found in commercials, artwork, music videos, calendars, and on and on. While her appeal and persona don’t grab me, I respect her impact on America and the world.

Out this week form 20th Century Home Entertainment, in time for the morbid memorial, is the seven-disc Blu-ray set Forever Marilyn. Included in the set are the recently released Blu-ray editions of Gentlemen Prefer Blondes (1953), How to Marry a Millionaire (1953), River of No Return (1954), There’s No Business Like Show Business (1954), The Seven Year Itch (1955) and the Blu-ray debut of Some Like It Hot (1959) and The Misfits (1961). The cardboard packaging does not properly serve a collection of this magnitude. Similarly, there’s a paucity of extras to codify just how special Marilyn Monroe was as a personality, performer, and woman.

It’s not a comprehensive collection of her films and afficianados are upset over the deletions but in the grand scheme of things, this collection is a pretty solid sampler of her greatest works. If you’re feeling selective, they are also now available as individual releases. The reason has as much to do with the material as it does with the performer. Monroe was well situated, placing herself in the hands of directors Billy Wilder and Howard Hawks along with some very smartly written roles. While she might have been a wreck in her personal life, her choice of parts was pretty spot on as witnessed in this septet of films.

Of the films included, the only special feature love was showered on The Seven Year Itch which includes Audio Commentary by Billy Wilder Biographer Kevin Lally, Isolated Score Track, Deleted Scenes, Still Galleries, Theatrical Trailers, “The Hays Code: Picture-in-Picture with Sexual Innuendo Meter”, Marilyn Monroe Interactive Timeline, “Monroe & Wilder: An Intersection of Genius”, Fox Movie Channel presents “Fox Legacy with Tom Rothman”, “Hollywood Backstories: The Seven Year Itch”, and “Fox Movietonews: The Seven Year Itch” Given that the film gives us the iconic shot of Marilyn and the upblown skirt and a statue of that image is entitled Forever Marilyn, this is all very fitting.

The transfers to Blu-ray are fairly excellent and uniform, looking and sounding very impressive. And it’s fun rewatching the classics because they hold up nicely. You can enjoy them as film fare, recognizing Marilyn added to their luster and was not the cause. Credit has to be given to the writer, director and costars, which includes some fine work by Ethel Merman, Jane Russell, and Betty Grable. and Lauren Bacall.

Most of these are slight fare compared with other works of the time, but they remain marvelously entertaining starting with Gentlemen where Marilyn and Jane sing and dance in search of husbands. A variation on that theme is in the non-singing Millionaire with Marilyn, Betty, and Lauren as models (back when models had some meat on them). Merman is the focal point of Show Business, of course, but the story of The Five Donahues is nicely told. You can’t go wrong with a supporting cast including Donald O’Connor, Mitzi Gaynor, and Dan Dailey.

More dramatic fare is River where Robert Mitchum is a widower taken advantage of by gambler Rory Calhoun. When Calhoun’s wife Marilyn nurses him back to health things grow complicated. Director Otto Preminger shot this at the Jasper and Banff National Parks a so the scenery rivals Marilyn for beauty.

The two Wilder films remain the strongest in the set starting with Itch, a story of temptation in the form of Monroe as the sexy next door neighbor. She helps herself to Tom Ewell’s air condition while his wife and son are away and it’s all he can do to honor his vows. While entertaining, it treads a fine line between comedy and betrayal but it merely was a warm up to Some Like it Hot, one of the funniest films of the century. Jack Lemmon and Tony Curtis were never sharper as men in drag, performing with Sweet Sue and Her Society Syncopators, an all-girl group, so as to avoid mobster George Raft. Monroe took all her screen personas and poured them into “Sugar” Kane Kowalczyk, a memorable character. A lovesick Joe E. Brown steals the film with the immortal last line.

The Misfits is remembered best as her final film, but it was also Clark Gable’s last screen appearance as he died within two weeks of wrapping production. Written by Arthur Miller, it’s a somber story to begin with and was given added weight for the bookend it provided her screen career. As their marriage was unraveling, Miller continued on rewrites which led to some autobiographical material seeping into the story which was conceived to put Monroe’s dramatic chops on display. Legendary John Huston oversaw a troubled shoot, drawing what he could from an ailing Gable and a drug addicted Monroe. Despite the credentials of director and writer and the talent of the cast, the finished film is uneven and never quite achieves its lofty goals.

Whether you’re eternally infatuated with Marilyn or not, there plenty of reasons in this collection as to why she captivated one generation after another. In Blu-ray, these dazzle and delight, offering you a good reason to sit down and enjoy these all over again.