The Mix : What are people talking about today?

Dennis O’Neil: Batman’s Lethal Force

It is one of the universe’s pointless ironies that the horror in Colorado happened at the showing of a Batman movie. Despite the grimness in the Batman mythos, the character has neither been an advocate of violence, nor an apologist for it.

Not that I think it’s necessary, but let’s put out a few reminders anyway:

The only time Batman used a gun was in a very early story when the character was still in the process of forming.

Similarly: the mature Batman has eschewed lethal force of any kind.

A couple of decades ago, John Reisenbach, the son of a colleague, was shot to death on Jane Street in Greenwich Village – one of those senseless urban crimes that will probably never be solved. At the urging of Jenette Kahn, and under my editorship, John Ostrander wrote a fine Batman story about city streets and guns in reaction to our coworker’s tragedy. The story, titled “Seduction of the Gun,” was later credited with helping to pass anti-gun legislation in Virginia.

A final example: In the movie that was showing in Colorado, Batman has a line forbidding another character to use firearms.

So it wasn’t our fault, and, happily, the only press I’ve seen tying the massacre to comics was in New York’s Daily News, which cited a Frank Miller story in which similar gun violence was committed.  But even that piece quoted Brad Meltzer’s observation that Batman has been vocally anti-gun for these many years.

So it wasn’t our fault and it wasn’t the fault of anything the gunman read or saw or played. All extant evidence indicates that normal, psychologically healthy individuals and not prompted to atrocity by anything in the media. And the unhealthy? That’s scary and I’ve experienced occasional momentary uneasiness when I’ve had a hero in something I’m writing use lots of physical force to solve some problem. Was I setting a bad example? I don’t think so. Like it or not, we humans have aggression in our nature – that ol’ devil Evolution again – and if that weren’t true, we probably wouldn’t be entertained by depictions of warriors doing their thing. The earliest stories we have – and a good bit of what’s known as Scripture – are full of bloodletting.

Maybe the tactic for us modern storytellers is not to glorify the violence. Sometimes it’s necessary to use force in defense of self or other, sometimes the skills of the warrior are valuable. And, arguably, warriors are legitimate heroes. But, in our stories, let’s not glory in our characters’ infliction of pain and death. That glorification might be the line between heroism and sadism.

None of this is of any use to the people in Colorado and I’m too cynical to say that some good will come of it all. I don’t believe that much good came from the Columbine massacre or the Gabrielle Giffords shooting or the assassination attempt on Ronald Reagan or the murder of John F. Kennedy or the million gun death that have happened in our nation since the deaths of Martin Luther King and Robert Kennedy.

Maybe the best we can hope for is that we will stop blaming movies and television for these indescribably sad events and have the courage to begin investigating the real causes. It is a forlorn hope, but it may be the best we have.

FRIDAY: Martha Thomases

 

Table Talk: Pulp Team-ups and Medium Mixers

Table Talk is Back!

Pull up a seat and strap yourself in for another edition of Table Talk, the (semi) regular column where New Pulp authors Barry Reese, Bobby Nash, and Mike Bullock answer questions and offer their viewpoints on a wide array of topics relating to New Pulp Fiction.

This time out, the guys tackle team ups and mixing mediums. That’s right, it’s a pulp team-up-a-palooza at www.newpulpfiction.com.
Direct link: http://www.newpulpfiction.com/2012/07/table-talk-pulp-team-ups-and-medium.html

Join the conversation. Leave us a comment on the blog and let us know your thoughts on this topic. We’d love to hear your thoughts and questions.

Have a question you want the Table Talk Trio to answer? Send it to newpulpfiction@gmail.com with “Table Talk Question” in the subject line. Also, let us know if you want attribution for the question, or you’d rather remain anonymous. Please, keep the questions pertinent to the creation of New Pulp and/or writing speculative fiction in general. We’ll get the questions worked into future columns.

Follow the Table Talk Trio on Twitter @BarryReesePulp @BobbyNash @MikeABullock and Facebook.

Master Class in Cartooning with “Zippy The Pinhead” creator Bill Griffith tonight

Tonight, a Master Class with Bill Griffith, creator of Zippy The Pinhead:
GRIFFY’S TOP 40 LIST ON COMICS AND THEIR CREATION:
The Daily Life of a Working Cartoonist: Pencilling, Inking and Making People Laugh, Maybe.

Single session: Wednesday July 25, 7:00 PM-9:00 PM. Tuition: $60. For more information and to register, call 212-228-2810 or go to: http://sohodigart.com/Calendar.html

Subjects discussed by legendary comix creator BILL GRIFFITH in this class will be: Creating a cast of characters (one of which may be yourself) and learning the language of comics (writing, humor, pacing, finding your voice, understanding panel and page composition as well as specific hints on drawing in pen & ink).

Attendees may bring photocopies of a small sample of their work, which Bill will critique after the class via email. There will also be a question and answer period at the end of the class. Feel free to ask anything except how to draw superheroes.

BILL GRIFFITH is the creator of the “Zippy the Pinhead” daily comic strip, seen in over 150 newspapers and newspaper websites. “Zippy” has been nationally-syndicated since 1986, by the first and oldest comics syndicate, King Features. Griffith got his start in the underground comics scene in New York and San Francisco in 1969, contributing to dozens of comic books and magazines throughout the last four decades. Fantagraphics Books has just published a collection of Griffith’s early underground work, [[[Bill Griffith: Lost and Found: Comics 1969-2003]]].

Tribune Media Services #FAIL on today’s “Broom-Hilda”

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Seriously, Tribune Media Services? This Broom-Hilda strip was drawn weeks ago, and with a five day lead time you didn’t think to pull it from today’s newspapers? If I were Russell Myers, I’d be furious.

Hat tip: Tom Spurgeon at The Comics Reporter.

Mike Gold: Bat-Madness

We don’t want to think we’re all just one brain-vein rupture away from committing murder, but most of us know in our heart of hearts this is so. To avoid that horrible prospect, every time something like the Dark Knight slayings happens we try to pin the blame on … something … somebody.

Attention-hungry quack shrinks who have never met the accused killer in Aurora Colorado let alone examined him or even studied his still-unfolding life history run to the nearest media outlet to promote themselves and their baseless theories – baseless because they don’t know the suspect or his story. And the media, like greedy whores in their own gravity-free reality show, lap it up and put it all in print and on the air as though there’s actually some legitimacy in these pontifications.

Liberals clamor for gun control, nonsensically posturing that if there were no guns there would be no killings. This is like blaming water for drowning. Mr. Holmes – and I note the American Way caveat of innocent until proven guilty – seems to have been resourceful enough to come up with alternatives, as the 24-hour stand-off at his booby trapped apartment clearly illustrates. Sure, citizens need assault weapons only slightly more than we need personal tactical nuclear weapons, but it doesn’t take a PhD in science to make a weapon of mass destruction. 20 minutes alone at a Home Depot should do it.

Modern conservatives say if everybody were armed, the shooter would have been put down early. Right. In a dark theater. Many of these same people put down Scientology or Mormonism because they think that stuff is wacky.

Some media, in their insatiable need for gaudy art, blame the comics – in particular Frank Miller’s best-selling Batman work. At least this gets Chuck Dixon and Graham Nolan off the hook for creating a villain with a name that sounds just like the Republican presidential candidate’s Achilles’ heel. Of course, there have been about a million Batman stories published 73 years and you could find hundreds of similarities within the greater Bat grimoire. In fact, the whole Joker-gassing-the-public bit dates back to the earliest stories. I can’t forgive Frank for The Spirit, but people who are trying to conflate the Colorado shootings with his work are lazy slobs.

The fact is, James Holmes is a smart, highly accomplished young man of 24 from a church-going family in San Diego, California, the nicest city in the nation. That’s reality. Some cheap-shot artists are braying “somebody should have said something!” Well, his high school friends said he was pretty normal. His colleges acquaintances said he pretty much kept to himself, although there are reports he would frequent bars and other public places and engage in rational conversation, even up to a few days before the killings. I don’t think Philip K. Dick could have seen this one coming.

Again, reminding us all that he is merely the suspect and hasn’t been convicted of anything, Holmes appears to have simply snapped. Perhaps this happened a couple months ago when he started the process of dropping out of his post-grad programs. It would have taken him that long to put together the guns, the ammo, the hand-wired bombs and whatever else turns up.

I’m not saying he’s insane, at least not in the legal sense of knowing right from wrong. That’s a matter for the prosecution, the defense, and the jury. I’m saying he snapped. Just like anybody could snap. Anybody who feels he or she has nothing to lose, or something important to prove. Under the exactly wrong circumstances, that can be any one of us.

And that’s the true horror of the Aurora Colorado Dark Knight shootings.

THURSDAY: Dennis O’Neil

 

JARED AND NASH GET PULPED!

This week on PULPED!, The New Pulp Podcast, Tommy Hancock is joined by Author Stephen Jared, writer of JACK AND THE JUNGLE LION, its upcoming sequel ELEPHANTS OF SHANGHAI, and his latest release TEN-A-WEEK-STEALE! Listen as they discussed New Pulp, Hollywood, and Hard Boiled!

Also, Tommy is joined by Convention Connoisseur Bobby Nash to discuss why Conventions are important and why Water applied in various ways is a Con-goer’s friend!

Listen now at http://www.pulped.libsyn.com/webpage/pulped-the-official-new-pulp-podcast-stephen-jared-gets-pulped

GUEST REVIEW-ANDREW SALMON ON ‘THE GRIMNOIR CHRONICLES’

HARD TO MISS

A Review of Hard Magic Book 1: The Grimnoir Chronicles

by
Andrew Salmon
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     Larry Correia burst onto the publishing scene a few years back with a self-published first instalment of his Monster Hunter International series. That classic first book was snapped up by Baen Books and re-issued and each book in the series has gone on to become a bestseller, making Correia one of New Pulp’s bestselling authors.
     While continuing that series, Correia has branched out with a couple of new series – one of which is the Grimnoir Chronicles. Book 1 introduces us to an alternate world where magic has existed for decades and has had a profound impact on world events.
     The year is 1932 but this isn’t your grandfather’s 1932. Japan is power hungry, Berlin has been destroyed and thanks to some very dangerous Tesla weapons, a fragile peace is maintained. However in this world, two groups of Actives (people possessing magic abilities) are caught in a power struggle. One group works for Japan’s emperor and wants to “strengthen” the human race in preparation for a war with an alien that is only touched on in the first book, while the other group, the Grimnoir led by Blackjack Pershing, are fighting to keep all of mankind safe and free. Both parties are persecuted by Normals who see them as a threat.
     Into this mix comes Private Investigator Jake Sullivan, a WWI hero and ex-con. When we first meet Jake, he is on parole, working for the FBI, rounding up rogue Actives. He is J. Edgar Hoover’s lapdog and he either does what he’s told or goes back to the Big House.
     The second narrative thread concerns Faye, a tough teenager who witnesses her father’s murder at the hand of Jake’s brother, who works for the Emperor. Seems the baddies are collecting the components of a device which will allow the Emperor to rule the world.
     Before covering what I liked about the novel, I’d like to touch on what I felt hurt the book. The first knock, and one that normally would have stopped me reading further, is that there is little or no attempt by Correia to have the book read like a period novel. Again, the year is 1932, but aside from a few touches here and there, the book could just as easily been set in 2012, or 2032 for that matter. What saved the book for this reader is that we are clearly in an alternate timeline here. This allowed me to get past the modern sound of the book. Hey, it’s an alternate 1932 – anything goes. Magic-related “quotes” from famous historical figures begin each chapter and everyone from Einstein, Darwin, Hitler, Lincoln and Babe Ruth have words put into their mouths to help flesh out the world.
     The other knock on the book is that it suffers, as most “mainstream” novels do, from long-bookitis. At 573 pages, Hard Magic often bogs down in needless exposition, tangents and flashbacks and probably would read better is it was about 100 pages shorter. Also, as this is the first of a new series, there are endless character introductions which also slow the story down.
     Okay, onto the good. When this novel gets going, it gets going. In spades. Taking a page from Wayne Reinagel’s book, Correia throws in everything AND the kitchen sink. Ninjas, secret societies, betrayals, alternate history, gun battles, magic battles, world shaking events, brothers at each other’s throats, super zeppelin dogfights, fisticuffs, deaths, tragedy, triumph, explosions, blood and guts – you get it all! Correia’s strength as a writer is in his action sequences and this book has plenty of these. All are a rollicking roller-coaster ride you do not want to miss.
     The novel features a great cover by Allan Pollack and 8 interior character pin-up illustrations sprinkled throughout the text by artists Justin Otis, Aura Farwell and Zachary Hill.
     Summing up, Hard Magic is a worthy read. It’s no masterpiece but it is well worth your time to plow through the uneven start to the novel. It’s a great action ride which is ultimately satisfying despite the book’s shortcomings. Recommended.

FORTIER TAKES ON ‘THE COLD DISH’!

ALL PULP REVIEWS by Ron Fortier
THE COLD DISH
By Craig Johnson
Penguins Books
354 pages
One of the benefits of writer Craig Johnson’s Walt Longmire mysteries being adapted into a critically well received television series is having the publisher re-issue new editions of the books; to include the very first, “The Cold Dish.”  For those of you who have never read any of these or have yet to catch the TV show, which airs on A & E on Sunday evenings, you are missing some truly excellent entertainment and might want to run down to your local bookstore and pick up a copy of “The Cold Dish” right now.
The protagonist is Walt Longmire who has been the sheriff of Wyoming’s rugged Absaroka County for twenty-four years. A widow with an adult daughter, Longmire’s solitary life resolves around his job and his tight knit circle of friends and co-workers that include his feisty Deputy Victoria ‘Vic’ Moretti and Native American tavern owner, Henry Standing Bear. Longmire’s dry wit and sarcasm fuel his personality and adds a great deal of humor to otherwise somber, intense plots obviously centered around gruesome crimes.
In this first novel, a mysterious assassin is stalking four young men who two years prior had sexual assaulted an innocent Cheyenne girl with fetal alcohol syndrome.  When the judge lets them off with a light sentence, it only serves to heighten the tension between the local white community and residents of the Northern Cheyenne Reservation.  No sooner are the men released from prison then one of them is found shot to death and Longmire finds himself saddled with a case wherein the majority of the county has a motive; revenge.
One of the distinguishing peculiarities of the case is that the victim was murdered with a classic Sharps Buffalo rifle capable, in the hands of a marksman, of hitting a target at long range distances.  This one piece of information shortens the sheriff’s lists of possible suspects to a small handful to include Henry Standing Bear.
Johnson’s writing is brilliant and he combines the classic traits of a standard police procedural with the homey affectations of a western adventure; the beautiful Wyoming setting becoming as important an element of his tale as his characters.  He is also unafraid to add elements of Indian mysticism which lend a truly unique humanity to the story not found in most mysteries.  “The Cold Dish” is a masterful book that is both enjoyable and captivating and once finished, had this reviewer all too eager to find the next book in the series.  Honestly, it is that good…and then some.

The Point Radio: BREAKING BAD – What’s Next?

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We begin our two part interview with the creator & cast of the blockbuster cable TV hit, BREAKING BAD. With less than two seasons remaining, the big questions are – where is it going – and where will it end? Plus both the comics and film industries react to the Colorado Tragedy, Judge Dredd gets a new home and Anne Hathaway says “maybe” to a Catwoman spin-off.

Don’t miss a minute of pop culture news – The Point Radio  – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any mobile device with the Tune In Radio app – and follow us on Twitter @ThePointRadio.