The Mix : What are people talking about today?

Enter Stan Lee’s World of Heroes

stan-lee-pbs-3575133As if Stan Lee wasn’t busy enough, he’s apparently been involved in digital content development, the full scope of which will be revealed tomorrow during a panel discussion at Comic-Con International. The breakdown of properties, though, was released in advance of the formal announcement and since one of our pals is involved, we wanted to make sure you didn’t miss this news.

Vuguru and POW! Entertainment unveil the premium YouTube channel Stan Lee’s World of Heroes at a panel in Room 6BCF at 11:45 a.m. with a panel including Mark Hamill, Adrianne Curry, Peter David, Jace Hall, Bonnie Burton and America Young. The programming schedule includes:

  • Stan Lee’s Super Model (scripted action comedy) – From Stan Lee, two aspiring models Bree and Sera and blogger friend Lizzie, are accidentally exposed to a mysterious serum that grants them super powers. Their newfound powers wreak havoc on their quest to become top models and pull them into a world of danger and intrigue. From Executive Producer Heath Corson (Aim High) and writer Taryn O’Neill (BlackBoxTV)
  • Head Cases (scripted comedy) – You know those classic superhero battles where good and evil clash in epic fashion? This isn’t one of those. Set at the local bar frequented by super powered heroes and villains, the comedy Head Cases is what happens before, after, and in between those battles. From Peter David (Babylon 5, Ben 10, The Incredible Hulk) and Producer David M. Uslan.
  • Bad Days (animated parody) – From Junaid Chundrigar (creator of the animated viral sensation Disassembled, Bad Days) shows us heroes and villains on their worst days. Whether Green Lantern is wasting time with an emerald Yo-Yo or Batman has locked himself out of the Batmobile, Bad Days lets viewers laugh at epic super failure.
  • FanWars (courtroom reality) – Who is the most intelligent Super Villain of all time? FanWars gives opinionated fans (is there another kind?) a chance to discuss the most pressing issues in the World of Heroes. Producer and host Jace Hall (The Jace Hall Show, V, The Morning After) and a panel of celebrity experts pit fan against fan as they debate topics from comic books, superheroes, and science fiction.
  • Stan Lee’s Academy of Heroes (makeover reality) – From producer Jon Kroll (Amazing Race, Blade), the series takes real life aspiring heroes from across the country and gives them the mentoring and training they need to take their fight for good to the next level.
  • Stan’s Rants (opinion) – this weekly series features the spirit of the classic Stan’s Soap Box comic column, which explores the inner workings of the unique mind of Stan Lee. From behind his desk, Stan, tongue firmly in cheek, explains his thoughts on pop culture, upcoming films, the general state of the world and more, in this weekly series.

 

Mike Gold: Marvel Now and Again

gold-column-art-120711-8795901When I first heard that Marvel was launching a new title each week for five months, I thought “What do you mean five months? They’ve been doing that for years!”

My second thought was… “define new.

As I’ve stated before, Marvel doesn’t reboot as much as it evolves: they’ll launch the 74th Captain Marvel while still using the first. Sure, they ignore stuff. Nothing wrong with that. It’s a lot easier than explaining why, in a logical continuity, Aunt May didn’t die long before most of the readers were born. So any comparisons between Marvel Now and DC’s New 52 are strained to say the least. Apples and oranges, as they say in the produce trade.

In looking over the lists of new Marvel Now launches, I see a bunch that seem interesting from a casting standpoint – both in terms of matching creative talent to characters and matching characters to teams. But Marvel’s been up to that for decades. What’s new about it now?

Marvel, and DC and everybody else, has been killing titles and relaunching them with new creative teams and big number ones on the cover ever since the direct sales racket started, so, again, what’s new about it now?

New costumes? This must be Wednesday! Spider-Man hasn’t had a new costume since every fourth page of any recent issue of The Avengers. The Red Skull is back? Damn! It is Wednesday! So, new? (That’s an awesome pun if you know Yiddish.)

No, really. I’m asking. What’s new about Marvel Now, now? What am I missing here? It’s just another huge marketing stunt, but – thankfully – one that doesn’t necessarily involve buying a million different tie-ins, crossovers and sidebar mini-series in order to get a complete road map. I’m sure Marvel’s likely to increase its sales lead over DC a bit. Big deal. Marvel is part of Disney, and increasing its lead over DC in the teensy tiny direct sales market wouldn’t provide sufficient motivation for Disney Chairman Bob Iger to lift his head out of his morning cereal bowl.

Look. I’m fine with all of this. It’s just nothing new. In fact, it’s a big part of why I’ve found the Marvel Universe fun ever since Fantastic Four #26.

No, what bothers me is Newtonian physics. Specifically, the bit about “with every action there is an equal and opposite reaction.” Except that in the 21st Century, I’d rewrite this to read “with every action there is a massive and opposite over-reaction.”

Yes, friends. Beware the New 104!

THURSDAY: Dennis O’Neil Talks Up San Diego and Sequels

 

Tom Baker To Don The Scarf Once More?

If this is true, the hearts of well over a million Doctor Who fans worldwide are about to beat just a little bit faster.

According to Slice of Scifi, Tom Baker will once again put on his mile-long multicolored scarf to reprise his role as the fourth Doctor in a 50th anniversary episode of the show, teaming up with eleventh Doctor Matt Smith. This is according to “a source close to the show.” Hmmm…

When Baker left the show back in 1981 as the series’ longest-running lead (a record held to this day), he said he wanted to put the part behind him. He was the only living Doctor who didn’t return for the 20th anniversary story, The Five Doctors. However, recently Baker came back to the role in a number of original full-cast audio adventures produced both by the BBC and by Big Finish Audio. The BBC episodes were set in contemporary time, and all co-starred other Doctor Who actors who had worked with Baker.

Is this the truth or is some well-placed hoser just jerking us around? Personally, I wouldn’t put the latter past show runner Steven Moffat – that seems to fit his whimsical public personna. But doing so would pretty much ruin the chances of Baker’s return to celebrate the 50th anniversary, and the BBC has confirmed they, and Steven, have “big plans.”

I hate to say it, but… only time will tell.

 

 

 

Chicon 7 Announces At-Con Membership and Day Admission Rates

Chicon 7, the 70th World Science Fiction Convention (Worldcon), has set the attending membership rates that will apply from August 1 onwards for both online and at-the-door sales, and determined its Day Admission rates.

The following attending membership rate changes for Chicon 7 will go into effect on August 1, 2012:* The Adult Attending membership rate will increase from $215 to $230* Converting a Supporting membership to an Attending membership will be $180

As part of the convention’s policy to encourage families and children to attend Chicon 7 the following attending membership rates for Children (0-16 years old) and Young Adults (17-21) will remain unchanged:* Children (0-16 years old) at $75* Young Adults (17-21 years old) at $100.

The Family Rate (2 adults plus 2 or more dependent children) will increase from $540 to $560.

Day Admissions can be purchased online via the Chicon 7 website from August 1, 2012, or in person at the door. Day Admissions are priced according to the day being purchased and the age of the purchaser. (Quoted figures are for Thursday 30 / Friday 31 August / Saturday 1 / Sunday 2 / Monday 3 September respectively).Adult: $50 / $70 / $70 / $70 / $40Young Adult: $30 / $40 / $40 / $40 / $20Child: $20 / $30 / $30 / $30 / $15

Chicon 7 memberships are available for immediate purchase at various conventions, at www.chicon.org, and by postal mail. Full information on all registration and payment options, along with the current rates which are good through July 31, 2012, are available at www.chicon.org/membership.php.

The Point Radio: Morgan Spurlock & That ComicCon Film


Just before LAST year’s ComicCon, the industry was buzzing about documentary filmmaker Morgan Spurlock‘s movie about the nation’s biggest pop culture event. Now COMICCON EPISODE IV:A FAN’S HOPE is out on DVD and Morgan tells us the ups & downs of the whole project, plus his view on where he thinks ComicCon is headed. And we already have some late breaking con rumors to share, too!

We’re headed to San Diego – but you can our reports direct from the show floor on The Point Radio  – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device–  and follow us on Twitter @ThePointRadio.

Emily S. Whitten: Geek Culture – No, Really, We’re Not More Enlightened

whitten-column-art-1207101-6774292The first time I went into an actual comic book store by myself as an adult, I went in more to browse than with a specific purchasing goal in mind. I was walking by stores, and lo, there was a comic book store, and I’d just started reading comics, and wanted to read more, so I went in, ready to find things to read and buy them.

Having read a few paper comics as a young child and watched a lot of comics-related cartoons and movies while growing up, but not having read comics as an adult until a few months prior, naturally I was familiar with very few of the names’ in comics (i.e. writers, artists, or what-have-you); or with every good book or character. I had no clue who was writing or drawing which book, or what I should try first, which comics were classics, or any of that; only that I was interested in picking up some good stories. I was, in other words, a prime target for a canny salesperson who could have helpfully loaded me up with all the great stories I should read right away. I’d probably have bought them all, and the storeowner could have retired on the spot. But it didn’t happen.

When I entered the store, the (male) sales clerk ignored me completely for about the first twenty-plus minutes, as I stood nearby looking rather overwhelmed at the varied selection, instead helping three different men first (one of whom came in after me). I actually tried to get the clerk’s help with a polite “excuse me” a few times, but his response was a brusque, “Just a minute” before turning to ask Guy Number Three if he needed help. (Note: It was not just a minute.) Finally when there were no other customers in the store he turned his attention to me. I asked him if he had any recommendations for a good trade to pick up. A short conversation ensued. I can’t remember the exact words several years later, but if I had to do a play-by-play of the conversation and what I felt like was happening in its subtext (and I wasn’t imagining this based on some idea of how I’d be treated; it was completely not something I expected to encounter) it would go like this:

He acted like recommending a book to a woman who was unfamiliar with comics was some sort of huge chore and he really had better things to be spending his time on; but when pressed, recommended Watchmen. I asked him what it was about, since it was sealed in plastic and he didn’t want it opened by someone who might not buy it, and he said, oh, it was by Alan Moore (but still did not tell me what it was about). I indicated that I’d never heard of Alan Moore. He indicated that clearly I must be some sort of poser imbecile (‘You’ve never heard of Alan Moore?’), not an actual rare Female Comics Geek, because comics geeks know who Alan Moore is.

I indicated that I’d read a few issues of Runaways that I liked, after a suggestion made by my boyfriend. He indicated that now everything made sense. I was a Girlfriend Who’d Read A Comic Once. Not an actual Geek. Just a Girlfriend who’d accidentally wandered into the store without her Geek Man. He half-heartedly recommended I just look around at a few things and maybe I’d find something I liked – this being made a bit difficult by the trades being in plastic you weren’t allowed to open without permission. Then he walked away. Just left me standing there in an otherwise empty store, still clueless, in the midst of the bewildering selection of Stories I Couldn’t Browse Through Without His Permission, feeling very unwelcome and slightly ashamed to not already know everything about every comic, ever.

Needless to say, I didn’t buy anything that day. The guy made me feel so unwelcome and so much like I was bothering him just by being there that I didn’t even want to go to the check-out line to interact with him again, and I’m not a timid person. At all. Now, you could say, “he was just a rude guy.” Well, he was. But he was rude to me specifically because I was a woman and therefore clearly not a serious geek. I know this because I watched him interacting helpfully and not-rudely with the three male customers who he helped before me, one of whom had also asked for recommendations. I know this because I had a whole conversation with him in which he made me feel, both subtly and not-so-subtly, like I was unwelcome in the store and unworthy of his time because I was a woman and therefore not knowledgeable about comics like his male customers. I know this because I still remember how it felt to be unexpectedly treated like a second-class citizen by someone whose job it was supposed to be to help me.

Why am I talking about this now? Because it wasn’t an isolated incident. Ridiculous as it may seem, even now, when I know much, much more about comics and the industry, when I’m actually known by some people for how big a fan I am of comics and a particular character, I still occasionally encounter the attitude that I’m somehow here in the Comics World by accident or as a Secondary Character in the whole show; not because I love it with as much passion as any guy out there.

For example: a year or so ago, I was attending a con and ran into a male acquaintance of mine who is on the creator side of the industry and who I’ve known for awhile. As we stood near his table at the end of a row in Artist’s Alley chatting and catching up, out of nowhere he said to me “So, where’s the guy?” I had no idea what he meant, and replied with a blank “What?” His response: “Well, you’re always here with one of the guys [in the industry]. I was wondering who you’re here with this time.”

Now it’s true that when we met I was introduced to him by another “one of the guys” who is a friend and happened to be walking the con floor with me. It’s also true that often when I’m at a con, I’ll hang out with some of the industry folks, because I naturally gravitate towards creative people who share my interests, and they tend to be on the creator side of things; and it’s true that most of these people are men. But I’ve actually never gone to a con with a man, and was surprised that this was the impression my acquaintance seemed to have; that I always tagged along with some guy, rather than being excited about and planning a trip to the con all by myself because I love comics and comic cons.

And frankly, this made me a little angry. In response, I asked him to look down his row – a long Artist’s Alley row of artists and writers – and tell me how many women he saw. The answer? Not one. In his row of maybe twenty-plus creators, there wasn’t a single woman. Gee; no wonder so many of my creator friends and people I walk around cons with are male.

Now, this man is a nice person; and he wasn’t intending to be offensive. But he expressed an attitude that I’ve not only experienced myself but seen pop up regularly all over the comics and geek fandoms – that somehow, women who are in geek fandom are the secondary characters in the all male show, there in one way or another because of a guy (or, worse, there just for guys to look at). It ties into the attitude of the comics store clerk, and bothers me for several reasons.

The first one is that I like to hang out with other geek women. I have a number of geek friends who are women, and we have great times together. The more geek women out there, the better, in my book. But attitudes like the above – either actively rude dudes who treat you like you’re unwelcome and an idiot because you are a woman and therefore, at best, a n00b, and at worst, a poser; or nice dudes who blithely assume that you’re at a con with a dude instead of because of your own interests – are not the kind of thing that will encourage women to get into or feel comfortable in geek fandoms. These attitudes propitiate a self-fulfilling prophecy: treating women like this may in fact turn women off to comics or getting more involved in the fandom.

The second reason this bothers me is that these attitudes are examples of a larger problem regarding treatment of both the female characters in comics and female fans. That problem is so large and multifaceted that Gail Simone based a whole website around just part of it, and you see it being discussed, consistently, from multiple angles and spurred by multiple separate incidents, all over the internet. (For a fun time, Google “comics misogyny.” Whee.) It involves objectification. It involves violence. It involves dehumanization. It involves belittlement and aggression towards women and dismissal of female opinion. It involves experiences I myself have had that bordered on harassment and that I don’t even feel comfortable discussing in a public forum. It’s a problem so large that I can’t even fathom a way to encompass it in one column, which is why I’m choosing to focus on just part of it here.

The third reason is that while all this is going on (and trust me, it is ongoing) geek culture seems to think it’s actually super-progressive and feminist in comparison to the rest of the world, and is sometimes obnoxiously self-congratulatory about that fact, while misogyny floats around unchecked in our geek content and culture. (Seriously, read that link for some current examples of the awful stuff that’s happening right now, such as the attacks on Anita Sarkeesian, which actually made me shudder in horror.)

When geeks are called on the existing misogyny, they get super defensive. I’ve seen every excuse or justification under the sun used to try to explain the negative behavior in a way that makes it okay and shows geek culture is still more progressive. Or, alternatively, I’ve seen people try to put it all on women. (One of my favorite excuses for geek misogynistic behavior was some guy saying that, see, the reason geek guys have these attitudes towards women is that so many of them were rejected by women when they were younger, and picked on for being geeks, and blah blah blah they had to walk uphill both ways in geek snowshoes while women taunted them and pelted them with Nintendo controllers from the sidelines or something. To which I say, Shit, son – you think being picked on for being different is something that only happens to geek dudes? You think girls never get rejected by boys for being weird or geeky? Are you seriously that dumb? Put on your big boy pants, get over yourself, and stop blaming girrrrrls for your problems.)

The attitude of self-congratulation or denial that there are problems here makes me angry, especially when held up next to the actual, real-life experiences of myself, my female friends, and people like Sarkeesian. Geek culture may be coming at things from a different angle (which sometimes results in its own, unique brand of negative treatment of women, woo), but it’s not really more progressive, and it’s actually worse a lot of the time because the refusal to acknowledge the problem leads to it becoming more firmly entrenched and accepted.

All this self-congratulation equals no confrontation of the issues that exist. I have no immediate solutions to propose, but the sooner we actually meaningfully acknowledge and confront these issues, the sooner we can truly be the more progressive cultural group that we clearly feel we should be. I hope we get there someday.

So let’s all take a moment to ponder how to make the world of comics more awesome and friendly to us geeky women who love it and, until next time, Servo Lectio!

WEDNESDAY: Mike Gold and Marvel… When Again?

 

‘Buck Rogers’ returns with Howard Chaykin

Howard Chaykin will revive Buck Rogers. The veteran cartoonist has been announced as writer and artist on a new Hermes Press comic book series.

Best known for its reprints – including some of the legendary pulp hero – the publisher has promised an “all new take” on the character by the American Flagg! creator.

“When [Hermes publisher Dan Herman] casually asked me whether I had any interest in reviving Buck Rogers, my reaction was first physical – genuine goose bumps – followed by complete delight at the thought of paying back a concept that was so utterly seminal in my thinking about our medium and our field,” said Chaykin.

The science fiction hero first appeared in Armageddon 2419 AD in the pages of the August 1928 issue of Amazing Stories, written by Philip Francis Nowlan.

The comic will be unveiled at the “Buck Rogers, Past, Present and Future” panel at 6pm on Friday, July 13 at San Diego Comic-Con International.

‘The Dark Knight Rises’ 13-Minute Featurette

More footage from Warner Bros’ The Dark Knight Rises. Most of the behind-the-scenes intel is in the second half of this 13-minute video, which also includes the aerial stunts and the football stadium destruction scene seen in the early trailers. That stadium for the imaginary Gotham Rogues football team is where the Pittsburgh Steelers play. No coincidence that pic’s co-financier Legendary Pictures chief Thomas Tull owns a minority stake in the Steelers:

Michael Davis: Frankly my dear, they don’t give a damn.

davis-column-art-120710-1983281The title of this article is a variation on the most memorable film quote ever. “Frankly my dear, I don’t give a damn” spoken by Rhett Butler to Scarlet O’Hara in the immortal film, Gone With The Wind is the number one movie quote of all time, according to The American Film Institute.

After over two hours of actual time and years of movie time Rhett had finally had enough of Scarlet being a bitch and let her know how he felt. When Rhett finally let Scarlet know he was sick of her shit she came to a realization that she did indeed love him.

If Rhett and Scarlet were from the hood that conversation would have went a little something like this:

Scarlet: Rhett, don’t go. I love you!

Rhett: Frankly my dear, I don’t give a damn…bitch.

That classic movie in so many ways reminds me of the San Diego Comic Con and Hollywood. How so, you ask?

This so. Every year Hollywood comes to SDCC and every year Hollywood studios, agencies, stars and starlets throw parties. There are as many Hollywood parties as there are reasons to hate Mitt Romney.

That’s a lot of parties.

Every year it seems that little or no comic book people are invited to those Hollywood parties. I know of what I speak as I get invited to a bunch of those parties. I stopped going a few years ago. I got sick and tired of being at a party and the only mofo I knew from the industry was whoever was my plus 1.

Yes, there are exceptions. I’m sure that Len Wein and his creative peers get invited to any studio party that is making one of their characters into a movie or TV show. I’m sure Len gets to bring a few of his peeps but a room full of comic book people you will not see at a Hollywood party.

Except at my parties. Yes, I always have a cool ass celebrity host, this year it’s Jamie Kennedy, and yes I have big name Hollywood types attending but the majority of my guests are good old fashion SDCC and comic book folk.

Yep, good old comic book geeks. Friends of mine, creators I just meet at the con, retailors, mega fans, moms of mega fans and random hot Asian women who I just so happen to find invites for after I have no more invites. Go figure.

Speaking of moms, last year I met this woman who brought her grown ass son to the convention but could not get a pass for her self. We got her a pass to the con and she spent a great deal of my party hanging out with Wayne Brady. That, if I say so myself, was cool.

I’m not knocking Hollywood because that’s just the way they operate. I’m still amazed at the people that got mad at the tiger for mauling Roy. Don’t blame the tiger for being a tiger. I can’t blame Hollywood for being a selfish self-congratulatory entity that sees the comic book industry as an ugly stepchild.

But I’d like all my comic book and SDCC friends and colleagues to remember one thing…

The San Diego Comic Con is our house.

We build it. We own it. We live there.

I do believe that one day soon Hollywood will fully accept us for what we are: an industry without which they would be banking on films like My Left Foot to do 100 million in a weekend.

Yeah, like that shit is ever going to happen.

I hope to see you guys at SDCC and perhaps at my party Friday night.

Oh, and Hollywood, get your shit together, don’t make us go all Rhett Butler on your ass.

TUESDAY AFTERNOON: Emily S. Whitten Speaks Enlightenment

WEDNESDAY MORNING: Mike Gold Marvels Now and Again

MoCCA closes their Museum of Comic and Cartoon Art

mocca_logo-4525362The Museum of Comic and Cartoon Art (MoCCA) announced yesterday via a press release that they will be closing its physical location effective immediately.

The SoHo museum, currently at 594 Broadway, New York City’s only cultural institution dedicated specifically to celebrating the comics medium, recently celebrated its tenth anniversary.  While the physical space is closing, plans are afoot to continue MoCCA in a new incarnation.  An announcement of MoCCA’s future arrangements will be forthcoming by the end of July.

Current memberships will be honored at the new venue, as will table renewals for MoCCA Fest 2013.

MoCCA’s website has been scrubbed of all previously upcoming events.