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Review: The Canterbury Tales by Geoffrey Chaucer, adapted by Seymour Chwast

Yes, that credit does have the faint whiff of “by William Shakespeare, additional dialogue by Sam Taylor” to it, but it can’t be helped. Anything needs to be adapted if it’s going to work in another medium — which is a big “if” — and having it done by one person, who then lays out and draws the thing himself, is about as pure an auteur case as you can get.

And it’s not as if most people encounter The Canterbury Tales in their pure form, anyway — when I read them, way back in college years, my class was atypical in using an edition with Chaucer’s original spelling and grammar, but even we read an abridged version. The full-on Early Modern English Canterbury Tales has been primarily for scholars for generations now, so any time it comes close to a mass audience — which is not that often — you’re looking at an adaptation.

Chwast does Chaucer well with his adaptation of The Canterbury Tales— he does have them riding motorcycles, but otherwise doesn’t modernize the occupations or the world — these stories are still told by a Pardoner and a Franklin, a Clerk and a Reeve and a Manciple, and take place in their own times and places. Chwast does use modern spelling, and clearly uses only a fraction of Chaucer’s text, but he keeps enough to give the sense of Chaucer’s world, obsessed with religion almost as much as sex or honor. (Maybe it’s not all that different from our own, after all?)

Chwast came to graphic novels late — this is his second, after an adaptation of Dante’s Divine Comedy — after a long career as a noted graphic designer and illustrator. And his Canterbury Tales is well-designed, but not as overly designed as I was worried it would be. Chwast’s line is stiff and illustrative, giving all of his pages the look of bas-reliefs; his panels aren’t windows into a world of story but clearly pictures, drawn and placed just so.

This is admittedly an odd book — an adaptation of a classic most readers never think about, into a format most serious readers still scorn. It’s certainly quixotic, but admirably so — Chwast clearly enjoys Chaucer, and wants to share his love with the rest of us.

John Ostrander: Displaced

ostrander-column-art-120701-7183198One of the brilliant moves that Stan Lee made in the early issues of The Avengers was to bring Captain America from the 40s into what was then the modern day. He had Cap frozen in ice from the end of WWII until he was thawed out. Cap hadn’t aged, Stan didn’t bring a new guy into the costume, this was the same Steve Rogers and he became a man out of time. A hero of one era moved to a time when just about everyone he knew was dead. And the world as he knew it was gone.

They repeated that idea in the Captain America movie and picked up on it in this year’s Avengers movie blockbuster. I think that it’s Nick Fury who notes that, for Cap, World War II was not decades ago – it was just a few weeks. The society, for good and bad, is not the same, the values aren’t the same, so where does Steve Rogers, Captain America, fit in? Does he fit in?

Most of America is celebrating the Fourth of July this weekend, even though the real Fourth isn’t for a few days. We celebrate the birth of our nation that was, as Abraham Lincoln said, “conceived in liberty and dedicated to the proposition that all men were created equal.” That was the United States I believed in when I was young. Now? These days I find myself identifying more and more with that Steve Rogers who came out of hibernation to a whole new nation.

Maybe it’s just creeping old cootism; I’m 63, I grew up in the Fifties and came of age in the 60s. Maybe it’s just this election cycle with its hideous negativism and polarization. Maybe it’s the rise of this new era of Robber Barons. Maybe it’s this continuing recession (depression?) that drags on and on. Maybe it’s just me, where I am and how I feel right now, as I write this.

I remember a country where different political parties and even groups within those parties could argue and disagree, perhaps vehemently, but still could come together and do things for the good of the country and its citizens. The political game wasn’t the be-all and end-all of the process. When the concept of compromise wasn’t “do it my way.” When political dogma wasn’t the rule; when ideology wasn’t engraved on tablets of stone. No one person had the answers; by working together, by compromise, a better answer could be reached.

I remember when corporations were corporate citizens and not multinational conglomerates that were landless nations in their own right. When the CEOs and CFOs operated these companies to the benefit of the stockholders and those who were employed there instead of making sure their executive bonuses increased whether the company prospered or not.

I remember when there wasn’t such a great divide between the wealthy and the poor or even the wealthy and the middle class. Hell, I remember a strong and prosperous middle class. I remember a time when a parent could expect that their children could rise and do better than they did, to graduate from college without the crushing student debt with which these young men and women are now saddled.

I remember when teachers, policemen, and firemen were all respected and not among the first to have their jobs, wages, and pensions cut or their unions attacked and even accused of being among the principle causes of this recession.

I’m a student of history; an imperfect one, I’ll grant, but I’ve read about the robber barons of a century ago. I know how many of those who wrote the Declaration of Independence and the Constitution were slaveholders. I know how every minority group has had to fight for basic civil rights, be they the right to vote or the right to marry or the right to be treated as full citizens in this country. I know how we pushed and robbed and committed genocide against Native Americans. I’m not naïve and I don’t simply look backwards with rose-colored glasses.

But I used to have more hope.

Woody Guthrie sang:

“This land is your land, this land is my land

    From California to the New York Island

    From the Redwood Forest to the Gulf Stream waters

    This land was made for you and me.”

He also sang in a later verse that is not always performed with the rest of the song:

“In the squares of the city, In the shadow of a steeple;

    By the relief office, I’d seen my people.

    As they stood there hungry, I stood there asking,

    Is this land made for you and me?”

I don’t know. I used to think this was my land but now I don’t know.

Was it ever?

MONDAY: Mindy Newell

 

AMAZING STORIES TO RELAUNCH JULY 1

For Immediate Release

AMAZING STORIES Relaunch Prelaunch Launches July 1, 2012.
Hillsboro, NH

Amazing Stories, the world’s first science fiction magazine, will begin its return to regular publication this July 1st with Volume 0, Number 1, the Relaunch Prelaunch issue.

All kinds of wonderful things have been happening at Amazing Stories over the past several months and some of them have prompted a change to the overall plan for Amazing Stories return.

As some of you may recall, I was planning on beginning the funding effort following the presidential elections in November. I’d originally wanted to go for the whole enchilada all at once and scale back from there as necessary.

Recent developments have caused me to accelerate certain aspects of the plan and to modify my approach to launching.

Now the plan is to break the project up into smaller pieces and fund those individually. Instead of scaling back, we’ll be building up.

This change has been engendered by a very exciting recent development that will both strengthen Amazing’s brand and create a revenue stream. The details of this development will be announced the weekend of July 14-15. The announcement will take place at the San Diego Comic Con (CA) and Readercon (MA) conventions.

I felt that it would be foolish to waste such an opportunity and decided to create the Relaunch Prelaunch issue of Amazing Stories so that there would be somewhere to go and something to look at when the announcement was made,

Since I had already gathered a fair amount of material for the blog, I decided to put it all together and create an issue of the magazine with it. The content ranges from reminisces on Amazing from Robert Silverberg, Barry Malzberg and Patrick L Price, to fiction by Jack Clemons (all of which is being reprinted from earlier renditions of the magazine) to an extensive series of round-robin interviews with 13 of the Book View Cafe authors – Maya Bohnhoff, Brenda Clough, Chris Dolley, katharine E. Kimbriel, Sue Lange, Vonda McIntyre, Linda Nagata, Pati Nagle, Phyllis Radford, Deborah J. Ross, Sarah Smith, Jennifer Stevenson, Judith Tarr and Dave Trowbridge and some (short) editorializing from me.

I think there’s plenty of good stuff there that will be released throughout the course of the month. Anyone who hears about Amazing Stories from the announcements (I’ll be sending it out to you all as well) will find several pieces to read when they visit and the promise of more to keep them coming back. And this will not be the last Relaunch Prelaunch issue; I’ve already started getting stuff in for the next one (an essay on Tarzan & Burroughs from John M Whalen) and more on the way (though I am not anywhere close to the three-months-out I ought to be). Hold on to your fiction, but if you’ve got an interesting article, interview, review, feel free to send it inI. I’m not paying and I can’t promise I’ll use it, but….

It now seems that the time to pull out all of the stops has arrived a few months earlier than I had originally anticipated. I am now putting together the outline of a Kickstarter (or similar) crowd-funding plan and presentation that will be released in the next couple of months.

In order to make it all work I will need everyone’s help.

So what can you do?

Nothing if you’d prefer. Or you could:

Visit the site. Share it with your friends. Comment on something you find here. Link to it. Sign up on the Facebook page. Sign up here.

Say nice things and think good thoughts.

The more Amazing Stories resembles a going concern, the easier it will be to obtain the funding and the closer we will all be to seeing what we want to see, the return of Amazing Stories!

The website and blog can be found here: http://www.amazingstoriesmag.com/
The Facebook Page is here: https://www.facebook.com/pages/Amazing-Stories/267141773319031

I have plenty of space on the site to help promote and publicize fellow travelers. If getting a spot up on Amazing’s site will help you promote the magazine, please send your artwork and link or get in touch so we can put a plan together. I’m happy to do what I can in return for your support.

And finally

Thank You All for your support, your kind words and your good wishes.

Steve Davidson

Take a Virtual Tour of the Frankenweenie Sets

Walt Disney has sent us a 360 degree tour of the sets used fir the feature length version of Tim Burton’s Frankenweenie, opening October 5. The movie features the vocal talents of Catherine O’Hara, Martin Short, Martin Landau, Charlie Tahan, Atticus Shaffer, Robert Capron, Conchata Ferrell and Winona Ryder.

The stop-motion animated comedy was written by John August, expanding on the student film Burton made in 1984.

The official boilerplate reads:

From creative genius Tim Burton (Alice in Wonderland, The Nightmare Before Christmas) comes Frankenweenie, a heartwarming tale about a boy and his dog. After unexpectedly losing his beloved dog Sparky, young Victor harnesses the power of science to bring his best friend back to life—with just a few minor adjustments. He tries to hide his home-sewn creation, but when Sparky gets out, Victor’s fellow students, teachers and the entire town all learn that getting a new “leash on life” can be monstrous.

NOTES:

  • When Tim Burton originally conceived the idea for “Frankenweenie,” he envisioned it as a full-length, stop-motion animated film. Due to budget constraints, he instead directed it as a live-action short, released in 1984.
  • Frankenweenie follows in the footsteps of Tim Burton’s other stop-motion animated films Corpse Bride and The Nightmare Before Christmas—both of which were nominated for Academy Awards®.
  • Over 200 puppets and sets were created for the film.
  • The voice cast includes four actors who worked with Burton on previous films: Winona Ryder (Beetlejuice, Edward Scissorhands), Catherine O’Hara (Beetlejuice, The Nightmare Before Christmas), Martin Short (Mars Attacks!) and Martin Landau (Ed Wood, Sleepy Hollow).
  • Several of the character names—Victor, Elsa Van Helsing, Edgar “E” Gore and Mr. Burgemeister— were inspired by classic horror films.

 

Marc Alan Fishman: The New 52 Report Card

Good morning, DC! Please, have a seat. Why yes, this is a new office. Thank you for noticing. Would you like a mint? Oh go ahead, pocket a few to take home with you. Are you nice and settled in? Excellent.

I wanted to stop today – just a bit shy of your one year anniversary as the “DCnU” – and give you an evaluation. And let’s be honest… this time last year? You were phoning it in something fierce. Anyways… I’ve assembled some thoughts about this leaner-meaner-DC you’ve tried to become. How about we take a little time now to go over my thoughts.

I’d like to start with something positive. Frankly, it took balls to announce to the world you were resetting things. Or rebooting them. But not ret-conning them. However you want to phrase it. To take your entire line back to #1 certainly got you the attention you wanted. Suddenly all the Internet was ablaze with rumors and opinions. You even got TV, newspapers, and traditional magazines interested in you again. I bet you hadn’t seen this kind of love since you killed Superman. For a few months. But not really. How is the Eradicator doing these days anyways? Ha ha ha! But I digress. If nothing else, you like to look like you’re a risk-taker. Frankly, we both know you’re not, but that’s a lengthy discussion we’ll have at another time.

Looking over your line, I can’t help but feel like you couldn’t stop yourself from playing favorites. For every amazing Batman you put out, you matched it on the shelf with less-than-stellar clones like Detective Comics and The Dark Knight. Action Comics got the world talking about Superman again. Superman reminded us why we stopped reading his book somewhere between Electric Blue and New Krypton. And four Green Lantern books? I mean, I know you were trying to suck up to me with giving Kyle Rayner his own book… But did you actually read what you put out?

Justice League was your pride and joy. Justice League International was made with scraps from the bottom of the fridge. And for all the love you gave Animal Man and Swamp Thing, you couldn’t match the complexity and depth in Resurrection Man or the abysmal Suicide Squad. I just kept getting the sense that you unnecessarily spread yourself too thin, DC. You published fewer books per month than you had prior… but in getting leaner, you didn’t realize it would make each effort you put out that much more important.

I feel like I’m being a bit harsh on you. Here… stop crying for a second. You did good things too. I mean, let’s talk about Batman, Action Comics, Animal Man, and Swamp Thing, OK? Here you were able to really play with people’s expectations. Your gamble paid off in spades. Grant Morrison proved (well, I should say is continually proving) that he can marry his love of the golden/silver age while still spinning modern yarn for the lynchpin of your universe. Scott Snyder’s pair of books were decidedly different, and elegant in separate ways. In Batman he was able to prove his deft hand at writing a plausible difference between Bruce Wayne and Dick Grayson, when under the cowl. And while I didn’t have the patience or wallet to enjoy the entirety of “The Court Of Owls,” just keeping to the main Bat-Book proved all the epicness I needed to thoroughly enjoy the event. And over in the “The Dark”? Well, all I can say is you’re finding the perfect way to release Vertigo books with a different logo on them. And I mean that in the best way.

See… Don’t you feel better? And hey, also keep in mind that for the first time Aquaman was really selling well. And the core Green Lantern title has never been sharper. Now, of course we both know you slapped a #1 on it, but it never really “reset” after flashpoint. Very smart of you. Well, it doesn’t hurt that Geoff Johns is the one writing it, so he didn’t have to apply his whole “make the universe over” rule to his own book. When you have that many letters in your title, I guess the rules don’t apply. Say, how did OMAC sell, anyways? Cough, cough! Excuse me. Nervous tic.

As I sat to prepare your report card, it became increasingly taxing to determine a final grade. I mean, if I were to be harsh about it? I would just give you a D, and call it a day. The greatness achieved from the top talent you employed just can’t hold up those who only tread water. For all the interest you garnered from the mainstream media, you never figured out a way to hold on to their attention, lest you revert back to the old days of just throwing anything out there in hopes of someone paying attention.

Who did you decide to make gay this week? Whose backstory did you change, just to get the message boards flustered? And don’t even get me started about your “girls should wear pants” fiasco. The continual desire to turn amazing artists into mediocre writers, and your desire to employ Rob Liefeld even after his one book was basically universally jeered. And of course, your commitment to force needless crossovers throughout the line, to bump up sales. All of these things pull your GPA (Geek Projected Approval) down into the gutters.

I could go on, but I see you’ve stopped paying attention to me, DC. I know you want to focus on the future – by raping the past. Batman is about to enter “Nightfall.” There’s all that “Before Watchman” stuff you keep cramming down our throats. Oh, and I’m pretty certain I heard you muttering something about more Justice League teams and the resurrection of WildCATS. I can only hope you learn from your mistakes, in going forward. So for now, I’m ready to give you a final grade for your first year, you get an Incomplete.

SUNDAY: John Ostrander

 

First Look at Alex Cross

Cross has been an international best seller for writing machine James Patterson and now we have the first trailer for the film adaptation, coming October 19. The film stars Tyler Perry, Edward Burns, Rachel Nichols, and Jean Reno and was directed by Rob Cohen, who conscripted the adaptation with Marc Moss and Kerry Williamson.

The official synopsis reads:  ALEX CROSS follows the young homicide detective/psychologist (Tyler Perry), from the worldwide best-selling novels by James Patterson, as he meets his match in a serial killer (Matthew Fox). The two face off in a high-stakes game of cat and mouse, but when the mission gets personal, Cross is pushed to the edge of his moral and psychological limits in this taut and exciting action thriller.

The Point Radio: PARTRIDGE Vs BRADY Vs BIGFOOT

pt0629121-4071598It’s the team of the decade – maybe 1972?  Danny Bonaduce from THE PARTRIDGE FAMILY joins with Barry Williams from THE BRADY BUNCH and they set their sights on BIGFOOT. It’s a new SyFy Original movie premiering Saturday at 9pm ET. Barry & Danny talk about the film, the teen years and that famous boxing match from a few years ago. Meanwhile, Marvel’s next movie hopes are in GUARDIANS OF THE GALAXY and…THE HUMAN FLY?

The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebook right here & toss us a “like” or follow us on Twitter @ThePointRadio.

cbldf-contributes-additional-10000-to-ryan-mathesons-75000-legal-defense-costs-thanks-to-donors-4274847

Manga Friday: CBLDF Contributes Additional $10,000 to Ryan Matheson’s $75,000 Legal Defense Costs

cbldf-contributes-additional-10000-to-ryan-mathesons-75000-legal-defense-costs-thanks-to-donors-4274847The Comic Book Legal Defense Fund is pleased to announce that thanks to the support of its contributors, the organization has disbursed an additional $10,000 to Ryan Matheson to help pay off the $75,000 legal defense costs that he incurred defending himself against false charges brought by Canada Customs in a case involving manga comics on his laptop computer.

Earlier this year, charges against Matheson were dropped in a case where Canada Customs illegally detained and wrongly charged the American with importation of child pornography for humor and fantasy manga on his laptop. The CBLDF came to Ryan’s aid in 2011, providing substantive and financial support for his case, including arranging expert testimony that contributed to the charges being dropped. With this most recent disbursal, the CBLDF has provided $30,000 to Ryan’s $75,000 legal defense costs. Last year, Canada’s Comic Legends Legal Defense Fund contributed $11,000 towards Ryan’s defense. CBLDF seeks contributions to help pay off Ryan’s remaining $34,000 in legal expenses.

In a message to CBLDF supporters, Matheson says, “Thank you so much to everyone who contributed to the CBLDF! The donations raised so far have given me enough financial stability to finally get back on my feet and live my life normally instead of worrying about money so much. It’s really encouraging to know that there are so many people out there that want to help stand up for comics and manga. I used to feel so isolated and alone but now I’ve realized that the comics and manga community is definitely one that cares about the things we love and is willing to stand up for our rights. Your donations really do help a lot and I am so grateful for all the support I’ve received so far. Thank you!”

After a search of his laptop in 2010, Canada Customs wrongfully accused Ryan of possessing and importing child pornography because of constitutionally protected comic book images on that device. This case represented a severe disruption in his life, including a two-year period during which he was unable to use computers or the internet outside of his job, severely limiting opportunities to advance his employment and education. Ryan suffered extreme mistreatment at the hands of Canadian authorities, and was subjected to abusive treatment by police. Matheson’s cruel and unusual punishment included being denied food and blankets, and not being allowed to contact the American Embassy. Matheson was even told by police transporting him to prison that “if you get raped in here, it doesn’t count!” The defense detailed these and other abuses and outlined that the comics at issue are constitutionally protected in the United States, the client’s home country, contributing to the charges being dropped earlier this year.

This summer, Matheson will be appearing on panels at San Diego Comic-Con and Otakon to discuss his case, where CBLDF will also be distributing literature advising convention goers of their rights.

CBLDF Executive Director Charles Brownstein says, “The CBLDF is elated that our efforts have made a difference in Ryan’s case, and we’re grateful that our supporters have generously contributed to our efforts to pay off expenses tied to his legal defense. We are moved by Ryan’s courage in speaking out on his case, and look forward to working with him this summer as we go on the road to help raise awareness of how comics and manga are still being targeted by the authorities. We’re glad that his case had a positive outcome, but comics are still vulnerable to attack. It is our hope that our efforts will help prevent others from suffering the same fate that befell Ryan and his family.”

Please make a donation to CBLDF to help the organization continue to pay off Matheson’s legal defense costs and to support their important work raising awareness of the rights facing comics and manga readers. To learn more about Ryan’s case, please visit the CBLDF Case File R. v. Matheson, which includes the original defense documents, and special advisories for travelers crossing borders with comics books.