The Mix : What are people talking about today?

Lobo co-creator Roger Slifer in critical condition after hit-and-run

rogerslifer Lobo co creator Roger Slifer in critical condition after hit and run
Veteran comics writer Roger Slifer is fighting for his life after being struck by a hit-and-run driver in Santa Monica, CA. it’s being reported on Twitter and elsewhere. Best known as the co-creator of Lobo, Slifer, 57, has worked as an editor and writer in the comics, animation and video game industries. According to reports, Slifer was struck by a white sedan at Fifth Street and Colorado Avenue early Saturday morning and taken to Ronald Regan UCLA Medical Center, where he remains in critical condition with a serious brain injury.

Friend Flint Dille has been updating the situation:

Okay, here’s what I know. We had originally thought of keeping this quiet, because Roger is a fairly private guy, but as word is out and time might be of the essence if we’re going to find the hit-and-run driver, I’ll post what I know.

Roger is in Ronald Reagan Hospital at UCLA (I have not been in to see him, but his friends Will and Barry have). He is in intensive care. The nurse on duty could only tell me that he was in critical condition with a brain injury. Will and Barry said that he was unresponsive, but was heavily medicated since they had to do some brain surgery. I think the truth is that nobody knows what will happen. Prayers would be a good thing.

On the criminal front, it would be a very good thing to find the driver, not only for reasons of justice, but also insurance. We have no idea what Roger Slifer’s insurance situation is, but we suspect that it would be extremely helpful for medical bills.

The problem at the moment is that the Santa Monica Police do not seem to be making as much progress as they should. Some phone calls might be helpful. I’ll put everything I know in the next entry.

Dille’s report continues in the above link. A search is currently underway for the hit-and-run vehicle. Although there are security cameras it’s not known if they captured the license plate or not. The flyer below has been put up:

201206261109 Lobo co creator Roger Slifer in critical condition after hit and run

Slifer’s situation is eerily and horribly reminiscent of his contemporary Bill Mantlo, who has never recovered from a similar accident.

Hopefully Slifer will have a full recovery and the driver who nearly killed him will be found.

Emily S. Whitten: Women and Costuming

whitten-column-art-120626-1598158I came at fandom costuming (or cosplay, or whatever term you want to go by) from a pretty sideways angle. The entire purpose of the first set of convention costumes I ever wore was to advertise, for three days straight, the first North American Discworld Convention, of which I was a co-founder, and which took place back in 2009.

 (Side note: registration for NADWCon2013 is now open. Discworld fans: come to Baltimore next year and join the fun!)

All three of us co-founders were attending the 2008 UK Discworld Con, both to get an idea of how they ran their con (for the two of us who hadn’t been to a Discworld Con before) and to spread the word about our new con. The one co-founder who had been to the UK Con before happened to be a talented costumer – I mean the kind who can actually sew together outfits from scratch – and she convinced me that I should costume too, to call attention to our con and encourage UK attendees.

In the Discworld there’s a character named Moist von Lipwig (pronounced LipVIG, of course, for any ignorant heathens out there), and he wears a brilliant cloth-of-gold suit, both to look flash and get attention, and to represent, in the minds of the people of Ankh-Morpork (main city of Discworld) the avatar of the failing post office as he tries to pull it from the ruins of neglect and make it successful again. Therefore, my co-founder had decided that for maximum attention she should do a female version of this – an amazing cloth-of-gold-looking Victorian walking suit, patterned with the turtles I had designed for our convention symbol. She looked freakin’ amazing. As for me, I was, well, shall we say, a bit more lazy.

Nevertheless, at her prompting I decided to do something in gold to match her and garner us more attention as we walked around together, but to stay a little more within my costuming skill set (which was almost zero at that point). Think of something I could cobble together by just buying a bunch of stuff that somehow coordinated into a “costume.” Between the two of us we came up with the idea of me going around as a flashy “Band With Rocks In” groupie (a band featured in Soul Music, the first Discworld book I ever read); with a t-shirt of the Band that advertised their “North American Discworld Convention” world tour. This is how I ended up wearing gold go-go boots, gold fishnets, and a ridiculously short and tight gold miniskirt all over a convention for three days. Also gold leather jewelry. And a gold bag shaped like a guitar. Rock!

So, you know: the first time I ever costumed at a con I was flashy and I wore a tiny miniskirt and that was solely to get attention. For a convention, not for myself, but still. Why am I talking about this now? Because there have been, and continue to be, a lot of interesting discussions about women and costuming at comic cons and related geeky cons, and why we wear what we wear, and whether it’s for the love of the fandom, or the love of putting together awesome outfits, or to get attention for our skills, or to get attention as sex objects (the most prominent theory and/or wish fulfillment thought in circulation). And after reading this blog post and a number of related ones that discuss primarily the “sex object” angle, I feel this merits further discussion.

That so many people seem to think women have only one motivation for wearing convention costumes that happen to be “skimpy” or “sexy” or whatever bothers me and implies some pretty negative things about the way women are viewed in comics and geek fandom. Women are more complex than that, y’all. Really we are. We have many motivations for what we do, and they don’t all boil down to “trying to get some dude’s attention.” Assuming that the purpose of a woman wearing an attractive costume is solely to garner attention as a sex object also removes those women, in the minds of those making the assumption, from the general group of fans who are at the convention to geek out with other fans and have fun, and places them in another, dehumanizing category – things there just to be looked at. And sometimes, as geek gals just wanting to have awesome geek conversations with other fans, that really spoils our fun.

While I certainly don’t take issue with women who do wear skimpy outfits for male attention, or deny that as one motivation for such convention wear, I have great concern about the attitude, particularly in the already heavily male-centric comics fandom, that the purpose and/or function of women in costume is just to look hot for all the random dudes in the crowd.

I’m not pulling this attitude out of thin air. I’ve encountered it personally, and I’m sure I’m not the only one. For example, after telling a very nice guy friend (i.e. not a sexist jerk or something) that I was working on some costumes for the next con I attend, I was reminded that “sexy is popular.” When I joked that just for that comment, I was going to go dressed as a down comforter, he responded that this would be a waste for “all those guys looking at” me. But…see, awesome as my friend is, he was missing the point. I am not primarily costuming for “all those guys looking at me” (at least, not in that sense. I always like people appreciating the effort I put into a costume, of course). Nor is that something I should be required to do for my costume to be admired at a comic/fandom con. I mean, sure, I like my costumes to look attractive – I always like to look nice. And I’m not going to faint in shock if I’m walking around in a miniskirt and guys happen to approve. It’s a miniskirt. They’re guys. There’s a Pavlovian response at work there, and I’m not naïve about it.

Obviously I don’t want people to think I’m unattractive – who would? But my point is that when I sit down to create a costume, I’m not thinking, “…and then I’ll wear the short skirt, because guys think that’s hot.” No, if I wear the short skirt, it’s because, say, the skirt is authentic to the costume. Or it calls to mind the stereotype of a band groupie at a rock concert. Or it’s floofy, and I just love wearing floofy things. And that’s as it should be.

I can’t speak for the motivations of every female costumer out there, but just for kicks and education, let’s look briefly at the motivations behind a few of the costumes I’ve worn or will be wearing to cons that someone out there might assume I’m just wearing to get a guy’s attention. In numbered list format, because Deadpool approves of numbered lists.

whitten-column-art-120626-21-77424091)   Black Canary: I’ve worn a Black Canary costume for Halloween and Dragon*Con. If you’re somehow not familiar with Black Canary, her costume could certainly be stereotyped as something worn to get attention. I mean, for one thing, she doesn’t wear pants. Add to that a leotard, high-heeled black boots, and fishnets, and, yeah, I’d guess this counts as a “sexy” outfit. Why did I wear it? Simply put, I had two weeks to come up with something to wear for Halloween and I like Black Canary and suddenly realized I already owned 90% of what I’d need to be her. I’m lazy and cheap but I still like to costume Geek, even for Halloween. So I rounded up the stuff I already owned, bought a cheap cropped leather jacket and, voila! Instant costume.

2)   The Absinthe Fairy: This isn’t a comics costume, but I’ve worn it for Discworld and Dragon*Con, and I love it to death. It features a lacy corset, a short floofy skirt, and bright green five inch platform heels. It’s inspired in vague part by the absinthe fairy in Moulin Rouge. Why did I wear it? Because I love that color of bright green, which prompted me to buy the bright green corset (curse my magpie reaction to pretty things!), which inspired me to come up with a costume for it, which had to be of the right period to fit with Discworld (think burlesque, not proper parlors). And I like fairy wings, because who doesn’t like fairy wings? Even the five inch heels were motivated by something other than wanting attention – they match the corset perfectly, and nothing else looked even remotely right.

3)   Deadpool Cheerleader: This is one I’m putting together for an upcoming con. It will feature a very short cheerleading dress, because that is what cheerleaders wear. Not to wear something like that would negate the point of the costume. Why am I wearing it? A large number of people have suggested to me at various times that I costume as Deadpool, but I have zero desire to actually dress as the character. I’ve never wanted to be Deadpool – I just like to write him. However, after the umpteenth time someone suggested this to me, I thought about how I spend a lot of my comics-discussion-time as Deadpool’s unofficial cheerleader, and, well – sometimes I have a pretty simple sense of humor. So. Yeah.

4)   Arkham City Harley Quinn: I’ve seen a lot of women complain that this version of Harley was designed solely to pander to the fanboys. She’s wearing leather pants, you can see her bra, she wears a belly-baring corset, etc., etc. I’m currently working on putting this costume together for a con. Why am I wearing it? Because Arkham City Harley Quinn looks like a badass punk who just doesn’t give a damn, yo. She looks pissed at the world and ready to do something about it. And if I could dress however I wanted to with no consequences (like totally getting fired), not gonna lie, sometimes I’d want to get up in the morning, put on studded wrist-cuffs and leather pants, and go out into the world angry and ready to kick some ass. Wouldn’t you?

Like I said, I don’t know what every costuming woman’s motivations might be. But take a look at the above, and I think you get my point. Behind every woman in costume, there could be any number of motivations for what she’s wearing, and they’re probably much more interesting than “looking hot.” So let’s discard the assumption that women in costume are just there to be ogled or looking for male attention and move on to the part where we’re all well-rounded personalities with many facets who like to have geek fun together, shall we? I think that’s an excellent plan.

And until next time, Servo Lectio!

WEDNESDAY MORNING: Mike Gold Goes Beyond!

 

Michael Davis: Spider-Man, Spider-Man does whatever and who cares…

Am I the only one that could give a flying fish about the new Spider-Man movie?

I have no desire to see that film. You would think that a Spider-Man junkie like myself would be counting the days until it opened.

Nope. It could have opened already and it would still not be a blip on my must see radar. It would be great if the reason I have no yearning to see this film is because The Avengers was so good it made waiting to see any other superhero film unattractive.

Nope. I still can’t wait to see the next Dark Knight movie.

I simply have no desire whatsoever to see the new Spider-Man film. Is it the new actor that turns me off? Maybe, in the clips I’ve seen I have none and by none I mean no emotional attachment to him. Granted, I only get to see snippets of him in coming attractions but in those snippets I can garner no interest in this guy.

None.

Perhaps I’ve gone extreme fanboy and by extreme fanboy I mean, perhaps Marvel Studios has done something that just does not sit right with me so I must go to a dark fan place.

I’ll admit to being a fanboy and I’m mighty proud of that distinction, but being an extreme fanboy is something I’d never thought I’d succumb to. The difference between fanboy and one who is of the extreme kind is this; an extreme fan boy will spend endless hours, debating, blogging and otherwise conversing about whatever is bugging he or she. A regular old fan boy will just enjoy the ride and revel in all that is his or hers pop culture drug of choice.

I think with regards to the Spider-Man movie I have made the move to the dark side of fan boy domain and I think I know why. The more I think about it the more I’m certain what has brought me over to the dark side of fandom.

The side in which I must make my ire known to all that want to listen and more importantly those who don’t want to listen and more importantly still is to get my message of disgust out to those who simply could give a shit about any to this stuff.

That is the essence of the true extreme fanboy; talking passionate shit about something most of the world could give a fish about!

So, what has gotten me to extreme fan boy status over the Spider-Man movie? What has sent me from can’t wait to I could give a shit?

Gwen Stacy.

Gwen Stacy is in this retelling of the new Spider-Man movie.

Why? Oh why is that?

There were plenty of places to take Peter Parker after the third movie but someone had the bright idea to dig up Gwen Stacy. My beloved Gwen Stacy.

Why? Just so I can watch her die again? Everyone knows that Capt. Stacy, Gwen’s police chief dad and Gwen bite the damn dust. Well every real fan of Spider-Man knows that. I guess killing Gwen all over again for the delight of the millions who don’t know is O.K.

O.K?

It’s O.K. to kill the first non-real woman I ever loved?

Well, it’s not O.K. with me. No, I have not seen the movie nor do I have any insider knowledge that Gwen will be killed in the movie but whatever other reason is there to jump back in continuity?  What other reason is there to bring back dear, sweet, lovable, I’m old enough now to tap that ass, Gwen?

I can’t think of any reason except Sony and Marvel studios desire to reinvent Spider-Man and bring in some Twilight or some other pussy franchise’s fan base. What better way then getting you to take your girlfriend to a superhero movie and get you to cry like a little bitch when Gwen dies?

That, my friend, is just cold blooded. Or, to put it another way, that’s Hollywood.

So, no I won’t be seeing this Spider-Man. If I’m wrong and Gwen survives I still won’t see it. If she survives this film you can be damn sure she will be toast in the next one.

I’m not going out like that-seeing her neck broke when I was a little kid was enough for me.

Sony, Marvel you killed Gwen Stacy!!!

You bastards!!

TUESDAY AFTERNOON: Emily S. Whitten, real girls, and costumes!

WEDNESDAY MORNING: Mike Gold Follows The Kids!

Monday Mix-Up: X-Men Guernica

x_men_guernica_by_theamat-d53k45m-550x355-5199807

For this week’s Mix-Up, we showcase Theamat over on DeviantArt, who presents us with his take on the X-Men as drawn by Pablo Picasso… although I wish this piece would have been titled Genosha.

See the full size piece at DeviantArt. (Hat tip: BoingBoing.)

Mindy Newell: Are Comics Genetic?

newell-column-art-120625-9578449Is reading comics genetic? Is there a gene that dictates whether or not you’re going to be a comics lover?

I don’t remember when I first fell in love with reading comics. Hell, with reading, period. Just got off of the phone from my mom, who said that by the time I was in kindergarten I always had my nose in a book, which puts me at about four years old. She also said that I was reading at the third grade level

“What about before kindergarten, Mom?”

“You would go to our bookshelves and pull out a book and turn the pages and talk to yourself as if you were reading.”

“Was I?”

“I don’t know, I don’t remember. Oh, and you loved to look at the illustrations.”

“You mean picture books?”

“No, I mean the illustrations in Last Of The Mohicans and Alice In Wonderland and The Three Musketeers. You got milk stains over our Book-of-the-Month Club leather-bound copies with the N.C. Wyeth drawings and drove your father nuts.”

I still get food and drink all over my books.

“What about comics?”

“I just remember that you always read them.”

“That was in the ‘50’s, right? Weren’t you worried that I was going to corrupt my poor innocent brain?”

“No. You were reading, that’s what was important.”

“But did you ever read comics? Did Daddy?”

“Nope. Neither of us.”

“And Glenn never read them, either, right?”

“You were the only one.”

Are comics genetic? Is there a gene that dictates whether or not you’re going to be a comics lover?

Just got off the phone from Alixandra.

“Hey, Alix, you weren’t really a comics reader when you were a kid, right?”

“Nope. Well, Betty And Veronica.”

“But I don’t remember you reading them the way I do, right?”

“Right. But I loved reading.”

“But not comics. Not like me.”

“No.”

So reading comics isn’t genetic. There is no gene that dictates whether or not you’re going to be a comics lover.

But…

Several weeks ago I went out to dinner with the family – mom, dad, my brother and sister-in-law, and my soon-to-be 12 years old niece, Isabel.

She had Jeff Smith’s The Complete Bone Adventures Volume 1 on her lap, and was trying to surreptitiously read without getting caught or getting food on it.

I was so impressed. Not for trying to sneak reading while out to dinner with others – that’s not exactly polite social manners, is it? – but for having discovered Jeff Smith’s totally cool story on her own.

I love Bone, too, Isabel.

Isabel loves comics. Has it been my influence? I’m not sure. Meaning, what came first, the chicken or the egg? I remember giving her a full year’s worth of Louise Simonson’s Power Pack for her 5th birthday – I think it was her 5th birthday, this is what happens to your brain on menopause; girls, don’t do menopause if you can avoid it – but was it because I knew she loved comics or was it because I wanted to turn her on to comics?

She has a huge collection of Archie, including the graphic novel that collects stories from the beginning to the present. Favors Veronica over Betty (she looks like little Ronnie, but she hates when I tease her about it) and thinks Reggie is mean, Jughead is dumb, and Midge and Moose are cool. Izzy really likes the Archie Marries Veronica/Archie Marries Betty storyline. But she’s not so much for the “new look” – she goes for the classic.

Me, too.

I’ve got a comic book she made for me when she was six. It’s about a vampire. Isabel loves vampire stories.

Me, too.

So reading comics is genetic? There is a gene that dictates whether or not you’re going to be a comics lover?

Damned if I know.

TUESDAY MORNING: Michael Davis Expletive Deleted

TUESDAY AFTERNOON: Emily S. Whitten, Women, and Costumes

 

 

NEW NOVEL FROM AARON SMITH- 100,000 MIDNIGHTS- NOW AVAILABLE!

Now available:

100,000 MIDNIGHTS

A new novel of horror and adventure by veteran pulp writer Aaron Smith

 When destiny calls from the darkness, will you embrace the shadows?
At twenty-two, Eric feels older than he is. His fascination with the past makes him something of an eccentric and he spends most of his time alone. But then he meets Siobhan. A nearly three-hundred year old creature of the night, she desperately needs Eric’s help. He comes to her aid, just barely surviving the experience, but soon realizes that he cannot go back to living without her.
Together with Siobhan, Eric goes deeper into the strange nighttime world inhabited by vampires both good and evil, towns trapped in bubbles of time, savage beast-men created by crazed scientists, and deadly mechanical angels manufactured by magic to slay the undead.
Side by side with Siobhan and her supernatural allies, Eric must go from being a normal man to becoming a warrior, facing dangers out of humanity’s darkest nightmares and wondering if he has a chance of surviving to see each new dawning of the sun.

100,000 Midnights began as a short story originally published in Pro Se Productions’ Fantasy and Fear magazine. Now, re-edited and vastly expanded into a full-length novel, 100,000 Midnights has just been released by major e-publisher Musa Publishing.

 100,000 Midnights is now available in a variety of digital formats compatible with Kindle, Nook, other e-readers, or as a PDF.

The e-book can be purchased for $4.99 directly from the publisher at www.musapublishing.com

Aaron Smith’s work has appeared in many New Pulp publications including Airship 27’s Sherlock Holmes Consulting Detective series, Black Bat Mystery, Jungle Tales, Lance Star Sky Ranger Volume 2, The Masked Rider, and others. He is the author of the Dr. Watson novel Season of Madness, stories in the Pro Se Productions pulp magazines, and various stories in other anthologies. Information about his books can be found on his blog at www.godsandgalaxies.blogspot.com 

WORLDS OF PHILIP JOSE FARMER 3 OFFER! DON’T MISS IT!

The Official Philip José Farmer Email


Hello to everyone on the PJF Mailing list. There is a lot going on right now, but you can check the website and facebook for all those details.
This email is just to make sure you are aware of one thing. In the last newsletter (before making this information public online) I told you that if you are one of first 100 people to preorder THE WORLDS OF PHILIP JOSÉ FARMER 3: Portraits of a Trickster, you will get a custom laminated bookmark marking the occasion, just like the ones sent out with the first 100 copies of THE WORLDS OF PHILIP JOSÉ FARMER 2. Meteor House has not yet reached 100 preorders, so there is still time to do this.
However, Meteor House has now upped the ante with another reason you want to preorder THE WORLDS OF PHILIP JOSÉ FARMER 3 right now. It is so you can win a chance to be Tuckerized in a story—and not just any story, but a mind-blowingly-awesome story that Farmer fandom will still be talking about decades from now. That’s right, a character in a story in this book will be named after you. One person chosen at random will win this prize and there are three ways you can enter the contest:
1. Here is the easy one. Preorder a copy of THE WORLDS OF PHILIP JOSÉ FARMER 3. If you have already ordered a copy, you are already entered.2. This will require a little more effort on your part, but it gives you another chance to win. If you already own a copy of THE WORLDS OF PHILIP JOSÉ FARMER 1: Protean Dimensons, follow that link to Amazon and post a review of the book. It doesn’t have to be a 5 star review, we want your honest assessment of the book, but it must be a minimum of 50 words, not just, “Loved the book, I recommend it!” 3. If you’ve already done the second one, this won’t be any harder. Assuming you own and have read THE WORLDS OF PHILIP JOSÉ FARMER 2: Of Dust and Soul follow that link to Amazon and post a review. Same conditions, it doesn’t have to be a glowing review, we really want your opinions, but please put a little effort into it and write 50 words or more.

There you have it, three chances to win a one-of-a-kind prize, and do Meteor House a favor in the process. If you enjoy their books, entering the contest by any of the three methods is a great way to say thank you. However, you only have a week to enter as the deadline is midnight eastern on June 30th. On July 1st, the winner will be chosen and notified.Oops, one more thing I should remind you of: Don’t forget to preorder EXILES OF KHO by June 30th. If you do so, your name will appear in the book on the acknowledgments page. Since only a small number of copies will be printed beyond the number preordered, if you don’t preorder, there is a very good chance you will miss out on the tale of how Sahhindar significantly influenced the course of events in the ancient civilization of Khokarsa.
Mike Croteau
The Official Philip José Farmer Web Page
www.pjfarmer.com

THE PHANTOM UP FOR GRABS!

Terry Beatty, artist of the Phantom Sunday newspaper strips is offering some of his Phantom artwork for sale in order to raise the funds to replace the computer he uses to digitally pencil, letter and color the strip.

From Terry’s blog:
The process here is that I print the pencils (done in Manga Studio) in blue (a 50% cyan usually), along with the lettering and borders in black, on 11 x 17 bristol board, and then ink the art traditionally by hand with brush and pen. Some of the blue “pencil” lines can show through — but it’s usually rather subtle and doesn’t detract from the art at all.

This is then scanned for color, which is done in Photoshop. In some cases, repeat panels are digital printouts as well — and the logo panel is always printed — the modern equivalent of a “paste-up” — but without the eventual rubber cement stains or faded photostat! Sound effects lettering — and once in a while, some of the more mechanical background lines, are digital as well.

As an incentive to buy now, I’m going to include with each Phantom page purchased, a randomly chosen page of original artwork from my files of comic book pages inked by me. I’ll also toss in a few surprise extras just to sweeten the deal. Prices include shipping in the US — overseas shipping will have to be calculated and added in, as that can add up a little too much. I’m also dropping some of the prices a little from the prices I’ve had on these at comic book shows.

Art here is all from Sunday strips that have seen print, starting with the first page from the current Power House gang story (sorry, all but one “Shadows of Rune Noble” pages are gone — and I’m keeping that one). I do have pages that have not seen print yet — but can’t show them publicly, for the obvious reason.

Check out the pages and prices at http://terrybeatty.blogspot.com/2012/06/original-phantom-art-up-for-grabs.html

Spider-Man Week starts tomorrow in NYC

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To promote the release of The Amazing Spider-Man in theaters on July 3, a number of events are taking place in New York City this week, starting with the cast of the movie appearing on The Today Show tomorrow morning, and continuing across all five boroughs from museums and zoos to Yankee Stadium and the Empire State Building.

Take a look at the schedule of events here.

CBLDF Teams with NCAC and ABFFE in Defense of Alan Moore’s NEONOMICON

cbldf-teams-with-ncac-and-abffe-in-defense-of-alan-moores-neonomicon-4485692CBLDF has joined forces with the National Coalition Against Censorship and the American Booksellers Foundation for Free Expression to write a letter in defense of Alan Moore’s Neocomicon (Avatar Press), which has recently been challenged in the Greenville, South Carolina, public library system. Objections to Neonomicon were raised by a patron after her teenage daughter checked out the book, which contains adult themes. The book was correctly shelved in the adult section of the library, and the teenager possessed a library card that allowed access to the adult section.

CBLDF joined NCAC and ABFFE in sending the following letter to the Library Board of Trustees at the Greenville County Public Library:

Dear Board Members,

On behalf of the National Coalition Against Censorship, the American Booksellers Foundation for Free Expression and the Comic Book Legal Defense Fund we strongly urge you to keep Alan Moore’s Neonomicon in the Greenville Public Library. This book has reportedly been challenged by a member of the community who claims its “sexually graphic” images make it inappropriate for the library.

Removing this book because of objections to its content is impermissible under the First Amendment. As the Supreme Court said in Board of Education v. Pico, the Constitution does not permit “officially prescribed orthodoxy” which limits what people may read, think, speak, or say. The fact that we are confronted with images and not words does not make a difference—the courts have ruled that images, like words, constitute symbolic expression and are protected by the First Amendment.

Neonomicon is a horror graphic novel which explores themes present in the works of fantasy writer H.P. Lovecraft, delving into complex issues of race, crime and sexuality. Moore and artist Jacen Burrows use the visual nature of the graphic novel medium to more fully examine the subject matter found in Lovecraft’s original work, achieving a commentary both on Lovecraft and on the horror genre itself. The authors deliberately disturbing depictions of sexual violence are included as a critical comment on how such subject matter is handled elsewhere within the genre. The book recently won the Bram Stoker award for “Superior Achievement in a Graphic Novel.” Its critical acclaim testifies to its artistic value which is aided, not eclipsed, by its sexual content.

Alan Moore is one of the most influential and acclaimed authors in both the graphic novel category and the larger literary culture. His body of work includes Watchmen, which Time Magazine named one of the 100 best English-language novels published since 1923. His works also include the graphic novels V For Vendetta, League of Extraordinary Gentlemen, From Hell, and Lost Girls, all of which have enjoyed tremendous critical acclaim. Neonomicon continues Moore’s explorations in appropriating classic literary characters and themes in the service of post-modern storytelling. It is an essential work by an author who is indisputably a master within his field.

The book was appropriately shelved in the adult section of the library. The fact that it was withdrawn by a minor, whose mother had given written permission for her to borrow materials from the adult section, is no basis for removing the book—an action that infringes the First Amendment rights of adult library patrons. Indeed, the removal of the book during the review process is itself problematic, since any government suppression of material because of objections to its viewpoint or content transgresses constitutional boundaries. As a legal matter, the harm has been done, even if it is later rectified.

The book meets the criteria that form the basis for the library’s collection development policy. Removing it because of sexual content not only fails to consider the indisputable value of the book as a whole, but also ignores the library’s obligation to serve all readers, without regards to individual tastes and sensibilities. If graphic violent and sexual content were excluded from the library because some people object to it, the library would lose ancient and contemporary classics, from Aeschylus’ Oresteia to Toni Morrison’s Beloved.

We strongly urge you to respect the rights of all readers to read and think freely, and to reject the notion that the views of some readers about the value of literature, or its “appropriateness”, maybe imposed on all. By keeping the books on the library shelves you will demonstrate respect for your readers and their choices, for the professionalism of the librarians who serve the reading public, and for the First Amendment and its importance to a pluralistic democratic society.

Please consult NCAC’s resource “Graphic Novels: Suggestions for Librarians” (http://ncac.org/graphicnovels.cfm) or contact us if there is anything we can do to help.

Sincerely,

Joan Bertin
Executive Director
National Coalition Against Censorship

Chris Finan
President
American Booksellers Foundation for Free Expression

Charles Brownstein
Executive Director
Comic Book Legal Defense Fund

You can view a PDF of the letter here.

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