FORTIER TAKES ON A GUEST WHO TAKES ON ‘TALES OF THE ROOK!’


Black Widow figure from Hot Toys
Sideshow Collectibles and Hot Toys are proud to present the Black Widow Sixth Scale Limited Edition Collectible Figure from the smash hit “Marvel’s The Avengers.” The movie-accurate Black Widow collectible is specially crafted based on the image of Scarlett Johansson in the film; highlighting the newly sculpted head, hair implantation, body shape, and highly detailed costume and accessories.
Every art form has stories that can only be told this way: novels that can’t be turned into movies, operas that must be seen in person, movies that could only be flickering pictures in the dark. Comics is still a new art, and only has a few examples so far.
But Ray Fawkes’s 2011 graphic novel One Soul is one of them: it’s a story that couldn’t be anything but comics, a multi-threaded examination of what it is to be alive…and not. Using the famous nine-panel grid, and sticking to it strictly, Fawkes tells eighteen life stories — one for each panel on the two facing pages, and tells one single story at the same time.
Eighteen babies are born, in all times and places, in splendor and in squalor, in wealth and in poverty. They grow up, they live their individual lives — long or short, as it happens — they make their ways in the world and think about what they want and need and feel. And the flow of their lives, of all of their lives, is the story of One Soul.
This is a book that will make the entire outside world disappear; it has at least a whole world inside it, and it will take all of your attention and all of your emotions. Fawkes never has to name any of his characters — we know them from their places and their faces, and come to care for them all, good and bad, kind and cruel, lovers and fighters, happy and sad. One Soul is one of those works of art that are huge in ambition and scope, that try to encompass the entire world, all of human experience, inside itself. And it succeeds: One Soul is magnificent and lovely and frightening and compelling and sorrowful and wonderful and, in the end, utterly, utterly transcendent.
Growing up, I went to plenty of parties, but never one when the parents were out of town. I always felt I missed out on something until I heard the time my younger cousin held such an affair, resulting in $1500 in property damage (in 1980 dollars). Call me uptight or a loser, much as Thomas (Thomas Mann), is in Project X.
Designed to be the ultimate party film, it was based on the recollections of various people who attended outrageous parties while parents were out of town. Cobbling the stories together, Michael Bacall and Matt Drake wrote a script and director Nima Nourizadeh sought out relative unknowns and total unknowns to populate the cast, giving it a fresh feel. Eight different camera systems were used including the main images purportedly shot by an AV studio Dax (Dax Flame) and cell phones given to various extras, who shot moments without others realizing it.
The $12 million film has more than made its money back while inspiring several aborted attempts at recreating the ultimate blowout for real. Coming to home video Tuesday, the Combo Pack contains seven more minutes of raunch in an extended cut along with the featurettes “Tallying up the Damage” and “Project X: Declassified”.
The basic problem with the film is that everything is amped up to the point of ridiculousness, without being grounded in any reality. While some have compared this with the 1970’s Animal House and 1980’s Risky Business, they have missed the point. Those films featured brilliant casting, terrific directing and a rhythm that allowed the really outrageous stuff to occur. This terrible film avoids any pretense.
It also is missing any sense of originality. We’ve seen it all before. Thomas is a loser, his parents are going out of town and tell him they know he’ll have people over regardless of what they say so Dad asks that they be kept out of his office and not to touch his car (telling you immediately that is exactly what will happen). Costa (Oliver Cooper) and J.B. (Jonathan Daniel Brown) decide to turn the party into a birthday bash that will turn all three losers into heroes. The word spreads and people come by foot, car, and bus. Dozens becomes hundreds become thousands. Neighbors call the police, who somehow miss several hundred people in the backyard, and the party escalates out of control until the SWAT team is called in but by then so has the flame-throwing-toting drug dealer. Really.
The footage shows plenty of topless girls, drinking, dancing, and general partymaking. What’s missing is anyone to root for. Everyone attending the party is unlikeable save for the predictable love interest Kirby (Kirby Bliss Blanton). The film also lacks a set piece, the one truly original and memorable moment that gets people talking and makes the film immortal. This is just a wasted opportunity without any merit whatsoever.
Daaaaaamn. This is what you can do in your spare time with off the shelf technology nowadays?
Michael Habjan created this on an Intel i7-990X hex core 24 GB RAM, and and i7-920 quad core 12 GB RAM over eight months… and made me miss Christopher Reeve even more, with the disturbing realization that if technology keeps going at this rate, I won’t be missing him for long.
“All you can do is open up the throttle all the way and keep your nose up in the air.”
First Lieutenant Meyer C. Newell
P-51 Mustang Fighter Jock
Separated from his squadron, shot up and leaking hydraulic fluid somewhere in the skies over Burma
What is the measure of success? What is the measure of failure?
In the previous three columns, I’ve told you a little bit – well, quite a bit, actually, about early failures in my life. And for a very long time I let my, uh, lack of success, hold me back, drag me down. That old albatross had a permanent nest on my shoulder. The Fantastic Four may have visited the Negative Zone, but, guys, I lived there.
In my mid-thirties I was divorced and living with my parents. Alix was two or three. She was sleeping in a portable crib, I was sleeping on a cot in the den. And then one day – sometime in my late thirties, I think – I was driving with my father in the car. I don’t remember where we were going; I think he was driving me to an appointment with one of the numerous psychiatrists and therapists I had seen in an attempt to “figure out what was wrong with me.” Oh, that was fun, let me tell you. One doctor put me through a round of physical tests and blood work to see if there was a physiological reason for my “blues.” (Tests came back. I was perfect.) Another doctor gave me his trench coat, telling me to cover up my legs because he was getting sexually excited. I went to a therapy group for newly divorced women; all I remember of that is the woman whose husband regularly beat the crap out of her. “Jesus, honey,” we would all say, “get the hell out of there.” She would just start to cry and go on and on about how much she loved him until the hour was up. We never got to talk about anything else. There was one doctor who talked to me for five minutes and gave me a prescription for Valium, the drug of choice in those days for women on the edge of a nervous breakdown. I took one Valium, fell asleep for 18 hours and dumped out the bottle. A week later I got a bill for $500.00 for “services rendered.” I called him and told him I was sending him $50.00, and just try to take me to court. Never heard from him again.
The best, though, was the shrink who was an Orthodox Jew. He told me that the only thing wrong with me was that I wasn’t married, so “I should stop dating the goyim, marry a nice Yiddisher man, and have lots of babies.”
Anyway, back to that day in the car with my dad. We weren’t talking much, just bits here and there. Suddenly my dad started talking about a mission he had been on during WW II. It had been a bombing and strafing mission somewhere in Burma, the objective being to destroy the latest installment of the railroad the Japanese were building – see The Bridge On The River Kwai for reference. They had met a lot of resistance, and on one strafing run my father’s P-51 got hit up badly. One of the hydraulic lines was hit, and he couldn’t keep up with the rest of the squadron on their flight back to the base. They had to leave him.
“Wow, Daddy, what did you do?” I asked. (The answer is above.) And then he said, “Know what I’m saying?”
And the light bulb suddenly clicked on over my head, just like in the old Looney Tunes cartoons. “Thufferin’ Thuccosthasth!” I said. “I do!” (No, not really. I mean, yeah, the light bulb went on, but I didn’t suddenly start sputtering and slovering like Sylvester the Cat.)
I’m not saying that all of a sudden my life was a bed of roses and that everything was hunky-dory. No. Quite the opposite. It took finding the right therapist. It took swallowing my pride and starting on an anti-depressant. But mostly it took a lot of hard work, a lot of tears, a lot of self-recrimination. Most of all, self-forgiveness.
These days I wonder. All my failures – but were they really failures? Weren’t they just part of the pattern that’s made me who I am today? And any failures, any successes that I continue to experience will just add to that person who I will be tomorrow, next week, next month, next year or in a decade.
These days most people would say that my life is a success. Well, I don’t know about that, but if it is, it didn’t happen without failures, some my own, some caused by outside factors. For instance, two years ago I got laid off. (Yes, Virginia, registered nurses do get laid off these days.) It sucked. I cried. I ranted. I worked at a couple of hospitals I wouldn’t send my worst enemy to. (Well, maybe I would.) But I also went back to school and finished my BSN, opening up new doors for me.
As for my other career, the one in comics? A lot of people in the comics industry have commented and complimented me on my “ear for dialogue,” my ability to get into the heads of the characters I have written. Maybe that wouldn’t be true if I hadn’t lived the life I have lived. I probably would never have submitted a story to DC’s New Talent program. I wouldn’t have written When It Rains, God Is Crying, or Chalk Drawings with a certain mensch who goes by the name of George Pérez. I wouldn’t know Mike Gold or Martha Thomases or Len Wein or Karen Berger or Neil Gaiman. And I wouldn’t be here writing this column.
Black and White.
Stop and Go.
Yin and Yang.
Success and Failure.
The ups and downs of life.
TUESDAY MORNING: Can Michael Davis Possibly Still Be Black?
TUESDAY AFTERNOON: Can Emily S. Whitten Possibly Be Talking About Deadpool?
All Pulp has been informed of a petition to commemorate the life of noted author, Ray Bradbury (who passed away on June 5, 2012) on a stamp from the United States Postal Service.
In a career spanning more than seventy years, Ray Bradbury has inspired generations of readers to dream, think, and create.
A prolific author of hundreds of short stories and close to fifty books, as well as numerous poems, essays, operas, plays, teleplays, and screenplays, Bradbury was one of the most celebrated writers of our time.
His groundbreaking works include Fahrenheit 451, The Martian Chronicles, The Illustrated Man, Dandelion Wine, and Something Wicked This Way Comes. He wrote the screen play for John Huston’s classic film adaptation of Moby Dick, and was nominated for an Academy Award.
He adapted sixty-five of his stories for television’s The Ray Bradbury Theater, and won an Emmy for his teleplay of The Halloween Tree.
You can learn more about, and sign if interested, the petition at http://www.gopetition.com/petitions/ray-bradbury-us-stamp-campaign.html
In case you missed it, Brave opens on Friday but first, they honor Father’s Day (despite the holiday not existing at the time of the film).
Set in the rugged and mysterious Highlands of Scotland, Disney•Pixar’s Brave follows the heroic journey of Merida (voice of Kelly Macdonald), a skilled archer and headstrong daughter of King Fergus (voice of Billy Connolly) and Queen Elinor (voice of Emma Thompson). Determined to change her fate, Merida defies an age-old custom sacred to the unruly and uproarious lords of the land: massive Lord MacGuffin (voice of Kevin McKidd), surly Lord Macintosh (voice of Craig Ferguson) andcantankerous Lord Dingwall (voice of Robbie Coltrane), unleashing chaos in the kingdom. When she turns to an eccentric Witch (voice of Julie Walters), she is granted an ill-fated wish and the ensuing peril forces Merida to harness all of her resources—including her mischievous triplet brothers—to undo a beastly curse and discover the meaning of true bravery. Directed by Mark Andrews and Brenda Chapman, and produced by Katherine Sarafian, Brave is a grand adventure full of heart, memorable characters and signature Pixar humor. Opens on June 22, 2012, in Disney Digital 3D™ in select theaters.
In the not-too-distant past, 1988 A.D… there was a guy named Joel, and then another guy named Mike, both of whom worked as janitors at Gizmonic Institute, and who ended up getting tormented by mad scientists. But you already knew that, I’m sure. In fact, you may (like me) recognize far, far too much of this comprehensive and hyper-condensed tribute to Mystery Science Theater 3000 and a whole lot of related stuff like Turkey Day, Rifftrax, Cinematic Titanic, and on and on and on.
Now keep in mind you can’t control where the clips begin or end…
How many of these have you seen? Worse, how many of these had you seen before the MST3K bots got their hands on them? And which were your favorites?