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Martha Thomases: Prometheus and the Comic Bookworm

thomases-column-art-120608-7891305In a seasonal confluence, the movie Prometheus opens today, just as Book Expo America (BEA) ends. In 1979, I saw the first Alien at a screening in Los Angeles at the American Booksellers Association convention, the precursor to BEA.

ABA (as it was known) is the professional convention for the publishing industry. Publishers have booths with which to show their upcoming titles, and booksellers from all over the country come to see what will fill their shelves. It’s a grand event where books are glamorous, authors are rock stars, and librarians are courted. It’s changed over the years – they are even experimenting with letting consumers in this year – but it remains a celebration of ideas and literacy.

It was my first time at ABA, but the man who would be my husband was an old hand. He’d been going since 1963, when he was 12 years old. His father had taken a job with a small bookstore in Minneapolis, which had ambitions to grow and become a national chain. That bookstore was B. Dalton. As a result, my husband was used to attending, and accustomed to being fussed over by publishing houses that wanted to make a good impression on his dad.

By 1979, his dad had long since left B. Dalton, Minneapolis, the United States and the Northern Hemisphere, but John still knew his way around the convention floor. He showed me how to get free books, catalogs, and all sorts of other cool stuff.

One of the cool things we got was a pair of tickets to a movie screening. Alien. The same booth had a graphic novel adaptation by our pals Archie Goodwin and Walter Simonson (which seems to be on the fall list this year as well). I had never been to a movie screening before. I was really excited.

That night, I read the book. It scared me so much that I was unable to sleep. We were staying with my cousin in a tiny little cottage in Laurel Canyon, and every noise from outside sounded like a landing spaceship to me, not a coyote.

We left the convention with plenty of time to get to the theater for the movie. I had very particular ideas about the best place to sit (near the front, in the center of the row). I had to get there early enough so that I would have my choice of seats. I’m still like that. If you’re going to go to the movies with me, you had better be prepared to be at the theater half an hour before showtime.

Once the movie started, for the first 45 minutes or so, I was in heaven. I loved the way the future looked in the film. It was the first time I’d seen a spaceship that looked like people lived in it. There was dirt and grime. People put up New Yorker cartoons. The cast was great, and I especially loved John Hurt, whom I had only previously seen as Caligula in I, Claudius.

Boy, was I upset when his character was killed off.

You have to understand. I had read the book the night before. I knew what was going to happen. I knew the good guys were going to win at the end. And yet, I was still terrified. I was sitting in my seat, peaking through my fingers, knowing that I had about an hour left to sit in the theater and wait for the monster to jump out of dark places. Finally, I decided to go. I stepped over the many people sitting in my row (since I had to sit in the middle).

My husband had too much self-respect to leave. He later told me he did his best to hide under his seat.

And now, Prometheus is supposed to explain the story of what happened before Alien. It’s directed by Ridley Scott, whose eye for detail makes his films always worth watching. It was the film my husband was most looking forward to seeing this summer.

The trailers scare me.

I like to think of myself as a good feminist. I don’t need a man to give my life meaning, to pay my rent or open my pickle jars. And I don’t expect a man to protect me from movie monsters.

But I’m afraid to go to this movie by myself. Either I’ll find the courage, or take the cat.

SATURDAY: Marc Alan Fishman defends the modern comic book some more.

New Pulp Writers Visit Earth Station One Podcast

Earth Station One Episode 114: More Assembly Required

ESO REASSEMBLE!!! This week, the ESO crew follows up on The Avengers movie review to focus on the long-running comic series that inspired one of the biggest blockbusters of all-time. ESO hosts Mike Faber, Mike Gordon, and Bobby Nash are joined by Van Allen Plexico (www.AvengersAssemble.net) to discuss what makes this band of Marvel misfits the Earth’s Mightiest Heroes. We also interview writer/editor Win Scott Eckert as he takes a turn in The Geek Seat. And we are proud to introduce the newest podcast to the ESO Network family, Transmissions from Atlantis with hosts Jason and Rita de la Torre! All this, plus the usual Rants, Raves, Khan Report, and Shout Outs!

Join us for yet another episode of The Earth Station One Podcast we like to call: More Assembly Required at www.esopodcast.com.
Direct link: http://erthstationone.wordpress.com/2012/06/07/earth-station-one-episode-114-more-assembly-required/

Even More Awards You Probably Know About Already

Once again, those few benighted souls relying on Antick Musings for their skiffy-world news have been poorly served, but here’s the most recent clutch of awards given out in our realms:

Robert A. Heinlein Award

This is both a fairly new award — barely a decade old — and one given for a body of work, rather than a specific piece of fiction, which means it has gone to pretty much exactlywho we all would have predicted it would, in pretty much the same order. The award is given, officially, for “outstanding published works in science fiction and technical writings that inspire the human exploration of space” — NASA propaganda, essentially.

This year’s winner is Stanley Schmidt, long-time editor of Analog, and, in best Heinlein fashion, the award itself is a whopping great medallion that Schmidt will be expected to wear as much as he can — or, at least, the matching lapel pins for when the medallion “is impractical.”

Arthur C. Clarke Award

This is the one that Christopher Priest made such a fuss about a few weeks back — it’s one of the major UK “Best SF Novel” awards, given to “the best science fiction novel published in the United Kingdom” as decided by a panel of judges from the British Science Fiction Association, the Science Fiction Foundation, and the SCI-LONDON Film Festival. (Because who better to judge the merits of a novel than people who both organize a film festival and can’t afford a shift key?)

This year, the award went to the only work Priest found barely tolerable, Jane Rogers’s The Testament of Jessie Lamb, which may, perhaps, fill Priest’s heart [1] with something vaguely like happiness.

John W. Campbell Memorial Award

This one is a US “Best SF Novel” award, given — at least, this is how it’s seemed to most outsiders for the past thirty-plus years — to the good SF novel that the late Campbell would have hated the most. (The tone was set early, with with the very first winner, Barry Malzberg’s grim Beyond Apollo, a novel about sex-crazed and just plain old crazed astronauts.)

This year’s slate of nominees has just been announced, and they are:

  • Ernest Cline, Ready Player One (Crown)
  • Kathleen Ann Goonan, This Shared Dream (Tor Books)
  • Will McIntosh, Soft Apocalypse (Night Shade Books)
  • China Miéville, Embassytown (Ballantine Books/Del Rey)
  • Christopher Priest, The Islanders (Gollancz)
  • Joan Slonczewski, The Highest Frontier (Tor Books)
  • Michael Swanwick, Dancing with Bears (Night Shade Books)
  • Lavie Tidhar, Osama (PS Publishing)
  • Daniel H. Wilson, Robopocalypse (Simon & Schuster)
  • Gene Wolfe, Home Fires (Tor Books)
  • Rob Ziegler, Seed (Night Shade Books)

I haven’t read several of these books, so my judgement may be off, but I expect that Osama will be hard to beat: I can feel Campbell already spinning in his grave just because of the nomination. Congratulations to all of the nominees.

I could have sworn there were more than that, but I seem to be at the end of the list for now. Congrats to those who have already won, and good luck for those jostling their way on the very long Campbell list — remember, most of you have already lost!

[1] I originally typed “hard” here — my fingers sometimes have better jokes than I do.

Dracula World Order goes Direct to Shops and Digital

dracula_world_order_cover-294x450-3051915Former BOOM! Stuidos exec/writer Ian Brill has been teasing us all week with some images and today he finally unveiled what he’s been up to. His new book is bypassing the Diamond distribution system and while he’s not alone in this bold step, he is one of the ore high profile people doing this. Here’s the formal release:

June 8th 2012 – Los Angeles – When Ian Brill set out to write a new vision of Dracula, he called on some of the greatest talents in comics to bring it to life —Tonci Zonjic (WHO IS JAKE ELLIS?), Rahsan Ekedal (ECHOES, SOLOMN KANE), Declan Shalvey (THUNDERBOLTS, 28 DAYS LATER), and Gabriel Hardman (HULK, BETRAYAL OF THE PLANET OF THE APES). This June 13th, comic fans everywhere can find DRACULA WORLD ORDER at select retailers across the North America and exclusively worldwide digitally on comiXology across their entire platform including iPhone, iPad, Android, Kindle Fire and the web.

Following in the foot steps of Sam Humphries’ OUR LOVE IS REAL and SACRIFICE, Ian Brill’s DRACULA WORLD ORDER is self-published by the author and is offered digitally on comiXology while at the same time a very limited 300 copy print run will be available from these retailers:

  • 4 Color Fantasies in Rancho Cucamonga, CA
  • Beach Ball Comics in Anaheim, CA
  • The Beguiling in Toronto, Canada
  • Collector’s Paradise in Winnetka and Pasadena, CA
  • Comix Experience in San Francisco, CA
  • Desert Island in Brooklyn, NY
  • Laughing Ogre Comics in Lansdowne, VA, Fairfax, VA and Columbus, OH
  • Meltdown Comics in Los Angeles, CA
  • Midtown Comics in New York City, NY
  • Speeding Bullet Comics in Norman, OK
  • It can also be purchased online from Things From Another World.

Featuring an all star cast of today’s best artists and written by Ian Brill, DRACULA WORLD ORDER tells the story of how the greatest villain of all, Count Dracula, takes advantage of a world on the brink of economic collapse. In a world where the top 1% of the population are vampires, the rest of the human race are prisoners…or the 1%’s next meal. Dracula’s own son Alexandru leads the 99% in rebellion against the Vampire elite – in a battle that will leave you breathless.

Within four startling chapters Tonci Zonjic (WHO IS JAKE ELLIS?), Rahsan Ekedal (ECHOES, SOLOMN KANE), Declan Shalvey (THUNDERBOLTS, 28 DAYS LATER), and Gabriel Hardman (HULK, BETRAYAL OF THE PLANET OF THE APES) bring their amazing talents to Brill’s story. With Zonjic, Jordie Bellaire (BETRAYAL OF THE PLANET OF THE APES, FANTASTIC FOUR), and Stephen Downer (DRACULA: THE COMPANY OF MONSTERS, DRACULA THE UNCONQUERED) bring searing color art, with the amazing Josh Krach lettering the book. All of this under an amazing cover by Shalvey and Bellaire.

Advance praise for DRACULA WORLD ORDER:

“This would be incredibly cool even if it didn’t have some of my favorite artists working! Brill is making one of those books that get me excited about comics, and I would like to read a lot more of this. Read DWO and spread the word, this is the real deal!” says Jeff Parker, writer of HULK and THUNDERBOLTS.

Brill will be celebrating the release of DRACULA WORLD ORDER is dual signings on the release date.  He will be at Beach Ball Comics in Anaheim, CA from 12-2 and Collector’s Paradise in Winnetka, CA from 5-8.

 

A New Trailer for Wreck-It Ralph

60-0-022-0013_rev-300x125-5052517Now that we’re saturated in all things Brave, Disney has ratcheted up the marketing for its November 2 release of Wreck-It Ralph. Featuring the vocal talent of John C. Reilly, Sarah Silverman, Jack McBrayer, and Jane Lynch the film was directed by Rich Moore (The Simpsons).

Ralph (John C. Reilly) is tired of being overshadowed by Fix-It Felix (Jack McBrayer), the “good guy” star of their game who always gets to save the day. But after decades doing the same thing andseeing all the glory go to Felix, Ralph decides he’s tired of playing the role of a bad guy.  He takes matters into his own massive hands and sets off on a game-hopping journey across the arcade through every generation of video games to prove he’s got what it takes to be a hero.

Video: ‘Wreck-It Ralph’ movie trailer

On his quest, he meets the tough-as-nails Sergeant Calhoun (Jane Lynch) from the first-person action game Hero’s Duty. But it’s the feisty misfit Vanellope von Schweetz (Sarah Silverman) from the candy-coated cart racing game, Sugar Rush, whose world is threatened when Ralph accidentally unleashes a deadly enemy that threatens the entire arcade.  Will Ralph realize his dream and save the day before it’s too late?

THE EAGLE FLIES HIGH IN NEW ADVENTURES FROM PULP OBSCURA!

 

He is the Nation’s Ace Troubleshooter, the Country’s Amazing Master Spy! Jeff Shannon is The Eagle- America’s Ultimate Secret Agent! And He Flies Again in six all new stories in THE NEW ADVENTURES OF THE EAGLE, the latest PULP OBSCURA release from Pro Se Productions, in conjunction with ALTUS PRESS!



PULP OBSCURA, an imprint of Pro Se Productions, a leading New Pulp Publisher, in conjunction with Altus Press, a top Publisher of both New Pulp and Classic Reprints, that features rare and largely unknown Pulp characters from yesterday featured in brand new stories written by Today’s New Pulp writers!

THE NEW ADVENTURES OF THE EAGLE is the third Pulp Obscura volume since the line debuted!

From Japan to Berlin, from Paris to Moscow, from London to Washington D.C. and all points between and beyond, his reputation for facing the most dangerous opponents, taking on the most difficult missions is well known.  The Eagle’s Mission: To Wage a One Man War Against America’s Enemies and those Who Threaten Liberty Across The Globe! From Out of the Past Comes New Tales of One of Pulp’s Forgotten Heroes! Pro Se Productions in Conjunction with Altus Press Presents a New Volume in its PULP OBSCURA line! Bringing Adventures and Heroes Lost in Yesterday Blazing to Life in New Pulp Tales Today! Thrill to Six Sensational Tales of High Powered Adventure, Heart Stopping Thrills,and Death Defying Action from Nick Ahlhelm, Teel James Glenn, Lee Houston, Jr., Ashley Mangin, Bobby Nash, and R. P. Steeves! And featuring a stunning cover by award winning artist David L. Russell and fantastic design work by Sean Ali!

Join Jeff Shannon as he fights against the foes of freedom in fantastic new adventures! PULP OBSCURA PROUDLY PRESENTS THE NEW ADVENTURES OF THE EAGLE! From Pro Se Productions in conjunction with Altus Press! Pro Se Productions- Puttin’ The Monthly Back into Pulp!

Get THE NEW ADVENTURES OF THE EAGLE today at http://www.amazon.com/The-New-Adventures-Eagle-Volume/dp/1477577653/ref=sr_1_1?ie=UTF8&qid=1339075461&sr=8-1 and www.prosepulp.com and www.pulpobscura.net!  And coming VERY soon in all ebook formats!

Also debuting on the same day as this new Pulp Obscura volume is THE EAGLE OMNIBUS from Altus Press! Jeff Shannon, Special Agent for G-2 Secret Service, is better known throughout the world by his other moniker: the Eagle. Featuring all five of the Eagle’s published stories, plus two related stories, these classic espionage stories have never been completely reprinted before… until now. Featuring an introduction by Tom Johnson, this is a must have for Pulp Fans!  Get yours today at

Dennis O’Neil: Are Comic Books… Invulnerable?

oneil-column-art-120607-7100341Call comics “the little issues that could?” Or maybe the “phoenix of mediatown?”

At least twice in my long – ye gods! – long association with the form, I thought they were going down. Not all the way down: I thought, sure, comics will survive, the way poetry and harpsichord music has survived, as entertainment for aficionados, the loyal few who are willing to make a sacrifice or two to keep something they love alive. But as something vaguely resembling a mass medium? Huh uh.

Comics’ first decline began in the late40s-early 50s, after a lot of self-righteous souls and maybe a few who were just plain ambitious condemned the funnybooks as either amusement for the mentally challenged or the devil’s pulp, luring the nation’s youth into wicked thoughts and, Lordy, Lordy, who knew what kind of naughty behavior? Dozens of publishers bit the big one and those that survived barely survived.

Then… something happened. I’m not sure exactly what. Part of it was that the country became aware and accepting of popular culture and, in the Kennedy era, maybe a little less anal, and part of it was that our two giants, Julius Schwartz and Stan Lee, reinvented superheroes and those characters were pretty much identified with the medium that begot them.

In the mid-seventies, when general interest magazines were virtually extinct – wha’d I do with my latest issue of Collier’s, anyway? – and it was becoming harder and harder for a kid to get his monthly Batman (Spider-Man, Herbie the Fat Fury, et. al.) because the small stores and newsstands where a kid could find his favorites were also becoming extinct, that crazy New Jerseyite Phil Seuling and a few like-minded visionaries created the direct market and suddenly comics had what Colliers and the other slicks and the pulp fiction magazines didn’t have: a place to sell the stuff. The direct market was a direct descendant of fan activities – the clubs, the conventions – and so, takes a bow, fans. You did your bit.

About a decade later, comics’ suffered an artificial boom when innocents with disposable income were led to believe that comics were investment: buy a hundred copies of Spawn #1 and put yourself through college! Well, no. It took the world about four years to realize that while Action Comics #1 could fetch over a hundred K at auction, it was mostly because there weren’t many copies left on the planet. It wasn’t hard to find a copy or two of the first Spawn. The boom was bust and some publishers vanished and the survivors suffered, having swollen to a size that accommodated the boom’s demand and was too big and too costly for the bust.

When I walked out of an editor’s office for the last time, a dozen years ago, I wondered if I wasn’t feeling the deck list beneath my feet. But, no. The news is that comics are again on an upswing, moving into the digital age, learning from past mistakes, benefitting from enormously popular film adaptations.

Okay, sooner or later comics publishing will end. But so will you and so will I.

FRIDAY: Martha Thomases, Bookie

 

WRITERS ANNOUNCED FOR PULP OBSCURA VOLUMES FEATURING LESTER DENT CHARACTERS!

Twelve writers have been selected to bring two classic characters created by an iconic Pulp Author to life once more in two new anthologies from PULP OBSCURA!




Pro Se Productions, a premier New Pulp Publisher, announced in February plans to publish, with the permission of the Lester Dent estate, new tales featuring Dent creations Foster Fade (also known as the Crime Spectacularist) and Lynn Lash as a part of its PULP OBSCURA imprint.  PULP OBSCURA is a line that Pro Se, in conjunction with Altus Press, a leading Publisher of Pulp Reprints as well as the Publisher of The Wild Adventures of Doc Savage written by Will Murray, produces that features new stories based on rather largely unknown and forgotten heroes and villains from Pulp’s Golden Era.  Although many of these characters, such as Thunder Jim Wade, the adventure hero featured in the most recent PULP OBSCURA volume from Pro Se, are currently in the Public Domain, Pro Se PULP OBSCURA to include licensed characters, the first two of which were creations of the literary legend that many consider the best Pulp Author ever.
“It’s truly amazing that Pro Se is a part of this,” Tommy Hancock, Partner in and Editor in Chief of Pro Se Productions, “and the credit for that goes to Matt Moring from Altus, Will Murray, and especially the Heirs of Norma Dent.  Pro Se is extremely proud to announce that the writers for both a Lynn Lash collection and a Foster Fade collection have been selected.   

“I was both amazed,” said Hancock, “but also not really surprised at the interest these two characters garnered when we asked for proposals.  The call we put out for these books garnered more interest and proposals than the entire PULP OBSCURA line we recruited for last year did (That project is made up of 34 different writers).  It was difficult and a challenge picking the best twelve, six for each book, but we feel like we have the stories and writers that will definitely both pay homage to the Pulp genius of Lester Dent and reintroduce these great characters to a modern audience.”

According to Hancock, the writers for THE NEW ADVENTURES OF LYNN LASH are-

CHUCK MILLER

RP STEEVES

TEEL JAMES GLENN

ANDREW SALMON

JIM BEARD

TIM LASIUTA

The Writers bringing the Crime Spectacularist into the 21st Century in THE NEW ADVENTURES OF FOSTER FADE include-

DERRICK FERGUSON

BARRY REESE

H. DAVID BLALOCK

DAVID WHITE

AUBREY STEPHENS

ADAM GARCIA

Both books are slated for a late summer/early fall release and will be released in conjunction with a volume collecting the complete original stories of both characters from Altus Press.

“This,” Hancock stated, “is the reason that PULP OBSCURA exists.  To not only shine light on characters that have been completely forgotten and now live in the Public Domain, but also to serve as a way for Pulp characters created by well known authors to come out of the shadows of more successful creations, such as Doc Savage, and to stand on their own, to chart new ground in fiction in the 21st Century.   These two characters were crafted by Lester Dent himself and are being used with the permission of the heirs of Norma Dent.  For this to be the first foray into licensed properties for the PULP OBSCURA imprint is truly an honor.  And don’t think this is all you’ll hear about it before the books come out! There’ll be more about these two awesome collections soon!”

For more information on Pro Se Productions, go to www.prosepulp.com and www.pulpmachine.blogspot.com.  For further information on PULP OBSCURA, go to www.pulpobscura.net.   To discover the wonderful world of Classic Pulp as well as New Tales, such as the Wild Adventures of Doc Savage by Will Murray, go to www.altuspress.com!


Robert L. Washington III, drawn by Chris Ivy

Robert L. Washington III: 1964-2012

robert-l-washington-iii-2504527Robert Lee Washington III, a comic book writer best known for writing the first 18 issues of Static for Milestone Media, passed away today after suffering from multiple heart attacks.

Robert had a heart attack yesterday afternoon. He collapsed, unconscious, and was rushed to Mount Sinai hospital in Queens. In the following twenty four hours, he had two additional heart attacks. His heart stopped at 7:18pm tonight and he passed away.

Robert first came to prominence in 1993 writing the debut of Static for the new Milestone Comics line, and later writing Shadow Cabinet. He also wrote Extreme Justice for DC Comics, The Good Guys for Defiant, and Ninjak for Acclaim.

In later years, he’d gone through some rough patches. He’d been homeless a few times, and had received assistance from the Hero Initiative to get back on his feet, but by all accounts was getting back on his feet. He’d even started writing comics again, and his last job was a one page autobiographical story for Hero Comics 2012, a benefit for the Hero Initiative that came out just last month.

His quirky sense of humor made his run on Static a classic. He will be missed.

 

DYNAMITE ANNOUNCES THE SHADOW ANNUAL 1! BY SNIEGOSKI, DENNIS CALERO, AND ALEX ROSS!

 

June 5th, 2012 – Mount Laurel, NJ – Join Tom Sniegoski and Dennis Calero for a very special Shadow story in The Shadow Annual #1 featuring a cover by Alex Ross.  In The Shadow Annual #1, The Shadow is tormented by visions of New York City plagued by living fire-fire in the shape of a Chinese dragon-fire with the potential to spread hungrily to the world.  But what do these visions mean?  The Shadow will peel back the layers of mystery, leading to a confrontation that could very well shake the pillars of Heaven. Who are the waifs of Li-Lung, and what are their connections to Brother Pritchard’s Orphanage for Wayward Children, and to crime boss on the rise, Vincent Ruzzo? Soon, the Shadow will know.

“When I found out that Dynamite had The Shadow license I was ecstatic . . . and when they asked me if I was interested in writing the first annual I just about had a seizure,” says writer Tom Sniegoski.  “First of all, anybody who knows me knows how much I love the pulp characters, and the Shadow is number one on my list of favorites.  I cut my teeth on the whole pulp hero thing in 2009 with my novel, Lobster Johnson: The Satan Factory, which won the Best Pulp Novel of 2009 from The Pulp Factory Awards.  Looking back, I feel like that book was a warm up to the main attraction, now I was going to get the chance to write the character that almost all other pulp characters were trying to emulate, now I was going to get the chance to write The Shadow.  To say that I was a little nervous was an understatement.  First I had to come up with an idea for a story with the same kind of punch that the original pulps had, and was as powerful and exciting as Garth Ennis, and Aarron Campbell’s current run.  After some serious thought (and a few tumblers of scotch) I came up with a story idea that everybody seemed to love.  It’s got everything that I’d be looking for in a Shadow story: mysterious locales, organized crime, dreams of an apocalyptic future, blazing Colt 45’s and Thompson Machine Guns, and creepy kids with psychic powers . . . what’s not to love?”

“Tom and I have known each other since he was the main writer on Vampirella back in the ‘90’s,” adds Dynamite Entertainment President and Publisher Nick Barrucci.  “With his success in prose, it was hard for him to make time for comics work.  We’re very happy that he was able to work on our first The Shadow Annual.  It’s an awesome tale, and Dennis’ art compliments the story incredibly well.”

Tom Sniegoski has worked for all the big guys in the comic book industry, Marvel, DC, Image, Dark Horse, Cartoon Books, and now Dynamite! Some of the characters Tom has written include Batman, The Punisher, Hellboy, Wolverine, Devil Dinosaur, Buffy the Vampire Slayer, Angel, and he even wrote the prequel to Jeff Smith’s award winning series Bone, which was called Stupid, Stupid Rat Tails: The Adventures of Big Johnson Bone. His most recent comic book work (written with frequent partner, Christopher Golden) is The Sisterhood, published by Archaia Studios Press. This dynamic duo also worked on the mini-series Talent from Boom Studios which was optioned by Universal Pictures.

Dennis Calero’s work includes Acclaim Comics’ licensed-product titles Sliders and Magic: The Gathering; Moonstone Books’ TV tie-in titles Cisco Kid and Kolchak: The Night Stalker, Platinum Comics’ Cowboys & Aliens; IDW Publishing’s Masters of Horror: Dreams in the Witch House; and Marvel Comics’ X-Factor, during his tenure on which the title was nominated for the Harvey Award for Best New Series (2006). In 2006, IDW announced that Calero will be one of the cover artists on its six-issue Star Trek: The Next Generation TV tie-in miniseries The Space Between, scheduled for 2007.  Calero drew an arc of Legion of Super-Heroes for DC Comics and his new Marvel series, X-Men: Noir, was released by Marvel in December 2008. X-Men Noir: Mark of Cain was released in 2010. That same year, he drew the Dark Horse Comics relaunch of the former Gold Key and Valiant character, Doctor Solar, Man of the Atom, which was written by Jim Shooter.

Be sure to get The Shadow Annual #1 in September!

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For art and more information, please visit:
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