The International Association of Media Tie-In Writers co-founders Lee Goldberg & Max Allan Collins are pleased to announce the 2012 nominees for the Scribe Award, honoring excellence in media tie-in writing, and the naming of author Kevin J. Anderson as this year’s Grandmaster for his lifetime achievement in the field.

Anderson is the author of more than one hundred novels, adding up to over 20 million books in print in thirty languages. His work includes the STAR WARS “Jedi Academy” books, three internationally bestselling X-FILES hardcovers, the Superman novels THE LAST DAYS OF KRYPTON and ENEMIES & ALLIES, many novelizations (SKY CAPTAIN & THE WORLD OF TOMORROW, LEAGUE OF EXTRAORDINARY GENTLEMEN, etc.) and, of course, the ten globally bestselling DUNE novels he has co-authored with Brian Herbert.

He has won or been nominated for numerous prestigious honors, including the Nebula Award, the Bram Stoker Award, and a New York Times Notable Book prize…and now he can add IAMTW Grandmaster to the list of his extraordinary achievements.

The awards will be given at a ceremony in July at this year’s Comic-Con convention in San Diego.

*GRANDMASTER*: KEVIN J. ANDERSON

*GENERAL FICTION / BEST ORIGINAL NOVEL*:

ROYAL PAINS: FIRST DO NO HARM by D.P. Lyle

MIKE HAMMER: KISS HER GOODBYE by Max Allan Collins & Mickey Spillane

BURN NOTICE: THE BAD BEAT by Tod Goldberg

*SPECULATIVE FICTION/BEST ORIGINAL NOVEL*

STAR WARS: KNIGHT ERRANT by John Jackson Miller

DUNGEONS & DRAGONS – FORGOTTEN REALMS: BRIMSTONE ANGELS by Erin M. Evans

SUPERNATURAL: COYOTE’S KISS by Christa Faust

DUNGEONS AND DRAGONS: THE SHARD AXE by Marshiela Rockwell

PIRATES OF THE CARIBBEAN: THE PRICE OF FREEDOM by A.C. Crispin

*BEST ADAPTATION GENERAL OR SPECULATIVE*

CONAN THE BARBARIAN by Michael Stackpole

CRYSIS LEGION by Peter Watts

TRANSFORMERS: DARK SIDE OF THE MOON by Peter David

COWBOYS & ALIENS by Joan D. Vinge

*BEST YOUNG ADULT*

ME & MY MONSTERS: MONSTER MANNERS by Rory Growler (Ian Pike)

THE SMURFS movie tie-in by Stacia Deutsch and Rhody Cohon

THUNDERBIRDS: EXTREME HAZARD by Joan Marie Verba

*BEST AUDIO*

MIKE HAMMER: ENCORE FOR MURDER by Max Allan Collins & Mickey Spillane

DARK SHADOWS: THE LOST GIRL by D. Lynn Smith

HIGHLANDER: ALL THE KINGS HORSES by Scott Andrews

DOCTOR WHO: THE MANY DEATHS OF JO GRANT by Cavan Scott & Mark Wright

BURBANK, Calif. (May 22, 2012) – Step out of the theater and become immersed in the world of Brave with Adventures by Disney’s first-ever Pixar-inspired itinerary, “Scotland: A Brave Adventure.” Disney•Pixar’s Brave tells the tale of the courageous Merida, the film’s headstrong teenage protagonist, who defies ancient tradition and challenges destiny to change her fate. This 9-day, 8-night quest through Edinburgh, the Isle of Skye, the Isle of Lewis and Inverness takes families through the rugged Highlands, allowing them to experience first-hand the history, culture, nature, legends and lore of Scotland that inspired Merida’s story of bravery.

Adventures by Disney is a leader in the group guided-tour industry – sharing the stories of the world through 20+ international itineraries. For “Scotland: A Brave Adventure,” Adventures by Disney’s trip-planning specialists worked directly with the expert storytellers on Pixar’s Brave production team to incorporate the castles, landscapes and legends that inspired the lush settings and memorable characters in the film – creating a Scotland experience that could only come from Disney. Guests will discover locations that inspired Pixar’s creative spark during visits to the historic Black House of Arnol and the Gearrannan Blackhouse Village, both of which served as reference for the Witch’s cottage, and Dunnottar Castle, one of the inspirations for the DunBroch family’s home. (more…)

If you haven’t already seen this video, rush right over here and listen to Neil Gaiman give a commencement address at the University of the Arts in Philadelphia last week. In his inimitably charming manner, Neil advises the new graduates on how to approach a life in the arts.

He is wise and he is insightful, and he inspires me to riff on a few of his tenets. And, because I’m me, I’m going to quibble with another.

The best thing he says is the scariest: Fail. You can’t be an artist if you don’t fail, frequently and spectacularly. You have to make mistakes, and you have to make them in public, or it least in front of an editor or a curator or a choreographer or a director who will be a witness. If you don’t make mistakes and fail, you don’t test your limits, you don’t discover who you are and what kind of art you are capable of creating.

It’s not enough to just make mistakes, or we would all be successful artists. You also have to learn from the mistakes you’ve made. Sometimes the lesson isn’t obvious – Neil describes how he misspelled the name “Caroline” as “Coraline” and thus was born a brilliant story – but if you don’t learn, you’ll keep making the same mistake, expecting it to suddenly produce success. And then you are an executive in the DC marketing department, not an artist.

He also talks about not taking jobs just to make money, which is a fearless thing for a young artist to attempt. Money is important, especially when you don’t have any. It pays for rent and food. It allows you to clothe yourself so you are presentable and can get other jobs. Sometimes the artist has children at home, and a hungry baby really doesn’t understand why artistic integrity is a thing. Like making mistakes, this is where the true nature of the artist is revealed. You can make the sacrifices for your art, and learn from them, as you learned from your failures. Maybe you’ll learn that the life of the artist isn’t for you.

That’s no disgrace. That’s real life.

And now, here’s my quibble. Neil tells the kids in the audience that, whatever happens to them, they should “make good art.” If the cat dies, “make good art.” If you lose a leg, “make good art.” If you can do it in the bad times, you can do it in the good times.

I’m in favor of good art. There should be more of it. However, one of my personal demons, when I sit down to write, is the fear that my work isn’t good enough. I’m much better off attempting to make art, without sweating whether or not it meets anyone’s standard of “good.” A writer writes because she has to write. An artist makes art because she has to make art.

“Good” comes with luck, practice, inspiration and skill.

SATURDAY: Marc Alan Fishman