This past weekend I decided to place my vote (that’s “Dollar Bills” to DC’s Bob Wayne) for The Avengers for a second time. I did it first and foremost to teach Liam Neeson a lesson: If you don’t know the movie adaptation of a board game is a bad idea, maybe you need a new agent. Second to that, I personally wanted to see the film again to revel in Mark Ruffalo’s performance as the Hulk. If there were to be a single break-out star (pun intended) of the film, Bruce Banner certainly was it. For many who saw The Avengers, this is a shared sentiment. So, this begs us to ask the dudes at the House of Mouse… What’s next for the spinach-hued smasher?

If we are to believe the internet (and when has that ever led us down the wrong path?), The Hulk will next appear on the small screen via ABC. The network is pursuing a reboot of the once powerful series starring Bill Bixby and Lou Ferigno. If this is to be true… I throw myself on the mercy of Mickey. Don’t do it.

Simply put? The Hulk begs for bigger and better treatment. The old series did last five seasons, and featured a few TV movies (co-starring Daredevil and Thor no less!), but this was long before the days of CGI. Long before the Hulk decimated Harlem. Or flew into the upper atmosphere on the nose of a fighter jet. Not that the recent movie Hulks have been perfect mind you, but they put poor old Lou out to pasture pretty quickly when it comes to conveying the size and power of the Incredible Hulk.

If Marvel/ABC ponies up enough dough to downsize the Hulk to the boob tube, it would certainly provide the interest of advertisers and the public at large to watch. But even with an HBO budget for a series, could today’s special effect houses handle the behemoth? In a word… no.

The fluidity of the Hulk within the Avengers was, as many fans agree, the first time the character didn’t feel entirely too fake to enjoy. Ang Lee’s monstrosity lumbered around the fabricated sets like a big baby throwing a tantrum. Louis Leterrier’s Hulk (who obviously did way more cardio than Ruffalo’s) fared better, but was more Max Headroom than Golum by comparison to the most recent iteration. While CGI and effect houses have certainly improved their efforts on TV, do yourself a favor: Watch the best episode of Heroes, Smallville, or Sharktopus Vs. Crocasaurus. Then go back and watch the Avengers. I’ll wait for you. Go on. Done? Now tell me that the scene-eating Hulk would be done any justice on a fraction of the budget that went into creating him on the big screen.

Don’t get me wrong, kiddos. For the chance to see Mark Ruffalo take the character on in a weekly serial, I’d be DVR’ing that series faster than Jeph Loeb could crap out a comic book. And while a TV show would obviously focus on Banner more than the titular titan, when it would come time to Hulk out, we’d get only a poor representation of what we know the character could be. And if they were to regress back to hiring a bodybuilder to smash cardboard walls? Well, who amongst us would not scoff as we wrote anonymous hatespew across the message boards?

If we can agree that Ruffalo’s Banner is following the Incredible Hulk movie of 2008, then we must know that there was an amazing set-up left for the sequel. Samuel Sterns was shown at the end of the film getting dosed by Banner’s blood/chemical sludge. His head began to throb and pulsate, and a creepy smile crawls across his face. Obviously meant as a wink and a nudge to the Leader, one of the Hulk’s better villains. With Ruffalo’s Banner perfectly balancing the line of intelligence and pent-up rage, only the movie screen can truly do the character justice in a battle with another gamma irradiated foe. Relegated to a lesser medium (in terms of only the effect work mind you), the Incredible Hulk might only come across the Credible Hulk.

I say make S.H.I.E.L.D. the TV show, and let Hulk continue to smash the box office.

SUNDAY: John Ostrander

The International Association of Media Tie-In Writers co-founders Lee Goldberg & Max Allan Collins are pleased to announce the 2012 nominees for the Scribe Award, honoring excellence in media tie-in writing, and the naming of author Kevin J. Anderson as this year’s Grandmaster for his lifetime achievement in the field.

Anderson is the author of more than one hundred novels, adding up to over 20 million books in print in thirty languages. His work includes the STAR WARS “Jedi Academy” books, three internationally bestselling X-FILES hardcovers, the Superman novels THE LAST DAYS OF KRYPTON and ENEMIES & ALLIES, many novelizations (SKY CAPTAIN & THE WORLD OF TOMORROW, LEAGUE OF EXTRAORDINARY GENTLEMEN, etc.) and, of course, the ten globally bestselling DUNE novels he has co-authored with Brian Herbert.

He has won or been nominated for numerous prestigious honors, including the Nebula Award, the Bram Stoker Award, and a New York Times Notable Book prize…and now he can add IAMTW Grandmaster to the list of his extraordinary achievements.

The awards will be given at a ceremony in July at this year’s Comic-Con convention in San Diego.

*GRANDMASTER*: KEVIN J. ANDERSON

*GENERAL FICTION / BEST ORIGINAL NOVEL*:

ROYAL PAINS: FIRST DO NO HARM by D.P. Lyle

MIKE HAMMER: KISS HER GOODBYE by Max Allan Collins & Mickey Spillane

BURN NOTICE: THE BAD BEAT by Tod Goldberg

*SPECULATIVE FICTION/BEST ORIGINAL NOVEL*

STAR WARS: KNIGHT ERRANT by John Jackson Miller

DUNGEONS & DRAGONS – FORGOTTEN REALMS: BRIMSTONE ANGELS by Erin M. Evans

SUPERNATURAL: COYOTE’S KISS by Christa Faust

DUNGEONS AND DRAGONS: THE SHARD AXE by Marshiela Rockwell

PIRATES OF THE CARIBBEAN: THE PRICE OF FREEDOM by A.C. Crispin

*BEST ADAPTATION GENERAL OR SPECULATIVE*

CONAN THE BARBARIAN by Michael Stackpole

CRYSIS LEGION by Peter Watts

TRANSFORMERS: DARK SIDE OF THE MOON by Peter David

COWBOYS & ALIENS by Joan D. Vinge

*BEST YOUNG ADULT*

ME & MY MONSTERS: MONSTER MANNERS by Rory Growler (Ian Pike)

THE SMURFS movie tie-in by Stacia Deutsch and Rhody Cohon

THUNDERBIRDS: EXTREME HAZARD by Joan Marie Verba

*BEST AUDIO*

MIKE HAMMER: ENCORE FOR MURDER by Max Allan Collins & Mickey Spillane

DARK SHADOWS: THE LOST GIRL by D. Lynn Smith

HIGHLANDER: ALL THE KINGS HORSES by Scott Andrews

DOCTOR WHO: THE MANY DEATHS OF JO GRANT by Cavan Scott & Mark Wright

BURBANK, Calif. (May 22, 2012) – Step out of the theater and become immersed in the world of Brave with Adventures by Disney’s first-ever Pixar-inspired itinerary, “Scotland: A Brave Adventure.” Disney•Pixar’s Brave tells the tale of the courageous Merida, the film’s headstrong teenage protagonist, who defies ancient tradition and challenges destiny to change her fate. This 9-day, 8-night quest through Edinburgh, the Isle of Skye, the Isle of Lewis and Inverness takes families through the rugged Highlands, allowing them to experience first-hand the history, culture, nature, legends and lore of Scotland that inspired Merida’s story of bravery.

Adventures by Disney is a leader in the group guided-tour industry – sharing the stories of the world through 20+ international itineraries. For “Scotland: A Brave Adventure,” Adventures by Disney’s trip-planning specialists worked directly with the expert storytellers on Pixar’s Brave production team to incorporate the castles, landscapes and legends that inspired the lush settings and memorable characters in the film – creating a Scotland experience that could only come from Disney. Guests will discover locations that inspired Pixar’s creative spark during visits to the historic Black House of Arnol and the Gearrannan Blackhouse Village, both of which served as reference for the Witch’s cottage, and Dunnottar Castle, one of the inspirations for the DunBroch family’s home. (more…)