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CBLDF: Protect Yourself at International Borders

by Betsy Gomez

protect-yourself-at-international-borders-6236265The Toronto Comic Arts Festival takes place this weekend, and CBLDF wants to make comics fans and creators crossing the border into Canada aware of their rights. Last year, several creators were subject to intrusive search on their way to TCAF, and creators Tom Neely and Dylan Williams had books seized by Canada Customs. In 2010, comics fan Ryan Matheson was arrested when he crossed the Canadian border with what Canada Customs thought were objectionable comic books on his laptop. You need to know your rights when crossing international borders with comic books.

In an interview with CBLDF, Neely and Williams described the search that led to the seizure before last year’s TCAF:

Neely: They asked us to stand by the wall of the building and asked for the keys to our car. They opened up our suitcases and pulled out a random sampling of about 5 comic books we had in our bags. Those included Blaise Larmee’s Young Lions and the Black Eye anthology published by Rotland Press, of which I’m a contributor. The security guy asked us what the books were. We described them as “art comics,” and he said he was going to take them inside for review. While we waited, two other security guards came out, opened the car and proceeded to pull out everything in the entire vehicle, pulled out a copy every book, and then went back inside.

Williams: The customs people pulled us over because we were importing merchandise. One agent went through our bags and pulled out a sample of books. He then came back out with Black Eye and Young Lions and asked us about them. Then two more agents came out and searched every bag in our car. They damaged some books. They were all really nice however, especially the first agent who talked with us about the content of the book.

Neely and Williams’ experience with Canada Customs agents doesn’t align with the experience faced by Matheson:

“I believe my treatment throughout the entire ordeal was unfair and unjust. I was abused by the police. The police station jail cell was kept unreasonably cold, and I was given a freezing cold slab of concrete as a bed. I asked for blankets or a pillow but was denied. I asked for food but was denied even after asking at least five times. I politely asked an officer at the police station if I could speak to the U.S. embassy, but she replied, “Are you serious? I don’t think we have that here,” and walked away. I was never able to talk to the embassy, and even when my brother arrived for my bail, he too was denied from seeing me at all. Police officers who transported me would slam metal doors on my head and laugh at me, saying “This one’s easy!” And finally, after being transported to the long-term detention center, guards would torment me with phrases like, “You know, if you get raped in here it doesn’t count!”  I was jailed for five days before bail, longer than most people. These are the horrible things I had to go through when I was simply accused of something.”

The good news is that Matheson’s ordeal is now over, and Neely and Williams were never accused of wrongdoing or arrested, even if they didn’t have the confiscated books to sell during TCAF. The bad news is that this kind of persecution can happen again.

CBLDF is pleased to offer important resources that you should read before you cross a foreign border. These tools aren’t designed to take the place of your lawyer. Nothing in them is intended as legal advice. But they are important overviews of the concerns travelers now face when crossing borders with comic art in printed form and on digital devices. These resources are must-reads for anyone crossing international borders with comic books.

Legal Hazards of Crossing International Borders With Comic Art — Prepared by Davis Wright Tremaine, this general advisory addresses issues concerning entering the United States with expressive materials, provides an overview of the phenomenon of border searches of expressive materials, describes the basic legal framework governing such searches, and offers some general suggestions for international travelers planning to transport expressive materials.

Pornographic Anime and Manga Under Canadian Law — Prepared by Edelson, Clifford, and D’Angelo, in light of the issues faced in R. v. Matheson, this memo addresses the disposition of Canadian law towards anime and manga, outlines the powers of Canada Border Services Agency, and provides a detailed discussion of the definition of child pornography under Canadian law, alongside the related sentencing guidelines and defenses for that offense.

Electronic Devices Privacy Handbook: A Guide To Your Rights — Prepared and hosted by the British Columbia Civil Liberties Association, this handbook is focused on privacy issues concerning travelers crossing the Canadian border with electronic devices. This tool addresses your rights at the Canadian border, including a discussion of the Customs Act, an overview of CBSA policies, best practices when crossing the Canadian border, and information on what to do if you’ve been searched.

Defending Privacy At The U.S. Border — Prepared and hosted by the Electronic Frontier Foundation, this resource provides an overview of privacy issues at the U.S. border, and detailed tips on how to protect your privacy and data, and what to do when interacting with border agents.

CBLDF Advisory: Crossing International Borders — Compiled by CBLDF in conjunction with our initial announcement about the Canada Customs Case and an increasing number of searches and seizures at international borders, this document discusses US Customs policies, the lack of legal protections during border searches, and suggestions for avoiding border searches.

In the event of a First Amendment emergency, call CBLDF at 1-800-99-CBLDF or send us an email at info@cbldf.org. We’re here to help!

Please help support CBLDF’s important First Amendment work and provision of resources such as this by making a donation or becoming a member of the CBLDF!

The Point Radio: Lorne Michaels & The Secrets Of SNL

He is the man who has made TV magic for almost four decades – Lorne Michaels talks about the process of creating another SATURDAY NIGHT LIVE episode and what we might be expecting for new (or departing) cast members. Plus. it’s AVENGERS Weekend, but do we have to tell you that?  The mania spreads from comic stores to Tinseltown.

The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebook right here & toss us a “like” or follow us on Twitter @ThePointRadio.

A Contest Worth (Any Number of) Words!

Comic painter extraordinaire Mark Wheatley announced a very nifty little contest over on his Facebook Fan Page today. Mark presented his fans a painting, LEZ VAMPS, from the Flesh & Blood series. The contest? Fans of the page are asked to be inspired by the illustration, and submit (and I quote…)

“…stories, poems, songs, haiku, comics or even recipes – as long as you can relate it to Mark Wheatley’s painting.”

In brief… gaze upon the painting, and write to your heart’s content! A panel of judges (feel free to start sending bribes to me now… hint hint) will read over all entries. What ever said judges dig will get published in an illustrated eBook distributed by Wheatley. And to sweeten the pot? Everyone who enters the contest gets something. What that thing is? Only the man with the brushes knows for sure.

Folks should hop over to Mark’s Facebook Fan Page and check out the contest. Entries are due by June 1st. Write early. Write often. And good luck!

MIXED REVIEW: Glenn and Mike Geek Out Over “The Avengers”

avengers-team-3594343We each saw The Avengers at fan-filled midnight screenings, separately but equally. We tried to avoid any spoilers here, but we can’t guarantee we hit that mark. And, being who we are, there are a couple of teasers in this dialog.

MIKE: Did you see it in 2-D, 3-D, or IMAX?

GLENN: 3-D.

MIKE: Me too. This was the first movie ever that I can recommend in 3-D.

GLENN: Which is amazing, considering it was upsampled to 3-D. The film was converted to 3-D during post-production for the theatrical release. But it certainly paid off.

MIKE: The 3-D imaging credits were as long as the Manhattan phone book.

GLENN: Someone asked me point blank if The Avengers is the greatest superhero movie of all time. I said I don’t know about that, it has some very tough competition. But hands down, it’s the greatest superhero battle movie of all time. Act Three in particular is just completely packed with the loving destruction of the New York skyline, and in 3-D it’s incredibly staggering. It’s also fast and fun, as compared to the smashing of Chicago in Transformers: Dark Of The Moon… that just felt drawn out and more akin to a disaster movie. Here, it’s battle, action, and a much better feeling of scope and scale.

MIKE: Yes. It was a real superhero battle in the classic Marvel sense: everybody fights each other then gets together to fight the bad guys. And I’ll never be able to look at Grand Central Terminal the same way again.

GLENN: Or the Pan-Am building. Or 387 Park Avenue South, or Marvel’s address on 40th Street. All of that and they didn’t blow up any of DC’s offices. Have we reached detente?

MIKE: Well, they blew up CBS’s first teevee studios. Which is funny, as this was a Paramount movie.

GLENN: Not really a Paramount movie, Disney bought ‘em out but they had to keep the logo on.

MIKE: And, of course, Paramount got a truckload of money and, I’ll bet, a piece.

GLENN: Exactly.

MIKE: Did you notice they hardly ever referred to anybody by their superhero name – other than The Hulk, who is obviously different from Banner, and Thor, who is, obviously, Thor.

GLENN: I think everybody got name-checked at least once.

MIKE: Yeah. Once or twice. Period.

(more…)

PRO SE PRESENTS #9- THE SONS OF THOR LIVE!

PRO SE PRESENTS 9 FEATURES FIRST PART OF EPIC TALE- ‘THE SONS OF THOR!’
Pro Se Productions, a New Pulp Publisher noted for bringing monthly Pulp magazines into the modern era, releases today its latest issue of its award winning magazine, PRO SE PRESENTS!  The ninth issue of this New Pulp periodical features the first half of an epic new adventure set in the classic era of the Pulps featuring a mix of new characters as well as fantastic original Pulp characters that are now in the Public Domain!
THE SONS OF THOR by noted New Pulp Author Erwin K. Roberts is so much of an epic that it will consume TWO full issues of Pro Se Presents.   Beginning with Issue 9 and finishing in Issue Ten at the end of May, this story looks at the prospect of the villains of a tale being as strong as the heroes who stand against them!
 They are a legend told in fearful whispers- A terror generations old…
They believed that they were the chosen of the old Norse Gods.  They could not fail unless someone touched by another pantheon of gods intervened.  To this end, they trained themselves and their families to such extremes that even the ancient Spartans would have been appalled. 
They believed they would rule first all of Europe, then the entire world.  We thought the sect gone forever.
We were wrong.  The Sons of Thor live!
Heaven Help the Foolish Few Who Dare to Challenge THE SONS OF THOR!
Available now at www.amazon.comand www.prosepulp.com for $6.00 in print! Also available as an ebook from Amazon, Barnes & Noble and www.smashwords.com for $1.99.  Featuring Cover art and design by Sean Ali and Ebook formatting by Russ Anderson! Edited by Don Thomas and Lee Houston, Jr.!
 Pro Se Presents #9 Featuring THE SONS OF THOR Part One by Erwin K. Roberts!
For more information on Pro Se, go to www.prosepulp.com!

Martha Thomases: Pekar’s Cleveland

thamases-column-art-120504-3571245The Avengers opens today. As near as I can tell from the Internets, I’m the last person in the world to see it. The New York Daily News reviewed it on Monday, since apparently everyone in the city has the option of going to a screening.

I hope to catch it this weekend, like a rube from the sticks.

Which brings me to the graphic story that has me most excited right now. Harvey Pekar’s Cleveland. Written by Harvey with fantastic art by Joseph Memnant, was just published by ZIP in collaboration with Top Shelf.

Cleveland, Ohio is a large, midwestern city, and, like many large midwestern cities, is a shadow of its former self. Unlike Chicago, it is not the City of Big Shoulders, nor is it the Hog Butcher of the World. It’s not like San Francisco, Miami or New York, a portal to the international scene. Cleveland is kind of schlubby, most famous these days for the fact that the Cuyahoga River caught fire… over a dozen times.

To me, Cleveland was the Big City. Growing up in Youngstown (about an hour and a half away), Cleveland to me was a place that was big where my town was small: the airport, the art museum, the library, the department stores. My father’s work took him more often to Pittsburgh (also about an hour and a half away), and he liked the Pirates and the Steelers. My mother liked the shopping better in Pittsburgh.

For me, there was no comparison. Cleveland was the city where Superman was born. Cleveland was the more rock’n’roll town, and had the best radio stations to prove it.

Pekar loved Cleveland for some of these reasons, and more. It’s his hometown, where he grew up and worked and married. He revels in the seemingly contradictory traditions of progressive politics, union membership, and racism.

The mix of history and personal reminiscence is both seamless and magical. Reading this book, you feel Cleveland as a place, not just a spot on a map, but a city where people live and work, dream and comfort each other. You root for the mass-transit system and the used book stores.

I was lucky enough to meet Harvey a few times, although never in Cleveland. I don’t have that chance anymore. Still, there’s a chance we might be able to keep more than his spirit in the city he loved. If you haven’t chipped in on this project, think about it. I’m told they could use more money.

SATURDAY: Marc Alan Fishman

 

EVIL FEARS ‘THE STING OF THE SILVER MANTICORE!’-NEW FROM PRO SE!

PRESS RELEASE-TO BE RELEASED IMMEDIATELY
Pro Se Productions, a leading Publisher of New Pulp, proudly announced today the release of its latest novel which features the book length debut of a character featured in two recent issues of Pro Se’s Award Winning Magazine, PRO SE PRESENTS.  Written by author PJ Lozito, Pro Se’s 12th novel, THE STING OF THE SILVER MANTICORE, takes New Pulp by storm today. 
“The Manticore is already a fan favorite,” Tommy Hancock, Partner in and Editor-in-Chief of Pro Se, stated.  “An instant hit since his debut in the magazine earlier this year.   PJ’s hero has definitely struck a chord with New Pulp fans, both those interested in stories that read and feel like they were written in Pulp’s heyday and those who like new insights and twists on the old style.  Giving the Manticore and his colorful cast of goodies and baddies a full length venue to play from was not only an easy decision, it was most definitely the best place for both writer and creation to display pure New Pulp awesomeness.”

Art by Sean Ali
According to the book itself-
He hunts the most dangerous prey imaginable!  
His mission: To fight criminals and villains who are out to destroy our society!
“Ride with Brent Allred and his mysterious assistant, Bako, 
as they wage war against enemies who mock the law, but will feel its strength by
THE STING OF THE SILVER MANTICORE!
Throughout the underworld and in the halls of law enforcement,
 one cry inspired fear and awe by all who hear it.
“Beware the Sting of the Silver Manticore!”
The Silver Manticore, the masked marauder wanted by the law and criminals alike, is about to undertake what will be one of the greatest adventures of his incredible career.  The Silver Manticore will be drawn into a web of suspense and intrigue that will bring him face to face with his most dangerous enemy as they begin a battle that will span decades and generations!
PJ Lozito presents a tale of action and adventure, of thrills and suspense,
setting the stage for a hero for the ages!
Featuring a stunning cover by award winning artist David L. Russell and exquisite formatting and design by Sean E. Ali, THE STING OF THE SILVER MANTICORE is destined to be a New Pulp Classic, appealing to fans of Action and Larger than Life Heroes everywhere!
Available now in print for $12.00 at Amazon and Barnes & Noble.  Coming Soon in all Ebook formats!
For more information on Pro Se Productions, check out www.prosepulp.com

Dennis O’Neil: The Avengers Internationale

oneil-column-art-12050351-4023427I blame our tyrant-in-chief, that miserable cur of a backstabbing foreigner who lives in the White House. Yes, who else? Barack Hussein Obama. Stands to reason – it has to be his fault. There is no other reasonable explanation – hell, no possible explanation.

Last weekend, the Avengers movie opened in 39 overseas markets, made a whopping $178.4 million. What opened here? The Five Year Engagement. Oh sure, all us guys want to see that! We won’t get our Avengers fix until tomorrow. I have to wait almost a week before, movie money clutched in my sweaty grip, I ask the nice lady or gentleman at the monsterplex for a ticket, creep into the semi-dark theater, sink into a seat and prepare for moviegoing bliss. (My cell phone will be turned off. I don’t even have a laptop or a tablet. I’m a good audience member!)

What I’ll be seeing, in the following two-hour ecstasy fest, is the latest manifestation of the genius of Stan Lee. Years ago, before you were born, Mr. Lee revolutionized comic book publishing by… well, maybe by several things, but one of them was doing something there wasn’t even a name for back then (at least none that I ever heard): branding. Using what I think was a combination of intuition, native smarts, and years of sitting behind an editorial desk, Stan didn’t give us just comic books, he gave us Marvel Comics. So you didn’t go to he newsstand (this was before comic book shops existed) and buy an issue, say, The Amazing Spider-Man, you bought a Marvel comic that was about your friendly neighborhood web-slinger. And you were encouraged to get – to collect! – other Marvels, like Fantastic Four and The Incredible Hulk. These heroes seemed know each other and sometimes one of them would appear in another’s comic and so Stan wasn’t presenting mere stories, he was presenting stories that were park of a (more-or-less) coherent universe that you could (kind of) get to now and it was a lot more fun than the universe outside your window and you couldn’t wait until you could get the next issue

Stan’s pals at the movie studios are following his example and putting on our screens, not superhero movies, but Marvel superhero movies. They’ve been building the brand by such ploys as adding teasers to the end credits, brief scenes that referred to forthcoming films, thereby helping to create the theater version of the Marvel universe and, incidentally, creating anticipation for the next set of astonishments, much as the young Stan Lee did with coming issue blurbs and text pages.

Does the still-spry Stan approve? Hey, true believer, he does make those cameo appearances in the movies, doesn’t he?

At this point, if you have a wandering, non-linear mind, you might be wondering why Comrade Obama played us dirty and allowed the Avengers flick to debut in far places. Isn’t it obvious? We all know that Barack Hussein Obama wasn’t born in the land of the free. (Surely you heard that.) He isn’t a real American. So of course he favors the foreigners.

Stands to reason, doesn’t it?

FRIDAY: Martha Thomases Takes Us To Cleveland

 

A BROOKLYN DETOUR BY WAY OF PITTSBURGH: A STEEL CITY NOIR PRIMER

The byline reads, “A Brooklyn-Filtered Literary Arts Salon.” And yet, here I sit, writing yet another dark story about Pittsburgh. The obvious question is, “Why?” Why don’t I set my stories in New York City, or one of the other four boroughs? Why do I keep taking you on a visit to Western Pennsylvania?

Read more at Steel City Noir  – http://welcometotripcity.com/2012/05/a-brooklyn-detour-by-way-of-pittsburgh-a-steel-city-noir-primer/

Earth Station One Episode 109: Big Hulking Summer Movie Preview

eso_epo109-3333901

Ready…Set…ACTION! That’s something this year’s crop of blockbusters promise to deliver and the ESO crew discuss what films may or may not keep us on the edge of the theater seat. Mike, Mike, and Bobby gaze into the summer movie crystal ball along with Box Office Buzz scribe Ashley Bergner and award-winning artist Mark Maddox. Also, IDW editor Jeff Conner joins us to talk about the new Zombies vs Robots prose project and finds himself caught in The Geek Seat. All this, plus the usual Rants, Raves, Shout Outs, and Khan Report!

Join us for yet another episode of The Earth Station One Podcast we like to call Big Hulking Summer Movie Preview at www.esopodcast.com.
Direct link: http://erthstationone.wordpress.com/2012/05/02/earth-station-one-episode-109-big-hulking-summer-movie-preview/

eso109-zvrwrap-2351932

Table of Contents
0:00:00 Intro / Welcome
0:06:47 Rants & Raves
0:42:01 The Geek Seat w/ Jeff Conner if IDW
1:14:15 ESO’s 3rd Annual Summer Movie Preview
2:32:47 Khan Report
2:48:05 Shout Outs
2:54:49 Show Close

If you would like to leave feedback or a comment on the show please call the ESO feedback line at (404)963-9057 (remember long distance charges may apply) or feel free to email us at esopodcast@gmail.com

Download this podcast from Itunes or Subscribe to our RSS Feed

Next on Earth Station One… the ESO crew assembles for all things Avengers with New Pulp’s own Van Allen Plexico, Mark Maddox, and Bobby Nash.