The Avengers opens today. As near as I can tell from the Internets, I’m the last person in the world to see it. The New York Daily News reviewed it on Monday, since apparently everyone in the city has the option of going to a screening.

I hope to catch it this weekend, like a rube from the sticks.

Which brings me to the graphic story that has me most excited right now. Harvey Pekar’s Cleveland. Written by Harvey with fantastic art by Joseph Memnant, was just published by ZIP in collaboration with Top Shelf.

Cleveland, Ohio is a large, midwestern city, and, like many large midwestern cities, is a shadow of its former self. Unlike Chicago, it is not the City of Big Shoulders, nor is it the Hog Butcher of the World. It’s not like San Francisco, Miami or New York, a portal to the international scene. Cleveland is kind of schlubby, most famous these days for the fact that the Cuyahoga River caught fire… over a dozen times.

To me, Cleveland was the Big City. Growing up in Youngstown (about an hour and a half away), Cleveland to me was a place that was big where my town was small: the airport, the art museum, the library, the department stores. My father’s work took him more often to Pittsburgh (also about an hour and a half away), and he liked the Pirates and the Steelers. My mother liked the shopping better in Pittsburgh.

For me, there was no comparison. Cleveland was the city where Superman was born. Cleveland was the more rock’n’roll town, and had the best radio stations to prove it.

Pekar loved Cleveland for some of these reasons, and more. It’s his hometown, where he grew up and worked and married. He revels in the seemingly contradictory traditions of progressive politics, union membership, and racism.

The mix of history and personal reminiscence is both seamless and magical. Reading this book, you feel Cleveland as a place, not just a spot on a map, but a city where people live and work, dream and comfort each other. You root for the mass-transit system and the used book stores.

I was lucky enough to meet Harvey a few times, although never in Cleveland. I don’t have that chance anymore. Still, there’s a chance we might be able to keep more than his spirit in the city he loved. If you haven’t chipped in on this project, think about it. I’m told they could use more money.

SATURDAY: Marc Alan Fishman

Ready…Set…ACTION! That’s something this year’s crop of blockbusters promise to deliver and the ESO crew discuss what films may or may not keep us on the edge of the theater seat. Mike, Mike, and Bobby gaze into the summer movie crystal ball along with Box Office Buzz scribe Ashley Bergner and award-winning artist Mark Maddox. Also, IDW editor Jeff Conner joins us to talk about the new Zombies vs Robots prose project and finds himself caught in The Geek Seat. All this, plus the usual Rants, Raves, Shout Outs, and Khan Report!

Join us for yet another episode of The Earth Station One Podcast we like to call Big Hulking Summer Movie Preview at www.esopodcast.com.
Direct link: http://erthstationone.wordpress.com/2012/05/02/earth-station-one-episode-109-big-hulking-summer-movie-preview/

Table of Contents
0:00:00 Intro / Welcome
0:06:47 Rants & Raves
0:42:01 The Geek Seat w/ Jeff Conner if IDW
1:14:15 ESO’s 3rd Annual Summer Movie Preview
2:32:47 Khan Report
2:48:05 Shout Outs
2:54:49 Show Close

If you would like to leave feedback or a comment on the show please call the ESO feedback line at (404)963-9057 (remember long distance charges may apply) or feel free to email us at esopodcast@gmail.com

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Next on Earth Station One… the ESO crew assembles for all things Avengers with New Pulp’s own Van Allen Plexico, Mark Maddox, and Bobby Nash.

Before Star Trek was Fringe and Lost, and Alias and before Alias was Felicity. It may be hard to recall that genre wunderkind Abrams actually broke into television by making a splash in 1998 with the WB series about a college girl. Created with Cabin in the Woods collaborator Matt Reeves, the series is worth a second look given the storytelling, music, and keen eye for casting that first introduced to an armload of performers who have gone on to success, including repeat appearances in later Abrams productions. Or do you think Keri Russell’s cameo in Mission: Impossible 3 was an oddity?

Lionsgate has resurrected the first two seasons in newly packaged DVDs, both out this week. The WB knew that a female-skewing series with a high concept would be a good fit for their struggling network so when Abrams and Reeves turned up with the concept, there was excitement. Susanne Daniels excitedly listened as Abrams outlined a five season arc for Felicity Porter, who would chuck everything she and her parents planned for, to follow a boy from California to New York. The boy barely knew she existed but all it took was for him to sign her yearbook and she was hooked.

So was Daniels who has written, “He brings heart to a pitch and can tell you clearly why anyone would or should care about the world he’s describing. But the single most impressive thing about J.J. is the depth of analysis he lays out in a compelling, almost professorial way. He can tell you everything about every character and their story arcs. And he can tell you how and why his show fits into your network, in the television business, and the world at large, and how the audience will relate to it.” (more…)

I used to provoke this asinine debate – one of a great many – that if we refer to comics published circa 1943 to 1950 as 52-pagers, we should refer to contemporary comics as 36-pagers. I always got pushback from my fellow fanboys; consistency is in the mind of the beholders, hobgoblins that we may be.

Well, finally, decades after I threw in the towel, this debate has been resolved. And not in my favor.

This physically came to my attention in the form of an advance copy of IDW’s Frankenstein Alive, Alive! It’s by Steve Niles and Bernie Wrightson, which is some amazing pedigree. Of course, Bernie has been known for his efforts with the Frankenstein Monster since well before his first name grew that extra E, and Steve has been l’enfant terrible of horror-themed comics for the past decade. Both earned their high reputations the hard way: they worked for it. Joining the two is sort of like taking bits and pieces of two gifted bodies and stitching them together.

Hence, Frankenstein Alive, Alive! It is at least as brilliant as we have every right to expect. You’ll probably just gawk at the art for a couple hours, but the joy is totally revisited once you realize you’re actually supposed to read the thing. It comes out next week. If you want it early, get yourself your own column.

But that’s not my point… which is why I can get away with such a short review. After reading Frankenstein Alive, Alive!, I had the uncanny feeling something was missing. No, not my brain, Igor. I went back and counted the pages.

32. Not 36 counting the cover. 32 total. The cover was there because you can’t publish a pamphlet starting with page two, but it had what we in the publishing racket call a “self-cover.” That means there’s no four-page addition on higher quality paper surrounding the interior. It’s all of the same stock, all printed at once without the additional collating and binding step and it saves a bit on shipping costs, saving the publisher money. The story page count is 19 pages, a tad short but there’s plenty of groovy supplemental material.

So I checked another IDW book set for the same week’s release: John Byrne’s Trio #1. I haven’t read it yet, so you won’t have to suffer from another half-assed semi-review. But it, too, is 32 pages total.  We get 20 pages of story here, but there’s advertising material in the back.

So, are we being short-changed? Well, maybe a tiny bit. For $3.99 we should get more than 19 or 20 pages of story. Otherwise, no, not in the least.

The thing is, self-cover comics have been quietly creeping up on the racks for a while now. I prefer to read comics on my iPad, so it took the power of a Niles/Wrightson collaboration to make be return to the traditional stapled way of life. I can hardly fault publishers for this effort, given the higher quality of paper stock generally used these days.

But it is a bit of a sea change, one of the last before the 36… sorry, 32 page comics pamphlet disappears into the digital ozone. And that saddens me, ever so slightly.

Whoops. I got over it.

THURSDAY: Dennis O’Neil Waves The Flag!

You know how sometimes you lie in bed late at night, eyes closed, willing your brain to stop humming that stupid pop song, or stop thinking about the errands you forgot to run today, or stop telling you to get up and write down that story you just had an idea for, because by gods you have to get up at 6 a.m. for work and your boss is going to be really super unhappy if you fall asleep at your desk?

Do you have a brain that works like that? A brain that never seems to shut off, and is always reminding you of ideas or tasks or things you need to write down right now or you might forget them and then they’ll be gone forever and wouldn’t that be terrible? Yeah, my brain is just like that; and at least a third of the time those ideas my brain won’t stop having are about comics and pop culture and what I think of them or want to write about them. Luckily (maybe) for you, I’ll now be writing down those ideas here on ComicMix each week for everyone to read. Hurrah!

Hi, by the way. I’m Emily, and I’m happy to be here as the newest ComicMix columnist. I’ve been writing in one form or another since directly after birth. (I believe this to be true even though I have seen no photographic evidence of it. This is because for years my dad mostly took photos on slide film, which requires a special projector to view, and so even though he swears up and down that there are many, many photos of me as a baby I’ve only seen about two, one of which featured me with birthday cake on my face and the other of which featured me dressed as a clown. But if I ever see more I am sure they will be of Baby Me writing very studiously). I’ve also been writing online since 2002, and blogging and tweeting (unofficially) as the Marvel character Deadpool since 2008.

Most recently, a number of webcomics written by me and drawn by artist Marc Vuletich have been featured on pop culture and comics movie news sites Reelzchannel and MTV Splash Page, and the lovely folks at the Tonner Doll Company featured a guest post by me about the awesomeness that is Deadpool.

But even with all that, I still have plenty to say here! For instance, did you ever wonder what Tony Stark or Loki or Black Widow might smell like? Next Tuesday, I’ll be reviewing the Marvel Avengers colognes and perfume that were designed to smell like the Avengers movie characters (and may even give one away to a lucky commenter)! Or perhaps you want to know why Cable & Deadpool was the most dysfunctionally awesome buddy adventure ever? I might just write about that. Did you like the webcomics I linked above? New ones may show up here! The debate about digital comics; a look at comics and merchandise marketing from a woman’s perspective; copyright infringement and legal issues in comics (did I mention I’m an attorney?) – no topic is safe from me! So I hope you’ll click on over each week to see what’s new.

In the interim, show of hands: who’s psyched for The Avengers on Friday? I know I am. In fact, I’m so excited (or perhaps insane) that I’m going to the Ultimate Marvel Marathon on Thursday so I can see all six relevant Marvel movies in a row. Anyone else here doing that? (And what’s in your Marathon Survival Kit?) Are you dressing up for the movie? Doing something else special? Tell me all about it in the comments so we can be excited together!

And don’t forget: I’ll be back next Tuesday, so Servo Lectio!

Well, hey: Excelsior! was taken.

WEDNESDAY MORNING: Mike Gold Can Count To 32!