Michael Davis: Of Dreams & Relations
John Paul Leon. Photo by Luigi Novi.
John Paul Leon was part of an elite group, the Bad Boy Studio Mentor program. That program’s goal is to help people of color gain entry into comic books and related businesses.
It does not stop there—the main goal is to pay it forward.
Each member of Bad Boy Studios is charged with advancing the next generation and living up to the program motto: EACH ONE TEACHES ONE.
When John came into the program, it was evident he was a star in the making. He began at Bad Boy during the period I was at Milestone Media.
Milestone’s business structure was just as innovative as Denys Cowan’s idea to create the company. The creative partners at Milestone took no salary; we were to be paid for our comic book work.
As an example, I wore many hats at Milestone, owner, founder, head of publicity, talent, and conventions. Nevertheless, I was only paid for writing and drawing Static known to the world as Static Shock.
I created the Static Shock Universe; the model for that creation was my Family. The real focus of that universe wasn’t Static; his sister Sharon Hawkins was.
The book Icon, Milestone’s Black Superman, was really about his sidekick, Rocket. That’s a genius idea from Dwayne McDuffie, so I followed suit.
The driving force behind the Static Universe was my mother, Jean. She was a remarkable woman, but her life was anything but easy. She was a victim of abuse from many sources but never complained.
Her mother, Lenore, my grandmother, and her daughter, Sharon, my sister, both died horrible deaths. That pain weighed on her, although she sought to conceal it.
I wanted to ease some of her pain, even if just a little. To that end, our family became the Hawkins family.
Jean, Robert, and Sharon were the names of my mom, dad, and sister. Hawkins was my cousin’s last name. Initially, Alan Hawkins was Static’s alter ego’s name. Dwayne changed it to Vigil after the civil rights pioneer.
My mother told me, seeing her daughter live on in Static was the greatest gift she ever received from me. The day after saying that, she passed away.
When John Paul Leon came into my Mentor Program, it wasn’t long before I decided his style was better suited for Static than my frequent photo referenced technique.
I mentioned I was only to be paid for writing and drawing Static. I was, except DC Comics never paid me for the entire time I was at Milestone. They refused to honor my contract. (This was twenty-plus years ago and is in no way a reflection of the current DC Comics.)
My wife overheard a conversation where I was told that if I was so hard up for money, take the book back from John, I refused. She started screaming in Spanish.
A few days before this, she found out; we were broke—two years of no income erasing my significant savings. I, like a fool, honored my exclusive contract and looked for no other work. She was livid when I finally told her what I’d been dealing with and insisted we leave the loft where we lived.
My wife was the first generation of her family born in America. Her Family risked death to come here from Cuba. They are hard-working, good people who value family above all.
Josephine was a wonderful woman with a smile that could light up a street. Nothing fazed her except bills. Like her mother, Jo saw bills priority number ONE.
The bill had to be paid the moment she opened the envelope. It did not matter if the bill was due in a week, month or decade. She paid bills immediately.
She never felt we could afford our place, and now, hearing her anger, I knew any chance I had of talking her into staying disappeared with my bank account.
I told her we were only a couple of months behind, the way she shouted you would have thought I spent the mortgage money on crack and the sheriff was at the door.
But I understood why it upset her so, what I couldn’t understand was Spanish.
“CÓMO TE ATREVES, CÓMO ATREVERTE, A QUITARTE EL SUEÑO DE ALGUIEN!”
I had no idea how I would tell this woman that I wouldn’t take the book back. It turns out I didn’t have to. I found out later; she was furious but at the person on the phone.
“How dare you take away someone’s dream” she wasn’t talking about my dream but about John Paul’s dream to draw comics.
Josephine had a bond with John. They were both Cuban Americans, both kind and respectful, and both about Family.
I gave John my Family to take care of when I gave him Static to draw. Because of him and Robert Washington, Static is loved by millions all over the world. Yeah, the TV show was the medium— but no John Paul Leon, no Robert Washington, no TV Show.
In truth, Static may have been just another comic among thousands if not for them. John did a better job with my family than I would have each time I look at his work on the book reinforces that. Because of John if I ever do a Static project, his work will be first among the inspirations I’d pull from.
Each one teaches one is the John Paul Leon story in a nutshell; John’s work is so influential he will be teaching long after he is laid to rest.
Bernard, stay strong; your friend is still within your heart.
Bad Boy Alumni, you’re all very much part of why John became one of the greatest ever put pencil to paper.
To Jo, Tenías razón el chico se hizo famoso, y se quedó como un buen tipo. Espero que tú y los tuyos estén bien. (Yeah, my Spanish still sucks.)
Lastly, to the family, it was an honor and privilege to know your son; the world will remember him as one of the greatest to ever work in an industry full of great creators.
His light will shine for as long as comics exist perhaps even longer.
The best thing about Shrek when it debuted 20 (yikes!) years ago was that it brought a fresh take on traditional fairy tales and got a generation of children to understand that there were more ways to tell these classic stories than the Disney way. The humor here was contemporary and original while still respecting the lessons these were designed to convey.
Comic fandom has crossed so thoroughly into the mainstream, that mass media is proving elastic enough to encompass what was previously considered the obscure. Case in point, the just-released Justice Society: World War II direct-to-video film. Here is a story focused on the first comic book team that finally gets the spotlight after making cameos and guest appearances on animated and live-action television productions dating back to Smallville.
And of course, there’s Steve Trevor (Chris Diamantopoulos), the audience’s human connection to the story. Here, he’s accomplished and heroic, but hopelessly devoted to Wonder Woman, proposing to her daily. He’s probably the best thing in the film.
Director Jeff Wamester and screenwriters Meghan Fitzmartin & Jeremy Adams could have done so much more with the source material, but what is presented here is soulless and unsurprising. The animation looks more limited than usual, which takes away from the enjoyment.
BURBANK, CA – Embark on an incredible adventure into a parallel world when Warner Bros. Home Entertainment releases His Dark Materials: The Complete Second Season, the critically-acclaimed original fantasy series from HBO, on Blu-rayTM and DVD June 29, 2021. Adapted from the second book of Philip Pullman’s epic trilogy, which has sold over 22 million copies worldwide, His Dark Materials: The Complete Second Season features all seven episodes from the exciting second season plus over an hour of special features including an all-new never-before-seen featurette. The release will be priced at $29.98 SRP ($39.99 in Canada) for the Blu-ray, which includes Digital Copy (US Only) and $24.98 SRP ($29.98 SRP in Canada) for the DVD. His Dark Materials: The Complete Second Seasonis also available to own on Digital via purchase from digital retailers.
Stana Katic returns to the DC Universe Movies as the voice of Wonder Woman in Justice Society: World War II – which is current available on streaming services.
ESPN and Marvel announced
ESPN commentators Ryan Ruocco and Richard Jefferson will provide commentary in a fully customized Marvel-themed studio at ESPN’s Bristol, Conn. campus. Additionally , the special presentation will include commentary and analysis from Marvel expert Angélique Roché.
Matthew Mercer, who provides the voice of Hourman in the next entry in the DC Universe Movies canon, Justice Society: World War II. Also attached is an image of the character.
Omid Abtahi is currently commanding the fanboy scene with featured roles in The Mandalorian and American Gods, complementing his notable past roles in Argo, Better Call Saul, and Damien, as well as voice performances in the World of Warcraft and Call of Duty videogame franchises. Justice Society: World War II represents his DC Universe Movies debut.
