FORTIER TAKES ON ‘OUTLAW BLUES’!
Season 2 of Game Of Thrones premieres tonight on HBO, and people have been chomping at the bit to find out what will happen this year after the events of last year. Never fear! We here at ComicMix have acquired detailed and extensive information on what will happen in the next seasons of the Emmy-award winning drama, directly from George R.R. Martin himself.
Click here for Game Of Thrones Season 2 spoilers, Game Of Thrones Season 3 spoilers, Game Of Thrones Season 4 spoilers, and Game Of Thrones Season 5 spoilers!
In a landmark proceeding, the American Nazi Party has sued Marvel Comics and its owner, The Disney Company, over the latter’s use of the character Adolf Hitler as well as their use of the stylized “swastika.”
The American Nazi Party is claiming trademark violation, a claim attorney Frankie Abbott perceives as “vacuous.” The renowned First Amendment and Title 35 lawyer believes both Hitler and the swastika are in the public domain. Hitler was a historical figure who ran “The Third Reich,” an alternate name for the German Empire in the early 1940s. “The use of the so-called swastika dates back over a millennium,” Abbott notes, “and has been used in Asian and Native American culture ever since.”
Nonetheless, the American Nazi Party has filed in the United States District Court, Central District of California, seeking $45 million in damages and a permanent injunction ordering a cease-and-desist on the use of their alleged trademarks, including in reprints of previously published materials. Further, the American Nazi Party seeks an additional $250 million in damages from the motion picture Captain America: The First Avenger, produced by Marvel Studios, a division of Marvel Entertainment. The Party claims contractual representation for the estate of the German Führer und Reichskanzler, and is taking these actions on their behalf.
Neither Marvel nor Disney attorneys responded to ComicMix by deadline.
AS I SAID LAST WEEK AND THE WEEK BEFORE – WARNING: I’m assuming that people reading this have seen the movie and thus will be fine with my discussing elements of the plot. If you’re one of those who haven’t watched the movie, do yourself a favor and DON’T READ THIS. See the movie instead and have your own experience with it. Trust me. You’ll be glad you did. If you need a plot synopsis, imdb has a good one here.
Last time we met we were examining the film Casablanca, looking at it through story structure. I want to continue with that this week, working with the climax and the coda.
The climax of a story is the scene beyond which you can’t imagine any other. It resolves all major conflicts (although some minor ones can be reconciled in the coda, which is the last scene of the story). So… is the climax in Casablanca when Ilsa goes away with her husband? It would seem so, wouldn’t it? That’s the major question that’s been driving the film.
I’d like to offer an alternative answer by first asking a question – whose story is it? Who is the protagonist, the central character by whom and by whose actions the rest of the story is driven? It’s Rick’s, both by his refusal to help earlier in the film and by his actions as we race towards the climax.
For me, the real story isn’t Rick and Ilsa although it is an important, vital element in the story. Rick is emotionally dead at the start of the film; he doesn’t care about anyone or anything. Burned, scarred emotionally, he’s closed off from caring about anyone or any cause again. The most alive we see him is in the Paris flashbacks, in love, knowing the Gestapo will come looking for him when the Germans march into the city.
Paris is the symbol of life, of Rick being fully alive. Ilsa tells Rick about halfway through the film that she can’t explain what happened to him; the Rick she knew in Paris would understand but not the Rick that he has become. Late in the movie, Paris comes up again – Rick tells Ilsa that now, as a result of everything that has happened in the movie, they’ll always have Paris. He didn’t have it – he was dead – until she came to Casablanca but now they both will. He’s alive again.
The climax of Casablanca is when Rick shoots Strasser, knowing what the consequences will be for him and willing to pay the price. It’s the only way he can be sure that Ilsa will escape. He escapes his fate only because Captain Renaud, the corrupt French official who is also his friend, covers for him with “Round up the usual suspects.”
The coda is all about the final image and/or line; it’s what you want the audience to have in their minds as they leave. Casablanca has one of the best I’ve seen in films. Rick and Renaud, walking side by side away from us, through rain puddles, towards a life with the Resistance. The tag line, “Louis, I think this is the beginning of a beautiful friendship” is simply one of most memorable lines in all of cinema. It’s all the more amazing when you discover that it was added at the last moment, dubbed by Bogart after filming was completed. What an indelible final image!
Serendipity played more than a small part in making Casablanca the classic that it is. We’ll talk more about that next time.
MONDAY: Mindy Newell, R.N., CNOR, C.G.
ALL PULP REVIEWS by Ron Fortier
New Texture and MensPulpMags.com manfully present

Weasels Ripped My Flesh! A shirt-ripping, gut-punching anthology of
two-fisted writing, ripped from the pages of long-lost men’s adventure
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sex, crime, combat, jungle goddesses, beatnik girls, LSD experiments,
animal attacks … and nymphos. Always nymphos.
Weasels Ripped My Flesh! Showcasing rare, bare-knuckle stories by
some of the toughest writers ever to punch a typewriter: Lawrence
Block, Mario Puzo, Bruce Jay Friedman, Robert F. Dorr, Harlan
Ellison, Robert Silverberg, Walter Kaylin, Walter Wager, Jane
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Weasels Ripped My Flesh! Edited by Robert Deis, with Josh Alan
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Coming this summer from New Texture. Man up.
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feed on their site, here.
The Weasels Ripped My Flesh! Facebook page is here.
Despite changes in cast and time slots, HARRY’S LAW continues to defy the odds and survive through their second season. Cast members Nate Corrdry and Karen Olivio talk about fighting the odds alongside Kathy Bates. Plus there’s more with Poppy Montgomery from UNFORGETTABLE and CLERKS on Broadway – really?
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Only Jimmy Holm and the strange alliance of power political leaders and Underworld kingpins known collectively as the Secret Twelve possess the will to stand against Death and his Undead things. But to win, Holm must ally himself with the mysterious Egyptian ruler known as Queen Charmion. Can she be trusted? More importantly, how do you defeat a human monster who can implant his soul in the body of any living person at will? Can anyone be trusted if they might be in realityÃÂÃÂÃÂâÃÂÃÂÃÂÃÂÃÂÃÂÃÂæDoctor Death?ÃÂÃÂÃÂÃÂÃÂÃÂÃÂàBuy the second audiobook of one of our most popular titles for only $17.98 on Audio CDs from Radio Archives.



New Pulp Author Bobby Nash was recently interviewed by Jessica Lay for her Jess Resides Here blog. They discuss everything from Bobby’s latest work, the art of making covers, and what types of books he likes to read.
You can read the full interview at http://frellathon.com/2012/03/31/author-bobby-nash-interview-2/