FORTIER TAKES ON ‘GIRL GENIUS’!
(Agatha Awakens)
You think you’ve got the pulse of this year’s Mix March Madness Webcomics Tournament? Here’s your chance to prove it. If you’re the first person to predict every strip that makes it to the Final Four, you’ll win a $50 gift card from Amazon. Here’s how:
That’s it. If you’re the first person who correctly names the winners of the four brackets, you’ll win a [[[$50 gift card]]] from Amazon. (After all, why should only the winners of Mix March Madness get any money?)
No entries made after 11:59 PM Eastern Daylight Time on March 16, 2012 will be considered. No purchase required. Contest void where prohibited by law.
Good luck!
But before we get to this week’s topic, John Carter (of both Mars and East St. Louis), I’d like to apologize to the students and faculty of the State University of New York at New Paltz for the talk I gave there on Friday, during which I allowed myself to ramble…
But you want to know what’s pathetic? An old fossil, his dome a’shining, unable to remember if he ever edited (or wrote) a John Carter of Mars comic book.
One more thing about New Paltz… I’m not sure why I rambled – I did have notes laying there on the table in front of me. But ramble I did and, again, I apologize…
John Carter? Yes, John Carter. As most of you know, there is a major movie, in 3-D as well as the plain vanilla 2-D, just released and undoubtedly playing at a theater near you – here in Nyack, the nearest screens are at the Palisades Mall and we’ll probably saunter up there one day soon. We didn’t go on opening day because I’d promised to speak at New Paltz…
Yeah, about New Paltz: I think I was okay until I asked for questions from the people in front of me – handsome, lovely young people! – and let me assure everyone that the questions were and are not to blame, the fault is entirely mine….
But I was telling you about John Carter: I know I once worked on a title that featured some John Carterish material, probably adapted from the work of John Carter’s creator, Edgar Rice Burroughs… By the way, did you know that he also created Tarzan of the Apes, which was his big, big success…
I should mention to you kids at New Paltz that I often ask for questions from the audience or class or whatever I’m talking to – well, actually, there’s no particular reason I should mention it, it’s just that I want to mention it…
And while we’re on the subject of mentioning – did I mention that John Carter is one of my oldest friends? That I was best man at both his weddings? Wait…this might be confusing. I wasn’t at the wedding or weddings of John Carter of Mars, assuming he was ever married – did he make an honest woman of Dejah Thoris?… no, my John Carter is from East St. Louis, Illinois, though he now lives in Northern California near San Francisco, which has always been one of my favorite cities, even before John Carter – the one who never got to Mars…never even got as far as the moon, unless he did and neglected to mention it to me – even before that John Carter took up residence in the Bay Area and that’s got to be something like forty years, more or less, and single-parented one of my favorite people, Katie, who teaches psychology in Washington State…by the way, I’m also fond of John Carter of East St. Louis’s other offspring, Dylan, who lives and works in Missouri – I haven’t seen either of John’s children in years, though I did exchange email’s with Katie and had a phone conversation with Dylan…
Five hundred and twenty eight words already? Where does the space go?
FRIDAY: Martha Thomases and the Doonesbury Strip-Tease
TIPPIN’ HANCOCK’S HAT- All Things Pulp Reviewed by Tommy Hancock
THEATER OF VAMPIRES
by Guido Henkel
Published by Thunder Peak Publishing
2010
I’ll admit that I’m usually (with a few exceptions) an easy reviewer of initial books in new series. And there’s a few reasons for that, but that doesn’t mean my praise on the first volume is false, it isn’t at all. The true strength, though, for me in a series is not simply how good the first book is, but if the second book in the series meets or exceeds my best thoughts of its predecessor. That’s how I gauge whether or not I’m going to stay with a series for awhile.
Guido Henkel’s THEATER OF VAMPIRES, the follow up to DEMON’S NIGHT and the second in the Jason Dark series definitely set the hook I’d already swallowed with the first volume.
In this adventure, Investigator of the Supermatural Jason Dark and his now apprentice/partner Siu Lin (one of the best parts of the first book) set out to investigate killings that may center around a theatrical production new to England. This extravagant, wildly weird stage show, considered an example of Grand Guignol, is allegedly about vampires and how they feast on humans. When Dark becomes concerned that reality may be stranger than staged fiction and a real threat might haunt the aisles and back stage of this production, he and Siu Lin turn to one of Dark’s old friends and jump neck first into the bloodiest, boldest adventure yet.
It’s a foregone conclusion with this book that Jason Dark will encounter something monstrous, something supernatural. As a matter of fact, that point is driven home even more in this volume due to a certain Doctor spying Dark at the Theater and imploring that Dark visit this Doctor and his ‘friend’ soon, a friend who, though in the same field as Dark, did not believe in the supernatural, only in the logical. Henkel fantastically weaves a believable world in his own version of Victorian England, even sprinkling it with real and fictional personages. One of the neatest is Dark’s inventor friend, Herbert, who although he doesn’t appear in this volume, casts a long enough shadow that I have a fair idea who he is. Combine this wonderful name dropping with Henkel’s horrifying descriptions, crackling dialogue, and excellent pulpy pacing and THEATER OF VAMPIRES is an excellent second chapter in the literary life of Jason Dark
FIVE OUT OF FIVE TIPS OF THE HAT-Wickedly fun.
This week, the Earth Station One podcast tackles a topic that pulp fans can understand and sympathize with. That’s right. They’re talking Reboots, Reimaginings, Remakes & Relaunches. Oh my!
Stop if you’ve heard this one before! The ESO crew gets deja vu all over again as we discuss the hot button topic of remakes in TV, movies, comic books, and more. Are they just money grabs or is imitation indeed the sincerest form of flattery? Mike Faber, Mike Gordon, and Bobby Nash point out the good, bad, and completely unnecessary. We also talk to Rebecca Perry about her spine-tingling experiences at the Days of the Dead show in Atlanta and artist Anthony Owlsey takes a turn in The Geek Seat. All this, plus the usual Rants, Raves, Shout Outs and Khan report!
Join us for yet another episode of The Earth Station One Podcast we like to call: Reboots, Reimaginings, Remakes & Relaunches. Oh my! at http://www.esopodcast.com/
Direct link: http://erthstationone.wordpress.com/2012/03/14/eso-episode-102-reboots-reimaginings-remakes-relaunches-oh-my/
Table of Contents
0:00:00 Intro / Welcome
0:04:56 Rants & Raves
0:39:17 The Geek Seat w/ Anthony Owsley
0:56:56 Reboots, Reimaginings, Remakes & Relaunches
2:00:08 Khan Report w/ Rebecca Perry
2:31:36 Shout Outs
2:36:17 Show Close
If you would like to leave feedback or a comment on the show please call the ESO feedback line at (404)963-9057 (remember long distance charges may apply) or feel free to email us @ esopodcast@gmail.com
TIPPIN’ HANCOCK’S HAT- All Things Pulp Reviewed by Tommy Hancock
DEMON’S NIGHT
by Guido Henkel
Published by Thunder Peak Publishing
2009
Ever since a particular detective first made his literary presence known in The Strand Magazine (and actually in other ways even before that), there’s been a bevy of creators find themselves drawn to tell imaginative tales replete with shadowy twists and tangled turns in the fog ridden streets of England in the late 19th Century. Many of those have dared to mimic Doyle, others have worked to flat out ignore him, and still others have gone steps beyond where his most notable creation ever went. It’s a rarity, to me anyway, when someone writes in that vein and simultaneously completely respects what came before while completely and totally having absolute fun with what they are doing.
Guido Henkel, the architect of the now 11 volume JASON DARK series, skillfully manipulates everything readers love about Victorian England and the supernatural while obviously having the best magical, mystical, monstrous time a writer can have in DEMON’S NIGHT, the novella featuring the debut of the Victorian Detective that handles the cases his better known peer won’t often even entertain.
People are dying in Whitechapel. Not an unusual thing, except the bodies being discovered are withered, drained of every fluid possible, dried like prunes. Tweaking the interest of Dark, the murders are the doing of a demon, a slave serving a master seeking release. And only Dark and a young Oriental woman with skills all her own stand in the way of this netherworldly plot.
DEMON’S NIGHT is a wonderful story and great introduction to Jason Dark. Obviously owing a bit of who he is to those who came before him, Dark is also a figure all his own. At times moody, often introspective, and dangerously spontaneous when it’s least advised, Dark applies logic while opening his mind to the weirdness the world truly has to offer. The supporting cast appearing around Dark for the first time is definitely an added asset to the story and the character. Siu Lin, initially a victim of the beast of the tale, quickly proves her worth to Dark and makes a great compliment to his rather complex lead.
Henkel keeps the story rolling, darting back and forth between Dark’s and the demon’s perspective, and makes sure the reader stays along for the action packed storm that unfolds from beginning to end.
FIVE OUT FIVE TIPS OF THE HAT- DEMON’S NIGHT is not only a great start, it’s a truly awesome tautly told, well crafted novella featuring the best of Holmesian influence and Henkelian talent.
UPDATE: Round 1 voting is closed! Round 3 voting is open right now!
First, thank you to the thousands of people who voted in the nominating process, as well as all of you who added your favorite webcomics to the list. We’re adding all of the webcomics you suggested to our directory.
But now, the challenges start!
These are the top 128 webcomics you’ve chosen, and we’re running a single elimination tournament to winnow down to the favorite. There are so many webcomics, we’ve had to break them up into four divisions– Giraud, Moldoff, Robinson, and Simon. The winner of each division will get $25 in their tip jar and advance to the Final Four. Whoever ends in second place will get $50, and the winner will walk away with $100. UPDATE: And if you’re first to pick the Final Four, you will win a $50 gift card from Amazon!
The first round starts right now, and ends Friday at midnight. We’re starting with 64 contests, so go vote already!
(more…)
Here at ComicMix we’ve run a couple tributes to Jean Giraud, a.k.a. Moebius. Michael Davis did his yesterday, Glenn Hauman wrote the obituary on Saturday. There might be more coming because Jean Giraud, a.k.a. Moebius, was exactly that important. Here’s how this master of our beloved medium affected me.
It was December 31, 1973, and I was in Montreal, Quebec, Canada. Quebec is Canada’s most French province, and most of the people speak French-Canadian and most of the signs and radio stations are in French. They care about their heritage and their culture and, surrounded by the United States and Ontario, they have an understandably protectionist attitude.
So there I was in downtown Montreal. To be specific, I was in a Woolworth’s, then a distinctly United States institution, now sadly missed. There is no easier way to absorb the cultural differences than to see how others interpret our stuff, and this Woolworth’s was distinctly French-Canadian.
For one thing, they had a big selection of what we now call graphic novels. Not only did most domestic Woolworth’s neglect to carry comic books, we didn’t even have graphic novels in the States.
A couple of cigarette smoking skinny kids – teenagers, probably five years younger than me – approached me as I was gawking at the book racks. One mumbled something in French-Canadian. I looked at him blankly; like most United States citizens, I am linguistically challenged. I said “I’m sorry, but I don’t speak French.” Well, nor did they, but that’s not the point. The kid who approached me leaned in and translated. “Do you have any spare change?” Embarrassed, I gave him something and they slinked away in distain, leaving me to my profoundly holy moment.
I started pawing the racks, picking up each different title and thumbing through in amazement and astonishment. I’d seen a few such pages reprinted in books, but there had been only a few at that time and there were no English-language translations readily available in the States. At that time, my comic book choices came in but a few flavors: superhero, war, romance, mystery; all targeted to an age that was south of mine.
But here in Montreal was a wonderworld of choice, and I was… well, actually, I was pissed. Why didn’t we have this opportunity? Why were we restricted to such narrow fields of routine genre fiction?
Of the many titles in my view, I rapidly realized one single artist dominated the rack. I quickly understood why: he was mind-numbingly different.
He was Jean Giraud… a.k.a. Moebius.
My jealousy grew as I saw these and other books for sale at damn near every Montreal subway station I visited – and I visited quite a few, because they are beautiful. Besides, much of the newer downtown Montreal at the time was underground.
The name Jean Giraud, a.k.a. Moebius, was burned into several of my more prominent lobes. I was able to acquire imported English-language versions, and as Michael noted yesterday, Heavy Metal came along and made my quest easier.
Jean Giraud, a.k.a. Moebius, opened my eyes to the communications medium I had enjoyed and even worshipped since I was four years old. He re-fired my sense of wonder. He showed me that everything I knew was not enough, and damn it I wanted more.
Thank you, Moebius. I won’t miss your work; it’ll be here forever.
And don’t get me started on Lt. Blueberry.
THURSDAY: Dennis O’Neil
I am the proud owner of two, that’s right two original pieces of Moebius art.
It’s a big deal and it’s not a big deal. It’s a big deal because Moebius is one of the greatest artists ever. Period.
It’s not a big deal because hundreds, maybe even thousands, have an original piece of Moebius art.
That’s because he gave them away.
At comic conventions he would sit and do free sketches for people. So there is a multitude of people who all have original Moebius art.
Think about that for a second. Moebius one of the greatest artist ever, gave away sketches for free. And he did the drawings just for you.
That boggled my mind then and it boggles my mind now.
I was fan from the second I saw his work in Heavy Metal magazine way back when. Huge fan.
I had – and still have – a Moebius pen and ink style. I also give away free art at conventions, because no one would pay me, and I do those drawings in a Moebius pen and ink style.
When asked (rare as it may be) to do a drawing I still do them for free and, yes, if you catch me somewhere and I have a moment and you would like a Michael Davis drawing I will be happy to do one for you. But…
I only draw one thing… a drunken fat Batman. Long story and I will share… but not now. Now, I must digress for a moment before retuning to Moebius.
Many (I’d say most) of you just know me from my weekly rants here at ComicMix or for my f-word laced rants on my site. I’ve had a weird career in comics. That’s also a story for another time but take my word for it most of the stuff I’ve done has been behind the scenes.
I make deals. That’s what I do. That’s yet another story for another time but that’s pretty much my career in comics I’m a deal maker and I’m talking big deals also.
I’m real good at deal making, Hell I’m the freakin’ best at it if you ask me. I’m not bragging. It’s not bragging if you can do it.
I can do it.
I’m co-founder of Milestone Media and once during one of our San Diego convention trips in the mid 90s my three partners, the late Dwayne McDuffie, Denys Cowan and Derek Dingle and I, were manning the Milestone booth in shifts.
On this day, during my brake from the Milestone booth I stood on a very long line to get my second Moebius drawing. The day before I stood on line during my break for the first. When I got back to the booth I proudly showed off my new Moebius drawing.
Denys looked at it like he was going to punch me and take it. Dwayne was just as impressed, I think Derek was scaring some kid away. How? Derek took his role as President of Milestone Media very seriously. He wore tailored suits everywhere, even comic conventions. He looked like a Fed and that scares people. Really, it does.
While we were looking at the drawing Denys and I started taking about Moebius and just how cool it would be to get him to do some Milestone covers…
“That will never happen.” Dwayne said in that Dwayne is always right tone of voice, because, well, he was always right.
“Why not?” I asked. “He’s one of the biggest artists in the industry, one of the biggest artist in the world. He’s swamped and impossible to get to.” Dwayne retorted.
“I got to him twice, today and yesterday.” I dead paned.
We all laughed at that and after that moment passed I told Dwayne I was going to ask Moebius. He said, and I’ll never forget it, “If you can get him then I’ll believe the hype.”
I got him.
Moebius did four covers for us and we then turned those covers into posters.
It was quite a coup for Milestone and me.
Moebius passed away Saturday and it really messed me up for most of the day. I not only admired his work I was a fan of the way he lived his life. Never a bad word about anyone or anything, always took the time to talk (and draw!) to his fans. He was just a wonderful man.
All these years I thought the reason Moebius did those covers was because I was such a hot shot dealmaker.
Nope.
He did those covers because he was the real deal just a wonderful, wonderful, person.
He didn’t see Michael Davis, fast talking dealmaker. No, Moebius saw a fan that stood in two very long lines twice to get those drawing. He did those covers for the fan boy who really loved his work not the executive from Milestone.
That realization came to me like a brick to my forehead this morning when I heard the news. I’m now certain the answer would have been “no” if he didn’t know I was such a fan. Don’t ask me how I know, I just do.
Nevertheless, I did get a coup. Four coups, actually.
I have two Moebius drawings, I spent some time with him and he drew characters I co-created.
Not bad for a fanboy eh?
Rest in peace, dear Moebius, you were one of the greats, as an artist and as a man.
WEDNESDAY: Mike Gold Weighs In