Category: News

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Interview: Grant Morrison on ‘Final Crisis’ and ‘Doctor Who’

grantmorrisoncomic-3297974As I wandered around the press gathering at the New York Legend Award ceremony for Stan Lee, I saw a familiar face — a face I first saw in an issue of Animal Man many years ago.

It was, of course, Grant Morrison, who is currently wowing folks in All Star Superman and weirding them out in Batman.

Known for cosmic-scale work in such titles as The Invisibles and various stories during his run on JLA, Morrison seemed the perfect choice to handle DC’s upcoming crossover mega-event, Final Crisis.

I spoke with Morrison about the influences and potential ramifications of Final Crisis, as well as his future as one of the primary architects in the DC Universe. We also chatted a bit about another series that has us excited: the reinvigorated hit BBC science-fiction classic, Doctor Who.

COMICMIX: First of all, you have to settle a bet for me, Grant. In the weekly series 52, the villain called "The Ten-Eyed Man" was re-introduced for the first time since Crisis on Infinite Earths, except now it was a whole cult of ten-eyed warriors who were very creepy and seemed to be mystical and demonic. That revamp had to be your idea, right?

GRANT MORRISON: Yes, yes it was.

CMix: I knew it! I said, "That is pure Morrison!"

GM: Wait ’til you meet "The Nine-Eyed Man" in Batman. He’s a renegade who cut off one of his fingers and is crazy now.

CMix: That’s just so weird, I love it.

(more…)

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Battlestar Galactica Interview: Mark Verheiden on Tyrol’s Guilt and Baltar the Traitor

Welcome to the latest installment of Battlestar Galactica Weekly, our recurring Q&A with Mark Verheiden, co-executive producer of the hit Sci-Fi Channel series Battlestar Galactica. Each week, we’ll interview Verheiden about the events of the week’s episode, what those events might mean for both the season and the series, and hopefully unearth some clues about what to expect as the final season of Battlestar Galactica nears its conclusion.

Along with posing our own questions to Verheiden, we’re also taking questions from fans — so be sure to send your questions to me, your official BSG Weekly interviewer, after each episode airs at chris [at] comicmix [dot] com. New episodes of Battlestar Galactica can be seen every Friday at 10 PM EST on Sci-Fi Channel. You can view previous interviews via the links at the end of this article.

This week, Verheiden answers questions about the fourth episode of Season Four, “Escape Velocity,” which aired April 25, 2008. Note: These questions may contain spoilers, so read at your own risk.

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COMICMIX (from reader John): What did Tyrol do at Cally’s funeral that Tigh felt might have given them away?

MARK VERHEIDEN: When the Chief grabbed Tigh and Tory in the receiving line, I think they could sense the intensity of his desperation and confusion.

Their concern was less about what he did during the ceremony than his precarious mental state in the wake of Cally’s death.  Given Tyrol’s explosive comments to Adama, it’s not that far-fetched.

CMix (from reader John): Wouldn’t the final four put themselves at less risk if they stopped getting together and chatting about what they are all the time? Or, are they just programmed to do that?

MV: Short answer is yes. But on the other hand, they do have ongoing Cylon business to discuss in private. But programmed to do it? I don’t think so.

CMix (from reader Leah): How can the Six in Baltar’s head lift him up and turn him around?

MV: I would argue that Baltar’s gyrations were still him contorting himself, as if Number Six were hoisting him from the floor. I am reminded of Church services where people, in the throes of religious fervor, can evidence remarkable physical contortions, ”speaking in tongues,” etc. 

But feel free to interpret the scene in other ways if you’d like…

CMix (from reader Avery): The reading scenes between Adama and Roslin have been lovely. Will we be seeing more of that – or potentially more than that – as their relationship, and her cancer, progresses? (more…)

Interview With Larry Fong, Cinematographer for ‘Watchmen’

While much of the hubbub over the movie adaptation of Watchmen has related to director Zack Snyder’s thematic and narrative choices, questions also remain over how the movie will visually reflect Dave Gibbons’ work on the seminal comic.

In answering some of those questions, Larry Fong, who is the cinematographer on the film, spoke with ComicUS (scroll down for the English version). Fong, who also worked on 300, said Watchmen will use less green screen than that film and will try to hew closely to Gibbons’ art.

There isn’t an underlying template on the movie per se. In fact one of the most exciting things about it is that it’s kind of all over the place, visually. We had so many opportunities to explore different looks and there’s even a few scenes that pay homage to other films…I won’t give anything away just yet, of course. …

In Zack’s storyboards, there are frames that are very similar to those in the graphic novel. But photographically, it was more important for me to capture the spirit of Watchmen. That’s more of an intuitive process.

Fong also hinted at Snyder’s next project:

Zack is planning to make another film next year based on an original story he’s had in his head for a long time. It’s crazier and wilder than all his films put together… hopefully I’ll be working on it too!

Happy Birthday: Uncle Marvel

Sure, everyone knows that Billy Batson, Mary Batson, and Freddy Freeman could say their magic words and transform into Captain Marvel, Mary Marvel, and Captain Marvel, Jr., three of the World’s Mightiest Mortals, also known as the Shazam family.

Yet in their regular lives, they were mere children, and often needed a protector and mentor. They found him in the guise of their uncle Dudley, who was actually not related to any of them. Very little is known about Dudley before he joined the Shazam family. He may have been a failed stage magician and a confidence artist at some point, and he had been married but was since divorced.

Dudley discovered the Marvels’ secret by happening across Mary’s Good Deed Ledger and returned it to her, claiming to be her long lost uncle. He also claimed to have magic powers of his own and wore a Marvel costume he had made himself—when Mary transformed Dudley stripped off his regular clothes to reveal the costume and become Uncle Marvel. He established a business, Shazam Incorporated, to channel money from the Marvels’ deeds into charitable organizations, though he did pocket a little of the money for himself.

The Marvels quickly found out about his scheme, and that he was not related to them and didn’t actually have any powers. But they liked Dudley, who was otherwise a good person, and so they allowed him to maintain the charade. Dudley explained his lack of powers after that by saying he had lost them due to a bad case of “shazambago.”

Despite having no powers Dudley could often trick opponents into defeating themselves, and he did provide a caring paternal figure for the three young orphans.

Mekhi Phifer to Star in ‘Hunter’s Moon’ Film

Mekhi Phifer, who stars in ER, has signed on to appear in an upcoming comic movie adaptation, according to Reuters.

Phifer will take the lead role in Hunter’s Moon, which originally appeared as a five-issue series that came out last year. It features a father and son who go on a hunting trip to a rural area and become framed in a theft.

The series, which also touches on racial issues, was written by James L. White. White wrote the screenplay for Ray, the biopic of Ray Charles. No word if he’s adapting the script on Hunter’s Moon.

Hunter’s Moon was published by BOOM! Studios, which is producing the film.

Del Close Close Up, by Mike Gold

Well, it’s about time.

Author Kim Howard Johnson, former comics newsman (the late, lamented Comics Scene), occasional comic book writer (Superman: True Brit, with John Cleese and John Byrne), and frequent ComicMix commenter, has written the definitive biography of his mentor, collaborator and friend, comedy legend Del Close.

It’s called The Funniest One In The Room: The Lives and Legends of Del Close (Chicago Review Press, $24.95), and I’ll admit right off it’s impossible for me to not absolutely love a book in which I am mentioned in the second paragraph. I could have titled this column “Me and My Ego” but, no, this one’s about Del’s ego.

Comics fans may be familiar with Del’s work in collaboration with John Ostrander on Munden’s Bar during its original First Comics run, and/or their work together on the even-more-over-the-top Wasteland, the one we did at DC Comics. In fact, it was Del who suggested the title.

Students of American cultural history know Del as a Shakespearean actor who also performed on television and in movies and plays by Steve Martin, Jules Feiffer, William Saroyan, Judge Julius Hoffman, and Kaufman and Hart. But he is best known for his work as a director, teacher and mentor to – to name but a very, very few – John and Jim Belushi; Brian Doyle, Joel, and Bill Murray; Howard Hessman; Rob Reiner; Joe Flaherty; Harold Ramis; Betty Thomas; George Wendt; Tim Kazurinsky; John Candy; Chris Farley. Tim Meadows; Andy Richter; Stephen Colbert; Steve Carell; Kim Yale… and literally hundreds more. Oh, yeah… he was also rehearsal director of Saturday Night Live for a couple years and he created the format for SCTV. (more…)

ComicMix Columns for the Week Ending April 28, 2008

Last weekend’s New York Comic Con affected ComicMix columnists in different ways, with Michael, Martha and myself all musing about the con experience (and Dennis and John discussing other events of note from that same weekend).  Here’s what we’ve written for you this past week:

Michael’s column totally wins for "best byline" this week..  He probably wins for  "best comment thread," too.

Happy Birthday: Russell T. Davies

Born in Swansea, Wales in 1963, Russell T. Davies was immediately entered in academia—his father Vivian taught Classics and his mother Barbara taught French. Davies attended Olchfa Comprehensive School in Swansea and was a member of the West Glamorgan Youth Theatre.

He graduated Worcester College, Oxford in 1984 with a degree in English literature and turned to the theatre but soon left to work for BBC television. Davies started as a floor manager and then graduated to production assistant, but in the late 1980s he took the BBC’s directors training course. From 1988 to 1992 he produced children’s shows for BBC Manchester, and began writing for that division as well.

In 1991 Davies wrote his first television drama, Dark Season. Two years later he wrote Century Falls, technically a children’s show but dark enough that Davies realized he was better suited for adult programming. In 1992 he moved to Granada Television, producing and writing their children’s hospital drama Children’s Ward. He also began writing for several of Granada’s adult shows.

In the late ’90s Davies left Granada for Red Productions and created Queer as Folk and several other shows. He returned to the BBC in 2003 when they offered him his dream job, helming the revival of the long-running science-fiction series Doctor Who.

Since then, Davies has produced and often written not only Doctor Who but also two spin-off shows, Torchwood and The Sarah Jane Adventures—he can be reasonably credited with introducing a new generation and much of the world to the adventuring Time Lord and his companions and friends.

‘Iron Man’ Premieres Thursday at 8 PM

Hooray, hooray, the first of May; outdoor– er, Iron Man begins today!

Paramount is planning to open Iron Man at 8:00 PM on Thursday, May 1, instead of one minute past midnight on May 2nd as originally planned. The studio is apparently hoping that great word-of-mouth will help boost box-office business for the weekend.

Early buzz has been strong, let’s see how big a weekend it’s going to be, shall we? Place your bets in the comment section. I’m starting with $115 million for the first four days.