The Mix : What are people talking about today?
The Muppets Send Up The Hunger Games
Exemplifying brilliant timing, Walt Disney has released a new parody trailer, this time skewering the eagerly awaited The Hunger Games, opening March 23. Meantime, it reminds us how funny the Muppets can be, just in time for their recent film, The Muppets, to come out on home video on March 20.
The Muppets will be available in a variety of formats including The Wocka Wocka Value Pack, containing the movie on Blu-ray high-definition, DVD and Digital Copy (3 discs) plus a download card for the film’s soundtrack from Walt Disney Records.
LANCE STAR: SKY RANGER VOL. 4 FLIES INTO PRODUCTION
![]() |
| Cover Sketch by Felipe Echevarria |
Airship 27 publisher, Ron Fortier unveiled the cover artist and cover sketch for the fourth volume in the highly popular Lance Star: Sky Ranger pulp anthology series.
| Cover mock up ad |
The cover sketch by Felipe Echevarria included with this entry is just a tease of the upcoming painted cover, which depicts a scene from Bobby Nash’s story from this volume called “Ring of Fire.”
Lance Star: Sky Ranger vol. 4 includes stories from New Pulp Authors Bobby Nash, Andrew Salmon, Tom Novak, and Sean Taylor. Edits by Ron Fortier. Production design by Rob Davis. Cover by Felipe Echevarria. Interior art by Scott “Doc” Vaughn.
Look for Lance Star: Sky Ranger vol. 4 coming from Airship 27 Productions.
You can learn more about artist Felipe Echevarria at http://www.felipe.tv/ or www.facebook.com/people/Felipe-Echevarria/100000501620661
For more information on Airship 27 Productions, visit them on-line at http://www.airship27.com/ and http://www.gopulp.info/
For more information on Lance Star: Sky Ranger, visit http://www.lance-star.com/
Lance Star: Sky Ranger volumes 1, 2, & 3, and the Lance Star comic book “One Shot!” are still available. Look for links at http://www.bobbynash.com/ and http://www.lance-star.com/.
REVIEW: Fan Favorites Part Two: The Odd Couple, Cheers, Fraiser
While television at first reflected American culture, it then tried to mold it in the 1950s before giving up all pretense towards reality in the 1960s. The seismic cultural shifts in the latter part of the decade could be felt everywhere, including television. A rule of thumb is that the theater reflects society fastest with television and film following years later. That certainly seemed to be the case as the television series of the latter 1960s began to explore the themes people had been debating in classes and on the streets. It also forced producers to mirror the reality of the day, no longer attempting to display the ideal lifestyle.
Neil Simon was one of the brightest playwrights of the decade, having cut his teeth on live television in the 1950s. His play The Odd Couple became a box office smash film and a perfect vehicle for a sitcom. It represented a new breed of comedic television when it arrived on September 24, 1970. Over the course of its five seasons, the show, starring Jack Klugman and Tony Randall, was never less than funny and often sharp with its humor and display of human foibles. (more…)
MICHAEL DAVIS: African-Americans in Comics Exhibit
I’m looking for a few good artists.
In February 2013, I will have the honor of curating a galley show called Milestones: African Americans in Comics. Pop Culture and Beyond. The show will held at the Geppi Entertainment Museum in Baltimore, Maryland.
It’s my goal to make this the most comprehensive showing of black comic and related content ever assembled.
The Geppi Museum is nothing short of fantastic and as mentioned I am indeed honored to be creating this show for them. The best of the best will be showcased… but that’s not what I’m writing about today. Today I’m looking for a few good artists.
A few good new artists.
Soon the process will begin to select the professional artists for the show. Some will be invited others will be asked to submit work for jury selection. Consider this my ComicMix reader jump start for any new artist out there who may want to submit work for the show before the official call for entries.
I want to showcase new creators who may not be published yet. The show will have a worldwide audience as it will be up for a year and the press coverage will be massive. The opening of the show will surely attract comics elite and powerful and will be a grand way for a new artist to have his or her work showcased.
The show is not just open to black creators. It’s a show about African-American impact in pop culture. I’m open to any art that features or has been influenced by the African-American experience.
To put it another way, the Black Panther was created by Jack Kirby and Stan Lee.
‘Nuff said.
I’m looking for creativity, excellence and above all voices with something to say.
In the months ahead, the Geppi Museum will be releasing information on submissions and updates on the show as it progressives.
If you can, try and see the show while it’s up. There will be punch and pie.
THE MOON MAN RISES IN AIRSHIP’S NEWEST ANTHOLOGY!
The Point Radio: Sulu Trumps Tia On CELEBRITY APPRENTICE
The new season of CELEBRITY APPRENTICE is loaded with dramatic personalities and we’ve got two right here. STAR TREK Alumni George Takei and actress Tia Carrere join Donald Trump to talk about what we can expect on the show in the next few weeks. Plus was that a WALKING DEAD spoiler we saw?
The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebook right here & toss us a “like” or follow us on Twitter @ThePointRadio.
REVIEW: Fan Favorites The Honeymooners, Happy Days, Hogan’s Heroes
The medium of television is often a reflection of our times and sometimes an overly idealized, unrealistic portrayal of American life. As radio programming became nationally broadcast series, they reflected the rural lifestyles and Depression-era standards of its time. As a result, many of these shows were transferred with little change from radio to television. Similarly, as prosperity brighten America’s fortunes, so did the images of life shown in living rooms around the country.
On Tuesday, CBS Home Entertainment released seven samplers of six situation comedies and one drama with the contents selected by the fans themselves. In part one of our review, we’ll be looking at the earliest offerings and seeing what they tell us. (more…)
MINDY NEWELL: Two Karas And A Buffy
…with thanks to Martha Thomases!
A long time ago – in 1959 – in a galaxy far, far away – well, actually, just over the Bayonne Bridge on Staten Island – I met Kara Zor-El.
I was six. She was 12 years old … in Earth years.
I could walk, run, ride a bike, and ride a horse. She could fly.
I was always getting numerous cuts and scrapes and bruises. She was invulnerable.
I had 20-20 vision. She had X-ray vision, telescopic vision and heat vision.
I would get in trouble for not hearing my mom or dad calling for me to come in and eat supper. She had super-hearing.
I was fast. She could break through the time barrier.
I got kicked out of Girl Scouts (remind me to tell you why – it’s not what you think). She joined the Legion of Super-Heroes.
My mom gave me money to go rent a horse for an hour so I could ride. She had her very own horse. Okay, he was actually a handsome man from another planet, but let’s not get Freudian here, okay?
I didn’t have a dog. I really wanted a dog. My parents said no. Okay, she had a cat. Not a fan of cats. Why couldn’t she have a dog?
I wasn’t Superman’s cousin. She was.
If Superman got in trouble, I couldn’t do a damn thing to help him.
She was his secret weapon. Which meant that he depended on her to pull his green-glowing ass out of the Kryptonite frying pan time and again.
No wonder I loved her.
Kara Thrace.
A long time ago – 150,000 years ago – in another galaxy far, far way, she fulfilled her destiny and led the rag-tag fleet led by the Battlestar Galactica – all that was left of the human race after its destruction by the Cylons – to a new beginning on a new Earth.
Stogie-chomping, card-sharking, Viper-jockeying, Kara Thrace.
Hard-drinking, troubled, two-timing, bitchin’ Kara Thrace.
Killed in action, resurrected, disappearing-into-thin-air Kara Thrace.
Call sign: Starbuck.
Frakkin’ Kara Thrace.
No wonder I loved her.
Buffy Anne Summers.
Not that long ago – 1992 – in still another galaxy far, far away, an apt description of California to some – a fifteen year old girl who lived in Los Angeles met her destiny while sucking on a lollipop on the steps of her high school. Soon after she burned down her high school gym. Her parents divorced and she and her mom moved to Sunnydale to start over.
Only Buffy couldn’t start over.
For “in every generation, there is a chosen one. She alone will stand against the vampires the demons and the forces of darkness. She is the slayer.”
For seven years, Buffy took on the natural and the supernatural, the unworldly and the all-too-real world, took on and stood up to and faced it all.
Vampires. Robots and a cyborg. Witches. Demons. Gods.
High School. College. Relationships. A job she hated.
The divorce of her parents.
Betrayal.
Desertion.
Death.
Life.
She cried. She fought. She survived.
And she went to the mall.
No wonder I loved her.
TUESDAY: Michael Davis
Watch a 10-minute clip from “John Carter”
John Carteropens in theaters this Friday.





