Category: News

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Jon Sable, Freelance: Holiday Blow Up

  • News
  • April 15, 2008

08-7534009In today’s brand new episode of Mike Grell’s Jon Sable, Freelance: Ashes of Eden, Sable and Maggie the Cat have to find Bashira and the bomb before Rockefeller Center explodes.  

The GPS shows them where she is — but will they stop her in time?

Credits: Glenn Hauman (Colorist), Glenn Hauman (Assistant Editor), John Workman (Letterer), Mike Gold (Editor), Mike Grell (Artist), Mike Grell (Writer), Shannon Weaver (Colorist)

More: Jon Sable Freelance: Ashes of Eden

 

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‘Incredible Hulk’ Poster Revealed

  • News
  • April 15, 2008

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The Incredible Hulk is looking to be the green-headed stepchild of the summer movie season.

Everyone is going gaga over The Dark Knight and Iron Man, while no one is paying any attention to the Hulk’s film. Is it because of the negative opinion of Ang Lee’s Hulk? Is it because no one really cares about the character, or is the film just being lost in a season of box office megahits?

The general apathy around the film is only increased by the fact that the film’s very first poster was released today. Keep in mind the film is set to be released on June 13.

The poster is definitely evocative of the classic Incredible Hulk TV show, but will that be enough to get people in theaters?

Head over to IGN to see the full sized version of the green goliath’s one sheet for yourself.

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Interview: Zak Penn on The Grand, X-Men Fans and Co-Writing Hulk

  • News
  • April 15, 2008

ctonymark-com[UPDATE: After posting this interview, a representative of Zak Penn contacted ComicMix to state that Penn is not attached to a Captain America film at this time, despite the timing of his response during this interview (and our accurate transcription of the interview as it occurred). -RM]

In Hollywood, where "overnight success" can often take many years, writer/director Zak Penn is one of those exceptions that proves the rule. Rocketing to A-list screenwriter status right out of college with his first script, Last Action Hero, Penn has had a varied and successful career during the intervening years.

Since his first sale, Penn has written or contributed to screenplays for films such as Inspector Gadget, X-Men 2, X-Men: Last Stand, The Mask of Zorro, Men In Black, Fantastic Four and the soon-to-be-released Incredible Hulk. In addition to writing, Penn has also taken turns behind the camera and directed two films. His latest directing effort, the improv comedy The Grand, opened last month in Los Angeles and New York — with a wider release to come later this month. 

Recently, ComicMix caught up with the talented Mr. Penn to get all the latest news on The Grand, Incredible Hulk, X-Men, as well as his thoughts on dealing with fan reaction to his work and the comic book movie he really wants to make someday.

COMICMIX: Zak, thanks for taking the time to talk. How are you doing?

ZAK PENN: Good, man. Hectic as usual.

CMix: You’ve got a movie you directed that’s just come out in L.A. and New York and opening wider this month. Tell us a little about it.

ZP: The Grand is an improvisational ensemble comedy, set against the backdrop of a World Series Of Poker-type tournament.  It’s basically Woody Harrelson, David Cross, Richard Kind, Chris Parnell, Cheryl Hines, Dennis Farina, Ray Romano, Werner Herzog, Gabe Kaplan . . .

CMix: So, a bunch of unknowns, then…

ZP: Yeah, a bunch of nobodies. [Laughs] And Gabe Kaplan and Werner together… So good. I did it like I did my last movie, using an outline and just [improvising] off of it. We shot it and it premiered at Tribeca last year and now its out and expanding to 20 cities this month.

CMix: That’s great. So as a screenwriter, obviously you’ve written a lot of movies, so why improv?  Why not write a script?

ZP: I think it kind of forces me to get away from the stuff that I do, you know? I’ve kind of gotten used to writing in a certain style and falling back on certain types of scenes and this forces me out of it. I can’t do those things.  So I think part of it is to kind of create a new discipline for myself to get something different done.

One of the things I liked about this movie is, I never would have written this script.  If I sat down, I wouldn’t have thought of going in the same directions this movie does, so it’s new to me and fresh to me. It’s almost like having an entire cast of co-writers.

CMix: Because you’re creating it as you go along, basically, with all of your actors?

ZP: Yeah.
 
CMix: Did you get into screenwriting with a plan to direct someday?

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The Shadow’s Web, by Dennis O’Neil

  • News
  • April 15, 2008

With the kind permission of Anthony Tollin and Mike Gold, this week’s column is an adaptation and condensation of an introduction I’m writing for a forthcoming edition of Mr. Tollin’s repackaging of the original Shadow novels. No formal recommended reading this time, but the volume in which the much longer version of what’s below will appear – Shadow #19 – will be on sale in the latter half of June.

Let us, for just a little while, indulge our wish that the great mythic and fictional heroes did and do exist. We are told – and remember, we’re in believer mode – that a diligent historian named Maxwell Grant was privy to the life and thoughts of a mystery man who, though he was probably born Kent Allard often assumed the identity of Lamont Cranston, one of those gentlemen of wealth and leisure who seemed to proliferate in the 30s, the years of the Great Depression, and become almost extinct after World War Two. We are assured that many years ago, while traveling in the Orient, that he acquired certain extraordinary skills – they might even be termed “powers” – and that these aided him in the activities of another of his personae, the relentless and dreaded nemesis of crime known only as The Shadow.

Now, let us entertain a hypothesis. It’s possible, perhaps even probable, that our eastern sojourner, during his investigations, came across reference to Indra’s Net, perhaps while thumbing through a yellowing old volume he found in a bookshop located in a winding Calcutta alleyway. (Would the book have been written in Hindi? Likely. Would Mr. Allard have mastered enough of that language to read it? Again, likely.) Being the ever-curious investigator he had to have been in his salad days, Mr. Allard would have made further inquiries regarding this “Indra’s Net.”

Here is what he might have learned:

In Svarga, the realm of the god Indra, there is a network of gems arranged in such a manner that if a person looks at one of them he sees all the others reflected in it.

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‘Star Blazers’ Superfans Interviewed

  • News
  • April 14, 2008

ComicMix pals Michael Pinto and Brian Cirulnick were recently interviewed by the crew at StarBlazers.com, the official website of the Star Blazers animated series, and the conversation is an interesting read even if you’re someone who’s (gasp) not very familiar with the series — like me, for instance.

Along with running the show over at Anime.com and Fanboy.com, Pinto and Cirulnick were also the creators of the first official Star Blazers fan organization and the very first Star Blazers fan film, respectively. How’s that for fanboy cred, eh?

In the interview, Pinto and Cirulnick discuss the ins and outs of the superfan scene, the evolution of fan organizations through the years and how a mutual obsession admiration for a series can turn into a career.

Here, Pinto discusses the "duping parties" that made it possible for American anime fans to get their fix:

I hate to say it but in the early 80s most of our fan activity was trading video tapes from Japan. It’s funny that people talk about illegal downloads as something new, but without tape-trading, anime fandom would never have gotten started in the United States. People would have pen pals from Japan send them tapes and they would makes copies of those for other friends. Being an analogue medium, the quality of the tapes got pretty bad pretty quickly. Most of my early anime memories were of 5th generation VHS tapes, chock-full of static, noise distortion and tracking issues. At many conventions we’d have tape-duping parties where we would daisy-chain VHS decks together to make copies. These sessions would run an entire weekend and were the only source of anime for many fans.

 

Celebrating Cambodian Creator Séra

  • News
  • April 14, 2008

With comics being created throughout the world, it’s all too easy to overlook some of the medium’s best talents. The lack of recognition for Séra, the French-based cartoonist who’s created a collection of graphic novels sketching out tales of the Khmer Rouge.

Like Art Spiegelman and Marjane Satrapi, to name two, Séra looks back on the ugly history of his native land and weaves it into comic book stories (he’s created 12 books). Séra (real name Ing Phouséra) was born in Cambodia and fled for France in 1975, just as Pol Pot took control of the country.

A recent article on TIME magazine’s Web site, takes a look at this largely unknown creator:

Séra started his first graphic novel about Cambodia, Impasse et Rouge — chronicling the years just before the Khmer Rouge — in 1987, five years before Art Spiegelman’s Maus would win a Pulitzer for its famous depiction of the Holocaust and demonstrate that gravitas and the graphic arts were not mutually exclusive. Impasse et Rouge wasn’t published for almost another 12 years. Although the following two titles about Cambodia, L’Eau et la Terre (2005) and Lendemains de cendres (2007), were picked up in fairly quick succession by the major French comic publisher Delcourt, Séra has still not had the international success that "serious" comic books artists like Spiegelman, Daniel Clowes (Ghost World) and Marjane Satrapi (Persepolis) have enjoyed. He teaches drawing by day and works as a night porter at a Paris hotel to get by.

I’ve looked to see if any of his books have been translated to English, but I haven’t found any so far.

Demons of Sherwood: Daring Escapes?

  • News
  • April 14, 2008

In today’s brand-new episode of Demons of Sherwood, by Robert Tinnell and Bo Hampton, our heroes have to escape from fire and water.

The monastery burns around them, and not everyone gets out alive. But those that do escape may not be the lucky ones.

Credits: Bo Hampton (Artist), Bo Hampton (Colorist), Bo Hampton (Letterer), Bo Hampton (Writer), Mike Gold (Editor), Robert Tinnell (Writer)

More: Demons of Sherwood

 

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Interview: Josh Blaylock on ‘Voltron: A Legend Forged’

  • News
  • April 14, 2008

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For the record, I’m a child of the giant robot generation. I grew up pondering the life lessons of 1980s cartoon series such as Robotech and Transformers, and formulated complex theories regarding the place of Go Bots and Tranzor Z in the hierarchy of the universe’s massive mechas. Looking back on it now, I’m fairly certain I had the makings of a fairly impressive thesis on the subject of giant robots completed before I was 10 years old.

However, there was always one wildcard in my studies: Voltron.

The 1984 series Voltron: Defender of the Universe featured a giant mecha composed of five smaller lion-shaped robots. Each lion controlled by a young pilot. Voltron and the "Lion Force" pilots defended the universe against a host of threats that often took the form of monsters launched into battle via coffin-shaped shuttles. The forces at play in the series were equal parts magic and science, and the title character’s ever-changing list of powers and abilities called upon during the series’ long run caused me endless frustration in my attempts to rank Voltron alongside his peers.

In 2003, I found myself thinking about Voltron (and humming <a href=”

series’ theme song) once again when Devil’s Due Publishing began producing comics based on the Voltron series. Despite its highly praised development of the characters and mythos of the Voltron universe (including contributions from noted creators such as Mark Waid, Kaare Andrews and Dan Jolley), the series was cancelled in 2005 without concluding its final storyline.

Nostalgia for the character has endured, however, and it now appears as if 2008 will be another big year for Voltron and the Lion Force. Earlier this year, DDP released the Voltron Omnibus, a collection of the entire DDP run that includes the previously unpublished final issue of the 2003-2005 series. The Devil’s Due crew also announced the July release of Voltron: A Legend Forged, a five-issue miniseries that promises to take readers on "a spectacular quest, 1200 years into the past." The series will be written by DDP President Josh Blaylock, and feature interior art by G.I. Joe: America’s Elite artist Mike Bear.

I spoke with Blaylock about the new Voltron series and its place in the character’s complicated history, and picked his brain about the character’s role in the world of giant robots.  DDP also provided ComicMix with new art from the series, including both an inked and full-color version of the first issue’s Tim Seeley cover, as well as an E.J. Su variant cover featuring Voltron in its popular "Lion Force" form. Full-size versions of each cover are posted at the end of the interview.

COMICMIX: First, let me get the most general pair of questions out of the way: Why Voltron and why now?

JOSH BLAYLOCK: It’s been a while since we played with Voltron, but lately there seems to be something in the air. The DVDs are selling like crazy, the Reeboks shoes, the streetwear. All that, combined with the movie buzz, and it seems like a great time to kickstart a new Voltron miniseries, and who knows, maybe more. (more…)

Battlestar Galactica Interview: Mark Verheiden on Cylon Humanity and Boomer’s Motives

  • News
  • April 14, 2008

Welcome to the latest installment of Battlestar Galactica Weekly, our recurring Q&A with Mark Verheiden, co-executive producer of the hit Sci-Fi Channel series Battlestar Galactica. Each week, we’ll interview Verheiden about the events of that week’s episode, what those events might mean for both the season and the series, and hopefully unearth some clues about what to expect as the final season of Battlestar Galactic nears its conclusion.

Along with posing our own questions to Verheiden, we’re also taking questions from fans — so be sure to send your questions to me, your official BSG Weekly interviewer (chris [at] comicmix.com) after each episode airs. New episodes of Battlestar Galactica can be seen every Friday at 10 PM EST on Sci-Fi Channel. Previous interviews are available via the links at the end of this article.

This week, Verheiden answers questions about the second episode of Season Four, “Six of One,” which aired April 11, 2008.

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COMICMIX (from reader Mike): Is Sci-Fi hiring documentary filmmakers during the production of Battlestar? We’ve seen the short humorous videos for the video blog, but I mean longer Lord of the Rings-esque documentaries on the extended DVDs.

MARK VERHEIDEN: I don’t think there have been documentary teams roaming around, at least that I’ve seen, but I think Ron Moore plans to release more podcasts at some point, including ruminations from all the writer/producers on what the show has meant to them, fave episodes, etc. 

CMix (from reader Jeff):  Kara spoke of a yellow moon, yellow sun, and ringed gas giant while at Earth, but she also mentioned a comet and three blinking stars. This seems to foreshadow the Jesus legend. If the modified Greek mythology is what has shaped the human culture then the story must end with an Earth that has or can give rise to these gods, correct? After all if time is a closed loop, the end is the beginning.
 
MV: Unfortunately again, any answer I might give — from “yes” to “no” to “maybe” — takes us into spoiler territory, so I’ll just say “keep watching.”

CMix (from reader Katie): Was the scene between Kara and Roslin at the beginning of the episode meant to mirror the scene in “Home” when Sharon aims a gun at Adama and then turns it over to him to prove that she has free will?  If so, the very different way this showdown turned out, with Roslin firing on Kara, shows just how much has changed since Kobol.
 
MV: I don’t think it was meant to mirror that earlier scene, but the second part of your comment is certainly correct, in that much as changed for our characters emotionally since Kobol.  And you haven’t seen anything yet… (more…)

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DC’s Killing Fields, by Mike Gold

  • News
  • April 14, 2008

chp-9129134How many times can you run a stunt into the ground in one month before you just look like you’re totally bereft of originality? DC Comics’ June, 2008 solicitations, as published in Diamond Distributing’s Previews catalog, offers no less than six phony death and/or resurrection stunts.

Gotham Underground #9 asks the musical question “Will Penguin pay the ultimate price?” Well, who cares? If he’s dead, he’ll get better. Death has no sting in the DC universe.

Batman #678 is the third part of their “Batman R.I.P.” arc. “Is it truly the end for one of the world’s finest heroes?” the solicitation asks.  Forgive me, but how many times have the sundry world’s finest heroes R’ed in P? Hell, I’ll bet if you ask them they would have wanted to stay dead at least a bit longer in order to get some rest in peace. I should add Robin #165 to this list as it ties in to Batman #678 and has Robin holding a dead-looking Batman on the cover. Maybe – probably – the old buzzard isn’t dead. The fact is, it doesn’t matter.

Booster Gold #10: “Someone from his past must live and someone must die!” My wife informs me (happily) that Ted (Blue Beetle the Second) has already been resurrected. The death – if it actually happens – well, again, who cares? If it was somebody important, he/she/it wouldn’t be killed off in Booster Gold. Unless the stunt has grown so lame that DC is willing to bury it in a title such as this.

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