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The Muppets Comes to DVD on March 20

If you missed seeing the return of The Muppets in, well, The Muppets, then you get another chance when the movie is released on video this March.

Director James Bobin revealed all the Easter Egg inspirations found throughout the delightful film in an interview and it’s worth a look.

Here’s the press release:

BURBANK, Calif., January 20, 2012 –– One of the year’s best-loved family comedies and among the best reviewed films of 2011, Disney’s The Muppets, starring Jason Segel, Academy Award®-nominee Amy Adams, and favorite celebrity couple Kermit the Frog and Miss Piggy — debuts March 20 on Blu-ray™ Combo Pack, DVD, Digital Download and On-Demand formats. A must-own movie the entire family can enjoy, Disney’s The Muppets in-home release includes the DVD and music soundtrack packaged together and also offered as the ultimate Muppets experience, a ‘Wocka-Wocka Value Pack,’ which contains the movie on Blu-ray high definition, DVD and Digital Copy (three discs), plus a download card which allows fans to own all the songs from the film’s hugely popular soundtrack.

Disney’s The Muppets Blu-ray Combo Pack, with its flawless picture and pitch perfect sound, comes with a fantastic slate of bonus content including the laugh out loud “The Longest Blooper Reel Ever Made (In Muppet History––We Think).” The exciting release also includes the hilarious featurette “A Little Screen Test on the Way to the Read Through,” which follows Jason Segel, Kermit, The Great Gonzo, Fozzie Bear, Miss Piggy and others as they get ready for the first day of production, and much more fun. (more…)

Bone: The Quest for the Spark Continues in Volume Two

Since the color editions of Bone began appearing nearly a decade ago, Jeff Smith’s delightful series has become synonymous with Scholastic’s Graphix imprint. In 2009, Scholastic concluded a deal that allows them to publish expansion material set in the Bone universe such as the Tall Tales collection that came out a while back.

Last year, a new series, Quest for the Spark, began but what made this unique was that these books would be illustrated prose works. Tom Sniegoski, who collaborated on Tall Tales, has been penning the stories while Smith (with colorist Steve Hamaker) has provided the covers and spot illustrations. Volume two is due out momentarily with volume three coming this summer.

When this was first announced, Smith noted on his website, “I was a bit unsure about this project when Tom first suggested it, but when I read the first book I laughed so hard, I agreed to do it. Scholastic was so blown away by it, that they decided to make it available in hardcover and wanted the illustrations, of which I think I’m going to do about twenty, full bleed and in color.”

The reality is the second book as 12 full page pieces along with spot art but it’s all nicely spaced out. So, what are the books about? Well, first of all, these are considered Bone: Legacy even though you the reader will call them Quest for the Spark. They include characters from the original series including the Two Stupid Rat Creatures and Roderick the Raccoon, Master of the Eastern Border, Thorn Harvestar, and Rose (Gran’ma Ben) Harvestar.  While mentioned, the Bone cousins will not be seen nor are active participants. (more…)

Saturday Morning Cartoons: “DC Super Friends”

Here’s a fun one you may not have seen: when Fisher-Price began to produce DC Comics characters in a kid-friendly toyline named after the Super Friends, a cartoon was created to package with the toys and to test the waters for a new TV series.

And these people had the right mindset. Take a look, and see if you fall in love in the first few minutes with Superman, Batman, Flash, Green Lantern, Hawkman, and Cyborg in… ah, but that would be telling. Just watch.

MARC ALAN FISHMAN: Make Mine Valiant

fishman-column-art-1201211-4988326So, I’ve spent the last few weeks ranting and raving about DC. And face it, there’s still plenty there to mine. From their recent canning of six titles and announcing six more (none of which I think will last a year) to their recently leaked ”sticker logo”… I could have a field day continuing to bash and dash. But alas, I grow weary of being hypocritical. I bitch and moan about them a ton, yet the majority of the cash flowing out of my pocket to frivolity generally concerns a majority of DC books, and related merchandise. So, for now, I’m waving a white flag, and turning my gaze elsewhere. Somewhere dashing, daring, and dare I say… Valiant.

On May 2nd, Valiant Comics will be reborn. Their flagship title, X-O Manowar, will hit the shelves. I will admit freely to you all that I know nothing of the Valiant universe. Let’s quickly Wikipedia that, for those in a similar boat. Wow, what a story! In 1989, Jim Shooter, one of the Allman Brothers crew, and some other financiers tried to buy up Marvel. They didn’t get it. Thus Valiant was born! They got a few heavy-hitters, and released a line of books. In 1994, they got dumped by their initial investors, scooped up by then-important video game creator Acclaim, and died a slow and boring death as their continuity-heavy line became too heavy a load to bear. Legal battles and the like kept things grounded for a while, but as you’ll now note: it’s all been solved, and the line will reconvene with Free Comic Book Day 2012. And due largely to some lackluster books by DC, and Marvel’s Next-Big-Waste of Time, I’m at a loss for why I shouldn’t take this as a sign to give Valiant a shot.

A recent press release for the budding brand hyped the announcement of the creative team for X-O. Surrogates scribe Robert Venditti and Conan artist Cary Nord will unite to bring us a tale of a time-lost ancient warrior given amazing future technology and plopped on the populace in 2012. Color me intrigued. I happen to love the Surrogates original graphic novel, and sneak peaks at the pencils of Nord show me that the book will look amazing to boot.

But this leads me to the bigger question. What is Valiant’s battle plan? Will they rise up and be a contender with the Big Two? I doubt it. The marketplace is crowded as it is. Image, Dark Horse, IDW, Dynamite, Avatar, and Boom! all struggle to keep a cohesive line. Face it, each of those aforementioned second stringers all have one or two big fish, and then spread themselves thin on bargain-bin fodder from licensed properties that appeal to the niche audiences. Well… the niche of this niche, if you get my drift.

Mind you, I’m not trying to poop on the parade, I’m just wary for any “line launch” in a continually crowded comic rack. And a subsequent Google search doesn’t even have the company site at #1 in the rankings. What appears to be a company website is just a form with “Notify Me!” on it. Bad mojo my friends.

Let us consider Boom! Studios’ Stan Lee line, launched in 2010. Four books with solid concepts released very close to one another. The critics didn’t quite rave about any of them, and I rarely hear anyone discuss them at the shop when I pop in on new comic book day. Valiant certainly has picked a good time to strike, but I’m hoping it’s done more intelligently. Case in point?

Boom’s other cash cow, the Irredeemable universe. Launched as a single amazing comic, smartly spun off into a single other title that has refrained for years before crossing directly into one another. Join that to a solid base of fans consistently purchasing the book due to high standards of art teams and consistent writing… and you have something worth copying. While I myself have recently stopped my subscription to Irredeemable, I don’t knock those still following on. It’s the kind of model I hope Valiant is paying close attention to.

Ultimately, X-O Manowar‘s release got me genuinely excited for a new title to latch on to. With a strong creative team announced, and DC and Marvel knee-deep in their own crapulence, Valiant stands to gain a following again. If they stick to releasing solid books, refrain from event-driven releases, and put their books out on time… I see no reason why they won’t stick around for a long while.

Also, they should hire Unshaven Comics.

SUNDAY: John Ostrander

Review: Lord Of The Jungle #1

Reviewed by Joshua Pantalleresco
Lord of the Jungle is Dynamite’s Adaptation of Tarzan.  I have to admit I was both enthusiastic and skeptical when I heard of this book.  I was skeptical because Tarzan’s depth of character is rarely explored.  His animal cunning is always apparent, but one of the things that always got me was how intelligent Tarzan is.  He taught himself to read in the original novels.  That kind of intelligence is often missed as part of the character. 

The first two images of the comic are two skeletons.  It’s a very grisly image and hints at the tragedies that occur in this issue.  Yet the third panel managed to dispel one of my misgivings immediately.  Tarzan is learning how to read.  This is going to be an intelligent Tarzan.  The contrast on that first page is very fitting.  There is a kind of beauty in the jungle, yet there is a grim, savage reality and it’s all displayed on page one.  

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The rest of the issue takes place twenty years prior when Tarzan’s parents John and Alice were stranded in the jungle by pirates.  There, John and Alice are forced to survive the hostile environment they have found themselves into.  Now the ending if you have read Tarzan is obvious, that said there’s definitely a few touching moments in the first issue.
One of my favorites was when Alice and John defended themselves from a mighty gorilla.  John picked flowers for Alice when a bull ape came from nowhere and attacked.  Both characters managed to protect each other and it gave the scene a very triumphant feel to it and showed how much of a team they were when they worked together.  It mirrored nicely with the end when John died defending the baby by himself.    Tarzan at that point is taken in by the apes. 

Arvid Nelson did a fantastic job with adapting Edgar Rice Burroughs’ John Carter series with Warlord of Mars, and so far it seems he is going to repeat that magic here.  Arvid is faithful to the original material and manages to add and expand moments that were in the novels.  He’s off to a good start adapting this great classic to comics.

I really love Robert Castro’s pencils.  I love his ability to contrast beautiful moments with terrifying imagery.   He’s able to balance some of the horrors of the jungle with some amazing shots.  The opening page is living proof of this, but he manages to do it again and again in the issue.  That one shot of baby tarzan is surrounded by panels of monsters and tragedy.  My favorite image in the book is the landscape shot of Lord Greystroke’s home on page two.   It felt very majestic, even as a shadow of its former brilliance.

Simon Bowland and Alex Guimaraes deserve credit.  The storybook on page one is just brilliant and fun lettering.  It added a kind of innocence to the scene that was sorely needed.

All in all, this is a solid book and a nice addition to any pulp reader’s library.  For one dollar you can’t go wrong.  Hopefully the rest of the series has the same quality throughout.

The Point Radio: BEING HUMAN – More Than Ever?

pt0120121-3120260The U.S. version of BEING HUMAN has roiled into its second season on SyFy. We talk to series stars Sam Witwer and Sam Worthington on what’s the next stage of their transformations, plus D&D Back in a big way and BONE moves closer to the big screen.

The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebook right here & toss us a “like” or follow us on Twitter @ThePointRadio.

Puss in Boots Comes to DVD February 24

The best animated spinoff we‘ve seen in year, Puss in Boots, is coming to DVD on February 24. DreamWorks Animation will be releasing this as a double DVD and a Blu-ray/DVD combo pack.

According to the press release, “Puss in Boots continues the legacy of Shrek, the #1 animated franchise of all time, with the uproarious and irresitable origin story of the notorious fighter, lover and outlaw Puss in Boots.  Filled with hilarious action and adventure, the true tail—er, tale—of how Puss became a hero long before he met Shrek delighted audiences of all ages with its non-stop laughs, daring deeds and original story.   Boasting an all-star cast of voice talent including Antonio Banderas, Salma Hayek, Zach Galifianakis, Billy Bob Thornton and Amy Sedaris, Puss in Boots is a must-own family film with serious cat-itude.”

The DVD, Double Pack DVD, 2-Disc Blu-ray & 3-Disc BD will offer the following contents:

•         Widescreen Format
•         English 5.1 Surround, English 2.0 Surround, French 5.1 Surround, Spanish 5.1 Surround& English Audio Description
•         English, French & Spanish Subtitles
•         Special Features:  (Available on DVD, Double Pack DVD, 2-Disc Blu-ray & 3-Disc BD)

o    Purr-fect Pairings: The Voices Behind The Legends
o    Deleted Scenes: Humpty Plots With Jack & Jill, Humpty Repays His Accomplices & Puss In Boots Fights The Giant
o    Puss in Boots: The Three Diablo’s
o    The Cat’s Meow: Kitten to Cat, Glitter Box Dance Off!, Klepto  Kitty, Kitty Keyboard, Fairytale Pop-Up, Kitty Strikes Again

REVIEW: Kamala Sankaram’s “Miranda”

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What do you get when you take a dystopian who-done-it, three suspects, a composer-soprano-instrumentalist-victim, set it to music that is part Baroque opera, tango, Hindustani classical, and hip-hop, add multimedia elements (including a projected big, singing head and funky fake commercials for deadly fashion accessories and wacked-out news broadcasts), dress it all up in steampunk sensibilities reminiscent of Watchmen, include a bailiff ringmaster of a TV show (The Whole Truth) that would make Tim Curry’s Frank-N-Furter proud, add Rocky Horror-like audience participation, a libretto written by the composer with director Rob Reese, and swirl in six avant-garde new music veteran musicians-singers-actors a la the most recently retooled Sweeney Todd?

This is the hybrid lovely beast that is Kamala Sankaram’s Miranda, which opened in preview (tickets $20, 9 p.m.) on Thurs. Jan. 12th, opened on Friday the 13th, and makes its final performance on the 21st as part of HERE’s 3-year composer-development HARP (HERE Artists Residency) Program. Grandly ironic sensibilities. And it lived up to all its promises despite a few technical nits.

Jerry Miller as the Bailiff plays it larger than life—he sells it, with power, and controls the audience with aplomb: a bravura performance. Sankaram is a soprano worthy of Puccini, in demeanor and vocal timber and skill, plus able to carry her ethnic classical tropes with equal grace, yet still be convincing in the more contemporary milieu of the infectiously heavy hip-hop grooves of the show’s theme she writes for her mini-orchestra (guitar, cello, violin, tenor sax/clarinet, bari sax/bass clarinet, accordion—it needs a viola to round out the dark tones and support the violin and guitar—but I am a violist). Sankaram’s writing is lush, inventive, and dramatic, seamlessly slipping between the genres, and the staging, choreography, and projected imagery do it justice in the appropriately dark and industrial HERE main theatre (holds 100, capacity crowd). Her portrayal of the poor-little-rich girl is at once ditzy (when she speaks) and noble (when she sings), highlighting the dichotomies of her character and her struggles, once she discovers a wrong that shatters her protective bubble, to Do The Right Thing. She and Miller are the stand-outs of this production, along with the behind-the-scenes artists. The other voices: Muchmore’s reedy tenor, Fand’s mezzo, Fleming’s baritone, and those of the supporting cast sung by the multi-winds, were serviceable and had moments.

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Paramount Celebrates Centennial With Location Trip Sweepstakes

HOLLYWOOD CA – Paramount Home Media Distribution (PHMD) announced today that it will launch a monthly sweepstakes beginning in January 2012 in honor of the studio’s centennial celebration.  Sponsored by Delta Vacations, the sweepstakes will give consumers the chance to win roundtrip airfare and hotel accommodations for three nights in any of the 48 contiguous United States*.

Destinations may include cities inspired by some of Paramount’s classic films such as New York City where Francis Ford Coppola’s epic masterpiece The Godfather and the beloved classic Breakfast At Tiffany’s were filmed; Chicago, IL where Ferris Bueller had the best day off ever; San Antonio, TX, where the breathtaking drama Wings was filmed with a cast of thousands; or Hollywood, CA, setting and subject of Sunset Boulevard and home to countless film productions.  Visitors to Paramount’s Facebook page can enter every month throughout the year.

Each month, PHMD will release a classic film from the studio’s renowned library for the first time ever on Blu-ray™ under a monthly theme that celebrates Paramount’s rich cinematic history.  The year-long program will begin with “Best Picture Winners” in January, led by the winner of the very first Academy Award® for Best Picture, the 1927 World War I drama Wings, debuting on January 24th.  February’s theme will be “Love Stories” appropriately headlined by the unforgettable 1970 classic Love Story, which will make its Blu-ray debut on February 7th.

Additional titles scheduled to debut on Blu-ray include Alfred Hitchcock’s classic thriller To Catch A Thief on March 6th; the seminal neo-noir classic Chinatown on April 3rd; the hilarious comedy Clueless on May 1st; John Wayne’s gritty western Hondo on June 5th; the daring, futuristic adventure Barbarella on July 3rd; and the all-star comedy-mystery Clue on August 7th.

AIRSHIP 27 OPENS A NEW HANGAR!

NEW AIRSHIP 27 HANGAR

After months of hard work, Rob Davis, the Art Director has finished work on the new official Airship 27 Productions website.  Titled the Airship 27 Hangar, the site features two all important links.
The first brings visitors to the PDF store where all Airship 27 pulp titles are available for $3 dollars as PDF downloads for their PCs or various e-readers.
The second brings readers to the Airship 27 Print-On-Demand shop at Indy Planet.  Indy Planet is a division of Ka-Blam, one of the leading print-on-demand operations in the publishing world today. 
“Now our fans can find all books with one click of their mouse button,” Airship 27 Managing Editor-in-Chief Ron Fortier announced.  “These new internet shops have allowed us to drop the prices of our product while maintaining the high standard of quality our readers have come to expect from Airship 27 Productions.  These steps insure our continued growth with dozens of great new titles now in the planning stages.”
“Expect our first title of 2012 to be released within the next week,” Fortier continued.  “Both Rob and me are very, very excited about the future of Airship 27 Productions.”
(http://robmdavis.com/Airship27Hangar/airship27hangar.html)