Review: Lord Of The Jungle #1
The U.S. version of BEING HUMAN has roiled into its second season on SyFy. We talk to series stars Sam Witwer and Sam Worthington on what’s the next stage of their transformations, plus D&D Back in a big way and BONE moves closer to the big screen.
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The best animated spinoff we‘ve seen in year, Puss in Boots, is coming to DVD on February 24. DreamWorks Animation will be releasing this as a double DVD and a Blu-ray/DVD combo pack.
According to the press release, “Puss in Boots continues the legacy of Shrek, the #1 animated franchise of all time, with the uproarious and irresitable origin story of the notorious fighter, lover and outlaw Puss in Boots. Filled with hilarious action and adventure, the true tail—er, tale—of how Puss became a hero long before he met Shrek delighted audiences of all ages with its non-stop laughs, daring deeds and original story. Boasting an all-star cast of voice talent including Antonio Banderas, Salma Hayek, Zach Galifianakis, Billy Bob Thornton and Amy Sedaris, Puss in Boots is a must-own family film with serious cat-itude.”
The DVD, Double Pack DVD, 2-Disc Blu-ray & 3-Disc BD will offer the following contents:
• Widescreen Format
• English 5.1 Surround, English 2.0 Surround, French 5.1 Surround, Spanish 5.1 Surround& English Audio Description
• English, French & Spanish Subtitles
• Special Features: (Available on DVD, Double Pack DVD, 2-Disc Blu-ray & 3-Disc BD)
o Purr-fect Pairings: The Voices Behind The Legends
o Deleted Scenes: Humpty Plots With Jack & Jill, Humpty Repays His Accomplices & Puss In Boots Fights The Giant
o Puss in Boots: The Three Diablo’s
o The Cat’s Meow: Kitten to Cat, Glitter Box Dance Off!, Klepto Kitty, Kitty Keyboard, Fairytale Pop-Up, Kitty Strikes Again
What do you get when you take a dystopian who-done-it, three suspects, a composer-soprano-instrumentalist-victim, set it to music that is part Baroque opera, tango, Hindustani classical, and hip-hop, add multimedia elements (including a projected big, singing head and funky fake commercials for deadly fashion accessories and wacked-out news broadcasts), dress it all up in steampunk sensibilities reminiscent of Watchmen, include a bailiff ringmaster of a TV show (The Whole Truth) that would make Tim Curry’s Frank-N-Furter proud, add Rocky Horror-like audience participation, a libretto written by the composer with director Rob Reese, and swirl in six avant-garde new music veteran musicians-singers-actors a la the most recently retooled Sweeney Todd?
This is the hybrid lovely beast that is Kamala Sankaram’s Miranda, which opened in preview (tickets $20, 9 p.m.) on Thurs. Jan. 12th, opened on Friday the 13th, and makes its final performance on the 21st as part of HERE’s 3-year composer-development HARP (HERE Artists Residency) Program. Grandly ironic sensibilities. And it lived up to all its promises despite a few technical nits.
Jerry Miller as the Bailiff plays it larger than life—he sells it, with power, and controls the audience with aplomb: a bravura performance. Sankaram is a soprano worthy of Puccini, in demeanor and vocal timber and skill, plus able to carry her ethnic classical tropes with equal grace, yet still be convincing in the more contemporary milieu of the infectiously heavy hip-hop grooves of the show’s theme she writes for her mini-orchestra (guitar, cello, violin, tenor sax/clarinet, bari sax/bass clarinet, accordion—it needs a viola to round out the dark tones and support the violin and guitar—but I am a violist). Sankaram’s writing is lush, inventive, and dramatic, seamlessly slipping between the genres, and the staging, choreography, and projected imagery do it justice in the appropriately dark and industrial HERE main theatre (holds 100, capacity crowd). Her portrayal of the poor-little-rich girl is at once ditzy (when she speaks) and noble (when she sings), highlighting the dichotomies of her character and her struggles, once she discovers a wrong that shatters her protective bubble, to Do The Right Thing. She and Miller are the stand-outs of this production, along with the behind-the-scenes artists. The other voices: Muchmore’s reedy tenor, Fand’s mezzo, Fleming’s baritone, and those of the supporting cast sung by the multi-winds, were serviceable and had moments.
HOLLYWOOD CA – Paramount Home Media Distribution (PHMD) announced today that it will launch a monthly sweepstakes beginning in January 2012 in honor of the studio’s centennial celebration. Sponsored by Delta Vacations, the sweepstakes will give consumers the chance to win roundtrip airfare and hotel accommodations for three nights in any of the 48 contiguous United States*.
Destinations may include cities inspired by some of Paramount’s classic films such as New York City where Francis Ford Coppola’s epic masterpiece The Godfather and the beloved classic Breakfast At Tiffany’s were filmed; Chicago, IL where Ferris Bueller had the best day off ever; San Antonio, TX, where the breathtaking drama Wings was filmed with a cast of thousands; or Hollywood, CA, setting and subject of Sunset Boulevard and home to countless film productions. Visitors to Paramount’s Facebook page can enter every month throughout the year.
Each month, PHMD will release a classic film from the studio’s renowned library for the first time ever on Blu-ray™ under a monthly theme that celebrates Paramount’s rich cinematic history. The year-long program will begin with “Best Picture Winners” in January, led by the winner of the very first Academy Award® for Best Picture, the 1927 World War I drama Wings, debuting on January 24th. February’s theme will be “Love Stories” appropriately headlined by the unforgettable 1970 classic Love Story, which will make its Blu-ray debut on February 7th.
Additional titles scheduled to debut on Blu-ray include Alfred Hitchcock’s classic thriller To Catch A Thief on March 6th; the seminal neo-noir classic Chinatown on April 3rd; the hilarious comedy Clueless on May 1st; John Wayne’s gritty western Hondo on June 5th; the daring, futuristic adventure Barbarella on July 3rd; and the all-star comedy-mystery Clue on August 7th.
Wednesday Bleeding Cool ran a piece linking to a local news promo promising a titillating exposé on modern comics that will offer tips on “HOW TO K.O. THESE COMICS BEFORE THEY CORRUPT YOUR KIDS!”
These media scare stories are nothing new. They’ve been plaguing comics since the very beginning, whether it was massive public comic book burnings in the 1940s, Frederic Wertham’s attacks in the 1950s, or the retailer stings of the 1980s that led to the CBLDF being formed.
While we’ve seen this type of story arise time and again, it should never be taken lightly. Below we offer some tips on how to deal with hostile cameras if they come to your store.
As I wrote a few weeks ago, this is a great time to enjoy non-realistic fiction. Technology has evolved to the point that, even with no budget, people can tell the most fantastic, unimaginable stories without spending millions of dollars.
As an example, there are two different broadcast network television shows this year based on classic fairy tales. They’re very different, appealing, I suspect, to different audiences. Let’s discuss.
NBC’s Grimm is, in my opinion, the better show. It’s premise is that there is a race of people, Grimms, who hunt down supernaturally evil creatures from folklore, like trolls and ogres and giants. The last Grimm is a young married police detective, Nick Burkhardt, played by David Giuntoli (who looks a lot like Brandon Routh). He is helped in his investigations by a charming werewolf, Silas .
As you might expect from that premise, this series owes a lot of its structure to Buffy, the Vampire Slayer. So you won’t be surprised that the producers worked on Buffy show and the spin-off, Angel, as well as movies. The other two producers have experience in comedy.
The show is paced very much a police procedural, with a crime committed at the beginning of the show that must be solved by the end. The only difference is that the criminals are almost all supernatural, and Burkhardt is the only one who knows. There’s also a continuing story about some kind of conspiracy against the Grimms, one that the chief of police seems to be in on. The relationships among the characters seem real, the town seems like a place where people actually live, and the hero is happily married (at least so far), which is refreshing. Too many shows rely on the sexual attraction between two characters and a “will they or won’t they” dynamic to provide suspense.
By contrast, Once Upon a Time is much more of a soap opera, which is appropriate, given that it’s the lead-in for Desperate Housewives. The premise here is that the fairy tale characters have unknowingly left their dimension because of a spell by the Evil Queen, and now live Storybrooke, with no memory of their true identities.
As with Grimm, every week there is a mystery to solve. The sheriff, Emma Stone, is a former bail bondsman who was brought to Storybrooke by her long-lost son, Henry, who was adopted by Regina, the Mayor. As you might expect from that name, Regina is the evil queen.
Appropriate to a series with a queen, Once Upon a Time is campy fun. There are lots of knowing winks to Disney films, and the comic book rack at the drugstore has only Marvel titles. The child psychologist who works with Henry is, in the fairy tale universe, Jiminiy Cricket. Hilariously, his name on our world is Archie.
Best of all, the mysterious Mr. Gold is played by Robert Carlyle, an actor who can do anything. In Trainspotting, he was a scary psychopath. In The Full Monty, he was adorable. He was a Bond villain. He was Hitler. This show doesn’t give him enough to do.
The Evil Queen is always evil. The good guys are always good. The characters are not as complex as those on Grimm. However, half the time, they get to dress up like royalty.
As I said, I think Grimm works better overall. If you can only watch one, choose that. I can’t imagine why you would have to so limit yourself. Maybe that will be next season’s fantasy series.
SATURDAY: Marc Alan Fishman
It is “The Wicked Day,” indeed, for Merlin, Arthur – and all of Camelot.
It begins with a festive birthday celebration for Prince Arthur … but ends as the destinies of Arthur and the warlock Merlin come clear. This one enormously fateful day is the backdrop for an all-new episode MERLIN, titled “The Wicked Day,” which premieres Friday, January 20 at 10 p.m. ET/PT only on Syfy.
Written by Howard Overman, creator of the popular British sci-fi series Misfits, and directed by Alice Troughton, “The Wicked Day” is a pivotal episode in the saga of Camelot – and begins with the arrival of a sinister-looking visitor named The Gleeman. (more…)
Tommy Hancock, Pulp Ark Coordinator, announced the end of nominations and the release of the ballot for the second Pulp Ark Awards to be given out at Pulp Ark 2012 in Batesville, AR, April 20-22, 2012.
“We had a fantastic turn out in terms of nominations again this year,” Hancock stated. “More than 25 publishers represented across the board, this is a ballot that truly reflects not only the popularity that Pulp has today, but also the variety and creativity within the field.”
Listed below is the Ballot qualified voters received today. Only those who nominated a work or individual in one of the categories are qualified to vote. Voting will end on February 20, 2012 with winners announced soon after.
If you did nominate someone and did not receive a ballot, please email Hancock at proseproductions@earthlink.net and this will be corrected.
There will also be a Pulp Ark 2012 Lifetime Achievement Award given. This will be selected by a committee already chosen and results will be announced on or before February 21, 2012.