To put a new spin on an old phrase, hell hath no fury like a sorceress scorned.

So goes the tale of MERLIN, the international hit series that begins its fourth season on Syfy next Friday, January 6 with the first of a two-part episode that finds Morgana’s blinkered determination threatening not only Arthur’s future, but the very balance of the world. With her magic stronger than ever, the sorceress summons the mighty Callieach to tear open the veil between the worlds. Hellish creatures pour forth, killing any who succumb to their touch. With King Uther a shadow of his former self, it falls to Merlin, Arthur and his loyal Knights to protect the kingdom.

Katie McGrath has spent four years evolving the character of Morgana, once the beloved ward to the king who discovers she is actually his daughter. That secret is revealed to her through her half-sister, the wicked Morgause, who guides Morgana down a path of dark magic, opening her eyes to the true power of her evil. Morgana now has a clear focus: to return to Camelot as its rightful ruler, and bring down her wrath upon all she believes have wronged her.

McGrath has eschewed vacation time away from the MERLIN set in lieu of additional work in productions as varied as W.E., the Madonna-directed drama about the affair between King Edward VIII and Wallis Simpson; A Princess for Christmas, a 2011 Hallmark Channel holiday enchanter starring McGrath opposite Sir Roger Moore; and the upcoming Labyrinth, a medieval tale from Ridley Scott that centers around the Holy Grail.

Before taking a winter holiday, though, McGrath spent some time chatting about the new season of MERLIN, the virtues of playing evil, “Jitterbug Perfume,” the recurring medieval themes in her professional life, The West Wing, Louis XIV, and Florence and the Machine. The Lady Morgana speaks … read on.

QUESTION: The fourth season of MERLIN continues down a darker, more dramatic path. Do you feel the show is following a natural evolution?

KATIE MCGRATH: The guys (co-creators Johnny Capps and Julian Murphy) have found a formula that works, and they’ve taken it to the next level with the fourth season. This is clearly their most ambitious. In four seasons, the characters have changed and grown, and the audience has grown with them. MERLIN still has all the great comedy and relationships that the audiences adore, but we’ve gotten more sinister and the show has gotten there in a very organic way. That was the path that was destined for us. Plus the show has gotten more filmic – it’s bigger in many ways than when we started, visually and in the storytelling. So our episodes are now more like 14 little cinematic films.

QUESTION: Morgana is having dreams in Season Four that include visions of her future … as well as an aged, bearded Merlin. How does this affect her perspective of what she’s doing?

MCGRATH: I think it breathes a fear in her of this character. Morgana doesn’t know that this vision is actually Merlin – she only knows the name Emrys and that he’s a very powerful person.  Before the visions, Morgana didn’t believe she had anything to worry about, because she is so powerful herself. But these visions breed a fear and mistrust in her because she can’t fight what she doesn’t know. So her fear and paranoia of Emrys becomes a major part of the fourth season. (more…)

I stink at writing battles between the superhero and the bad guy.

Oh, I’ve always managed to struggle through – and through the years I’ve learned how to choreograph them pretty well, thanks to watching great action movies, anything from Bullitt to the Die Hard series to the Matrix Trilogy and Kill Bill, Vols. I and II. But I was always happier to write a fight scene “Marvel style,” especially if I was working with an artist I trusted. Full script, though? Talk about pulling teeth!

So why the hell do I love writing comics?

That’s a good question. And here’s the answer.

What has always interested me about the superhero is the what makes them tick?, the what’s going on in their lives?, the how does having special abilities affect a person? Questions. Of course I wasn’t the first comic writer to address these issues. There’s one or two columnists here at ComicMix who have done so and continue to do so – yeah, I’m talking ‘bout you two, John Ostrander and Denny O’Neil. But John and Denny are also able to write great battle scenes. I can’t.

Way-back-when I sat down to try my luck at writing an entry for DC’s New Talent Showcase program, I thought about what was lacking in the super-hero biz. Hmm, I thought. There are superheroes who are men, and superheroes who are women. There are superheroes who date or are married to ordinary women, and there are superhero married couples. But I couldn’t think of any super-hero women who were married to “ordinary” guys. “That could be really interesting,” I thought to myself.

Then something clicked in my brain. “What if,” I said to myself, “these two people are just regular young marrieds, very much in love with each other, expecting their first child, and believing they’ve got the world on a string? And then everything goes wrong. She gains super-powers, but the trade-off is: she loses the baby. And he just can’t deal.  What happens to them? What happens to the marriage?”

And that’s the way I’ve always tried to approach the superhero. Treating them like real people, with real personalities and all the positive and negative traits that real people have. Facing real problems with paying the bills and trying to lose weight.

Let’s take Wonder Woman. I don’t remember the issue number, but it was one of the last few issues before the book went on hiatus until George Pérez reintroduced the character. One of my favorite scenes was the one in which Diana tried to make breakfast, only she burned the toast and undercooked the eggs. It was only about two or three panels, but it made sense to me that as an individual who grew up on a magical island on which time had stopped in the Hellenic Age, a toaster and a frying pan would be as strange to her as, well, the appearance of an Amazon princess in the middle of New York City would be to us here on Earth-Prime.

And, although I’m a staunch pro-choicer, I’ve always believed Diana should be a staunch pro-lifer. Why? Well, think about it. An island of immortal women called Themyiscyra, where men are forbidden. For 3,000 years, cut off from the outside world by powerful magiks, babies are unknown…yes, pregnancy, the unborn child, would be ultimate, holy, sacrosanct, untouchable, inviolable object of worship of a woman raised in this environment.

(Of course, when I mentioned this to Karen Berger once, I believe she was intrigued, but what with Jenette Khan, then publisher of DC, being a friend of Gloria Steinem, and Steinem being one of the “ultimate, holy, sacrosanct, untouchable, and inviolable” feminists of the day, along with being editor of Ms. Magazine, she basically told me to “forget it.”)

I’d like to explore the loneliness of the last survivor of an alien civilization. (Superman, J’onn J’onzz.)

What does it do to a person to be able to run “faster than a speeding bullet” and get stuck in traffic? (Flash, Quicksilver).

How do you not go insane when you’re trapped in a body of rock? (Thing, Concrete.)

If you can fly, would you resent having to walk?

If you have x-ray vision, can you resist taking a look the boss’s e-mails? Or your co-worker’s paycheck?

If you can read minds, do you really want to know what people are thinking?

If you have telekinesis, would you ever get up off the couch?

One of my favorite science fiction movies, definitely on my top five list, is Forbidden Planet, in which the monster is a creature risen from the jealousies and fears that lurk within the human mind.

“Creatures from the id.”

Yes.

The enemy within.

TUESDAY: Michael Davis

Crap. Crappity crappitry crap.

It’s New Year’s Day. If it was New Year’s Eve I could look backwards and wax philosophic about 2011. But here we are smack dab in the middle of New Year’s Day, Day 1 for the year 2012, so I really should be looking ahead and prognosticating about what the year will bring especially for comics and related media.

I’m a crappy prognosticator.

Years ago, I read a squib in a newspaper about how a Japanese cell phone company had worked out how to add a camera to their phone and I thought, “What a stupid idea. They’ll have these crappy little photos and how good could the lens be and so on. Who would want that?”

Well, everyone, as it turned out.

Before that, I read another little squib about how the Dean of St. Paul’s cathedral in London was going to do a controlled jump with a parachute from the top of the church to bring attention to a rock opera that was premiering called “Jesus Christ Superstar.” And I thought, ‘What a stupid idea. A rock opera? About Jesus? Who would want to go see that?”

Well, gobs and gobs of people, as it turned out.

So I’m not the world’s foremost prognosticator. The Great Criswell I ain’t.

This year, however, it may not matter. The Mayan calendar ends with 2012 and some people predict that means the world is going to end in 2012. Heck, they’ve already done a big, loud, lousy movie about it. How you can take such a potentially fantastic event and make a lousy movie about it is beyond my – wait. The director was Roland Emmerich, wasn’t it? He’s also the one who directed Anonymous which says Shakespeare didn’t write Shakespeare’s play (piffle, I say!). And the producer/director of the heinous Godzilla remake. Never mind.

Okay, I grant you that maybe this isn’t real strong evidence. I mean, just because the calendar I have on my wall ended last night didn’t mean the world ended. Not if you’re reading this. I bought another calendar. And if the Mayans were all that sharp as prognosticators, why didn’t they chop up every single Spaniard they met into tiny little pieces?

In 2012, we have The Avengers movie coming out, the new Spider-Man movie, The Dark Knight Rises, and even the first of The Hobbit movies. The first of The Hunger Games movies, the next James Bond movie (Skyfall) will also make their appearances. Heck, based on the latest trailer, I’m hyped to see John Carter. This doesn’t even include the stuff that I don’t know I’ll want to see yet. I didn’t know about Hugo until relatively late this year and that may be my favorite film of 2011.

Seriously, would any sort of just and loving god end the world before Mary and I get to see The Hobbit?

Wait, That’s right. I’m agnostic. Said so last week. Doesn’t matter; I’m not going to believe in the Mayans either. We’re going to have 2012 and it’s going to be fun. Despite the Mayans, despite the elections, there are good times waiting out there.

As Stan (the Man) Lee himself was known to say: “Face front, True Believers! Because that’s there the future’s coming from!”

Words of wisdom for us all. Happy New Year, folks.

MONDAY: Mindy Newell

Cover Art: Bob Hall. Colors: Tom Smith

Barry Reese unveiled the cover to the new Tales of The Rook anthology over at his website, http://barryreese.net/, this week. The cover (seen above) is by comics legend Bob Hall with colors by Tom Smith.

The Tales of The Rook anthology will feature stories by Ron Fortier, Mike Bullock, Perry Constantine, Tommy Hancock, Bobby Nash, Michael Edwards, and Barry Reese.

Look for Tales of The Rook from Reese Unlimited and Pro Se Press in the first half of 2012!