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Pulp Modern Issue Two Delivers Christmas Cheer

Leaner, meaner, and two bucks cheaper! Just in time for the holidays, Pulp Modern #2 is now available at Createspace.

Publication Date: Dec 01 2011
ISBN/EAN13: 1467974072 / 9781467974073
Page Count: 144
Binding Type: US Trade Paper
Trim Size: 6″ x 9″
Language: English
Color: Black and White
Related Categories: Fiction / Short Stories
Price: $7.99

Pulp Modern issue 2 can be found at https://www.createspace.com/3730618.

Pulp Modern issue 1 is still available as well.

The inaugural issue of Pulp Modern, a quarterly dedicated to crime, fantasy, and western fiction. Includes new stories by Jimmy Callaway, James Duncan, C.J. Edwards, Garnett Elliott, Melissa Embry, Edward A. Grainger, Glenn Gray, David James Keaton, John Kenyon, Chris La Tray, Yarrow Paisley, Matthew Pizzolato, Thomas Pluck, Stephen D. Rogers, Sandra Seamans, Copper Smith and a classic tale by pulp fiction pioneer Lawrence Block. (Edited by Alec Cizak)

Publication Date: Sep 27 2011
ISBN/EAN13: 1466300655 / 9781466300651
Page Count: 170
Binding Type: US Trade Paper
Trim Size: 6″ x 9″
Language: English
Color: Black and White
Related Categories: Fiction / Short Stories
Price: $9.99

Pulp Modern issue 1 can be found at https://www.createspace.com/3683805 or at http://www.amazon.com/Pulp-Modern-Autumn-2011-1/dp/1466300655/ref=zg_bsnr_227890011_8
 
You can learn more about Pulp Modern at http://pulp-modern.blogspot.com/.
Issue two of the critically acclaimed pulp fiction journal, Pulp Modern is now avaialable. This issue includes stories by Patti Abbott, Steven Axelrod, Stephen G. Eonnau, Matthew C. Funk, Jc Hemphill, Jerome K. Jerome, David James Keaton, John Kenyon, Chris La Tray, Michael Moreci, Leland Neville, William Dylan Powell, Jeremy Shane, And Jack Webster. Once again, the journal is edited by Alec Cizak and features stunning cover art by Jeremy Selzer.

Pulp Modern issue 2 can be found at https://www.createspace.com/3730618.

Holiday Comic Gift Guide For Video Gamers

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Are you shopping for gamers this holiday season? If so, there are a lot of great comics based on some of today’s most popular video games.  Here’s just a few comic gift ideas that are perfect for gamers:

BATMAN: ARKHAM UNHINGED — Go deeper into the world of ARKHAM CITY with BATMAN: ARKHAM UNHINGED. A weekly, original digital series based on the video games BATMAN: ARKHAM ASYLUM and [[[BATMAN: ARKHAM CITY]]], each 10-page chapter ties directly in to the continuity of the game and follows your favorite characters through the bedlam.  And don’t forget that the first ARKHAM digital comic series –BATMAN: ARKHAM CITY – is now available as a collected hard cover.

UNCHARTED — The critically acclaimed and best-selling PlayStation 3 video game jumps onto the comic page, featuring an all-new action-packed story written by Joshua Williamson (SUPERMAN/BATMAN) with fantastic covers by the legendary Tony Harris. It’s just in time for the newly released [[[Uncharted #3: Drake’s Deception]]]. (more…)

Paramount Modifies Logo for its Centennial

One of the most iconic studio logos of all time is undergoing some modifications in time for the studio’s 100th anniversary celebration. It has withstood the test of time and certainly was brought to life during the opening moments of Raiders of the Lost Ark. Here’s the formal press release:

HOLLYWOOD, CA (December 14, 2011) – Paramount Pictures today unveiled a new company logo that commemorates the studio’s 100thAnniversary in show business. The new logo can be seen on the new Tom Cruise starrer, MISSION: IMPOSSIBLE – GHOST PROTOCOL. The movie will open in IMAX and on other premium large format screens on Friday, December 16th and in theatres everywhere on December 21st.

The studio’s first logo, a symbol of a rugged, snow-covered peak from the Wasatch mountain range, was created in 1916. The 100th Anniversary logo was created by Devastudios, Inc.

Paramount will use the logo throughout its centennial year in 2012. Beginning in 2013, the wordingabout the 100th anniversary will be removed from the logo, with the rest of the design remaining in use.

Table Talk – Counting Words and Runaway Tales

The wonderful thing about creating stories is the often limitless nature of creating things. There are no boundaries, nothing a creator cannot do in the name of making up a great tale. However, this can often lead to pitfalls and unforeseen circumstances. This week, we check in on Barry Reese, Bobby Nash and Mike Bullock as they discuss applying some structure and what to do when the story bleeds over the lines.

New Pulp’s Table Talk – Counting Words and Runaway Tales 0 is now available at http://www.newpulpfiction.com/ or at the direct link: http://www.newpulpfiction.com/2011/12/table-talk-counting-words-and-runaway.html

Join the conversation. Leave us a comment on the blog and let us know your thoughts on this topic. We’d love to hear your thoughts and questions.

Have a question you want the guys to answer? Send it to newpulpfiction@gmail.com with “Table Talk Question” in the subject line. Also, let us know if you want attribution for the question, or you’d rather remain anonymous. Please, keep the questions pertinent to the creation of New Pulp and/or writing speculative fiction in general. We’ll get the questions worked into future columns.

Two lost “Doctor Who” episodes recovered

SFScope friend Fred Lerner alerts us to this BBC article alerting us to the fact that two of the missing Doctor Who episodes have been rediscovered.

As with most early television, producers and broadcasters as a rule did not keep copies once programs had aired. As a very-long-running, well-loved series, Doctor Who is one of the targets of the ongoing Missing Believed Wiped project (part of the British Film Institute).

At Sunday’s event, the recovery of two episodes was announced: one from 1965, with William Hartnell as The Doctor; and one from 1967, with Patrick Troughton.

The recovered 1965 episode is part three of the four-part series “Galaxy Four,” in which the race of cloned females called Drahvins attempt to escape a planet which is about to explode. The story is the only appearance of the tiny robots called the Chumblies.The 1967 episode was part two of “The Underwater Menace,” in which a mad scientist tries to restore Atlantis by draining the ocean into the Earth’s core.

FARMER ESTATE HOLDS AUCTION SPECIAL FOR MAGICK4TERRI!

Seller: The Philip José Farmer Estate


Every item in the Philip José Farmer Estate Sale is now 20% off and 25% of all sales through December 15, 2011 will be donated to Magick 4 Terri!


Four days ago we announced here that 25% of all sales through December 15, 2011 would be donated to Magick 4 Terri. So far the response has been. . .underwhelming to say the least. But we think we know the problem. When you go to the Estate Sale page, the first item you see, a rare signed hardcover of A Feast Unknown costs $450, and the next book is a $100 paperback!


So we’d like to take a moment to point out that while there are very expensive books: $4,500 for The Lake Regions of Central Africa: Volumes 1 and 2 (1860) by Sir Richard Francis Burton, or $1,500 for a signed harcover first edition of Farmer’s The Fabulous Riverboat for examples, there are many affordable books as well.


There are over forty different titles under $50, many of them signed paperbacks, and other cool stuff like this:


Charles M. Doughty. Travels In Arabia Deserta. Heritage Press, 1953. Hard Cover. Near Fine hardcover in slipcase. Decorated beige linen cloth binding, pictorial endpapers, map, illustrated throughout by Edy Legrand. Introduction by T.E. Lawrence. $40.00


Nothing Burns in Hell. Advance Uncorrected Proof. Trade Paperback. Near Fine From the estate of Philip José Farmer. Advanced Uncorrected Proof in Near Fine condition. One of three author copies. These copies are NOT signed. $30.00


Dark is the Sun. Blackstone Audio, Multiple copies of this new audio book were sent to Philip José Farmer’s heirs. This unabridged audio book is 14.5 hours on 12 cds. We’re selling these for about half of the list price. Five author copies are currently available for $30 each.


There are almost another seventy titles between $50 and $100 that would make a great gift for any science fiction fan:


Forrest J Ackerman (ed), Best Science Fiction for 1973. Very Good+ Signed by Philip José Farmer on page 56. Contains a reprint of the short story “Seventy Years of Decpop.” $50.00


Byron Preiss (ed), Weird Heroes Vol 1. Very Good+ Signed by Philip José Farmer on page 194. Contains the first publication of the short story “Greatheart Silver in Showdown at Shootout.” $60.00


Robert Frazier (ed), Burning with a Vision: Poetry of Science and the Fantastic. First Edition. Hard Cover. Very Good+ Signed by Philip José Farmer on page 52. Contains a reprint of the poem, “The Pterodactyl.” $75.00


Fritz Leiber, Ervool. Roanoke: Chapbook. Very Good+ Pictorial wrapper. First edition. Number 158 of 200 numbered copies signed by Leiber on special limitation page. This publication was prepared for distribution at the Sixth World Fantasy Convention in Baltimore, Maryland, October, 1980. $75.00


Brian Ash (ed), The Visual Encyclopedia of Science Fiction. Oversized Paperback. Very Good+ Signed “Property of Philip José Farmer” on the first page and signed again on page 223 at his entry on Religion and Myths. $85.00


You get the idea — and don’t forget, now everything is 20% off! — but only through December 15th.


So, do yourself, and more importantly Terri, a favor, and spend a little time browsing the list. There is bound to be something you suddenly realize you can’t live without.

CBLDF argues to keep “Stuck In The Middle” on Maine school library shelves

2011121216062-1168497Stuck in the Middle, the Ariel Schrag edited look at middle school comedy and shame, isn’t a G-rated romp through age 13, but given its subject matter, how could it be. Instead it’s an awful painful look at the most painful ages of all, told by 17 cartoonists including Schrag, Daniel Clowes, Joe Matt and more.

It is potentially a little too rough for the Buckfield Junior-Senior High School Library in Dixfield, ME where one parent objected to the book being available, prompting a review by the school board:

Meanwhile, school board members were directed to read the pages in question, as well as the school district’s policy on challenging books.to read the pages in question, as well as the school district’s policy on challenging books.

The pages in question will remain confidential until the hearing, Ward said.

He said a committee that includes the school principal, the librarian, a classroom teacher and a community member have met to make a recommendation on whether the book should remain in the school’s library.

The board will decide whether to retain or remove the book at a January meeting.

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MIKE GOLD: R-E-S-P-E-C-T

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Like most popular culture websites, we noted the passing last week of Jerry Robinson. Ours had a bit of a personal touch at the end; that’s what makes ComicMix ComicMix. While I was writing the piece I heard the announcement of Jerry’s death on CBS radio. While I was impressed, I wasn’t surprised: the major comics icons get noticed these days, and Jerry certainly was, and is, a comics icon. But such wasn’t always the case.

I first saw a major to-do about the passing of a comics great when ABC-TV noted Jack Kirby’s death back in 1994. For several years prior to that the passing of an occasional comic book creator was noted in the local obituaries but significant folks like Bill Finger didn’t get national play. We weren’t important enough. We were still part of the throwaway culture; adults who read comics were considered morons. Or professionals… but only after Fredric Wertham was toast.

Kirby not only made the network news, he was chosen “Man of the Week” or whatever the segment was called at the time. That meant two things: ABC-TV already had footage of Jack in their library (a bigger deal at the time as teevee networks were only beginning to digitize their files), and the comics medium had finally earned enough respect for producers to deem one of our greatest creators as worthy of such an honor.

From that point, respect for the comics medium continued to grow. Batman instigator Bob Kane received his due and then some, Will Eisner’s passing was well-noted… to name but two. In my eyes, more than all the reviews from the intelligencia, more than all the decent comics-based movies, the national coverage of the passing of our greatest has given validation to the art form.

I read five newspapers every day, one of them a national paper, one the local Norwalk Connecticut paper. Each of these five covered Jerry’s passing. Each and every one. All but one gave the story coverage with a photo and/or art.

A few days after publishing their obit, the New York Daily News did an editorial (above). Okay, Jerry’s Sunday newspaper strip was run in that paper for several years – but that was many decades ago, and if you read their editorial they play up Robinson’s comic book work. He may have created The Joker, but he did not create The Batman. Bill Finger and that other guy did that.

That’s pretty cool. Jerry most certainly deserves the additional recognition, and so does the comic art medium.

And we deserve it, in part, due to Jerry’s contributions to our craft.

THURSDAY: Dennis O’Neil

Incoming Books: Brody’s Ghost, Monsters, Art d’Ecco, and more

The end of the year is fast approaching, which means Certain People (I name no names) realize that they need to use up their vacation days or lose them.

Changing subjects entirely, today I took off from work, and most of what I did was bop into the city to do some book-shopping. (I had a vague idea of doing Xmas shopping as well, and even walked quickly through part of that agglomeration of festive selling huts in Union Square, but that portion of the day’s festivities was not successful.)

First I hit Forbidden Planet — pretty much as an aperitif — which I hadn’t been in for several years. (My mental map of FP is from the days when they had back issues in the basement — yes, that long ago.) I got issues of two comics for the boys, and also two extremely different graphic novels:

<img src=”https://comicmix.com/2011/12/14/incoming-books-brodys-ghost-monsters-art-decco-and-more/”” width=”140″ height=”200″ border=”0″ />Brody’s Ghost, Vol. 1, the first in a new series (teen-focused, I think) by Mark “Akiko” Crilley, about a guy who discovers secret supernatural powers.

And Ken Dahl’s Monsters, a highly acclaimed 2009 semi-autobiographical book (by a guy who now goes under a different name, for reasons I’m not entirely clear on) about herpes.

monsters2-7466811After that, I headed down the block to The Strand, which was the whole point of the trip. (Speaking of mental maps, when I was there, I was shocked to see that they don’t check bags anymore and then reminded that the childrens’ section used to be in the basement — so my standard of what the Strand looks like is also a good decade out of date.) There, I got many more books, mostly used or remaindered or otherwise non-standard:

<img src=”https://comicmix.com/2011/12/14/incoming-books-brodys-ghost-monsters-art-decco-and-more/”” width=”153″ height=”200″ border=”0″ />Art d’Ecco, collecting comics work by Roger Langridge (along with his brother, Andrew) from around twenty years ago.

Proof of Life on Earth, an old collection (1991) of Roz Chast cartoons

Your Mother Is a Remarkable Woman, a similarly vintage (1992) book of Sam Gross cartoons

<img src=”https://comicmix.com/2011/12/14/incoming-books-brodys-ghost-monsters-art-decco-and-more/”” width=”138″ height=”200″ border=”0″ />Love From the Shadows, an original graphic novel that came out earlier this year from the indefatigable Gilbert Hernandez, which has a loose (and probably indescribable) connection with his Love & Rockets material.

Martin Amis’s recent novel Yellow Dog, which was the first new book of his I didn’t read since London Fields — entirely because his prior novel, Night Train, was such a gigantic stinker — and which I used to have, in first edition hardcover, before the recent unpleasantness. (more…)

Review: “Avengers” #19

avengers19_thumb-7406966CR Review: Avengers #19
Creators: Brian Michael Bendis, Daniel Acuna
Publishing Information: Marvel Comics, comic book, 40 pages, November 2011, $3.99

Perhaps the oddest thing about the Avengers property becoming Marvel’s flagship title the last few years is that there’s no underlying concept involved in its execution. It’s Marvel’s biggest superheroes (and some of its stronger supporting characters) teaming up to take on various super-baddie threats… and that’s really about it, as far as I can tell. It’s not a family, it’s not a community, it’s not a certain way of doing things; it’s everybody the fans think are cool put into the same room. In a similar vein, the writer Brian Michael Bendis recently announcing the conclusion of his run with that property surprised only in that there’s little in the way of a dramatic arc — at least not one I can see, from several steps back — that would indicate he was close to wrapping up whatever personal, creative business he might have brought to the series several years ago. In most ways that count, the defining characteristics of this comic book series lies in how it resists past signifiers. For all that it defines the current superhero mainstream, Avengers is one contrary comic book.