I grew up on Hergé’s Adventures of Tintin, long before I knew there were graphic albums featuring Belgium’s greatest export after chocolate. Then, in the 1990s, they tried again with different results and it is that latter series being collected on DVD this month from Shout! Factory.
For those in need of reminding, take a look:
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There’s been a lot of noise on two areas of the blogosphere that I follow – comics and politics – because Frank Miller recently posted about the Occupy Wall Street movement on his blog. My favorite response, as usual, was on TBogg’s blog, because I love me some snark.
See that photo over there? It’s had an honorable position on my refrigerator since it was taken about 15 years ago at the San Diego Comic Convention. It’s me and Frank, back when he could still walk the floor.
I’ve known Frank since the late 1970s. I met him soon after I met Denny O’Neil, and we hung out a lot when he was drawing the Amazing Spider-Man Annual #14. My friend, Legs McNeil <http://www.amazon.com/Legs-McNeil/e/B000APOLAA>, was (and is) a huge comic book fan. He managed a band, <a href=”
, that was essentially Sgt. Rock set to music. We conspired to put them into an issue of a comic book, a mission that required many trips to CBGBs.
I don’t remember talking politics with him, but its possible that I did. There are a lot of people in comics that I like, but with whom I disagree politically. Dan Jurgens, Larry Hama, Chuck Dixon – we don’t agree, and that’s fine. We also tend to like different kinds of music, movies and books. We have fun conversations.
Our disagreements never led me to boycott their work. And I’ll boycott quite easily. For example, I haven’t bought any Revlon cosmetics since Ron Perelman plundered Marvel.
But I won’t give up something that gives me joy. If my joy is ruined by my disagreement with the owner or creator, then I’ll give it up.
What amused me about this particular kerfuffle is that, once you got away from the comic book sites, the reactions were fairly hilarious. Most people seem to think that Frank Miller, not Zach Snyder, was responsible for the movie, 300. It’s true that Snyder spent a lot of time and energy trying to mimic specific pages of Frank’s work, but he also added a lot of other stuff to fill out the 117 minutes of playing time.
I disagree with Frank on this issue. I think he’s wrong, profoundly wrong. I think he’s far away from this issue, and getting his information from less than reliable sources.
But I don’t think he deserves to be called names. As grown-ups who defend the free exchange of ideas, we can disagree with each other. We should. But it’s bad for the country when we descend into name-calling.
In other words, this.
SATURDAY: Marc Alan Fishman
I guess the write-in campaign worked. Applause to the Writers Guild for honoring these guys.
Dwayne McDuffie and Earl Kress are set to receive the Writers Guild of America, West Animation Writers Caucus’ 14th annual Animation Writing Award posthumously. The honor recognizes their animation writing work and their efforts to organize animation for the guild.
“This year, animation lost two talented, hard-working people who have given much of themselves and their talent to our field,” said AWC chair Craig Miller. “Dwayne McDuffie was a talented writer and creator of comics and animation who worked hard for others, particularly for minority writers. Earl Kress was a writer whose career included both feature and TV animation and hard work on behalf of all animation writers as a member of the WGA Animation Writers Caucus and the Animation Guild Board of Directors. Both were people I was glad to call friend and colleague, and whose efforts, it can truthfully be said, made all of us the better for them.”
via Dwayne McDuffie and Earl Kress to Receive WGAW Animation Writing Award – Hollywood Reporter.
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| Art: Pablo Marcos |
New Pulp Author Mark Ellis has shared Pablo Marcos’ stunning cover to the upcoming King Solomon’s Mines graphic novel that is scheduled to be in stores next year from Sequential Pulp/Dark Horse. Says Ellis of the book, “If you think you know everything about this story and Allan Quatermain–well, I’m fairly
confident you’ll be pleasantly surprised.”
You can learn more about Sequential Pulp Comics at http://www.sequentialpulpcomics.com/
You can learn more about Dark Horse Comics at http://www.darkhorse.com/
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| Art: Steven Gordon |
Sequential Pulp Comics has released promo art for their 2012 release, CURSE OF THE WEREWOLF OF PARIS by Steven Gordon. The graphic novel is scripted by Mark Ellis and will be available in 2012 from Dark Horse Comics’ Sequential Pulp Comics imprint.
You can learn more about Sequential Pulp Comics at http://www.sequentialpulpcomics.com/.
You can learn more about Dark Horse Comics at http://www.darkhorse.com/.
This reminds me to renew my membership in the Comic Book Legal Defense Fund (no, they aren’t called to defend this one, but they do great work both here and abroad):
The trial in Tunisia over the broadcasting the animated Iranian film [[[Persepolis]]] was cut short Thursday after an uproar in the courtroom. Lawyers for the two sides shouted at each other and exchanged insults inside the courtroom, prompting the judge to adjourn the trial until Jan. 23. The controversy over the film illustrates how Tunisia, the country that started the wave of uprisings that have swept through the Arab world this year, is struggling to work out the role of Islam in society after years of officially enforced secularism.The privately owned Nessma television station provoked an angry reaction last month when it broadcast a dubbed version of Iranian director Marjane Satrapi’s award-winning adaptation of her graphic novels about growing up during Iran’s 1979 Islamic Revolution.The film, which won the jury prize at the 2007 Cannes Film Festival, contains a scene showing a character representing God. Depictions of God are considered sacrilege in Islam.
via Uproar at Tunisian trial on Persepolis showing – Yahoo! News.
by Alec Berry
Something about the urban landscape emphasizes the human condition. Maybe it’s the close contact of your neighbors. Maybe it’s the partial grime left exposed. Maybe it’s simply the notion and stigma that bad things happen on the streets. Whatever it is, fiction always seems to capitalize on it. Authors and artists enjoy looking toward the mean pavements to either observe or use them as a backdrop, and by the time the final product reveals itself, it’s clear the harsh, unforgiving landscape brings out the worst, or at least questionable, in its subjects. This is what writer Rich Douek gets right in this zero issue preview of the forthcoming comic, Gutter Magic.
Gutter Magic blends the fantasy genre with a hint of crime to present a story that’s really about the characters and their determined faults or problematic situations. This zero issue contains sixteen pages of more or less setup material, but within only sixteen pages writer Rich Douek manages to cover three members of his cast and somewhat establish who each of them are.
Our story thus far: Percy the comic book artist has gone to the South Street Seaport seeking influences. There he meets a mime and:
The mime stared directly at Percy and asked, “Looking for an influence, numb nuts?”
Gobsmacked! That’s what Percy was, absolutely gobsmacked! How could this white-faced bozo know what he, Percy, was after? It’s not like he was wearing a sign that said: Will work for influences.
“Pay attention,” the mime said and:
Was transformed into a little boy who is creeping down the stairs and sees a box and eagerly, eagerly unwraps it, flinging aside paper and ribbon and looks inside and is horribly disappointed and…
The mime transformed into himself again and, moving his face to within inches of Percy’s, growled. “You influenced?”
Percy stared at his shoes and mumbled, “You’re not even an artist. You’re just a guy who…I dunno what you do but how can you influence me…”
“Go to a museum,” the mime said and when Percy raised his eyes, the mime was gone.
A museum?
Well, Percy knew that there were a lot of them in Manhattan and he’d always kind of planned to visit one and he’d even got close to the big one on Fifth Avenue once when he was girl watching in Central Park…Okay, he’d go to a museum because, really, he had nothing better to do – in fact, he had nothing at all to do.
He found the right subway and got off at the right stop and went up wide, concrete steps past some columns and then he was inside a museum. Big. Crowded. Intimidating. He wandered into a gallery full of large paintings and scoped them out: saints – the people with halos – and characters from mythology –that’s what the little cards told him– and just people, all engaged in activities that were recognizable and interesting. Pretty cool, some of it, but…? “What does any of this have to do with comics” he said aloud, to no one.
“It’s about storytelling,” said a man standing nearby – a man who looked oddly like the mime if the mime had gotten rid of his whiteface, was sporting a huge, waxed moustache, and was wearing a tuxedo. “What these painter chaps do,” the man continued, “is imagine how their subjects would appear when their faces and bodies are at their most expressive and render that in the purest possible manner. Rather like what those buskers in the park…the silent ones who seem to be forever walking against the wind, poor devils.”
Gobsmacked – really, really, no kidding gobsmacked – Percy shuffled from the museum, took a bus downtown, entered his building, and slept a very deep sleep. The next morning, he skipped breakfast and went straight to his drawing board: the mime, the paintings, and what they did, how they communicated – his task was clear. Percy wasn’t satisfied with his first effort, or his five hundredth, but eventually, he got close to what he wanted. Then, he began winning prizes. But that is a story for another time.
Note: Thanks to Martha Thomases for “gobsmacked.”
FRIDAY: Martha “Gobsmacked” Thomases
Beginning in February, Altus Press and Pro Se Productions will work in conjunction to produce related products. When Altus Press publishes specially selected titles featuring rare and largely forgotten Pulp characters’ original stories, Pro Se will bring together the best writers of New Pulp today and simultaneously release a collection of newly written tales starring the same character. This stunning partnership will showcase both the classic adventures of some of pulp’s lost treasures while simultaneously allowing New Pulp’s finest to bring those characters back to life.
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