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PLANETARY STORIES #23 / PULP SPIRIT #13 now available online

PLANETARY STORIES #23 / PULP SPIRIT #13 are now available online for immediate reading!
First, there is a report from Ahrvid Engholm about a presentation he attended at the Stockholm Technical Museum, with some great Swedish scientists in attendance plus many NASA displays. Ahrvid took many photos while he was there, and we’ve included many of them. (Did you know there was a Swedish astronaut who had been of TWO Discovery missions?)

In addition to that, there is a PDF action comic book attached! You’ve gotta see CHOPPER JANE vs UFOs – It’s a First.

PLANETARY STORIES #23 – http://www.planetarystories.com/PS23ToC.htm

PULP SPIRIT #13 – http://www.planetarystories.com/spirit13TOC.htm

THE I’S HAVE IT

NEWS RELEASE

The i’s have it. The “it” they have is Weird Horror Tales, the first of a trilogy of braided horror novels by Michael Vance set in the outré town of Light’s End, Maine. And the “it” that has Weird Horror Tales is iPulpFiction, a cloud-based reading service that publishes classic and contemporary short stories that are accessible from any device with an up-to-date browser and an Internet connection including i-phones, i-pads, and ay-yi-yi, most everything electronic.

Weird Horror Tales offers 13 harrowing stories of horror and suspense in the tradition of H. P. Lovecraft and Ray Bradbury, both of whom were prominent writers for the pulp magazines of the ‘20s, ‘30’s, ‘40s, and ‘50s. It is a perfect fit for the iPulpFiction site that includes stories from pulp titles including The Spider, Horror Tales, Amazing Stories, Astonishing Stories, and All Story Love.

The location for Vance’s trilogy is the desolate, rocky coast of Maine where squats the uncanny, isolated town of Light’s End. Built along a metaphysical fault line between order and chaos, it is the setting for horror and depravity. There is something lurking behind the white picket fences of Light’s End and in the shadows of August Street. For here, amidst the age old Victorian houses and the New England traditions of its citizens broods a dark secret, a religious cult which infects every aspect of life. The first of these thirteen stories, Picked Clean, is set in the year 1653, and can be found at http://ipulpfiction.com. Just type in the title in the site’s browser. Vance has written for national and international magazines, and as a syndicated columnist and cartoonist in over 500 newspapers. His history book, “Forbidden Adventures”, has been called a “benchmark in comics history”. Vance briefly ghosted an internationally syndicated comic strip, wrote his own strip and several comic books. He is listed in the Who’s Who of American Comic Books and Comic Book Superstars. IPulpFiction also offers classic stories in Super Science Stories, Black Mask, Kolchak, Rangeland Romances, Horror Tales and many, many other titles. So, the next time you’re in the mood for fun in the form of prose, keep your eye out for IPulp.

Picked Clean

1653—Murderer Caleb Elliott flees England for Maine only to sire an eldritch horror on a squamous thing deep beneath the murky water of Abomination Bay. The dirty consequence is that Caleb, and Ezekiel and Hiram Azreal, found the outre town of Light’s End and leave a monstrosity that writhes under the ominous cliffs of that dead bay. Or do they?

You can read Picked Clean at http://ipulpfiction.com/books/WeirdHorrorTales-01-PickedClean/jacketNotes.php

The Well Sunk In The Sky

1838 — Does Light’s End’s ebon lighthouse at the mouth of Abomination Bay warn wooden ships of the bay’s deadly reef hidden by murky fog or raging storm, or welcome silver ships from the stars? Under the watchful eye of Jake Horne, is the lighthouse the site of an outre Azrealite prenuptial ritual for Charlotte Elliott and Obediah Azreal, or a stone womb for The Other?

You can read The Well Sunk In The Sky at http://ipulpfiction.com/books/WeirdHorrorTales-02-TheWellSunkInTheSky/jacketNotes.php

Weird Horror Tales, Weird Horror Tales: The Feasting, and Weird Horror Tales: Light’s End are now available at Amazon, Barnes and Noble, and other bookstores. Best price for traditional book is from Cornerstone Book Publishers at (http://www.gopulp.info/). For electronic version, go to: http://homepage.mac.com/robmdavis/Airship27Hangar/index.htm

Review: “Same Difference”

She left 5 minutes ago.

Getting caught lying is an experience I dread – forehead sweating, tongue stumbling, eyes darting every which way searching for some sort of reprieve. Even with the proliferating success of recent television programs acclimating audiences to the association between cringe-worthy situations and comedy, I still find it difficult to see anyone under that unique pressure. Same Difference revels in this, so you can imagine how hard it was for me to read, doing all I could to avert my eyes knowing the story wouldn’t progress unless I did look.

Same Difference is almost entirely about character development, so it’s difficult to discuss the story without spoiling anything. Generally, life, love, and teenage idiocy are touched upon, with perhaps the most powerful themes being reflection and regret.

Right at the outset, you’re thrust into the amiable characters’ lives, joining them for an everyday meal. The plentiful pop-culture-based dialogues set the timeframe for the story. (Tellingly, not one reference was lost on me.) Similar to meeting someone new in real life, a great way to comfortably get to know someone is through conversational middle ground, and these skillfully used references serve to easily bridge that gap between the reader and the characters. The repartee is clever and the knack for which they glean some wisdom from the random discussions never feels unnatural. Rather, that they can quickly weave through bouts of hilarity and seriousness without batting an eye establishes how good of friends these main characters are.

(more…)

“The Stan Lee Universe” is Out

stanleeuniverse_med-8547599Some months back, I was asked by Danny Fingeroth to partner with him once more, stepping in during the final weeks of production on TwoMorrows’ The Stan Lee Universe. I proofread the book, doublechecked facts, filled in blanks, did some caption writing and told Danny and his co-editor Roy Thomas that it was a pretty solid tribute to a true innovator in the comics field.

The first copies came in from the printer while we were all attending New York Comic-Con and we were delighted with how good it turned out. Now, I received word this morning that the book is finally available for delivery. Since this seems to be my year with Stan, I wanted to bring this your attention. If you get it — or Stan Lee’s How Write Comics — let me know what you think.

Here’s the press release on the matter:

Face front, true believers! THE STAN LEE UNIVERSE is the ultimate repository of interviews with and mementos about Marvel Comics’ fearless leader! (more…)

MARC ALAN FISHMAN: Why are you reading this and not playing Arkham City?

fishman-column-art-111112-2322875Every week it’s a visceral war for my attention: between using my time to produce articles, write or draw comics, complete freelance design projects, or be a lazy bastard. Not 12 feet from my Hacktintosh work station is my present to myself. A 46” HDTV, a Sega Saturn, my DVD collection, and an XBox 360. When I moved into my house last year, I put all these amazing toys in said man-cave so I would have a space where I could create, and reward myself when I was finished. Here I sit a year later…clickity-clacking away for you, the fine readers of ComicMix, my entertainment center gathering a thick layer of dust. And it strikes me that I’m toiling away nervously hoping that my words will excite and amaze you when I could be doing something much more important.

I could be saving Gotham City.

Earlier this month, Arkham City, the sequel to the hit video game Arkham Asylum, hit the store shelves. Presumably millions of copies found their way to similar basements as my own. When the game debuted, I decided to be an adult. I abstained. You see, I waited almost a year and a half to buy Arkham Asylum. I’d nabbed it in the used bin at a Gamestop over Hannukah last year. Since, I’d played it handful of times. I thoroughly enjoyed it. Never beat it though. And thus I gave myself every reason with which to remain stoic in my stance. I didn’t need a $60 investment in time wasting. I have articles to write! Comics to draw! A pregnant wife to attend to! A nursery to paint and organize! And I still haven’t beaten the first one!

That Friday, at the weekly Unshaven Comic work-night, my will grew weak. Matt entered my basement with a hearty “Dude, why don’t you have Arkham City yet?” I shook my head in a desperate plea. “Duuuuuuude!” My knees felt weak. Kyle descended into our dank pit of creativity next. “Hey guys. Marc, did you get it yet?” Damnit! I turned to a nearby die. I declared to my cohorts if I rolled a five or a six, I would get up straight away and get the damned thing. I chucked the six-sided keeper of fate to the floor. It skitted around the vinyl tile in a red blur. And there, staring back at our hopeful faces… one lowly dot. Fate, as it were, was giving me a message. “Stay strong.” Screw fate. I rolled it again. Two. Four. One again. Matt and Kyle chortled as lay on the cold floor, forever mocked by my lack of fortune.

The following week, the work-night began as it had the last. “Dude?! Now?!” No, Matt. I had to pay the mortgage and bills. I can’t be tossing away my cash all the time. I bought books this week anyways. Kyle came down, a rustle of plastic tucked between his arm and body. “Well, I got it!” Poop. We worked hard for an hour or so. Set some dates for conventions we’ll attend next year. We bitched to one another about our printer problems. And like a beacon light guiding us away from our duties as creators… Bruce Wayne called out. “My Unshaven Lads! The hammers of justice are yearning to strike down the nails of tyranny. Only you three can unleash my vengeance upon the night! C’mon, just watch the introduction story!”

A hour later we forced the game off. We pried it from my disk tray. We sealed it back inside its plastic Pandora’s box. With the night ending, Kyle whisked the game from my house, and my life. I could always borrow it when he’s finished, I told myself. I’m plenty busy anyways.

That Sunday, Kyle and Matt returned to record our podcast. Kyle entered with a knowing smirk. “Gas pellets, Marc. Gas. Pellets.” No. “Seriously. You get them like right after the part when we turned the game off. You get the gas pellets.” And you can throw them to the ground, and then fire off your grappling gun, and zip away in a puff of smoke? “Oh yeah. And the game is an open world this time, so you could just go around doing that, and beating up thugs for hours.”

Kyle didn’t even get a chance to finish that sentence before the wisps of my Brut aftershave left a Marc-sized silhouette where I was sitting.

And here I am, finishing up this little tale of woe for you. The game sits on the desk next to me, unopened. It’s been sitting there since I brought it home last Sunday. Between interviews for ComicMix, my day job, drawing the next installment of The Samurnauts and finding time to sleep, I’ve yet to crack it open. The anticipation at this point is unsettling. I’ve considered hugging people with the flu in hopes of having a legitimate reason to call in sick.

But who am I kidding? Even when I’m sick I log on to do my day job out of guilt and fear I’ll be missed. And I love drawing and writing comics. And interviewing Will Meungiot this week? It was like a 60 minute conversation with the friend I wish I’d had years ago. Maybe I’m just a masochist. Like Bruce Wayne. Bruce. … What’s that Bruce? Gotham City is overrun with gangsters, psychopaths, and malevolent psychologists hells bent on overtaking the city and exposing your secret to the world? Only I can help you?

And you have those exploding gas pellets? Poop.

SUNDAY: John Ostrander

Martians Go Home Sneak Peek

Artwork © Lowell Isaac.

New Pulp Author Martin Powell shared a new preview page by artist Lowell Isaac from their upcoming graphic novel, MARTIANS, GO HOME, based on the sci-fi classic by Fredric Brown. The invasion begins in 2012 from Sequential Pulp/Dark Horse Comics.

You can learn more about Sequential Pulp Comics at http://www.sequentialpulpcomics.com/

Bobby Nash’s DEADLY GAMES! Nook Edition Now Available At Barnes & Noble.

Bobby Nash and BEN Books are proud to announce that Bobby’s latest novel, Deadly Games is now available as an ebook for the Nook Book from Barnes & Noble for the low price of $3.00. You can purchase the Nook Book Edition of Deadly Games! through Barnes & Noble’s Nook Book Store at http://www.barnesandnoble.com/w/books/1107149904?ean=2940013554849&itm=2&usri=bobby%252bnash

DEADLY GAMES! is also available in these other formats:

Print Direct Sale – $11.99: https://www.createspace.com/3704764

Print at Amazon – $11.99: http://www.amazon.com/Deadly-Games-1-Bobby-Nash/dp/0615553435/ref=sr_1_17?s=books&ie=UTF8&qid=1319831122&sr=1-17

Kindle ebook – $3.00: http://www.amazon.com/Deadly-Games-ebook/dp/B005ZN8VPS/ref=sr_1_3?s=digital-text&ie=UTF8&qid=1319820451&sr=1-3

Smashwords ebook – $3.00: https://www.smashwords.com/books/view/101814

benbookslogoscratchedmetalltred-2429187

Plus, you can always ask your favorite bookseller to order a copy for you.

For more information on Deadly Games!, please visit BEN Books at http://ben-books.blogspot.com/ or Deadly Games! author Bobby Nash at http://www.bobbynash.com/.

The Point Radio: NPH Vs J EDGAR…..Really?


There is no question that Neil Patrick Harris owes the reboot of his career to the first HAROLD & KUMAR movie. Now he returns for a third time and tells us about the role plus his directing gigs, HOW I MET YOUR MOTHER and the rumors that he’s replacing REGIS. Then we start our look at the Oscar Buzzing new film J EDGAR talking to Leonardo DiCaprio and director Clint Eastwood about the difficulties they had on this groundbreaking project. But wait – what about new GAME OF THRONES swag and the return of THE RIFLEMAN? We cover that, too!


The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebook right here & toss us a “like” or follow us on Twitter @ThePointRadio.

NEW PULP AT WIZARD CON AUSTIN!

New Pulp Authors at Wizard World Austin This Weekend!

Wizard World Austin, premiere pop culture convention for the state of Texas is
happening this weekend, Friday November 11th through Sunday the 13th.

On hand to represent the New Pulp
movement are authors Alan J. Porter and Mike
Bullock, both with tables in the creator section,
better known as Artist Alley.

Alan J. Porter is best known for his work
on JAMES BOND: The History of the Illustrated 007
and BATMAN: The Unofficial Collectors Guide
as well as the creator of the New Pulp character The 
Raven. Alan is currently writing the New Pulp column
Pulp Perusals that runs monthly on
www.newpulpfiction.com.

New Pulp fans and others interested in meeting
Alan can do so by going to table #1809.

Mike Bullock is best known in Pulp circles as
the longest tenured comic book writer of The Phantom.
Bullock wrote over forty original Phantom stories for
Moonstone Books, edited dozens more and helped
guide The Ghost Who Walks as the Phantom Group
Editor for Moonstone for much of the last decade.

Currently, Bullock is writing the exploits of the
Black BatCaptain FutureDeath AngelThe 
Runemaster and Xander: Guardian of Worlds. In
addition to his pulp work, Bullock is the creator and
writer behind the all-ages hit series Lions, Tigers and 
Bears, as well as Timothy and the Transgalactic Towel.
Bullock is participating in the Wizard World Kids
Adventure Passport program on Sunday as well. You
can find Bullock at table #1709 in the front section
of Artist’s Alley.

For more information on Wizard World Austin,
navigate to:
http://www.wizardworldcomiccon.com/home-tx.html

MARTHA THOMASES: Are Interns Slaves?

In Great Britain, they’re trying to change the law to prevent businesses from exploiting students by way of unpaid internships. This is not just good news for a democratic society, but for comics fans as well.

How is it good for society? Unpaid internships are a scam, a way for businesses to get free labor while giving affluent students an unfair advantage over other students. The students with the best connections get the best gigs, and they’re the only ones who can get the subsidy from Mom and Dad so they can afford to work for free. After graduation, it’s the well-connected kids who have better resumes. It’s another example of affirmative action for the rich.

Unpaid internships also rob the community of taxable income. The kids working for free, even those with trust funds, are most likely not paying taxes on those unpaid salaries. They accrue the benefits of being part of our workforce without contributing their fair share. The corporations are certainly not paying taxes on the profits they make from the kids’ work.

How is it good for comics? I just spent a pleasant few days at New York Comic-Con. The show is run by Reed Pop!, and they do a decent job. However (and this is a big “However”), I am always surprised to see people working at the show as volunteers. Reed is a for-profit company. Why do they need volunteers?

I don’t mean to malign the people doing these jobs. Far from it. The deal, as I understand it, allows them to get into the show for free in exchange for doing a few hours work.

This might be a lovely way to run a local show, something put together by fans for fans. It’s no way to run a major exhibition in a major city. It’s scabbing. It’s exploitive. It’s an insult to every person who struggles to make a living in entertainment, marketing and hospitality.

It’s also a liability nightmare. If a volunteer has an accident, or somehow harms a guest, who is responsible? Again, it’s one thing if it happens in somebody’s garage, and quite another when it happens at the Javits Center.

I understand that this is a tradition of fans pitching in to help at shows. I love volunteers, and I welcome all efforts that get us more involved with our various and respective communities. However, I don’t understand why we’re volunteering to make money for corporations, instead of for more worthy causes.

Unlike the New York show, the San Diego Comic-Con is a not-for-profit corporation, a 501(c)(3). They are dedicated to promoting an appreciation of comics. Fae Desmond and David Glanzer are among my favorite people. However, it is my opinion that the show has been completely co-opted by other industries – specifically movies, television, and gaming – and to volunteer for that show is to make a non-cash donation to the likes of Disney, Fox, Warner Bros. and Universal.

Maybe, as comics fans, we hate ourselves so much that we feel we need to pay major corporations for the privilege of their attention.

Let’s make them pay us instead. We can use the money for therapy.

SATURDAY: Marc Alan Fishman