The Mix : What are people talking about today?

Comics Round-Up: No Connection Whatsoever — Mister Wonderful; The New Yorker: On The Money; The Lives Of Sacco & Vanzetti; George McManus’s Bringing Up Father ;

And here are four more graphic novels (or similar beasts) that I neglected to write about soon after I read them, when they were fresh in my mind. Let’s see what I care to remember…

Mister Wonderful is part of the endless repackaging of Daniel Clowes, though this piece (unlike most of his recent books) didn’t first see life as a single issue of his old comics series, Eightball. No, this first appeared in the short-lived New York Times Magazine “Funny Papers” section, one of the few moments when the Grey Lady tried to emulate regular newspapers.

The story has been reworked slightly — each large NYT page has been broken into two shorter, wider pages, to pad the length up to something that can be called a book — and there are some other changes as well, but it’s still the same, just told in a slightly different form. (And it’s also a story very similar to Clowes’s last standalone graphic novel, Wilson, which I reviewed here last year.)

Marshall is a middle-aged sad sack, divorced, lonely, nearly broke and with no real hopes of getting any better. He narrates this story — intensively narrates it, in a caption-filled style very out of fashion in most of mainstream comics, which shoves us directly into his head and holds us there, hostage perhaps, until the end of the book. Marshall isn’t great company, unfortunately — he’s obsessive about his own shortcomings, and self-flagellation is only interesting for so long.

Mister Wonderful is the story of one day in Marshall’s life — one night, really — starting with a blind date, and continuing on from there. Marshall’s been set up with Natalie by mutual friends, and Natalie is probably just as damaged as Marshall is, in her own ways — but we only see her through Marshall’s eyes, and only see her when Marshall gets out of the way, which is hardly ever. So Mister Wonderful is primarily a tour through Marshall’s psyche, with short stops along the way to take in some real-life events that illustrate that his poor self-image is well rooted in his actual competencies.

It doesn’t have the satirical edge of Clowes’s earlier work — Clowes wants us to identify with Marshall and care about him. (Mister Wonderful is most like a work by a slightly more friendly, and less formalist, Chris Ware.) But Marshall is undeniably tedious and suffocating — though he is nowhere near as horrible as the “hero” of Clowes’s Wilson was, so he does have that to (very slightly) recommend him. Clowes can create characters that are damaged, self-obsessed, and fascinating — recall Enid and Rebecca from Ghost World — but, these days, he’s tending to leave off “fascinating,” which is unfortunate. (more…)

JOHN OSTRANDER: Telling Stories

There is no such thing as nonfiction. There’s only story.

I ‘spect I have some ‘splainin’ to do on that one, Lucy.

Story is a narrative comprising selected series of events arranged towards a desired effect. That’s the same whether you’re telling a Batman story, a newstory, a history, a biography, a novel, a short story, a screenplay or what have you. What determines what events the storyteller chooses to emphasize, de-emphasize, omit, invent, re-interpret, or fudge is whatever ends or point that said storyteller wants to make.

“Newstories?” you ask. “You’re describing the news as all fiction?” You can prove it yourself. Something happens and it’s on the news. How The New York Times covers that event is going to be different than how Fox News covers it. Witness Occupy Wall Street.

The difference between fiction and “non-fiction” is that in fiction we make up the events (although in historical fiction, we often use real events) while the reporter, the biographer, the historian usually use actual events. I have read histories or biographies where there are so few known historical facts that the biographer/historian spends time speculating on what “must” have happened.

In no case, however, are the events they describe exactly what happened. They would have to describe every little thing that occurred without giving one item more emphasis than another. It is not reality; it is the writer’s story of what happened. All the events in a newstory or a history or a biography happen through the lens and the filter of the storyteller, which is formed by that storyteller’s own experiences and point of view. It may be further informed by the editor or producer or director or the PR guy.

It’s all story.

When I’m writing, two of the key questions I have to ask is 1) whose story is it and 2) what story am I trying to tell? The answers to those two questions make or break the story. I maintain it’s no different elsewhere.

Science books? No different. The events are the data and the writer emphasizes or de-emphasizes which data according to what he or she thinks is relevant.

Text books? Oh lordy, are they ever becoming fiction. I know people who work in the text book industry and what goes in, what gets left out, what gets emphasized or de-emphasized depends on the largest school districts and what their school boards want in them or left out. Those districts are in California and Texas, by the way, and they determine what story gets told. If you’re kid is getting creationism taught as a theory equal with evolution, it’s because some powerful school districts have decided that’s part of the story to be taught.

But numbers don’t lie, right? Math books are non-fiction.

Numbers are made to lie all the time. We got into this economic mess because of the fiction some people sold using a selected set of numbers. If someone is spinning the numbers, then they’re telling you a story using those numbers. In other words, a fiction.

Events happen all around us all the time. Thanks to the wonders of the cel phone, the tablet, the Internet, Facebook, Twitter, and on and on, we are constantly bombarded with more events.

Story is how we make sense of the world, of existence, of our lives. We emphasize some things, de-emphasize other, omit a ton of stuff in order to create our own story, one we can live with, cope with, make some sort of demented sense of.

Story, and fiction are not lies per se; they are interpreted reality. What we experience, how we interpret it, is all-true but none of it is completely true. It’s all fiction to some degree. None of it is the complete truth. The part we play in each story varies according to which story is being told and who is telling it. I am, hopefully, the hero of my own story but I may be the villain or antagonist of another, a supporting character in yet another, a cameo or background character in many others. Same for you.

It’s not a bad thing. Story is how we make sense of reality. The more stories we hear, the wider our understanding of that reality. Just keep in mind – everyone has a story to tell. Just ask yourself – why are they telling you a given story? Why am I telling you this one? What story do you make of it?

Make it a good one.

MONDAY: Mindy Newell

Earth Station One Digs Up Your Favorite Dead and Undead Characters

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“I like your dress.”

Earth Station One Episode 83 is now live at http://www.esopodcast.com/.
Direct link: http://erthstationone.wordpress.com/2011/10/26/earth-station-one-episode-83-our-favorite-dead-and-undead-characters/

Continuing into the haunting season we thought that it would be fun to talk about our favorite dead and undead characters. Plus, we visit the Hellmouth and chat about the first season of Buffy The Vampire Slayer with Nancy Holder, writer of Domino Lady, Buffy, and more. Nancy also climbs inside The Geek Seat and we discuss her upcoming pulpy projects. But wait that’s not all, we also will be talking to our friend Kevin Parker about Netherworld, one of the largest haunted houses in the south.

Domino Lady & Buffy Writer Nancy Holder

Join us for yet another episode of The Earth Station One Podcast that we like to call: Our Favorite Dead and Undead Characters

Table of Contents
0:00:00 Intro / Welcome
0:05:03 Rants & Raves
0:24:36 The Geek Seat w/ Nancy Holder
0:52:18 Buffy the Vampire Slayer Season 1
1:37:48 Our Favorite Dead and Undead Characters
2:24:58 Kahn Report

2:37:38 Count Down to Halloween w/ Kevin Parker of Netherworld
2:52:05 Shout Outs
2:56:45 Show Close

Earth Station One Episode 83 – Our Favorite Dead and Undead Characters is now live at www.esopodcast.com. Direct link: http://erthstationone.wordpress.com/2011/10/26/earth-station-one-episode-83-our-favorite-dead-and-undead-characters/

Preview: Betrayal Of The Planet Of The Apes #1

betrayalpota_01_rev_cvr_a-146x225-4861768BETRAYAL OF THE PLANET OF THE APES #1
Written by Corinna Bechko & Gabriel Hardman
Drawn by Gabriel Hardman
SC, 32pgs, FC, SRP: $3.99
COVER A: Gabriel Hardman
COVER B: Dr. Zaius Photo Cover
COVER C: Mitch Gerads
COVER D: Tonci Zonjic
Diamond Code: SEP110880

Hot on the heels of BOOM!’s sold out, best selling PLANET OF THE APES ongoing series comes a brand new four issue mini co-written and drawn by Gabriel Hardman. Best known for his series-defining work on HULK and AGENTS OF ATLAS and his storyboard work on such hit films as Christopher Nolan’s INCEPTION, Hardman and writer Corinna Sara Bechko (HEATHENTOWN, FEAR ITSELF: THE HOME FRONT) bring you PLANET OF THE APES: BETRAYAL! Taking place during the continuity of the original seminal fan favorite film, the feared and respected General Aleron finds himself at the center of a conspiracy that could transform ape/human relations! Aleron’s journey puts him face to face with…Dr. Zaius!

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Review: “Jurassic Park Ultimate Trilogy”

bd_jurassicpark_3d-e1309271961399-7249690The advent of CGI allowed anything to become a reality if you could afford it. The promise seen in Terminator 2 quickly led the big budget producers to play with the new technology and the 1990s saw a shift in storytelling as these extravaganzas grew larger. When Steven Spielberg announced he was adapting Michael Crichton’s Jurassic Park for the screen, we knew this was going to be the pinnacle of an era. From the lush and note-perfect John Williams score to the familiar and welcome cast, we were in for a treat. That first establishing shot of the park and its legendary inhabitants was a jaw-dropping moment in cinema. Done right, the CGI didn’t overwhelm, but fit seamlessly to convincingly tell a story.

Unfortunately, as CGI technology became widespread and cheaper, it got used and misused with abandon. Similarly, the wild box office success of the first Jurassic film prompted Universal Studios to go ahead with a second and third installment when really all you needed was the first with a satisfying beginning, middle and conclusion. Still, kids love dinosaurs and the movies did well enough that even today talk of a fourth film surfaces now and then.

In time for the holidays Universal Home Entertainment has collected the trilogy, spiffed them up a bit and collected them as the [[[Jurassic Park Ultimate Trilogy]]], a three-disc Blu-ray box set in a handsome case. (more…)

Preview: 7 Warriors #1

7warriors_01_rev_cvr-146x225-83861317 WARRIORS #1
Written by Michaël Le Galli
Drawn by Francis Manapul
SC, 32pgs, FC, SRP: $3.99
COVER :Francis Manapul
Diamond Code: SEP110849

From the fan-favorite artist of The Flash and Adventure Comics comes 7 beautiful women, 7 WARRIORS! In 6th century Libya, the capitol of an ancient nation is surrounded by the Persian and Byzantine armies. Seven are chosen to save the heir to the kingdom. Seven Warriors. Seven… sexy, gorgeous women? An exquisitely rendered tale in the vein of 300, written by Michaël Le Galli and drawn by Francis Manapul.

Halloween Costume Contest — Send Us Your Marvel Super-Hero Pictures!

Kids and adults are no doubt dressing up for school and office parties in celebration of Halloween. Many of you will no doubt be dressed as Marvel characters and we want to see them.

Not only that, we want to publish your pics and name two as the best, awarding lucky winners with a complete set of [[[Avengers: Earth’s Mightiest Heroes]]] courtesy of our friends at Walt Disney Home Entertainment. That’s right, all four volumes can be yours if you impress us. Just go to our Contact Page, select “I’d like to submit a file for review!”, fill out the form and upload your picture.

Submission constitutes permission to publish your name and picture. The submission must be accompanied with your full name and address so winners may receive discs. Submissions must be timestamped by 11:59 p.m. Monday, October 31. The judgement of ComicMix’s expert panel of judges will be final.

Happy Halloween!

And as part of our Saturday Morning Cartoons section, here are some clips from the DVDs in question:

AVENGERS: VOLUME 3 – IRON MAN UNLEASHED

V3 Clip: Walk in Both Worlds (Iron Man, Thor, Black Panther)

AVENGERS VOLUME 4 – THOR’S LAST STAND

V4 Clip: Stuck in the Realms (Hulk, Black Panther, Iron Man)

V4 Clip: What Needs To Be Done (Giant Man, Ultron, Iron Man, Hulk)

Preview: Peanuts #0

peanuts_0_rev_cvr-292x450-8980152PEANUTS #0
Written by Charles Schulz, Ron Zorman, Vicki Scott
Drawn by Paige Braddock, Vicki Scott, Ron Zorman, Lisa Moore
SC, 24pgs, FC, SRP: $1.00
Diamond Code: SEP110913

Happiness is a monthly comic book series, Charlie Brown! PEANUTS came to KABOOM! last spring in their first graphic novel HAPPINESS IS A WARM BLANKET, CHARLIE BROWN. Now Snoopy and the gang are back in monthly comic books! The series kicks off with a special #0 featuring a new original story and supplementary material that will provide a sneak peek at the series launching in January! This is a line drive that’s sure to knock your socks off (along with your shoes, hat, shirt, and mitt)! Don’t miss Charles Schulz’s timeless characters at KABOOM! every month!

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It’s Women of Wonder Weekend!

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In October 2006-2010, five annual Wonder Woman Day events raised over $110,000 for Domestic Violence programs in Portland, Oregon and Flemington, NJ. The five-year combination of auctions of over 1,100 original art pieces, plus collectibles, autograph signings, and photo opportunities garnered spectacular turnouts and four Portland Mayoral Proclamations.

This year, the event will take on a new name and an expanded mission! On October 30, 2011, the new Women of Wonder Day — again as a part of National Domestic Violence Awareness Month — will take place, returning to Excalibur Books in Portland, Oregon, and Comic Fusion in Flemington, New Jersey, as well as at Heroes and Fantasies in San Antonio, Texas.

This year’s contributions for auction include not only artwork featuring heroines from the world of comics — Wonder Woman, She-Hulk, Storm, Michonne from The Walking Dead, Leetah from ElfQuest — but also from the world of media as well, including Lisbeth Salander, Buffy the Vampire Slayer, Hermione Granger, and others. Plus, TV series such as Glee, Nikita, The Big Bang Theory, Castle, and Chuck have donated special items as well.

The all-ages events will include artists and writers signing autographs at each event, as well as costumed characters with whom you can take photos. And in Portland, white-hot writer Brian Michael Bendis is auctioning off a role in one of his upcoming comics. Other contributors include Lar DeSouza, Dan Parent, David Lloyd, Gilbert Hernandez, Nicola Scott, Wendy Pini, Yldiray Cinar, David Mack, Ethan Van Sciver, Jamal Igle, Katie Cook, Michael Golden, Neil Vokes, Terry Moore, Ben Dunn, Billy Tucci, Bob Layton, Charlie Adlard, Don Kramer, Doug Mahnke, Humberto Ramos, Jeff Moy, Joe Benitez, Phil Hester, Scott McDaniel, Stephane Roux, Patton Oswalt, Robin Williams, Rick Riordan, and of course, Lynda Carter.

Details about the three events follow:

(more…)

MARC ALAN FISHMAN: Just Kill Kyle Rayner

fishman-column-art-111029-2458877Typing that title hurt. A lot. It’s been stated here time and again: I am a Kyle Rayner fan. Here I sit, sarcasm sitting in its glass jar next to me, legitimately about to make the argument that my favorite character in comics be given a dirt nap… and I don’t mean the Steve Rogers–Bruce Wayne dirt nap kiddos. I mean the Gwen Stacy sleep of the pulpy gods. But why, you ask, would I suggest such a fate to the character that inspired this bearded bloke to make comics himself? I paraphrase Dr. Denis Leary:

“Elvis Presley should have been shot in the head back in 1957. Somebody should’ve walked up behind Elvis in ‘57 with a 44 magnum, put the barrel of the gun right up to his brainstem and just pulled the trigger, so you can remember Elvis in a nice way. Wouldn’t it be nice to remember Elvis thin, with a big head of hair? Maybe that gold lame suit. Wouldn’t that be nice? Because how do you remember Elvis? You know how you remember Elvis. He was found in the toilet with his pants around his ankles and his big fat hairy sweaty king of rock and roll ass exposed to the world and his final piece of kingly evidence floating in the toilet behind him!”

And as I look on the career of Kyle, since 2005, I see a fat Elvis, crapping on the pot.

Kyle Rayner was brought into the fold of DC Comics in January of 1994. After they wrote off Hal Jordon as a villain-turned-martyr, they introduced new blood into the comic. Kyle represented everything Hal didn’t. He was timid, indecisive, and anything but fearless. All he was, was a kid with an amazing imagination. A kid given the ultimate toy, and a universe to save. For lack of a better M.O., Kyle Rayner was DC’s Spider-Man. An everykid being shown that with great power rings comes great responsibility. It was a bold move. And over ten years he was given free reign to learn, and grow. I grew with him. Kyle joined the Justice League (during the fantastic Morrison run), and became the POV character we could get behind. While Batman, Superman, and Wonder Woman were the serious heroes, Kyle was the kid who could still yell “cool!” Simply put, with Kyle Rayner, DC had the bold and inventive reboot they’re so desperate to have now.

In 2005, Dan DiDio and Geoff Johns decided that the comic book world had enjoyed too much of this “modern” era and declared the silver age be reborn! Hal Jordan was resurrected, and with it took every last ounce of thunder Kyle had mustered in his 10 year tenure as the torch bearer. This is the moment folks, where, had I the will power, I would politely take Rayner’s ring and hurl it into the sun. Ever since “Rebirth” Rayner has floundered, flopped, and died a slow and pitiful character death. Ask ole’ Geoff or Dan, and I’m sure they’d feed you a brilliant line on how he’s still “relevant and as awesome as ever!”… Let’s go to the tape!

Since 2005, Kyle Rayner has… uh… got chummy with Guy Gardner… and… became Ion until they gave that to another alien we’ve since forgotten about… and … uh… got taken into Parallax for an issue… put on a blue lantern ring for a day… oh! And at some point his mom died, and he lost 17 girlfriends. Some died. Some blew up. Others turned out to have daddy issues. Ain’t it riveting?

Simply put, with Hal as the lead green meanie, Kyle fails to matter in the great scheme of things. As Barry Allen came back put Wally West out of a job, so too, does Kyle remain a waste of ink. The whole concept of legacy is so strong at DC (far more than Marvel…), but with the reboot, and continual Geoff Johning of the multiverse… legacy is fast becoming nothing more than an MMO title.

And so, this September, DC rebooted its entire universe. With Hal continuing to be the star of the flagship series (mainly because he was the star in a wonderful flop of a film this summer…), and John Stewart (affirmative action at it’s best!) and Guy Gardner (because we all love angry Irish guys, right?) over on GL Corpse (pun intended), what was Kyle given to do? Well, with GL: New Guardians… He’s the top banana in an adventure that will undoubtedly:

1. Have him shack up with a random space chick. And then she’ll die.

2. Have him wear a plethora of rings, resulting in him changing costumes 10 more times.

3. Remove any semblance of his character, and have him shout various generically heroic things as he saves the day.

4. At some point, he’ll mention all the good things he’s done as a Green Lantern, reminding us Raynernauts that he mattered there, for a while.

5. He’ll grow a bitchin’ half-beard.

I’ve been through the first two issues of the series. I’ve yet to be impressed. It’s like a cattle call for all the last two years worth of Lantern D-listers, all brought together for yet-another-unforeseen-prophetic-battle. Rayner will end up working with Bleez (the slutty Red Lantern), Arkillo (the tongue-less Kilowog of the Sinestro Corps), the Orange jelly-bean thing from Larfleeze’s lantern, Fatality (the only character in the DCU to have even less to do since Kyle Rayner’s original run on GL), an Indigo Lantern (who we still know nothing about, nor care about at this point) and Saint Walker (all will be well, and have some milk!).

Two issues in and nothing has happened. Seriously. 40 pages of content that has seemingly set up a single final splashpage of him in some kind of White-Lantern getup. As if we haven’t seen that before?

Ultimately, if DC wanted to ‘shake things up’ with their reboot, it was the perfect time to shed some dead weight. Since the love affair with all things Silver Age is still in full swing, the world simply doesn’t need a Kyle Rayner. And as one of his biggest fans, I’d much rather have seen him retire his ring for a desk job… instead of continuing to not-matter in the grand scheme of things. He could take a seat next to Wally, and they could simply wait until the next crisis. Or until someone recalls why he mattered in the first place.

SUNDAY: John Ostrander