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Mark Maddox covers The Thing!

Pulp Artist Mark Maddox has been named cover illustrator for HorrorHound Magazine issue #31, which is currently available on newsstands and bookstores everywhere. The cover art by Mark Maddox features images from the 1982 version of The Thing.

Mark’s illustrations have appeared on multiple books and magazines including Kolchak: The Night Stalker, Sherlock Holmes: Consulting Detective, Captain Hazard, The Heap, That Man Flint, Undying Monsters, Lance Star: Sky Ranger, Little Shoppe of Horrors magazine, Mad Scientist magazine, Hammer Fantasy & Sci-Fi for Hemlock Books, The Last Bus To Bray: The Unfilmed Hammer, the first volumes in Don Glut’s New Adventures Of Frankenstein series, and more.

For more on Mark Maddox and his art, visit http://maddoxplanet.com.
Click on artwork for a larger view.

NEW OPAR OMNIBUS AVAILABLE FOR PRE-ORDER

The day is finally here! The new Opar omnibus from Subterranean Press, which includes the never-before-published novel THE SONG OF KWASIN, has finally been announced, and you can preorder it here:

Gods of Opar: Tales of Lost Khokarsa

by Philip Jose Farmer and Christopher Paul Carey

(preorder—to be published in April 2012)

Dust jacket by Bob Eggleton.

Limited: $65

Trade: $45

ISBN: 978-1-59606-471-3

Length: 576 pages

Gods of Opar: Tales of Lost Khokarsa collects for the first time anywhere Philip José Farmer’s epic Khokarsa cycle, including the never-before-published conclusion to the trilogy, The Song of Kwasin.

In Hadon of Ancient Opar, the young hero Hadon journeys from his outpost city to the heart of the ancient African empire of Khokarsa, battling in the Great Games for the chance to win the king’s crown. But just as Hadon stands upon the precipice of victory, the tyrannical King Minruth usurps the throne and

overturns the beneficent, centuries-old rule of the priestesses of Kho. Now Hadon must set out upon a hero’s journey unlike any other—to hunt down a living god and return with his bounty. The saga continues in Flight to Opar, as a decree by the oracle hurtles Hadon upon a perilous quest that will determine the fate of the next twelve millennia. In The Song of Kwasin, Hadon’s herculean cousin returns to Khokarsa after long years of exile in the Wild Lands. But soon Kwasin finds that in order to clear his name he will have to take up the cause against King Minruth himself and stop him before he fulfills his mad quest for immortality high atop the sun god’s bloody ziggurat.

Limited: 250 signed (by Carey) numbered copies, with an additional section of exclusive material

Trade: Fully cloth bound hardcover edition

Table of Contents:

Introduction by Christopher Paul Carey

Hadon of Ancient Opar

Flight to Opar

The Song of Kwasin (with Christopher Paul Carey)

Exclusive to the Limited Edition:

The Song of Kwasin Outline

The Khokarsan Language

Khokarsan Glossary

The Khokarsan Calendar

The Plants of Khokarsa

Just in time for Halloween…

Cover Art: Danny Kelly

Martin Powell’s The Halloween Legion (Book One) is now available for just $12.95 from Wild Cat Books. You can order The Halloween Legion at http://www.amazon.com/Halloween-Legion-1-Martin-Powell/dp/0983953201/ref=sr_1_2?s=books&ie=UTF8&qid=1319484334&sr=1-2

The printed edition features five interior illustrations by artist Danny Kelly.

“Many thanks to Ron Hanna and Wild Cat Books for allowing my little group of weirdos to finally be born–and in time for Halloween!” Powell said on his blog.

The Halloween Legion © Martin Powell.
Cover and Interior Illustrations by Danny Kelly.

Interior Art: Danny Kelly

Graphic Design by William Carney.
Logo by Ver Curtiss.
Published by Wild Cat Books.

To learn more about author Martin Powell, visit http://martinpowell221bcom.blogspot.com/
To learn more about Wild Cat Books, visit http://www.wildcatbooks.net/

You can order The Halloween Legion at http://www.amazon.com/Halloween-Legion-1-Martin-Powell/dp/0983953201/ref=sr_1_2?s=books&ie=UTF8&qid=1319484334&sr=1-2

What Was It Like Working For “The Incredible Hulk”?

With the imminent return of The Incredible Hulk to television (currently being developed for ABC and spinning out of the Avengers movie next summer) it’s illuminating to go back and take a look at how the original TV series was made. Allan Cole (perhaps better known as the co-author of the [[[Sten]]]novels) was a writer for the series, and he’s been reminiscing…

To understand The Incredible Hulk you have to first know that everybody on the show was nuts. Some were nice nuts. A few, not so nice. And others bounced back and forth like green balls of silly putty with no notice whatsoever.

It also helps to understand that the very premise of the show was schizoid, with this wimpy little doctor-type guy (played by Bill Bixby) transforming into a big green monster (played by Lou Ferrigno) when somebody kicks sand in his face and pisses him off.

Put another way, scripting for the Incredible Hulk was like writing for Kabuki theater. As Chris said, “one frigging thing out of place and everybody and everything goes apeshit.”

The writing experience could be frustrating, agonizing and drive you just plain bonkers. On the other hand, of the hundred and fifty odd shows Chris and I worked on, it was one of the most fun and satisfying. Once you got the formula down pat, you could write just about anything you wanted. More importantly, what you wrote went on the screen, so you didn’t hesitate to open up and address broader themes than one might expect in a show about a comic book character.

via MY HOLLYWOOD MISADVENTURES: IT AIN’T EASY BEIN’ GREEN – JUST ASK THE INCREDIBLE HULK.

NYCC 2011 Cosplay, Part 2: White Queen vs. Dark Phoenix, Catwoman, Dr. McNinja, and Two-Face

img_2090-300x401-5951002Still churning through some great photographs, although sadly my photos of Banana-Wolverine didn’t come out at all (just for the caption “In Canada, banana slices you! </yakovsmirnoff>”) but luckily, ComicsAlliance caught him.

But we have photos of everything else, from Astro Boy to Avengers, from Slave Leia (of course) to the littlest Sinestro, and Optimus Primes both large and sub-Optimus… let’s take a look!

 

The Point Radio: 24’s Chloe Returns & Starbuck Talks BSG


After years of backing up Jack Bauer on 24, Mary Lynn Rajskub is back on the web and funny as hell. She tells us all about her new series, plus Katee Sackoff talks about why she isn’t in the POWERS TV series and why she thinks BATTLESTAR went out the right way.

The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebookright here & toss us a “like” or follow us on Twitter @ThePointRadio.

Martin Powell Takes Tarzan To The Earth’s Core!

Tarzan © ERB, Inc. Artwork Tim Burgard

Author Martin Powell recently announced that he is writing a graphic novel of TARZAN AT THE EARTH’S CORE that will be illustrated by Tim Burgard, for Sequential Pulp/Dark Horse Comics.

The Tarzan At The Earrth’s Core graphic novel is officially licensed and authorized by the estate of Edgar Rice Burroughs, and will be published as a special edition in celebration of the ape-man’s 100th Anniversary in 2012. “Tarzan has always been at the top of my list for characters to write,” Powell said on his blog. “And this is possibly the biggest project of my twenty-five year career. I honestly never thought I’d get this chance. Very special thanks to ERB, Inc. and Michael Hudson for making this possible.”

For more on Martin Powell, visit http://martinpowell221bcom.blogspot.com/.
For more on Sequential Pulp Comics, visit http://www.sequentialpulpcomics.com/
For more on Dark Horse Comics, visit http://www.darkhorse.com/
For more on Tim Burgard, visit http://www.timburgardart.com/

Boldly Going

star_trek_tos_logo_1-300x120-8362881I wrote a while back, lamenting over not writing much for or about Star Trek these days and it appeared that my involvement in the franchise was going to become a fading memory.

Perhaps I wrote too quickly.

Back in August, I was contacted by an editor at Voyageur Press on the recommendation of fellow Trek writer, and Voyageur employee, Scott Pearson. Grace LaBatt kindly asked if I was perhaps interested in tackling an Unauthorized History of Star Trek, tracing not only the TV series but the movies, the spinoffs, the merchandise and most importantly, the fan following that kept the dream alive.

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MINDY NEWELL: Chest Hair Or No Chest Hair

newell-column-art-111024-5098477Walking home from food shopping, thinking about this week’s column. Thinking about all the “news that’s fit to print” (and some not) about the portrayal of women in comics. And I thought, has anyone written about the portrayal of men in comics? I’m talking down and dirty, hot stuff, glistening muscle, chest hair or no chest hair?, blue brown or green eyes, skin-tight costume, hunky super-duper M-E-N.

Distaff geeks unite!

I’ll start. Off the top of my head, and in no particular order:

  • Logan, a.k.a. Wolverine. Chest hair. Goddamn, he’s sexy.
  • Dick Grayson, a.k.a. Robin in New Teen Titans written by Marv Wolman and drawn by George Pérez. He looked like a guy I had a crush on in high school… and for years afterwards.
  • Clark Kent, a.k.a. Superman, drawn by Curt Swan, Jerry Ordway, John Byrne, and many others, up to and including Rags Morales and Jesus Marino.
  • Hal Jordan, a.k.a. Green Lantern. Just read recently that Julie Schwartz wanted him to look like Paul Newman. Explains a lot.
  • Scott Summers, a.k.a. Cyclops. Who’s behind those Foster Grants?
  • Peter Parker, a.k.a. Spider-Man. It was Revenge of the Nerds, thanks to J. Michael Straczynski and John Romita, Jr!
  • Adam Strange. Why can’t a Zeta-beam land him in my bedroom?

Now for the “live-action”:

  • Christian Bale makes delicious eye candy and engenders dirty thoughts as Bruce Wayne/Batman. But isn’t it odd that the comic version doesn’t make my “off-the-of-my-head” list?
  • Of course the true superhero, Christopher Reeve. “Easy, miss. I’ve got you.”
  • And I have always, always, always had a thing for Robert Downey Jr. Can’t tell you how many times I’ve watched Iron Man. Even sat through Iron Man more than twice just to look at him. Special mention for Sherlock Holmes.
  • Not so much for the blondes, generally. Though there is Chris Hemsworth as Thor. And Robert Redford (“See ya, Hubble”) in The Way We Were. And Jason Lewis as Jared Smith on Sex And The City – the scene where he shaves his signature long, blonde, thick hair in solidarity with Samantha as she loses her hair due to the chemotherapy, well, every man who has ever questioned why his girlfriend or wife left him should be chained to a chair ala Malcom McDowell in A Clockwork Orange and forced to watch that scene over and over and over until he screams Igetitigetitigetitigetit!

uh, sorry ‘bout that. where was i? she said sheepishly.

  • John Wesley Shipp as The Flash on the too-soon cancelled TV series.

No quibbling allowed on the next four. I am the columnist. I am allowed my all things Buffy. Anyway, maybe they started out as live-action characters, but they all appear in comics now. And don’t give me any lip about any of them not technically being superheroes. I don’t see you fighting demons and vampires and saving the world over and over again.

  • David Boreanaz as Angel, first on Buffy and then on the eponymous TV series. Broody, morose, dark and tragic. A vampire Hamlet.
  • Alexis Denisof as Wesley Wyndam-Pryce. I envy Alyson Hannigan.
  • James Marsters as Spike, a.k.a. William the Bloody. Just for the record, I’m one of those who believe in Spike and Buffy 4 Ever. S.W.A.K.
  • J. August Richards as Charles Gunn. He almost didn’t make the list, ‘cause his selfish actions led to the death of Fred, but I can’t deny that bod’!
  • Anthony Stewart Head as Rupert Giles. Loved him ever since the Folger commercials. ‘Sides, I’m a sucker for British accents. Ask John Higgins.

What’cha think of my choices, fellow geek women? Who are yours? Martha, y’ wanna start?

TUESDAY: Michael Davis

NYCC: There and Back Again

My time at the New York Comic-Con has come and gone and a good time was had.

As expected, I had countless whirlwind 30-60 second conversations with people, shaking hands, hugging, kissing, and making rather merry. There were some extended conversations and a few business meetings which was nice.

I arrived early enough on Thursday that getting my badge was a breeze and wish more shows were so well staffed. I began running into people I knew the moment I entered the Jacob Javits Center and was delighted. My first appointment was with an editor about a project I can begin talking about next week. We got to know one another beyond the e-mails and phone calls and I think we got along just swell. She then snuck me onto the show floor two and a half hours early so I got a chance to wander and chat with some people who were going to be otherwise mobbed the remainder of the weekend.

Sure enough, once the doors opened to the four-day pass holders and professionals at 4, the aisles quickly filled and moving around was far less fluid. I did make a point of checking booths that had my stuff on display and was pleased to note DelRey had both The Essential Batman Encyclopedia and The Essential Superman Encyclopedia out for the fans. Across the way, Watson-Guptill had Stan Lee’s How to Write Comics out. And just arrived at the TwoMorrows booth were the first copies of Stan Lee’s Universe, where I acted as a consulting editor in the project’s final weeks (and a spiffy looking book it is, too).

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