NEW OPAR OMNIBUS AVAILABLE FOR PRE-ORDER
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| Cover Art: Danny Kelly |
Martin Powell’s The Halloween Legion (Book One) is now available for just $12.95 from Wild Cat Books. You can order The Halloween Legion at http://www.amazon.com/Halloween-Legion-1-Martin-Powell/dp/0983953201/ref=sr_1_2?s=books&ie=UTF8&qid=1319484334&sr=1-2
The printed edition features five interior illustrations by artist Danny Kelly.
“Many thanks to Ron Hanna and Wild Cat Books for allowing my little group of weirdos to finally be born–and in time for Halloween!” Powell said on his blog.
The Halloween Legion © Martin Powell.
Cover and Interior Illustrations by Danny Kelly.
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| Interior Art: Danny Kelly |
Graphic Design by William Carney.
Logo by Ver Curtiss.
Published by Wild Cat Books.
To learn more about author Martin Powell, visit http://martinpowell221bcom.blogspot.com/
To learn more about Wild Cat Books, visit http://www.wildcatbooks.net/
You can order The Halloween Legion at http://www.amazon.com/Halloween-Legion-1-Martin-Powell/dp/0983953201/ref=sr_1_2?s=books&ie=UTF8&qid=1319484334&sr=1-2
With the imminent return of The Incredible Hulk to television (currently being developed for ABC and spinning out of the Avengers movie next summer) it’s illuminating to go back and take a look at how the original TV series was made. Allan Cole (perhaps better known as the co-author of the [[[Sten]]]novels) was a writer for the series, and he’s been reminiscing…
To understand The Incredible Hulk you have to first know that everybody on the show was nuts. Some were nice nuts. A few, not so nice. And others bounced back and forth like green balls of silly putty with no notice whatsoever.
It also helps to understand that the very premise of the show was schizoid, with this wimpy little doctor-type guy (played by Bill Bixby) transforming into a big green monster (played by Lou Ferrigno) when somebody kicks sand in his face and pisses him off.
Put another way, scripting for the Incredible Hulk was like writing for Kabuki theater. As Chris said, “one frigging thing out of place and everybody and everything goes apeshit.”
The writing experience could be frustrating, agonizing and drive you just plain bonkers. On the other hand, of the hundred and fifty odd shows Chris and I worked on, it was one of the most fun and satisfying. Once you got the formula down pat, you could write just about anything you wanted. More importantly, what you wrote went on the screen, so you didn’t hesitate to open up and address broader themes than one might expect in a show about a comic book character.
via MY HOLLYWOOD MISADVENTURES: IT AIN’T EASY BEIN’ GREEN – JUST ASK THE INCREDIBLE HULK.
Still churning through some great photographs, although sadly my photos of Banana-Wolverine didn’t come out at all (just for the caption “In Canada, banana slices you! </yakovsmirnoff>”) but luckily, ComicsAlliance caught him.
But we have photos of everything else, from Astro Boy to Avengers, from Slave Leia (of course) to the littlest Sinestro, and Optimus Primes both large and sub-Optimus… let’s take a look!

After years of backing up Jack Bauer on 24, Mary Lynn Rajskub is back on the web and funny as hell. She tells us all about her new series, plus Katee Sackoff talks about why she isn’t in the POWERS TV series and why she thinks BATTLESTAR went out the right way.
The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebookright here & toss us a “like” or follow us on Twitter @ThePointRadio.
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| Tarzan © ERB, Inc. Artwork Tim Burgard |
Author Martin Powell recently announced that he is writing a graphic novel of TARZAN AT THE EARTH’S CORE that will be illustrated by Tim Burgard, for Sequential Pulp/Dark Horse Comics.
The Tarzan At The Earrth’s Core graphic novel is officially licensed and authorized by the estate of Edgar Rice Burroughs, and will be published as a special edition in celebration of the ape-man’s 100th Anniversary in 2012. “Tarzan has always been at the top of my list for characters to write,” Powell said on his blog. “And this is possibly the biggest project of my twenty-five year career. I honestly never thought I’d get this chance. Very special thanks to ERB, Inc. and Michael Hudson for making this possible.”
For more on Martin Powell, visit http://martinpowell221bcom.blogspot.com/.
For more on Sequential Pulp Comics, visit http://www.sequentialpulpcomics.com/
For more on Dark Horse Comics, visit http://www.darkhorse.com/
For more on Tim Burgard, visit http://www.timburgardart.com/
I wrote a while back, lamenting over not writing much for or about Star Trek these days and it appeared that my involvement in the franchise was going to become a fading memory.
Perhaps I wrote too quickly.
Back in August, I was contacted by an editor at Voyageur Press on the recommendation of fellow Trek writer, and Voyageur employee, Scott Pearson. Grace LaBatt kindly asked if I was perhaps interested in tackling an Unauthorized History of Star Trek, tracing not only the TV series but the movies, the spinoffs, the merchandise and most importantly, the fan following that kept the dream alive.
Walking home from food shopping, thinking about this week’s column. Thinking about all the “news that’s fit to print” (and some not) about the portrayal of women in comics. And I thought, has anyone written about the portrayal of men in comics? I’m talking down and dirty, hot stuff, glistening muscle, chest hair or no chest hair?, blue brown or green eyes, skin-tight costume, hunky super-duper M-E-N.
Distaff geeks unite!
I’ll start. Off the top of my head, and in no particular order:
Now for the “live-action”:
uh, sorry ‘bout that. where was i? she said sheepishly.
No quibbling allowed on the next four. I am the columnist. I am allowed my all things Buffy. Anyway, maybe they started out as live-action characters, but they all appear in comics now. And don’t give me any lip about any of them not technically being superheroes. I don’t see you fighting demons and vampires and saving the world over and over again.
What’cha think of my choices, fellow geek women? Who are yours? Martha, y’ wanna start?
TUESDAY: Michael Davis
My time at the New York Comic-Con has come and gone and a good time was had.
As expected, I had countless whirlwind 30-60 second conversations with people, shaking hands, hugging, kissing, and making rather merry. There were some extended conversations and a few business meetings which was nice.
I arrived early enough on Thursday that getting my badge was a breeze and wish more shows were so well staffed. I began running into people I knew the moment I entered the Jacob Javits Center and was delighted. My first appointment was with an editor about a project I can begin talking about next week. We got to know one another beyond the e-mails and phone calls and I think we got along just swell. She then snuck me onto the show floor two and a half hours early so I got a chance to wander and chat with some people who were going to be otherwise mobbed the remainder of the weekend.
Sure enough, once the doors opened to the four-day pass holders and professionals at 4, the aisles quickly filled and moving around was far less fluid. I did make a point of checking booths that had my stuff on display and was pleased to note DelRey had both The Essential Batman Encyclopedia and The Essential Superman Encyclopedia out for the fans. Across the way, Watson-Guptill had Stan Lee’s How to Write Comics out. And just arrived at the TwoMorrows booth were the first copies of Stan Lee’s Universe, where I acted as a consulting editor in the project’s final weeks (and a spiffy looking book it is, too).