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Joe Kubert’s Pulpy Poster For Lucasfilm’s Red Tails

Red Tails Poster Art: Joe Kubert

At this weekend’s New York Comic Con Lucasfilm debuted am exclusive poster for its upcoming Red Tails movie created by legendary comic book artist Joe Kubert. The movie, directed by Anthony Hemingway from a script by John Ridley and Aaron McGruder, the film is inspired by the World War II exploits of the Tuskegee Airmen, the first African-American combat aerial unit in the U.S. armed forces. Executive produced by George Lucas, Red Tails stars Cuba Gooding Jr., Terrence Howard, Bryan Cranston and Nate Parker.

Red Tails will be released January 20, 2012 by 20th Century Fox.

About Red Tails:
A crew of African American pilots in the Tuskegee training program, having faced segregation while kept mostly on the ground during World War II, are called into duty under the guidance of Col. A.J. Bullard.

The official movie trailer:

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In theaters January 20, 2012

Nick Fury’s Pulp Avengers 1959

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Avengers 1959 Cover Art: Howard Chaykin

Marvel Comics has released a synopsis and sneak peek at the second issue of their pulpy Avengers 1959 mini series from Howard Chaykin.

AVENGERS 1959 #2 (Of 5)
Written and Penciled by HOWARD CHAYKIN
Cover by HOWARD CHAYKIN
EXPLODING FROM THE PAGES OF NEW AVENGERS…

It’s the tail end of the fabulous fifties. NICK FURY and his AVENGERS roar into their secret mission, hunting down NAZI SUPER VILLAINS…men and women relentlessly preparing to unleash hell on a troubled world barely holding onto peace…only to find the Avengers have what appears to be serious competition in their manhunt for these escaped ubermenschen…when their mission is suddenly compromised by interference from an unlikely source.
32 PGS./Rated T+ …$2.99

Avengers 1959 Pg 1. Story & Art: Howard Chaykin

Avengers 1959 Pg 2. Story & Art: Howard Chaykin

Avengers 1959 Pg 3. Story & Art: Howard Chaykin

Avengers 1959 Pg 4. Story & Art: Howard Chaykin

For more on Marvel Comics, visit http://www.marvel.com/.

New Conan Creative Team Adapts Robert E. Howard’s "Queen of the Black Coast"

Conan Art: Becky Cloonan

At this weekend’s New York Comic Con, Dark Horse Comics announced a new Conan the Barbarian comic book series by the DEMO creative team of writer Brian Wood and artist Becky Cloonan that will be in stores beginning on February 8, 2012.

The first story arc will adapt Robert E. Howard’s “Queen of the Black Coast,” in which Conan turns his back on the civilized world and takes to the high seas alongside the pirate queen Belit.

For more information on Conan and Dark Horse Comics other pulpy offerings, visit them at http://www.darkhorse.com/.

MARC ALAN FISHMAN: Lights. Camera. Avenge.

fishman-column-art-111015-5527294So, I just watched the trailer for The Avengers. I had to change pants. Because I pooped them. Why the premature defecation, you inquire? One movie with Iron Man, Thor, Captain America, The Hulk, Worthless Chick and Bow and Arrow Man… that’s why! In all seriousness (that would be the seriousness of a comic nerd geeking out at maximum dorkatude), it’s because this is the culmination of years of planning on Marvel’s part. And simply put, it looks like they aren’t going to screw it up.

In their own rights, each of the Marvel heroes who have been given a solo movie have done spectacularly well. Iron Man grossed over $318,000,000; Thor nabbed over $181,000,000; and the glorious Captain America took in over $175,000,000. Bob Wayne at DC once said “You vote with your dollars…” and by the looks of it, America (nerd and non-nerd alike) has proven its love for the Marvel movies.

Speaking purely from a fan-boy perspective, I’ve had nothing but mad love and respect for their cinematic endeavors. Iron Man was grounded in reality (for 4/5s of the film), and elevated by a continuously energetic performance by Robert Downey Jr., Thor was able to mix the completely ridiculous with powerful mythology and gave us perhaps one of the hardest to believe Avengers such that we as an audience believed a God could be a superhero. Captain America was able to build a fantastic period piece that gave the world an iconic and fearless leader. And now, Joss Whedon and Marvel Studios is cramming all of them (and a handful of others) into a single picture.

The basic fear most fanboys have had since the idea of an Avengers movie was dropped on our collective consciousness revolved around over-complexity. Rumors of Loki, the Kree/Skrull war, Red Skull, and numerous other villains danced on message boards. And let’s face it. Putting 4 or 5 “A-Types” into a team picture will potentially numb any chance at character building and nuance. If Iron Man, Thor, Captain America and The Incredible Hulk each required their own picture, how can they share the limelight? And on top of it… Samuel L. Jackson’s Nick Fury looks to be far more than just a cameo to boot. In simpler terms, The Avengers could easily become 10 gallons of Superhero in a 5 gallon hat.

If the trailer is to be any indicator of what the final product will be, I feel like Marvel is headed in the right direction. With the origins of every character now “public knowledge,” things feel natural. Iron Man and Captain America are both formidable leaders in their own right. In the trailer, they knock heads almost instantly. Whedon, who wrote the script, has a real clarity of character. Tony’s response is pitch perfect. Thor, while not uttering a word, carries himself as we expect… Regally, with a dash of arrogance.

Other glimpses of the titular characters are equally impressive. Mark Ruffalo’s Bruce Banner certainly holds himself with a quiet struggle. And the choice to make Loki the villain creates a real urgency for the assembling. A mad god? Yeah, that’s a job for the Avengers. I know this all seems a bit of a hyperbole of analysis, given that all we’ve really seen is 12,000 seconds of footage (with a solid third of that dedicated to ominous shots of New York, explosions, and Iron Man flying)… but I’ve watched the trailer a couple times now, and each time I retain the same silly grin.

Marvel’s missteps – Wolverine, Elektra, Daredevil (which I actually liked), and most likely one (if not more) of the Blade flicks – all shared a plethora of groan worthy moments. In each, the self-seriousness never felt earned by the fans. That, and Wolverine was given Clark Kent’s origin part-way through his movie. I wish I could pinpoint exactly why the Avengers, with its surplus of superheroes, seems to capture my glee, with no bitter aftertaste of “this could be a train wreck.” Could it be I just want it to succeed too much? With Iron Man, Iron Man 2, The Incredible Hulk, Captain America: The First Avenger, and Thor all leading up to this, it may very be such that I can’t fathom this flopping. I’ve dropped far too much cash at the multiplex to see Marvel bellyflop.

At its core, the Avengers is true fanboy porn. An assembling of Marvel’s best and brightest (and Hawkeye, cause, you know…) to fight the biggest of fights, is the stuff dreams are made of. To see it in live-action glory, with a bevy of computer effects and explosions is everything comic fans have dreamed of. I postulate it’s akin to The Dark Knight, where the general masses will appreciate our medium in a new light. It raises our collective mojo up just a notch. And anytime a comic nerd looks better than a Trekkie or LARPer… well, that’s just gravy. If you haven’t checked it out yet, do go watch the trailer… and come back here to tell me if I should stave my excitement, or just invest in a few more pair of paints prior to its debut.

SUNDAY: John Ostrander

New York Times on New York Comic Con

The New York show, which opened Thursday night at the Jacob K. Javits Center in Manhattan, bounced around the calendar for a couple of years before finding a home in October last year, when 96,000 fans made the trek to New York to attend.

Organizers expect attendance at the show, now in its sixth year, to surpass 100,000 this year. And while its rival in San Diego grapples with growing pains, New York Comic Con is finding its footing.

via In New York, Comic Fans Flock to the Smaller Convention (of 100,000) – NYTimes.com.

Setting Foot Into City Lights

written by Joshua Pantalleresco

One of my all time favorite book signs.
I received my orders via email from the all powerful Hancock.  He commanded me to write about this wondrous place where I found classic pulp during my vacation.  A giant talking head that reminded me of a powerful wizard was just something you couldn’t ignore; besides, I love bookstores.
With this in mind, I head to City Lights, one of my all time favorite bookstores while on vacation in London Ontario.  Like all real gems the entrance to this cave of wonders is located in one of the emptier parts of downtown on Richmond Street and King.  Outside of LA Mood, an awesome comic shop where this writer did a book signing for his comic Veritas (which you can order at Indy Planet), all that surrounds this section of downtown are old and dusty buildings.  Old pawn shops and music places and abandoned apartments line up along the side of the street.  There is graffiti and a faint smell of sewage in the air.  I approach the bookstore with trepidation.  Would it be the same after being gone so long?
I see the familiar bars in the windows and the bargain books in the boxes decorating the entrance way.  The door is old and creeky and I fumble my way inside.
I open the door and gape.  Here there be books.  Seas of them stare up at me on the floor.  Most of them are divided by their sections and categories and are in large cardboard boxes, although a few seem to have escaped from their confines are just hanging around.
To my left is a bookshelf filled with the latest vampire and horror fiction craze.  I notice the books Marked and Twilight hang side by side as two guardians of the gate.  They greet you warmly with their black covers and insignias.  Both series are there in abundance and it serves as a gentle reminder to the reader not to be greedy.  There are wonders here yes, but at the end of the day you have to feel the wrath of Stephanie Meyer and PC Cast as you make your way to the exit.
After that cursory glance I notice some of the other books alongside the vampire army and to my amazement there are some nice books up there.  Brian Lumley is hanging around with his Necroscope series.  There is a touch of romance and violence with Ilona Andrews and then there are the many faces of horror behind Twilight.  Truly there are good books right from the start tempting you to take them home.  The wood creeks as I step inside.  The building talks to me as I try not to sneak past the cashier gazing right at me.  The wall of shame hangs behind him.  The wall contains pictures of silly mortals who thought they’d steal a book in this place and get away with it.  Each victim has their image ingrained in the background forever.  I pass them and wave high to the slightly overweight man behind the counter as I cross the threshold of being an accidental tourist.
I’ve been here before.  I think I know where I need to go.  I proceed to walk to the back of the store.  My quarry was located back there, as was the greatest temptations for a reader like myself.
City Lights has a marvelous science fiction section.  It is easily a quarter of the first floor.  You go past the part where the store sinks and dips and it’s on the other side.  It is not only in alphabetical order but the authors themselves are categorized.  You can see classic ABCs of science fiction like Asimov, Bradbury, and Clarke with pulp favorites like Burroughs, Norton, Zelazny.  Series like Conan, Tarzan and Doc Savage…wait a minute, Doc Savage?!
I grab it and look and there can be no doubt:  The man of bronze sits there idly.  I glance inside the cover and find it’s the right price.  Sold.  You don’t find Doc Savage just anywhere.  Satisfied with the book I continue my exploration of the section.  I pass by Charles De Lint, saddened to see they don’t have any more books I don’t already have. At this point, this cave of wonders feels like a familiar haunt.  I love good science fiction and pulp and City Lights has tones of books for me to read and rediscover.
Looking back at the pulp series at the very top, I find a name I am unfamiliar with.  John Norman towers above the B section right beside Tarzan.  The first book is called Tarnsman of Gor.  I open it up and read the first page. I was sold.  This looks to be a fantastic book.  I can’t wait to review it.
I stop there.  My treasures have been found and I proceed to the checkout.  I pay for my books, say a quick goodbye to the Twilight/Necroscope Section and head out the door, saddened that the experience was over, but happy I did it in such a place.
I’ve been very fortunate to be in some very cool book places, but City Lights is one of a kind.  If you ever go to London Ontario it’s worth going in and taking a look, whether you are saying hello to a familiar book or like me are always seeking new works to try.

Eliza Dushku is a purr-fect fit for Catwoman in Batman: Year One and animated short

byo-70-300x168-9675349Eliza Dushku has taken command of Catwoman and she’s not about to give her back.

The star of Dollhouse and Tru Calling, and a vital part of the amazing Buffy the Vampire Slayer cast, provided the voice of Selina Kyle/Catwoman for Batman: Year One, the next entry in the popular, ongoing series of DC Universe Animated Original Movies. A few short months later, Dushku was quick to accept a return to the role as the title character of the DC Showcase animated short Catwoman.

From the moment she accepted the role, Dushku was keen on making this character her own – and coming back to play the character as often as possible. Given her performance, it’s doubtful casting director Adnrea Romano and executive producer Bruce Timm would look elsewhere the next time the sometimes vigilante, sometimes villain appears in a script. (more…)

The Point Radio: SANCTUARY Secrets & DC’s Million Sellers

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We’ve got more secrets to share from SyFy‘s SANCTUARY, as Amanda Tapping gives us hints on this season’s shocking finale (still a few weeks away). Plus DC sells five million comics in just a few weeks, and NY Comic Con is ON and we are on the floor.

The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebookright here & toss us a “like” or follow us on Twitter @ThePointRadio.

MARTHA THOMASES: Comics and The Big Con

thomases-column-art-111014-4374673The Internet tells me that this weekend’s New York Comic-Con anticipates attendance of about 100,000. I’m not sure if that means 100,000 individuals over the three days (plus Thursday night) or 33,000 going each day, or something in-between.

In any case, it’s a lot of people.

San Diego Comic-Con gets around 125,000 people. That’s more. And it has more of an impact on the city, where 125,000 people dressed funny are noticeable. In New York, that’s pretty much one block of the Village Halloween parade, or Times Square on a Saturday.

NYCC is a relatively new show that grew very fast. I remember when we thought San Diego was a big show with 60,000 attendees. Of course, that was back in the 1990s, when San Diego was still mostly about comics.

The New York show is still mostly about comics. Yeah, there’s a bunch of TV and movie hype, but most of the programming and the celebrity guests are from comics. Since DC and Marvel are headquartered here (for the time being, at least), that’s easy and cost-efficient.

The San Diego convention center is much nicer than the Javits Center, and much closer to the amenities one expects of a major metropolitan area. It’s set up much better for mass transit, too, which is surprising, given the Big Apple’s reliance on MetroCards.  On the other hand, New York in general is set up better for tourists, with better restaurants and better hotels (with more rooms available). Be warned, though – you get what you pay for, and in New York, you really have to pay. And if you want to look like a New Yorker, you’ll walk.

When the show is in New York, I get to sleep in my own bed, with my own husband. And when the show is in New York, I have to clean up my own mess and deal with my own life.

The timing of the show is wonky. True, autumn in New York is beautiful and the Broadway season is in full swing. On the other hand, it’s the same weekend as the New York State Sheep & Wool Festival in Rhinebeck, and I hate to have to choose which geeky aspect of my personality to indulge.

This year is going to be a little bit different for me. I actually have a project to hype. Mary Wilshire and I are working on a graphic novel. I’ve been in the business long enough to know that one doesn’t actually pitch something at a show, because the editors working the booths are too frazzled by fans to focus on freelancers. Nor should they. The show is for the customers. Still, I hope to at least chat up an invitation to send in our pitch. Which means I’ll have to be nice to everyone, just like I was working a booth again.

Martha Thomases doesn’t know what she wants to buy more – original art or hand-spun yarn.

SATURDAY: Marc Alan Fishman

Lance Star: Sky Ranger Writers Visit The Book Cave

Lance Star: Sky Ranger Vol. 3 Cover Art: Shannon Hall

Bobby Nash, Van Allen Plexico, Bernadette Johnson, and Sean Taylor join Ric Croxton for episode 148 of the Book Cave to discuss the recent release of Lance Star: Sky Ranger Volume 3 from Airship 27 Productions and Cornerstone Books.

You can listen to episode 148 of the Book Cave at http://thebookcave.libsyn.com/.

To learn more about the Lance Star: Sky Ranger series, visit http://www.lance-star.com/.