The Mix : What are people talking about today?

Announcing The SideKick Foundation

sidekick-foundation-logo-3836399The Sidekick Foundation is a new confederacy that seeks to generously aid comics creators in need of financial and medical assistance. Sidekick’s board of directors and advisors consists of established, respected comics professionals who have agreed to support the organization’s initiative which, in its first year, shall be to donate 90% of all generated proceeds directly to those in need.

“Sidekick was established by Clifford Meth, whose work on behalf of comics creators in need is well known,” said Jim Reeber, president of Aardwolf Publishing and Secretary of Sidekick. “By adding the weight of some of the industry’s most respected names to his own, I believe Cliff can help more people than ever before and do so more effectively.”

“I’ve spent the last three years working for well-known charities and non-profits,” said Meth, a former Executive V.P. of IDW Publishing and recent spokesman for Kars4Kids. “Regardless of the cause, the one thing that always irked me was how much money goes to the overhead of charitable organizations. While it may be legal to only give away a small portion of collected proceeds, I find it ethically unacceptable. The Sidekick Foundation will not have a paid Director nor full-time staff. Most work will be done by volunteers allowing the foundation to keep expenses to a minimum.”

Sidekick’s Board of Advisors includes Neal Adams, Harlan Ellison, Joe Sinnott, Tom Palmer, Herb Trimpe, and Morris Berger (former president of IDT Entertainment and chairman of IDW Publishing).

“I’m particularly proud to have Neal Adams and Harlan Ellison with us,” said Meth. “Neal laid the foundation for art returns and his work on behalf of Superman’s creators is legendary, while Harlan Ellison is <a href=”

stalwart champion of creator’s rights. With friends like these in your corner, you can move mountains.”

Sidekick will debut at New York ComicCon on Sunday, October 16. Artist David Lloyd (“V for Vendetta”) will be drawing for Sidekick at the Cadence table #3153 from 12:30 to 1:30 pm. In addition, Clifford Meth and writer Don McGregor will be selling donated art as well as items from the late Gene Colan and Dave Cockrum, among others. Future signings and events are planned from artists Michael Netzer and Bill Messner-Loebs.

For more information, visit http://www.thesidekickfoundation.org/

Superman: The Wedding Album

Happy 15th Anniversary, Clark & Lois Kent!

Not a dream! Not a hoax! Not an imaginary tale! It was this week in 1996 that Superman: The Wedding AlbumClark Kent and Lois Lane got married, an event comics fans had been anticipating for 60 years.

Superman: The Wedding Album was published during the week of October 6, 1996, coinciding with an episode of the television series Lois & Clark: The New Adventures of Superman that also featured the wedding of the two characters. Nearly every major comic artist who’d ever worked on Superman contributed to the book.

Of course, nowadays, Clark and Lois are no longer married, as post-Flashpoint they have been exposed to the Anti-Marriage Equation (only slightly less expensive than a Vegas divorce) and they aren’t even dating. It seems to be contagious, as Barry Allen and Iris West have also been exposed to it as well.

But we’ll be able to buy a new wedding issue in… 45 years. Of course, by then comics won’t be printed on paper anymore, but it’s the thought that counts.

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NYCC PULP PANEL TAKES CENTER STAGE!

FOR IMMEDIATE RELEASE
Pulp Panel at New York Comic Con
Leading voices of Pulp Fiction Gather

New York, NY (October 4, 2011) The leading voices of Pulp Fiction will gather at New York Comic Con for an examination of a unique American genre; Pulp Fiction. This Panel will explore the roots of pulp and look forward to the exciting efforts of today and tomorrow in comics, prose, e-books, audiobooks and recorded drama.

Panelists include: Nick Barrucci, Publisher of Dynamite Comics (The Shadow, The Spider), Greg Goldstein, COO of IDW (The Rocketeer), author and historian Will Murray (Doc Savage’s Wild Adventures), historian Anthony Tollin (Reprinting classics via Nostalgia Ventures), Mark Tepper (CEO Radio Spirits), Wade Hosth (Pulp Historian) Mark Halegua (Pulp1st), author Jim Beard (Fourteen Miles to Gotham City) and author Adam Garcia (Green Lama).

Bonfire Agency’s Ed Catto will moderate the panel.

“We’re expecting a robust discussion celebrating everything new and fresh about this unique genre. And we’re also planning on giving away a plethora of free prizes to panel attendees,” said Ed Catto.

The Panel is scheduled for Sunday, October 16, 2011 from 1:30 to 2:30 in Room 1A02 of the Jacob K. Javits Convention Center at 655 West 34th Street in Midtown Manhattan.

The event is open to all registered attendees of the New York Comic Con, space permitting, and has been made possible by special arrangement with Ghost Light Films, Inc., Reed POP and Bonfire Agency, LLC.

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About Bonfire Agency LLC
Bonfire Agency LLC is the marketing community’s first advertising and promotional agency specializing in helping brands reach and deepen connections with highly influential, but difficult to engage, pop culture consumers. This demo, labeled by some as geek or comic culture, is comprised of incredibly passionate, tribe-wired fans of everything from comic books, video games and action films to underground music, sci-fi inspired television and cutting edge adult comedy. Bonfire’s mission is to find ways to build relevant bridges between brands and a diverse audience of consumers that just might become their most effective advocates. The agency was founded in January 2011 by marketing veterans and pop culture specialists Steve Rotterdam (former Senior Vice President of Sales & Marketing at TimeWarner’s DC Comics) and Ed Catto (former Senior Vice President at Ogilvy and Reed Exhibitions). For more information, visit www.BonfireAgency.com.

About ReedPop
ReedPOP is a boutique group within Reed Exhibitions that is exclusively devoted to organizing events, launching and acquiring new shows, and partnering with premium brands in the pop culture arena. ReedPOP is dedicated to producing celebrations of popular culture throughout the world that transcend ordinary events by providing unique access and dynamic personal experiences for consumers and fans. The ReedPOP portfolio includes: New York Comic Con (NYCC), Chicago Comic and Entertainment Expo (C2E2), Penny Arcade Expo (PAX) East & West, Star Wars Celebration V, New York Anime Festival (NYAF), and UFC Fan Expo. The staff at ReedPOP is a fan based group of professionals producing shows for other fans, thus making them uniquely qualified to service those with whom they share a common passion. ReedPOP is focused on bringing its expertise and knowledge to world communities in North America, South America, Asia and Europe.

The Point Radio: Plunging Into SANCTUARY Season 4

Executive producer and star Amanda Tapping, along with fellow castmate Robin Dunne, take us behind the scenes at the SyFy hit series SANCTUARY with plenty of perks at season four plus Rosanne is back yet again along with…The Fly?

 

The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebookright here & toss us a “like” or follow us on Twitter @ThePointRadio.

Evil Beware! Here Comes The Halloween Legion!

Cover: Danny Kelly

The sleepy rural community of Woodland is caught up in a nightmare from which they cannot escape.

Suddenly, mysteriously, a small group of extraordinary visitors arrives to save them, coming from a place where orange, gold, and crimson leaves follow you in the autumn breeze. A place of eternal October, where imagination is magic, monsters are real, and pumpkins are more than they seem.

They know what scares you, and only they can stop it.

Evil—beware, the World’s Weirdest Heroes!

The Halloween Legion © Martin Powell.

The Halloween Legion prose novella, featuring cover art and interior illustrations by Danny Kelly, is currently being designed by William Carney for Wild Cat Books. It’s hopefully that the print version will be available on Amazon.com by Halloween!

And Stay Tuned to ALL PULP for Halloween Legion Interviews and other goodness with Creator Martin Powell!!

The KINDLE version is now available at http://www.amazon.com/THE-HALLOWEEN-LEGION-ebook/dp/B005U8345K/ref=sr_1_2?s=digital-text&ie=UTF8&qid=1318256315&sr=1-2

MINDY NEWELL is Grumpy

newell-column-art-111010-3629118I’ve been in a grumpy mood all weekend. I don’t know why exactly… and I made it worse today because, being in a grumpy mood yesterday, I didn’t work on my paper for school – the topic being An Ethical Analysis of a Current Domestic or Global Issue, and normally I love to talk ethics and issues with a capital “I,” but I just was so grumpy, I couldn’t get my interest going – which of course I should have, but I blew it off.

Which meant that I had to do it all today, which led to me missing the Giants game against the Seahawks. Which they lost 36 – 25. And yesterday was Yom Kippur, but I was grumpy, so I blew off going to temple, too, which made me feel terribly guilty, but I grumpily chose to feel guilty rather than do the right thing and go to temple with my parents. Who are really getting up there in age and who knows if we’ll all be here next year, and would it really have been so horrible to go to temple for a few hours and make them happy?

Although I did fast. Sort of. Meaning I drank a lot of Diet Pepsi and smoked a pack of cigarettes while being grumpy and watching The Dick Van Dyke Show on TV Land. So I’m feeling guilty and grumpy about not going to temple yesterday, even though my parents were totally cool with it, and anyway, I haven’t gone to temple since 9/11, when I just decided that all organized religions totally suck.

And I’m grumpy because I’m not all that happy with my paper, which is called “There’s Something Happening Here” and is about the Occupy Wall Street Protests and the unethical practices of Wall Street (which of course is enough to make anyone grumpy) and the bullshit crap about Occupy Wall Street that’s coming out of the mouths of people like Sean Hannity and Rush Limbaugh and John Boehner (which should make everybody grumpy, but it doesn’t, which makes me even more grumpy), and there’s so much to say, but I had a word limit, which I went over, which makes me grumpy, and with my luck my professor is a member of the Tea Party, which will really make me grumpy if it’s true.

But this column’s supposed to be about comics.

So what did I read this weekend? Well, I wanted to critique Catwoman #1 of DC’s New 52, because I have a special interest in Selena, having written the first Catwoman mini-series, and it’s been making me grumpy that in that series I wanted Selena to deliberately throw the bad guy who had raped her sister off the catwalk, but the powers-that-be at DC at the time wouldn’t let me ‘cause “Selena a cold-blooded killer? Nonononono, bad, Mindy, bad,” but apparently now it’s okay to show Selena and Bruce doing the dirty on a roof in total Photoshopped glorious color. But my comic book shop guy screwed up the order for the second week in a row now, which has also made me grumpy.

But I did pick up Batgirl #1 by my gal friend Gail Simone and artists Ardian Syaf and Vicente Cifuentes along with Wonder Woman #1 by Brian Azzarello and Cliff Chiang, and Action Comics #2 by Grant Morrison, Rags Morales, Brent Anderson and Rick Bryant. Plus Green Lantern, Batwoman and Voodoo. But it’s making me grumpy that I’m behind the eight ball and it feels like everybody else has already put their two cents in.

Gail does her usually superb job writing Barbara Gordon, and I’m trusting her to answer why Barbara remembers being shot by the Joker and being in a wheelchair for three years if none of the characters are supposed to remember their previous incarnations. Or is it that she just doesn’t remember her time as Oracle? But I really like that the emotional and psychological reverberations of the Joker’s attack are still there. It would make no sense if Barbara was just “la-di-di-dah.” I’m trusting Gail to follow through with this for quite a while. No instant fixes, please, girlfriend! The artwork made me a little grumpy though.

Wonder Woman is always her best, imho, when her Hellenic background plays a strong part in her book. Which is why I loved Wonder Woman! I especially liked the cape worn by unidentified bad guy who pulls a “Godfather” on the horse in the stable. (The bad guy is only unidentified if you’ve never read any Greek mythology and so don’t get the significance of that particular cape.) Brian Azzarello does his usual brilliant job at dialogue, dropping hints and making the characters come alive. The artwork definitely did not make me feel grumpy.

Action Comics #2 is sucking me in but good! Special highlight for me was the “exclusive peek behind the scenes” at the development of the characters and artwork. Especially the artwork. As a writer who can’t draw beyond a stick figure, I love seeing (or reading) how an artist makes the magic.

I wasn’t feeling grumpy there for a few minutes, but now I’m grumpy again because I didn’t have time to read the rest of my haul, which puts me even further into the backfield. But I’ve run out of room anyway, so I guess I shouldn’t be grumpy.

Except that I’m running really, really late on this column (again!) and that’s making me grumpy.

TUESDAY: Michael Davis

Captain Philip Strange’s Strange War

Age of Aces launches Captain Philip Strange: Strange War.
http://www.ageofaces.net/our-books/captain-philip-strange-strange-war/

In Donald E. Keyhoe’s imaginings, the stormy skies of World War I are filled with giant pterodactyls, mystic fireballs and demon aces. But America has its own unnatural secret weapon: Captain Philip Strange. A mental marvel from birth, he was so terrifyingly effective that the Allies referred to him as “The Phantom Ace of G-2.” But to the Germans he was “The Brain-Devil,” whose penetrating green eyes were both a legend and a nightmare.

Keyhoe’s Philip Strange stories ran for nine years—from 1931 through 1939—in the pages of Flying Aces magazine. This first volume in our new series contains six exciting tales of terror skies! It also features an introduction by Sid Bradd and is beautifully wrapped up in an exciting new design by Chris Kalb!

Stories include:

  • “Cocardes of Courage” – Flying Aces, September 1931
  • “The Drome of Dread” – Flying Aces, November 1931
  • “The Red Demon” – Flying Aces, July 1932
  • “Scourge of the Skies” – Flying Aces, November 1932
  • “Vengeance of V-99” – Flying Aces, February 1933
  • “The Unholy Horror” – Flying Aces, July 1933

Plus:

  • “Donald E. Keyhoe and the Brain-Devil of G-2″ by Sidney H. Bradd
  • A Bibliography of all Philip Strange’s Adventures
  • An exciting book design by Chris Kalb.
$16.99 | 6″x9″ trade paperback | 346pp | ISBN:978-0-9820950-8-9

Learn more about Age of Ace releases at http://www.ageofaces.net/.

Tree of Life

tree-of-life-300x358-4860061The story goes that in Stamford CT, so many people walked out of Tree of Life and demanded their money back that the management had to post a sign explaining the movie was not your traditional story and that no more refunds would be issued. On the one hand, it says people pick movies indiscriminately and it also says without being prepared, more thoughtful works can be poorly received.

Director Terrence Malick is an artist with film, turning the moving picture into portraiture. Since his first film, Badlands, the cinematography alone is a reason to seek out his films. There’s usually a long wait between his movies because he takes his time conceiving, making and editing each one, building up anticipation from his fans and the actors who love to work with him. Few get to do it twice although the current movie does feature Sean Penn for a second effort. Recently, though, he has bad mouthed the film, wondering what he was doing in it and yes, Tree of Life can be a real headscratching experience.

But, Malick gets credit for tackling the big issues of life, the universe, and everything. He focuses on a single nuclear family, seemingly set in the 1950s, but all the themes are large ones. So large, in fact, that when there’s a fissure, everything cracks apart. And when that occurs, Malick takes us back to the beginning, and I mean the beginning. We’re talking the Big Bang, a cooling planet and the beginning of life. The lush origins of our world through the early days of the dinosaur is a wonder to watch and it transfers brilliantly to the home screen in the Blu-ray edition coming this Tuesday from 20th Century Home Entertainment.

Brad Pitt and Jessica Chastain are a happily married couple, raising three boys in an idyllic American suburb. Most of the film follows their development through those pivotal childhood years and like a work of literature, says more through what is not spoken than is conveyed in dialogue.By setting this in the past, it automatically evokes a sense of longing in the audience. Curiously, this is a past without much in the way of technology: no radio or television, just a phonograph. (more…)

JOHN OSTRANDER: Life and Death and Comics

ostrander-column-art-1110094-7964233As you all know, Steve Jobs died this last week. You also know, or should from everything that has been said about him since he died, that he co-founded Apple and was the visionary that brought us the iPhone, the iPad, the iPod and the computer on which I’m writing all this. Some have compared him to Einstein or Edison and, considering the influence he’s had or will continue to have, I think the comparison is apt.

Here’s some of what Steve Jobs said about death from his commencement address to Stamford University in 2005. He’d been diagnosed with pancreatic cancer, had surgery, and hoped he had escaped it. Jobs was a reflective person, however, and talked about what the experience had taught him.

Death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It is Life’s change agent. It clears out the old to make way for the new… Your time is limited, so don’t waste it living someone else’s life. Don’t be trapped by dogma – which is living with the results of other people’s thinking. Don’t let the noise of others’ opinions drown out your own inner voice.

“And, most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.”

That’s profound advice for anyone who wants to be a writer, who wants to be any kind of artist. Jobs was an artist, in my opinion, and his medium was Apple.

This has had a special reverberation for me as well. I’ve been spending the week dealing with an irregular heartbeat. My heart sometimes goes ba-dump, ba-dump, ba-dump. . . .ba-DUMP. We’ve all heard the phrase of how something or someone made your heart skip a beat. Well, mine has and I can tell you it’s not romantic; it’s a little scary.

Yes, I’ve been to the doctor(s) and there’s been a bunch of tests and there will be more to come. I’m told it’s not a heart attack. The initial diagnosis is palpitations. I’m one attack of the vapors from becoming a Southern Belle.

While this is something to pay attention to (and I am), it doesn’t appear to be dangerous at the moment. At the same time, it’s made me reflective of the fact that I am mortal and I will die. I’ve had a relationship with death all my life and I think it’s shaped me for the better. As a boy, any number of my relatives died by the time I was ten. I spent a lot of time at wakes and funerals. I saw dead people – ones I had known as living folks.

I lived across the street from our church and one bright summer morning I was on my bike in front of my house when a funeral cortege passed by heading to the front of the church. As I watched the hearse go by, I got the sense that someday the positions would be different. I would be in a hearse and some ten-year old kid would watch me pass by. As Jobs said, the old replaced by the new and that everything new eventually becomes old.

All those deaths – ones close to me like my father or my late wife, Kim, or of heroes like the Kennedys or John Lennon – have become part of me. It’s like the way artists use negative space to define objects. Death helps define life. Death has helped me define life for myself, it has entered into my writing and given it resonance.

Too often in comics we treat death as a plot device; the hero dies, the hero comes back. The grave has a revolving door. It’s a stunt to sell more books. I’ve done it myself. Some times it’s valid but it happens too often so that the death of a character really doesn’t mean anything anymore. Does that keep comics juvenile? Does it keep them from having any real resonance?

The medium itself is having death pangs in so many ways. Comic books shops are dying; print as a medium may be dying. Denny O’Neil once remarked to me that comics as a medium doesn’t have to exist; it can also be mortal. It can die.

Or it can change. The old parts die out and then get reborn. As Steve Jobs noted, death clears out the old to make way for the new. Maybe comics can benefit from a little death. It’s good to remember: nothing and no one lasts forever. That what gives life its poignancy and its value. Enjoy what you have while you have it. Love those you love while they’re here. Celebrate life; value death.

Life’s too short to read bad comics.

MONDAY: Mindy Newell