Doc Savage: The Desert Demons Discounted at Amazon
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| Cover Art: Joe DeVito. |
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| Cover Art: Joe DeVito. |

October 7, 2011
NEW Radio Set: Claudia, Volume 6
Radio Archives, well known for high quality audio collections, introduces a new category of Old Time Radio! Are you a fan of fast paced, action packed adventures? Do you enjoy larger than life heroes, over the top villains, and impossible plots and schemes? Whether or not you’re a Mystery, Western, Science Fiction,or simply a fan of Adventure and Suspense, Radio Archives has what you’re looking for in its new category, Pulp Radio!
Pulp means many things to many people. Historically, Pulp refers to fiction magazines that were printed on cheap wood pulp paper. The paper was coarse with rough edges. Publishers found this cheaper to produce and began turning out magazines that ran around 128 or so pages and only cost a dime. For ten cents, readers could encounter far away lands, lost civilizations, thugs with guns, cowboys and Indians, and anything else fiction writers of the day came up with.
Although first introduced in the 1890s, Pulp magazines really came into their own in the 1930s and 40s. This was due in large part to the popularity of what have come to be known as the Hero Pulps. Take a poll today on what Pulp heroes the public remembers, any that have a clue what Pulp is will likely say, “Doc Savage” or “The Shadow” or “The Spider.” Well-versed armchair fans might even rattle off “The Black Bat” or “The Avenger.” Hero Pulps provided readers with stories about ideal men fighting for right and justice against insurmountable odds.
Although Hero Pulps are the most fondly remembered by some, Pulp magazines provided the stage for so many other genres. Nearly regardless of a reader’s taste in fiction, it could be found in a Pulp magazine. Western, Action Adventure, Sports, Mystery, Crime, Horror, Fantasy, Science Fiction, even Romance Pulps dominated newsstands and kiosks all over America. That is, until the early 1950s when for various reasons, Pulp magazines faded from view
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In an effort to explain why Pulp has had the impact it has, many have come up with definitions of what Pulp is. Most include Pulp being fast paced and plot oriented with clearly defined, larger than life protagonists and antagonists and creative descriptions, clever use of turns of phrase and other aspects of writing that add to the intensity and pacing of the story. Any of that sound familiar, radio Detective fans? Or how about those of you who enjoy a good frontier shootout on your favorite western show? Looking at that definition, it is clear that Pulp had not only an impact on later mediums, but definitely shared characteristics with a source of entertainment that experienced its golden age simultaneously with the Pulps. That entertainment that we now call Old Time Radio.
Like Pulp, Old Time Radio covers many genres and many styles of storytelling. There are shows, though, that fit squarely into what many would consider to be Pulp. Detective programs, particularly, fit the model extremely well. In the space of a little over twenty minutes, radio writers had to introduce the detective, establish the cast of characters, set up the mystery to be solved, throw in one or two red herrings or a fight scene, and then resolve everything. These detectives were tough, heroic men and stood out in one way or another, like Richard Diamond and his singing, Johnny Dollar and his expense account, or Nero Wolfe and his eccentricities. And the bad guys, always some grand plan to dupe money out of someone or even larger schemes. Some would call stories like that plot oriented, fast paced fiction with larger than life heroes and villains. Here at Radio Archives, we call it Pulp Radio.
And Pulp Radio doesn’t stop at hard-boiled gumshoes, either! Western lawmen and the desperadoes they tangled with week in and week out on the radio rode the same trails as their Pulp cowboy counterparts. Astronauts and aliens on the airwaves fit the bill for larger than life and fast paced! And even characters that first found life in the Pulps lived even longer thanks to Radio. Pulp Radio is full of mayhem and monsters, good and evil, and stories that still today ring true with Fans of great Heroic Fiction of any medium.
Titles that you’ll find in Radio Archives’ Pulp Radio section include:
The New Adventures of Michael Shayne – Jeff Chandler’s rugged voice adds to the pace and intensity of this Pulp type detective program from beginning to end, bringing Brett Halliday’s fictional detective to explosive life!
The Shadow of Fu Manchu – Sax Rohmer’s Villain of All Villains continues his life of Tyranny and Evil in this relentlessly fast paced radio show!
The Planet Man – This Sci-Fi show definitely walks the line between Camp and Pulp, but has all the ear markings of excitement, over the top characters, and life and death situations it needs to be Pure Pulp!
Luke Slaughter of Tombstone – Westerns, prime Pulp territory, shined just as brightly in Radio’s Golden Age. The adventures of Luke Slaughter have all the toughness, six guns, horses and outlaws that it takes to make a Western tale great Radio Pulp!


One of pulp fiction’s most popular vigilante avengers comes to audiobooks for the first time in Prince of the Red Looters, the first Spider audiobook from RadioArchives.com. Prince of the Red Looters is available now in both a deluxe six-CD set and MP3 digital download.
Producer/Director Roger Rittner says, “Prince of the Red Looters is an astounding accomplishment, wedding dynamic narration from two unique stars of stage and screen, specially selected sound effects, and a complete period music score.”
This action-packed story features Nick Santa Maria and Robin Riker narrating and voicing the character parts. “They’ve done outstanding work in this exciting novel-length adventure of the classic pulp hero, The Spider,” Roger says.
In Prince of the Red Looters, The Spider faces one of his most cunning criminal enemies
ÃÂÃÂÃÂÃÂÃÂÃÂÃÂâÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂàThe Fly! The Fly’s ruthlessly efficient crime organization commits a chain of bold and deadly atrocities on New York City, while The Fly taunts The Spider in a series of ever more dangerous duels.“The sword fights will have listeners sitting on the edge of their seats,” Roger says. “Prince of the Red Looters will be a stunning addition to RadioArchives.com’s audiobook line.”
Prince of the Red Looters inaugurates Will Murray’s Pulp Classics, a new series of pulp-related audiobooks from RadioArchives.com. Each entry in the series is a classic pulp adventures personally chosen by Will Murray, one of the country’s foremost experts on all things pulp.
“I’m very excited to present to listeners some of my favorite pulp stories in this engaging format,” Will says. “This first Spider audiobook is a grand launch to the series.”
Listeners who have previewed Prince of the Red Looters are enthused:
Prince of the Red Looters is available now in a six-CD set, priced at $19.98, with original cover art and a special bonus audio feature of Will Murray explaining the genesis of The Spider. The audiobook is also available as an MP3 Digital Download, including the special bonus feature, at just $13.98.
“Prince of the Red Looters is a listening experience that will thrill every fan of audiobooks and pulp fiction,” Roger says.
Doc Savage Audiobooks Continue to Delight Fans
2011’s ‘Summer of Doc Savage’ continues into the Fall, as RadioArchives.com’s first two Doc Savage audiobooks, Will Murray’s Python Isle and White Eyes continue to attract and delight Doc fans as well as those just discovering the greatest adventure hero of the 1930s.
RadioArchives.com customer Eugene Dungan says,
“I just wanted to let you know that I have really enjoyed your two Doc Savage audiobooks, Python Isle and White Eyes. Please tell all your people to keep up the great work. I am looking forward to buying all of the audiobooks that you come out with.”
Python Isle, narrated by Michael McConnohie, and White Eyes, narrated by Richard Epcar, are available in impressive CD sets, as digital downloads, and also in special Signed Director’s Editions.


In a world where evil and danger loomed at every corner, a time when no one knew what might be waiting for them in the dark, a place where the future was in no way certain, a trembling populace reached out for an escape and found it in Pulp Magazines! That same doorway to Adventure, those tales of Heroes tried and true are available still today as classic pulp novel reprints from Radio Archives! Need a break from your reality? Find it in Pulp Fiction here at Radio Archives!
The Spider fights his way through two classic tales! First, The Spider squares off with The Corpse Broker! For a ten percent commission on murder, the Master of the Green Death guarantees immunity from the police! The Spider sets out to stop wholesale slaughter that turns the dead green! Next, The Spider marches against the Volunteer Corpse Brigade! Deadly plague-germs are used against the nation as Smiler Miordan crushes all who oppose him. The Spider, himself stricken with the virus, takes on the criminal Underworld Union! All of this available for $14.95 from Radio Archives!

The evil mastermind Kar discovered an irresistible weapon: the Smoke of Eternity. It is a universal solvent that can destroy flesh, metal, even stone. Jerome Coffern knew the secret of this new weapon and was going to reveal it to Doc but he was brutally assassinated before he could. Now Doc and Kar begin a life and death struggle. They will battle to a standstill in New York and the body count rises as the stakes get higher.
Doc traces the secret of the Smoke of Eternity to a recent expedition to the Indian Ocean in which Jerome Coffern and another chemist, Gabe Yuder, were joined by adventurer Oliver Wording Bittman. Bittman was a friend of Doc’s father who saved Clark Sr.’s life by killing an African lion on safari. The three men found a strange volcanic land they called Thunder Island studded with minerals unknown elsewhere on earth and harboring all manner of extinct monsters including dinosaurs, flying reptiles, and enormous mammals. This is the most foreboding place on Earth. Doc saved Bittman from Kar’s henchmen and allowed him to join in the expedition back to Thunder Island. Gabe Yuder is the only one of the three that is unaccounted for and it seems that he is the villain Kar. Doc and his men travel to Thunder Island and confront danger on all sides, including a battle with a Tyrannosaurus Rex!
This is the second Doc Savage story in the original print order and it hit the newsstands in March 1933. It remains one of the best. Doc has not developed his code against killing at this point and he takes out several villains spectacularly. It should be noted that this story was on the newsstands the month before the movie King Kong which opened on 7 April 1933.
Own Land Of Terror today in Doc Savage Volume 14 for only $12.95 here at RadioArchives.com!
High quality Audio, Pulp, and Classic DVDs! And at a fantastic price! Why, that’s the Radio Archives Deal of the Day!
The Deal of the Day is actually Three Deals at All Times! No limits! No minimum amount! Simply Great Products at Unbelievable Prices!
Every Day a Different Item is available at 10% Off.
If you’re into Pulp, Tuesdays and Thursdays are the days to pick up a great Pulp deal at a 10% discount!
For The Next Two Weeks Only – 10 Hours of Radio’s Greatest Shows for 25% off!
Discover the magic of radio’s Golden Age with this handpicked selection of shows. Your mind’s eye will come alive with timeless mystery, comedy, science fiction and detective shows. Experience the greatness of the Nelson Family, Don Ameche and Francis Langford, as well as the genius of Ray Bradbury, Willis Cooper, Orson Welles, Jack Webb, and many more in this ten hour collection.
The Adventures of Ozzie & Harriet, The Aldrich Family, Baby Snooks, Beulah, The Bickersons, Big Town, The Bill Stern Colgate Sports Reel, Boston Blackie, Night Beat, Casey, Crime Photographer, Dimension X, X-Minus One, The Fred Allen Show, The Great Gildersleeve, Inner Sanctum Mysteries, Lights Out, The Lux Radio Theatre, Orson Welles Meets H.G. Wells, Pat Novak, For Hire, The Saint, The Unexpected, Lights Out. And it can be yours for $22.49, 25% off the regular price until October 20th at RadioArchives.com!
October Deal Of The Month – Bing Crosby: Screen Legends Collection for 50% off
Actor and crooner Bing Crosby had a rich, long film career and this collection features some of the best of his lesser-known films. Crosby is joined by costars such as Anthony Quinn, Joan Blondell, Gloria Jean, Betty Hutton, and more! And Bing lends his voice to such classics as “Sweet Leilani,” That Old Black Magic,” “Ac-cent-u-ate the Positive,” and many others! The collection is a great cross-section of Crosby’s career and shouldn’t be missed by fans of him or of American films of the 1930s and 1940s. The movies included are:
Waikiki Wedding (1937, directed by Frank Tuttle)
Double or Nothing (1937, directed by Theodore Reed)
East Side of Heaven (1939, directed by David Butler)
If I Had My Way (1940, directed by David Butler)
For the month of October this classic collection of Crosby films is half price at $13.49 from Radio Archives! Look for the yellow ‘Deal Of The Day’ price tag in the upper right hand corner of the home page and click it for a great deal Every Single Day from RadioArchives.com!
I was just thinking how far Radio Archives has come since the days of snail mail. You deserve all the credit for making the right changes.
China Miéville comes up with a new take on the story via rejectamentalist manifesto:
The economic crisis bites. Flinton, MI, was built on industry, and the industry’s gone, since by far the city’s dominant company took the stimulus cheque, attacked wages, outsourced more and more, then finally all, R&D and production overseas. Flinton, like so many other towns, is dying.
An extraordinary figure in bizarre makeshift power armour the colours of rust and hazard-warning yellow has appeared, fighting burglars, thieves, drug-dealers, graffiti-taggers. Flashback: he’s Dan, an ex-worker in one of the high-tech heavy defence plants, horrified at the social breakdown, going through the many scrapheaps of the town and cobbling together his suit from industrial junk, trying to save his home.
Dan smashes up a crack house, but while most of those within run, one stays and jeers at him, calls him a bully. Dan knows her: Louise was the union rep at his factory. He’s ashamed: he always liked her. They get talking. ‘You really want to do right by Flinton?’ Louise says eventually. ‘By all the other Flintons? Then quit messing with symptoms. It’s time to take down the real villain.’
Space kid – honorary deputy of the Space Patrol!
Space Kid! is a pulpy, old-school, retro-sci-fi, all-ages fun-and-adventure weekly webcomic by John MacLeod. Launched in June 2010, Space Kid is a weekly web comic with a new page posted every Sunday — all previous pages are still up and easily viewable so you can read Space Kid’s adventures from the beginning at http://www.spacekidcomics.com/.
If you like your sci fi mixed with pulpy fun, then give Space Kid a shot.
About Space Kid:
Welcome to the 26th century — as viewed from 1950.
Space Kid! was inspired by artist John MacLeod catching sight of a graphic on a T-shirt: a retro-cartoony style drawing of a big-headed boy in a classic retro bubble-helmet spacesuit. That drawing suddenly triggered a huge wave of flashbacks to the sci-fi junk from the 50s and 60s that he grew up on and loved. Things like The Jetsons, Adam Strange, Marine Boy, Magnus: Robot Fighter, most of the Supermarionation shows, the Legion of Super-Heroes, Perry Rhodan, and other Googie visions of the future that saturated the pop culture of those days, and which he found so much fun and so terribly exciting as a kid. And more flashbacks, to things from the old days which he didn’t discover until much later, like the 50s sci-fi work of Osamu Tezuka and Cyborg 009 and Star Blazers and Dan Dare. According to MacLeod, You will find echoes of all these [and probably lots more] in Space Kid!
You can read the adventures of Space Kid at http://www.spacekidcomics.com/.
Evangeline Lily has found her way to the big screen again, starring this weekend with Hugh Jackman in this weekend’s REAL STEEL. We talk about the film, her passion for writing and life after LOST plus Horror Genius Wes Craven reports on how SCREAM 4 begins that francise all over again – plus NBC drops the axe on two shows.
The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebookright here & toss us a “like” or follow us on Twitter @ThePointRadio.
Twice in two days this weekend, I ran into Garth Ennis on the street. Other than industry events, I haven’t seen him in nearly a decade (and then, on the street). Apparently, he lives about half a mile away from me, and has for eight years.
Usually, if I see someone I know in a place where I don’t expect to see him, I don’t recognize him. When it’s family, it’s different.
I’m not claiming to have a particularly close relationship with Mr. Ennis. As the publicist at DC in the 1990s, I monitored to the line for his signings at a few conventions and hung out at bars in the evenings with other comics folks.
I have cousins with whom I’ve spent less time.
There aren’t a lot of businesses with the same kind of family feelings as comics. I think it’s because, until recently, we got no respect. Biff, bam, pow, comics were for kids, and any adult who liked them – or worse, made a living working on them – must be developmentally stunted or a pedophile.
The first person I met in comics was Denny O’Neil. I was completely gobsmacked because he was, at the time, my favorite writer (since then, I have added favorites, depending on my mood. Still, day in and day out, he’s frequently the best). It turned out he lived down the street, and I managed to insinuate myself into his life by watering his plants when he was out of town, and borrowing his Ed McBain books. Besides comics, we shared an interest in anti-war politics, the great 1960s culture wars, and schlocky science fiction movies.
Through Denny, I met the crowd that was then at Marvel: Larry Hama, Archie Goodwin, Mike Carlin, Christopher Priest and the gang. I met a great group of freelancers, too: Frank Miller, Walter Simonson, Howard Chaykin, Kyle Baker, Bobby London, Bill Sienkiewicz, Mary Wilshire, Tony Salmons. I met Mike Gold through Denny, even though we know so many of the same people that I can’t believe we hadn’t met before.
And so on, and so on.
When I got the job at DC (thanks to Denny’s referral), I met a whole bunch more. And even though I’d been shy as a teenager, I found I was able to talk easily to people I’d just met. Maybe because we had business to talk about, or Superman, or Jim Shooter, but conversation was easy, and I felt comfortable around these people.
Just like family.
Comics used to be much more of a New York business. Then Fed-Ex, fax machines and the Internet made it possible for people to live in other states, even other countries. And that’s cool. I have family in Australia, and we’re still tight.
Since Denny retired, I don’t get to run into him every day. He moved out of town and I’m using the phone much less. Even so, I know that, the next time I see him, which will probably be at our Chanukah party, we’ll have a bunch to talk about, and we’ll laugh at our respective wrinkles and gray hairs. We’ll talk about the kids, and their crazy music and hairstyles.
Maybe, if I invite him, Garth will come, too.
Martha Thomases suspects that her teen-age self would not believe how little she uses the telephone anymore.
SATURDAY: John Ostrander
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| Bobby and a few of his book covers. |
New Pulp Author Bobby Nash was interviewed by New Pulp for Garrison James’ Pulp Magnet column. The interview covers the pulps, comics, writing, and everything in between. You can read the interview at http://www.newpulpfiction.com/2011/10/pulp-magnet-interview-with-bobby-nash.html
While you’re there, please check out the rest of New Pulp’s fantastic columns at http://www.newpulpfiction.com/.

The following press release just arrived from our friends and BOOM! and it should be noted that it was conducted before yesterday’s announcement that Sarah Palin was not planning to run for President.
October 6th, 2011 – Los Angeles, CA – BOOM! announces the results of DECISION 2012, the comic book industry’s first straw poll: Barack Obama has won, with the top Republican candidacy going to Sarah Palin and a shocking result for last place: Rick Perry!
The results:
1. Barack Obama
2. Sarah Palin
3. Ron Paul
4. Michele Bachmann
5. Mitt Romney
6. Herman Cain
7. Newt Gingrich
8. Jon Huntsman
9. Rick Santorum
10. Rick Perry
As explained in the original press release announcing the straw poll, only candidates who sell more than 1,500 copies of a book will have their biographical comic book printed. As a result, only the top 4 candidates made that benchmark: the other six candidates’ comic books will not be printed.
“I’m really excited about collecting all these comics,” said Brett Schenker, Online Political Strategist who has worked for such political luminaries as John Kerry and Chris Dodd. “I wish this were around when I was working on Presidential campaigns, it’s a fun thing to support, but a great souvenir to remember the people I tried to get elected.”
The DECISION 2012 line of comics and comic book’s first straw poll isn’t just a contest, but also a great way for voters and students to educate themselves on the candidates running in the 2012 Presidential Election. This series of biographical comic books details the history and political lives of the candidates for the 2012 Presidential Election, giving non-partisan background on the candidates. The DECISION 2012 line of comic books is aimed at anyone of any age who enjoys reading and discussing U.S. politics.
More information on the straw poll and the DECISION 2012 line of comics can be found here: http://www.decision2012comics.
Mr. Grotty couldn’t open the comic book. He didn’t know how long he’d been trying because here, in Limbo, there was no day, no night, no sun, moon, stars, and even if there had been any of those things, Mr. Grotty would not have heeded them because they were all poopystupidpooplappers; this was certain because to Mr. Grotty, everything and everyone was either a poopystupidpooplapper, or it was worse.
The comic book – Justice League Number One, it was called, not that Mr. Grotty cared – had on its cover pictures of seven dopeysnargers who all looked like they were hurrying to get somewhere and Mr. Grotty neither knew nor cared where they were going. But he felt that he belonged there with them, if not on the cover, then at least somewhere inside the comic book. Because he had to belong somewhere, because if he wasn’t anywhere, could he possibly even exist? And if he didn’t exist, then he…wasn’t. And that was pretty poopy.
So he attacked the Justice League: pried and pounded and tossed and humped and jumped up and down on it, too. Nothing. He paused, first catching his breath and then wondering how he could have caught his breath if he didn’t exist and then, when his head either did or did not begin to ache, depending on whether or not his head existed, he considered his situation. He knew that he was in a novel and that would seem to indicate that he existed. But he also knew that the novel had not been published – had, in fact, been read by only four people, not counting the check-chasing poopface who wrote it, and three of those four had said that they thought changes should be made. And since poopface had not given any of the four print-on-paper, but instead had asked them to read the book off computer screens, did the book exist only as digital code, and was that existing at all? Worse: even if Mr. Grotty existed now, would he exist if the book suffered future changes? Couldn’t poopface push a button and cause Mr. Grotty to vanish without a trace? Then wouldn’t it the case that he had never existed, even if he had?
AAAAArrrrrgggghhhhh, Mr. Grotty commented.
Mr. Grotty spat on the Justice League. That didn’t help, either.
So it came down to this: he felt that he belonged with those dopeysnargers on the Justice League cover because he dimly remembered doing feats such as they did, and wearing similar clothing – in short, having another identity – when he was computer code, which is all that he could claim to be, even now, and in order to really exist, he had to join them, but he couldn’t because he couldn’t get the poopy comic book to open.
Finally, not certain whether or not he was exhausted, he sat on the cold stone floor next to the comic book, which seemed to be mocking him. He might have cried if he could have decided the crying status of maybe-non-existers such as he.
Poop, he either did or did not say.
RECOMMENDED READING: Cosmicomics, by ItaloCalvino.
Note: This column only copyright 2011 by Dennis O’Neil. All Rights Reserved. If you’re not a poopface, maybe some day I’ll tell you why.
