New Pulp Author Martin Powell shared a few pieces of art from seveal upcoming Sequential Pulp Comics titles on All Pulp’s FaceBook page.

Artwork © Nik Poliwko

Artist Nik Poliwko brings Dick Briefer’s THE MONSTER OF FRANKENSTEIN back to life in a new graphic novel, inspired by the classic non-code horror series of the 1950s. Written by Martin Powell. Published by Sequential Pulp/Dark Horse Comics in 2012. Artwork © Nik Poliwko.

Artwork © Nik Poliwko

Creepy character study by artist Lowell Isaac of a Fredric Brown interplanetary invader from our upcoming graphic novel, MARTIANS, GO HOME. Written by Martin Powell. Published by Sequential Pulp/Dark Horse Comics in 2012. Artwork © Lowell Isaac.

Artwork © Lowell Isaac

An eerie teaser for NUMBER 13, a graphic novel illustrated by Tom Floyd. Written by Martin Powell. Published by Sequential Pulp/Dark Horse Comics. Based on The Monster Men by Edgar Rice Burroughs and licensed by his estate. Artwork © Tom Floyd.

Artwork © Tom Floyd

For more information on these and other Sequential Pulp Comics publications, visit them at
http://www.sequentialpulpcomics.com/.

This weekend includes at least three elements: the Jewish holy week between the New Year and the Day of Atonement, the weekend, and 24-Hour Comics Day.

I note that first part just in case somebody reads this to my mother. Hi, Mom!

24-Hour Comics Day  was created by Scott McCloud and it is exactly what the name implies: comics creators get together in local conclaves (not autoclaves; that’s a completely different thing) “to create a 24-page comic book in 24 continuous hours.” It’s sort of a tribute to the days of yore when a creator would get an emergency over-the-weekend assignment and get a bunch of friends together to write, pencil, ink, letter and color the entire book over the weekend, deliver it on Monday, and hopefully get paid for their effort.

Of course, way back then comic books ran 64 pages – 48 pages after World War II hit speed. But today we’ve got to do all those poster shots and, you know, backgrounds and stuff so we’ll ignore the drop in pages.

It’s enormous fun for participants and observers, kibitzers (Hi, Mom!) and hecklers. Since the last thing these 24-hour comics creators need is the sabotage of an admittedly grossly talented editor, I’m going to drop by Challengers Comics and Conversation in Chicago (1845 N. Western Avenue, about a block south of the Blue Line Western Avenue L stop) to do what I do best: mooch food and annoy people. There will be about 25 creators creating, fulfilling the “Comics” part of Challengers’ name, and plenty of kibitzers to meet the “Conversation” part. It all starts at 11 AM Saturday; I’ll probably wander in around 1 or 2 PM after everybody gets down to the hard work. But enough about me.

The type of creativity and camaraderie shown at 24-Hour Comics Day is the lifeblood of this medium. It’s been there since day one when young fans of pulp writing, science fiction and newspaper strips got sought out employment in the new form. Everybody in the biz was a kid back then; Jerry Siegel, Joe Shuster, Bob Kane, Jerry Robinson, Joe Kubert, Gil Kane and many, many others weren’t old enough to get their driver’s license when they started out in comics.

This sort of enthusiasm endures to this day. I love going to “independent comics” shows such as MoCCA in New York just to soak in all that energy and see where the young creative spirits are wandering. Plus, I’m working on that incubus thing.

It’s pretty busy, so you’re trying to break into the racket 24-Hour Comics Day probably isn’t the place to schlep (Hi, Mom!) your portfolio. Call ahead to see if your local venue is receptive to walk-in presentations. However, it’s a great place to see how it all happens, how it’s put together, what people use as their tools (yeah, I know, laptops and iPads) and network. Not the Howard Beale type; you know what I mean.

Many venues are doing 24-Hour Comics Day in association with a local or national non-profit group, and that’s great – particularly in these troubled times. But, really, giving young and new creators the opportunity is a great thing in and of itself. Helping out, even by simply attending and hanging out (although buying a few comics would be swell) is a great thing as well. As we Ashkenazi-Americans like to say, it’s a Mitzvah.

Hi, Mom!

THURSDAY: Dennis O’Neil

News Release

Cover Art: Keith Birdsong

Michael Vance’s novel, Weird Horror Tales:Light’s End, is “an amazing, page turning suspense thriller”. Artist Eric York turns some ghoulish pages as well.

York is the interior illustrator of Vance’s latest novel. Vance was first attracted by York’s outré, very design oriented, and weirdly beautiful interpretations of the work of world-famous horror writer, H. P. Lovecraft.

“Eric is that rarest of gems,” said Vance, “an original. Since we share a love for Lovecraft’s prose, York’s style seemed a perfect choice for the last novel in my Weird Horror Tales trilogy that was also influenced by Lovecraft’s genius. I was overjoyed by his “deviant” art for my novel!”

York’s distinctive art has also appeared in books, fanzines, and comics including The Fantastical Worlds of H.P. Lovecraft, The Shadow Over Santa Susana, Malafact, Besmirched, Terminal Brain Rot and many others.

“I drew the cover for another of Michael’s books a few years ago [that was published in England],” wrote the artist. “I enjoy his subdued style of horror as well as his creepy locale of Light’s End. I’ve always been
into stories using the common setting of sinister old, small towns, and thought this would be a nice change to collaborate with Michael again. Plus I wanted to draw his morbid old degenerate, Jake Horne.”

York also self-publishes under his Maggot Global Publishing imprint and has published Hungry Maggot, Vermis Rex, Tillinghasts’ Moribund Fairy-Tales, Eldritch Pulp Adventure, the Erebus Tarot, as well as the upcoming Zygote’s Fables, and his 100 plus page graphic novel adaptation of H.P. Lovecraft’s collection of poems, Fungi From Yuggoth. More than 500 examples of his artwork are available at http://www.tillinghast23.deviantart.com/.

Art: Eric York

With the help of several additional artists, Vance unleashes his dark imagination in each of the three books of his Weird Horror Tales trilogy. Often compared to the writings of H.P. Lovecraft and Ray Bradbury, Vance’s work is not for the faint of heart. Weird Horror Tales: Light’s End features a cover by famed painter, Keith Birdsong.

The publisher of the Weird Horror Tales trilogy, Cornerstone Book Publishers also publishes Masonic and esoteric books, selected pulp fiction, art literature, limited children’s books, and poetry collections. All three Weird Horror novels are available on-line, at book stores, from Cornerstone, and as E-books. For more information about Cornerstone, go to http://www.cornerstonepublishers.com/.

Airship 27 packages and publishes anthologies and novels in the pulp magazine tradition.

In addition to Vance’s Weird Horror Tales, Weird Horror Tales: The Feasting, and Weird Horror Tales: Light’s End, Airship 27 has released Sherlock Holmes: Consulting Detective, a series of “Captain Hazzard” pulp thrillers, more pulp fiction in The Green Lama and Secret Agent X. For more information on Airship 27, go to http://www.airship27.com/.

ISBN: 1-613420-14-5 ISBN-13 978-1-613420-14-0
Digital copy available

Weird Horror Tales, Weird Horror Tales: The Feasting, and Weird Horror Tales: Light’s End are now available at Amazon, Barnes and Noble, and other bookstores. Best price for traditional book is from Cornerstone Book Publishers at (http://www.gopulp.info/). For electronic version, go to: http://homepage.mac.com/robmdavis/Airship27Hangar/index.htm

Go to http://www.flickr.com/photos/27498787@N04/ for FREE photographs of Light’s End, comics reviews, and much more!!

Coming in October from 12 Gauge Comics.

THE BOONDOCK SAINTS, VOL. 1 TP: “In Nomine Patris”Writers: Troy Duffy and J.B. Love
Artist: Guus Floor
152 pages
$19.99
THE SAINTS ARE COMING!
Launching out of the wildly successful film franchise — THE BOONDOCK SAINTS and THE BOONDOCK SAINTS II: ALL SAINTS DAY — this inaugural comic book collection chronicles the first story to take place outside of the cult-hit films. Written by BOONDOCK SAINTS creator/writer/director TROY DUFFY and comic scribe J.B. LOVE, the “In Nomine Patris” saga is the perfect companion to the films.
Discover the true story behind the original saint, Noah MacManus (IL DUCE), and his bloody war against New York’s 1960s Underground Crime world.
And what of the beloved MacManus Brothers? For the first time ever, Troy Duffy reveals some of what happened between the films, as well as the brother’s journey to uncover the full extent of their family’s legacy of violence, leaving a path of vengeance in their wake!
Including a foreword by Connor MacManus himself– actor SEAN PATRICK FLANERY– never-before-seen art, a cover gallery, all six comic issues, and more— this all new chapter in the Boondock Saints Saga is what the fans have been waiting for! Don’t miss it!

ICE #4 (of 4)Writer: Doug Wagner
Artist: Jose Holder
Cover Artist: Brian Stelfreeze
Colors: Michael Wiggam
* Bonus co-feature by Doug Wagner and Brian Stelfreeze
32 pages
$3.99
The battle for simple justice has turned deeply personal for ICE agent Cole Matai, who has left his badge in the states and illegally crossed the border into Mexico, seeking only revenge after the shocking events of the last issue.
With his goal being to finish off Luis Morales once and for all, Cole takes the battle straight to the most ruthless criminal he’s ever encountered. Two men, two knives, and a battle for the ages. It has all led to this….ICE #4 will not disappoint!

LOOSE ENDS #4 (of 4)Writer: Jason Latour
Art and Cover: Chris Brunner
Colors: Rico Renzi
24 pages
$3.99
“With guns drawn, the deadly crime lord Batista charges toward the seedy Miami hotel room where Detective Rose’s plot is finally hatched. It seems that the only person standing between Sonny, Cheri, and this vicious gangster is the treacherous Detective Flynn and his facility for murder and violence. Or is he?
Join us for all this and more, as we draw the blinds on our shocking conclusion.”
LOOSE ENDS is a gritty, slow cooked, “southern crime romance”, that follows a winding trail down Tobacco Road, through the war torn streets of Baghdad, and into the bright lights and bloody gutters of South Florida…12-Gauge style.

COUNTRY ASS-WHUPPIN’: A Tornado Relief Anthology (One-Shot)Writers: Jason Aaron, Sean Patrick Flanery, Doug Wagner, Nathan Edmondson, and others
Artists: Jason Pearson, Brian Stelfreeze, Jason Latour, Rebekah Isaacs, Tony Shasteen, and others
Cover A: Cully Hamner
Cover B: Kody Chamberlain
48 pages
$5.99
On April 27, 2011 a string of deadly tornados ripped across the southeastern United States, with the brunt of the devastation focused on the state of Alabama.
In an effort to help some of the victims who are still putting their lives back together, many of the finest comic creators working in the industry today, all with roots or ties to the south, have banded together and donated their time for a uniquely southern anthology: COUNTRY ASS-WHUPPIN’.
The stories have one thing in common– they are all about people in the south kickin’ ass or getting their asses kicked. Enjoy both tall-tales and true stories, told by some of the best in the business; including Jason Aaron (X-MEN: SCHISM, WOLVERINE), Sean Patrick Flanery (BOONDOCK SAINTS), Cully Hamner (RED, BLUE BEETLE), Brian Stelfreeze (ICE, WEDNESDAY COMICS), Rebekah Isaacs (IRON AGE, ANGEL & FAITH), Jason Pearson (ASTONISHING X-MEN, DEADPOOL), Nathan Edmondson (WHO IS JAKE ELLIS?) and many more. Don’t miss this celebration of southern culture, while having fun and helping those in need.
100% of the proceeds from this book will go directly to the Red Cross Disaster Relief Fund, so please ask your retailer to reserve your copy today!

To see all of 12 Gauge Comics’ offerings, visit http://www.12gaugecomics.com/.