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Doing Double Duty?

There’s an interesting article about shared properties like Flash Gordon, John Carter of Mars, and The Spider over at Robot 6. You can read it at http://robot6.comicbookresources.com/2011/08/the-middle-ground-67-double-duty/

What do you think? Is having the same license and multiple publishers simultaneously a good or bad thing? Tell us what you think in the comments.

MIKE GOLD: The Superman Rebus

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If my calculations are correct – and that might be a first – the comic book advertised in the house ad above was released 53 years ago this week. DC fussed with the cover dates since this book was published, but I think I’m on this one. The house ad itself was designed so that the production department could easily swap out the covers, and here’s three of the others to appear in that slot:

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(Don’t be concerned about Superman having a different cover date; DC had different schemes for monthlies, 8x yearlies, and bimonthlies.)

In 1958 those were four extremely compelling covers. Superman having a new power was a big deal, and rainbow covers always sold better than the norm. “Jimmy from Jupiter” was a very strong concept back at that time, and it was one of the first of the famous Jimmy Olsen transubstantiation stories.

The same thing is true for the Superboy story. It introduced Bizarro, the first super-villain to become an adjective. Editor Mort Weisinger knew he had a good story after its Superman-oriented dry run in the newspaper strip: he hyped it in the previous issue of the title, which was a rare event.

But that Adventure Comics cover was the killer: crossovers were few and very far between, and time travel crossovers were all the more rare. This issue must have sold well, as Mort endlessly repeated the stunt with other characters. Today we’d think that a no-brainer, but back in 1958 it was a very big deal.

So it was a good week or two for the Superman Family. And it was a very good week for me, as I had just turned eight years old and was at the optimum age for these stories.

Even then, my father was concerned about my obsession with comics. He didn’t have a problem with comics per se, just the fact that it became my religion. It was sort of a Jazz Singer thing. But we were visiting a relative and my father wanted to keep me occupied, so we stopped at a drug store next to the relative’s apartment building and he told me I could pick out three. I already had the Superman, so I had to pick from Action, Jimmy Olsen, Adventure, and Superboy. Of course I begged for all four – I would have anyway, but this time I was as insistent as I was ineffective.

Problem, problem. I had been waiting for the Bizarro story for at least a month, and the Superboy – Robin crossover was more important than life itself. So the choice came down to “The Jimmy From Jupiter” and “The Shrinking Superman.”

I chose Jimmy.

The problem is, even though that issue of Action Comics was redistributed two weeks later I never found it on the newsstands. In fact, I didn’t find it until nearly 15 years later, and it cost me over ten bucks.

I told that to my father, thinking I could guilt-trip him by exploiting his deep appreciation for the buffalo. But, as usual, he outwitted me. Dad said that I was eight and I would have not kept the book in good condition and, therefore, would have bought it on the collector’s market anyway.

He nailed me.

One thing more. This house ad? It spawned a deep love for rebuses. A teevee game show called Concentration where the gimmick was getting the contestants to solve a rebus took to the air the very same week as these various Superman titles were released. To add insult to injury, the original run of the show ended 14 years later, roughly the same time as I bought “The Shrinking Superman” at a comic book convention.

THURSDAY: Dennis O’Neil 

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Review: “Justice League” #1

jl_cv1-298x4502-2432106Finally, DC’s new 52 launches (or is that relaunches?) today in stores and online with Justice League #1, written by Geoff Johns and pencilled by Jim Lee, with inks by Scott Williams, colors by Alex Sinclair, and letters by Patrick Brosseau. I’m here with my tag-team partner in the caption box, Marc Alan Fishman, and we’re going to review this in real time. I’m writing the introductory information while Marc finishes up a different project and then reads–

OK. I couldn’t help myself. Read it.

Me too. Wasn’t that quick?

Yeah, and not in a good way. That was… terrible.

Wait, wait, wait. There’s a lot to like here, except the portion size.

I’m gonna take a hard stance on this. If I knew nothing of these characters? I didn’t find this appealing.

But seriously, how many people know nothing of Batman and Green Lantern?

That’s kind of my point. There was a lack of substance to the issue that reeks of everything I hate about comics from the 90s. The art is all flash, bangs, pops, pows, and gloriously meticulous fire / lasers / constructs … But seriously? If this were an animated episode? We just got the first 5 minutes.

10 minutes. But yes, it feels like too little, and that’s a problem.

And what exactly did we learn? Batman’s a cocky SOB, and GL is even cockier. And Superman? Even more? It was like the issue was on autopilot. It’s all establishing shots. Fine, I get that. But this issue is supposed to herald this huge coming together of heroes for the superlative team of all comicdom. If I am a new reader? I’m coming back, or more likely? I’m feeling short changed.

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Lance Star: Sky Ranger Volume 3 Launch Interview: Shannon Hall.

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With the release of the third volume of Lance Star: Sky Ranger from Airship 27 Productions and Cornerstone Books, we here at Sky Ranger Central talked to the creators, writers, artists, and publishers involved with the latest installment in the Lance Star: Sky Ranger series.

Next up is Lance Star: Sky Ranger artist, Shannon Hall.

You can read the full interview at http://www.lance-star.com/.

Win a Signed Dylan Dog Case Files

dylan-dog-case-files-1620516Remember when we told you all about the wonderful Italian Dylan Dog comic series from writer Tiziano Sclavi? It became a less than beloved feature film adaptation which was released on DVD earlier this month from director Kevin  Munroe.

Well, we have obtained three copies of the perfect blend of  sources as Munroe has autographed copies of Dark Horse Comics’ The Dylan Dog Case Files, an omnibus collecting Dylan Dog #1-6 and Dylan Dog: Zed. The book also has a cool Mike Mignola cover.

Between now and 11:59 p.m. Saturday, September 3, tell us what makes the international comic so good and we’ll pick the three best answers. The judgment of ComicMix will be final.

Captain America (the 1990 version)

In the wake of Batman’s success in 1989, it appeared to renew interest in movies based on comic books. One of the first, and one of the worst, was the 1990 version of Captain America. The film had actually been announced in the early 1980s from Cannon Films but in the intervening years, the studio folded and the right shifted a bit before Menahem Golan mounted it under his 21st Century banner.

The movie languished in development until the rights were about to expire so director Albert Pyun urged Golan to let him take a crack at getting the film made for about $6 million. Marvel actually approved the script that was shot and Pyun loved its take on America’s fascination with heroism. If only some of that love found its way onto the screen.

The movie was shot in 1989 but wasn’t released theatrically and was finally dumped on video in 1992, where it was met with derisive laughter from comic book fans. Now, MGM’s Limited Edition collection has released the film as part of its print on demand operation. The print used is pretty crappy and dark and the film is at best a curiosity for collectors and fans alike.

The horrific script from Stephen Tolkin (from a story by Tolkin and Lawrence J. Block) pays lip service to the source material and leaves you scratching your head at the shoddy story construction and utter lack of characterization. Significant changes were made, none of the better starting with giving Steve Rogers polio as an excuse to keep him from enlisting. Then there’s the Red Skull (Scott Paulin) now an Italian fascist, which never made sense. On the other hand, both this film and the current blockbuster made the unnecessary dramatic change in linking Cap and the Skull by having them both be products of the Super Solider formula.

There’s Matt Salinger as Cap/Rogers who is anything but the American ideal and fairly wooden in performance, perhaps because they give him nothing to work with. His first mission leads to the rocket that sent him to an icy sleep in Alaska. He’s found and inexplicably breaks free and rather than ask his rescuers anything, he runs all the way to Canada. There’s little time spent on his cultural isolation and his interactions with others is laughably minimal. (more…)

Lance Star: Sky Ranger Volume 3 Launch Interview: Van Allen Plexico.

With the release of the third volume of Lance Star: Sky Ranger from Airship 27 Productions and Cornerstone Books, we here at Sky Ranger Central talked to the creators, writers, artists, and publishers involved with the latest installment in the Lance Star: Sky Ranger series.
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Next up is Lance Star: Sky Ranger writer, Van Allen Plexico.

You can read the full interview at http://www.lance-star.com/.

THE REMIX: The Strange Case Of Michael Davis

davis-colun-art-110830-9682200I get it.

Mike Gold is the boss.

I entitled my return to ComicMix; “The Remix” thinking it was a devilishly clever way to return. Since I’ve been back I have not once seen that title grace this column.

So I get it, Mike Gold is the boss.

Wait a sec. Mike has a weekly blog on my website, michaeldavisworld.com (MDW). I wonder how he would feel if his next piece for MDW was under the title “Gold’s Balls” or “The Golden Balls’ or “The Golden Balls Forum?”

Don’t ask me why I feel the need to add “balls” to every title I come up with. It could be because I’m stir crazy! As of this writing, Saturday, evening August 27, I’m stuck in my electricity dead hotel room in Connecticut (CT) and I have no idea when I’ll be able to get back to L.A. because of hurricane Irene.

I once dated a girl named Irene. She was a bitch also.

So since it’s dark and there is no power in the hotel my choices are to read a book by flashlight, go to sleep or play or read with my iPad.

Or, I can just be alone with my thoughts.

Er…nope.

I do not like being along with my thoughts. Never have. I tend to go to real dark places when I’m alone with my thoughts. I am absolutely positive one of the reasons I’m a workaholic is because it gives me something to do so I am never alone with my thoughts.

I’m in CT for my cousin’s Nila’s wedding.  I love Nila from the bottom of my heart. She is the only reason I would have gotten on a plane (I H A T E T O F L Y ) and came to CT with the knowledge that Irene was on the way.  At the wedding, I gave a speech in which I spoke directly to Nila recounting our journey together as family and reminded her of some of our adventures together. She’s more like a little sister than a cousin and my trip down memory lane made us both cry.

When I said I cried what I meant is I…I…shit. You got me.

When I got back to my room after the reception I became a bit misty eyed again as I continued to recall the days when Nila was a little girl and I was still her cool cousin Michael. I decided that I would be alone with my thoughts this evening because my thoughts were filled with such happiness. Then I remembered I had a ComicMix piece do.

So here I sit typing my Remix…no, my Michael Davis ComicMix article at 2 in the morning wondering just what comic related memory could I write about that would continue my happy trip down memory lane.

Like a shot to the head it came to me.

DC Comics.

It’s no secret that I’m had a love and hate relationship with DC Comics. It’s also no secret that no matter the relationship I’ve been an unweaving fan of the DC comic book universe.

Given how things have been between DC and me you would think that I would have sworn off DC like Antony Weiner swore off tweeting.

It’s even more baffling when you consider that my very first comic book was Avengers # 43.  My second comic was Fantastic Four #73. I loved those books! They were great and I was a die-hard Marvel fan until my mother brought me home a Flash comic book. I don’t remember what issue it was but I was hooked like an addict on all things Flash. THEN I saw Superman #199 in which he raced The Flash!

Since then I’d been a solid. no joke. DC Comics fan. Don’t get me wrong, I love Marvel Comics. I still get goose bumps when I think of Silver Surfer #4 when he pimp slapped Thor or when the Hulk beat down of Sub-Mariner as drawn by Herb Trimpe.

I stopped reading comics for a long time. It was Frank Miller’s Daredevil that pulled me back in.

This is really strange. Marvel brought me in and Marvel brought me back when I left but DC remains my number one comic book universe.

I have no idea why it’s DC but I know that memory has something to do with it.

I could go on but my iPad is down to 50% and I don’t know when I’ll be able to charge it again and I simply cannot fall asleep without reading so I’m going to use some of that 50% to read some old silver age comics. I’ll read a few DC and a few Marvels.

Why?

Because that way I can be alone with my thoughts and memories and the hotel room will be the only dark place I visit tonight.

WEDNESDAY: Mike Gold 

IDW Wins Four Harvey Awards

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IDW, who publishes several pulp and pulp-inspired books, won four Harvey Awards, presented at the 2011 Baltimore Comic Con.

From http://www.idwpublishing.com/:

IDW Publishing and its talented team of creators, editors and designers were honored with four prestigious Harvey Awards at the 2011 ceremony in Baltimore on Saturday, August 20th. IDW’s four wins ties as the most awards for any one publisher this year, and include two for famed creator, Darwyn Cooke.The Outfit

Starting off IDW’s impressive roster of wins, Cooke was voted both “Best Artist” and “Best Cartoonist” for his much-lauded work, RICHARD STARK’S PARKER: THE OUTFIT, a sequel to the first book in this series, THE HUNTER. At Long Beach Comic-Con in October, IDW and Cooke will release RICHARD STARK’S PARKER: THE MARTINI EDITION, collecting the first two, award-winning books in the series, plus all-new material in an oversized volume.
 

IDW’s hugely popular DAVE STEVENS’ THE ROCKETEER: ARTIST’S EDITION also won two categories. This first Artist’s Edition in IDW’s rapidly growing series was voted “Best Domestic Reprint Project,” as well as honored with the “Special Award for Excellence in Presentation.” DAVE STEVENS’ THE ROCKETEER: ARTIST’S EDITION was designed by Randall Dahlk, and edited by Parker Martini EditionIDW’s senior editor for special projects, Scott Dunbier, who edits all of the Artist’s Edition books. Currently, the series also includes WALTER SIMONSON’S THE MIGHTY THOR, which launched at San Diego Comic-Con. The Artist’s Edition series will expand impressively over the next year, with the release of WALLY WOOD’S EC STORIES in October, and JOHN ROMITA’S THE AMAZING SPIDER-MAN in December. As announced at Comic-Con, IDW will also release WILL EISNER’S THE SPIRIT: ARTIST’S EDITION in 2012. rocketeer_artistsedition_cover-7430288

Conceived to “recognize outstanding work in comics and sequential art,” voting in the Harvey Awards is open to all creative professionals in the comics industry. Nominees and winners for the Harvey Awards are both selected by comic book professionals.

For more information on IDW, please visit them online at http://www.idwpublishing.com/.

You can find a full list of winners at http://www.harveyawards.org/.