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REVIEW: Rockin’ with Judy Jetson

Hanna-Barbera was clearly running out of steam in the later 1980s as their style of animation and storytelling was no longer in synch with its young viewers. As a result, they did an awful lot of recycling of concepts including the two season-long Hanna-Barbera Superstars 10 which took Yogi Bear, the Flintstones and the Jetsons and told longer, and not necessarily better, stories in ten stories. The ten telefilms ran during the 1987-1989 seasons and since then have been in rotation on cable’s Boomerang channel with Warner Archive slowly releasing them to eager fans who can’t get enough of these properties. Their last release from this series was The Flintstones Meet the Jetsons.

This week, from Warner Archive, comes the release of Rockin’ with Judy Jetson, a Jetsons’ film that puts the focus squarely on the teen daughter, who is usually overshadowed by the rest of the cast. That alone would make the 92-minute film interesting  but it is another effort that clearly shows its writers didn’t know how to expand from the thirty minute confines to something longer.

Check out the official synopsis:

Despite father George’s disapproval, Judy Jetson is totally into Sky Rocker, the biggest intergalactic rock star around. When the teen icon announces a surprise concert, Judy writes a super awesome song and sends it to him. And – oops – the song is accidentally switched with an evil magic message from music-hating witch Felonia Funk. Bummer for Judy! Then Felonia goes one diabolical step further: she kidnaps Sky Rocker. What a buzz kill – but don’t freak out yet! Judy and her friends – along with brother Elroy, family dog Astro and music-loving aliens named Zoomies – set out to save Sky themselves. Is Judy Jetson the coolest Space Age teenage cartoon star ever?

Mistaken identity, switched songs, intergalactic evil queens, all manner of things so unlike the futuristic sitcom which was based on the family comedies that were so prevalent in the 1950s and 1960s. The closest to an evil witch was Endora on Bewitched. Anyway, the story is pretty dumb from beginning to end despite it being a showcase for Janet Waldo, who had been Judy Jetson’s voice since the series debuted in 1962. Writers Charles M. Howell IV and Kevin Hopps could have done better with the characters. Director Paul Sommer at least tried to make it contemporary with rock video montages and some quicker than usual edits.

The song Sky Rocket turned into a hit, credited to Judy but not written by her, is the memorable nonsense known as “Gleep Gorp”. While a bit of a catchy tune, it has become a YouTube hit for those who grew up on the show but was written similar to the bubble gum pop of the 1960s, not the music the intended audience was more familiar with. The feature boasts six songs, most of which are the same two repeated by different singers.

The vocal cast is a welcome, familiar addition as Waldo is joined by the original team of George O’Hanlon, Penny Singleton, Daws Butler, Don Messick, Jean Vander Pyl, and Mel Blanc. New voices include comedian Ruth Buzzi as Felonia with the rest being fairly non-descript.

Another missed opportunity, this one is only for those with a real sense of nostalgia for ‘80s H-B material.

 

PRO SE AND BROKENSEA TAKE NEW PULP TO THE NEXT LEVEL!

PRESS RELEASE

Pro Se Productions, an up and coming leader in the New Pulp Movement and publisher of New Pulp Magazines, books, and collections, announces today a partnership with Broken Sea Audio Productions, a leading name in New Pulp Audio.   Both companies have brought their impressive talents and abilities together to produce the first ever Pro Se Press Audio Magazines!

Pro Se broke onto the New Pulp scene in 2010 with a line of New Pulp Magazines.  These titles, FANTASY AND FEAR, PECULIAR ADVENTURES, and MASKED GUN MYSTERY, featured a variety of stories, both from professional as well as brand new authors and ran the gamut from horror to hero to mystery to fantasy and beyond.  Although these titles have now been combined in print into the singular title PRO SE PRESENTS, Pro Se plans to continue the three titles in an audio magazine format, thanks in large part to the wonderful people at Broken Sea Audio Productions.

“There’s something,” says Tommy Hancock, Partner and EIC of Pro Se Productions, “about these fantastic New Pulp short stories that just screams to be expressed beyond print.   When you’re reading words written by Ron Fortier, James Palmer, and Van Plexico or in the middle of a Sovereign City scene penned by Barry Reese or Derrick Ferguson or even marveling to the new talents of people like Nancy Hansen, Ken Janssens, Lee Houston, Jr., Megan Smith and more, you can hear the voices in your head.   Likewise, the extremely talented crew at Broken Sea Audio Productions, led by Paul Mannering, have this fantastic art of bringing to life stories, some with characters we all know and others with brand new New Pulp creations.  The actors and readers at BrokenSea breathe voice into pen and ink and make it leap off the page and into a whole new level of imagination.   Because of this, the partnership of these two fantastic groups as well as the merging of the work they do is a great next step in the evolution of New Pulp.”



Hancock also says that plans for both future Audio Mags as well as Audio Books of Pro Se’s line of novels and collections are definitely in process and will be announced in the near future.

The first three issues of each Audio Magazine are now available for sale at www.pulpmachine.blogspot.com as downloads.   “Although consideration was given to producing CD versions of these fantastic works,” Hancock states, “and we will have special CD versions available for public appearances and conventions in 2012 and beyond, we felt that with the advent of MP3 Players and other technology more attuned to playing a file instead of a CD, that this was the best and most efficient way to deliver this great new product.”   Once purchased, Pro Se will send the buyer a link to download the issue(s) the customer has bought within twenty four hours of purchase.

Priced at $7.50 per issue, each magazine is over 4 to 6 hours of New Pulp Audiobook entertainment.  Each magazine is read by a single reader, but the readers provide various voices and show a tremendous control of emotion and tone in each story, adding to the power and pleasure of listening to each tale.  This combined with the wonderful work of Broken Sea Producer Chris Barnes makes Pro Se’s line of New Pulp Audio Mags a definite must have for any fan of Action/Adventure/Heroic/Genre Fiction.



Pro Se Audio Mag titles produced in conjunction with Broken Sea Audio Productions currently available at www.pulpmachine.blogspot are as follows-


FANTASTY AND FEAR #1

Produced by Chris Barnes


Read by Fiona Thraille


Music composed, arranged and performed by Kevin Mcleod



Stories Include-

TALES OF MYTHAS: MURDER IN THE GHETTO OF TRENTONIUM By Don Thomas


THE SONG OF HEROES: LORI’S LAMENT By Nancy A. Hansen


THE MAN OF MY DREAMS By C. William Russette


THE WAY OF THE WORLD By Lee Houston, Junior


BEAST OF THE MOUNTAINS By Ron Fortier


THE TUNNELS OF LAO FANG By James Palmer


THE BROTHERS JADE: BOOK ONE by the Brothers Thomas








MASKED GUN MYSTERY #1

Produced by Chris Barnes


Read by H. Keith Lyons


Music composed, arranged and performed by Kevin Mcleod



Stories Include-


THE THINGS HE LEAVES BEHIND By Aric Mitchell


ALOHA MCCOY: HELLO NEW LIFE, HELLO OLD By Ken Janssens


THE DAY HE FOUND THE CLOWN By Aaron Smith


HUGH MONN, PRIVATE DETECTIVE: DINEENA’S DILEMMA By Lee Houston, Junior


MURPHY’S WAKE By Tommy Hancock


DEMON NIGHT By C. William Russette


RUN By Andrew Salmon


(NOTE- A story originally appearing in the print issue of MGM 1, CRIME OF THE ARTS PART ONE: PROBING THE CITY By Robert E. Kennedy, does not appear in this Audio Mag because this story will be recorded in a future Audio Book as one complete story, not four parts)


PECULIAR ADVENTURES #1

Produced by Chris Barnes


Read by Peter Katt


Music composed, arranged and performed by Kevin Mcleod



Stories Include-

Y-239 By Lee Houston, Junior


IN THE HOUSE OF MERCURY By Tommy Hancock


THE CEREBUS CLAN: CHANGING OF THE GUARD By Ken Janssens


THE SECRET WHISPERS OF EACH OTHER’S WATCH by Derrick Ferguson


PERRY LELL, GIRL OF A THOUSAND EARTHS IN DANCING OUT OF TIME By Megan Smith


ONE GOOD EYE By Tommy Hancock


GODSLAYERS By Van Plexico


THE MESSIAH OF MURDER By Tommy Hancock


THREE CARDS WILD By Tommy Hancock



Follow Pro Se at www.pulpmachine.blogspot.com and check out BrokenSea Audio at

http://brokensea.com/

DENNIS O’NEIL: Green Lantern’s Unused Potential

I wonder why the Guardians of the Universe never got past the projectile–hurling stage.

Yes, we’re again riding the Green Lantern hobby horse and noticing that his almighty ring operates a lot like Doctor Strange’s conjuration and Harry Potter’s wand. They operate a lot like guns. They shoot stuff out. Exactly what the stuff is made of isn’t much defined, but it generally does what bullets do: hit and smash and shatter.

Ask yourself: wouldn’t the weaponry of the oldest, wisest, most technologically advanced cadre of blue-skinned savants in the whole, star-spangled universe be better than high-tech battering rams?

Turn, now, to Marvel Comics’ Master of the Mystic Arts, Dr. Stephen Strange, and young Master Potter of Hogwarts. Their eldritch pyrotechnics are pretty impressive, especially on a big screen in 3D, but, really, in essence aren’t they just glorified roman candles? If magic exists (and can you say with absolute certainty that it doesn’t?) isn’t it more subtle?

Might not it…oh, say, cause tiny, undetectable alterations in the invisible rhythms and perturbations of nature? Can’t it achieve its ends gently?

And from here, it’s a short step back to the Guardians and their rings, particularly if you subscribe to Arthur C. Clarke’s Third Law: Any sufficiently advanced technology is indistinguishable from magic. Magic, technology… at certain levels they look the same and, in the examples we’ve cited, they get their results with methods that, while they’re gussied up, are still pretty damn primitive. If you were a Guardian tasked with ring design, wouldn’t you consider having the ring alter reality just a jot, maybe by changing, ever so slightly, the ratios of the various forces in the hearts of subatomic particles, or branching off into an alternate reality where things aren’t so hairy, or by remixing the chemicals in the bad guy’s brain so that person is not deeply unhappy and therefore is not motivated to act out by destroying downtown Pismo Beach, or wherever? (Okay, admittedly, that last one’s a little creepy.)

Well, the answer’s pretty obvious, isn’t it? We’re wired to react to the tangible, things our senses can respond to, which may be why we tend to put faces on our deities instead of regarding them, as some do, as grounds of being or the like. Comics and movies are dramatic media and, what’s more they’re visual dramatic media and it’s strongly recommended, if not demanded, that visual drama show us as plainly as possible what the good guys are contending with, and how they’re contending with it. I’m afraid that imperceptible perturbations of energies in tiny, tiny whatsises just won’t answer the need.

The uncomfortable next question might be: are our visual dramas teaching us that tangible force ­– call it violence – is the only possible response to our problems?

Just what are we doing in those foreign nations, anyway?

Recommended Reading: Given the subject of this week’s blather, it seems appropriate that I make you aware of a comic book, first published 50 years ago, titled Martin Luther King and the Montgomery Story. You can get it from the Fellowship of Reconciliation, P.O. Box 271, Nyack, NY 10960. Phone: 845 358 4601. Cost is three bucks per copy, and that includes shipping and handling in the U.S.

FRIDAY: Martha Thomases

Harry Potter hit by hi-tech conmen

Pottermore officially opens in October, and scammers are selling fake accounts for the site that claim to give fans early access.

They are also using search engine poisoning to direct Potter fans to sites that are seeded with viruses and other malicious programs.

via BBC News – Harry Potter hit by hi-tech conmen.

“The Odd Life of Timothy Green” Trailer Unveiled

It’s been a while since we’ve seen Jennifer Garner in anything so we were pleased to see her in the credits for the Disney film, The Odd Life of Timothy Green. The trailer for this film, which has no release date as yet, just broke and it looks like a family friendly affair. Check out the trailer then the official write up below.

Academy Award®–nominated director/writer Peter Hedges (Dan in Real Life, What’s Eating Gilbert Grape?) brings enchantment to the screen with The Odd Life of Timothy Green, an inspiring, magical story about a happily married couple, Cindy and Jim Green (Jennifer Garner and Joel Edgerton), who can’t wait to start a family but can only dream about what their child would be like. When young Timothy (CJ Adams) shows up on their doorstep one stormy night, Cindy and Jim—and their small town of Stanleyville—learn that sometimes the unexpected can bring some of life’s greatest gifts.

When young Timothy suddenly comes into the lives of Cindy and Jim Green, they learn that sometimes the unexpected can bring some of life’s greatest gifts.

Cast:                             Jennifer Garner, Joel Edgerton, CJ Adams, Ron Livingston, Dianne Wiest, Odeya Rush, Rosemarie DeWitt, Lin-Manuel Miranda, M. Emmet Walsh, Lois Smith and Common

Director:                       Peter Hedges

Producers:                     Ahmet Zappa, Scott Sanders, Jim Whitaker

Executive Producers:      John Cameron, Mara Jacobs

Story by:                       Ahmet Zappa

Screenplay by:               Peter Hedges

 

 

Table Talk Returns… But At What Price?

Mike Bullock, Barry Reese, and Bobby Nash are back for another installment of NewPulpFiction’s Table Talk. This week, the guys discuss the rising cost of books and what it means to readers, writers, and publishers.

Table Talk: At What Price? with Mike Bullock, Barry Reese, and Bobby Nash is now available at http://www.newpulpfiction.com/.

Star Wars Early Access App is now Available

We know you’ve been saving up all summer to buy Star Wars: The Complete Saga  so we wanted to make you aware that the Early Access App is now available for iPad, Iphone and iTouch.  An earlier version of this was unveiled in time for Comic-Con International, but this updated free download will tide you over until the actual DVD release.

Before Star Wars: The Complete Saga hits shelves on September 16, fans can get a sneak peek at the 40+ hours of bonus footage on the Blu-ray collection through the Star Wars Blu-ray: Early Access App. The App, available for all iDevices including the iPad and iPhone highlights a sampling of bonus materials featured in the Blu-ray collection, including never-before-seen content sourced from the Lucasfilm Archives such as matte paintings and concept art; prop, maquette and costume turnarounds; supplementary interviews with cast and crew; and more.

BULLDOG DRUMMOND ON THE BBC!

Sapper’s BULLDOG DRUMMOND, ex-military man turned adventurer, is coming to BBC Radio on Tuesday, August 9th 2011. An adventure in six parts, read by Julian Rhind-Tutt, the episodes will air in chronological order all week, and will be available on BBC iPlayer for those of you unlucky enough not to be British.

MIKE GOLD: Fantastic Four – Miracle Day

gold-110810-art-5008603Hey, here’s a real shock. From all the teaser press releases Marvel sent out yesterday alone, it appears November will see the return of Fantastic Four. Amazing! Incredible! Astonishing! And all sorts of other adjectives Marvel has copyrighted as part of title names.

They’re doing this just in time to miss the actual 50th anniversary of Fantastic Four #1, which happened this past week. Nice timing, guys! It’s sort of like Fleetway launching 2000 AD back in 1977… but calling it 1976AD.

The event was predicted in this very space a couple weeks ago, but I take no credit. It’s sort of like predicting the sun will rise after the rain passes. So they missed a wonderful marketing opportunity that, in all fairness, would have gotten lost in the Captain America movie hysteria anyway. Big deal. They just jerked us around again, proving DC doesn’t have the market cornered in disingenuous redundancy. We’ll live.

The only question is, when will the Human Torch return? Oh, you think he’ll stay dead? Really? No you don’t. You’ve seen Bucky and Phoenix and Aunt May and, oh, damn, everybody else come back from the dead. Maybe they’ll bring back Jim Hammond, the original Human Torch who was an android and, therefore, never really was alive in the first place. But I think he’s committed to the last couple episodes of Torchwood: Miracle Day… and probably Captain America 2: For Whom The Bell Jar Tolls.

(Yeah, it was really cool to see HT in the Cap movie. A genuine fanboy moment that proves I’m not completely jaded. Actually, I’m only jaded for a living.)

Will they go back to some version of the classic costume? Let me answer my own question with another question. Have you bought any action figures lately?

Will Spider-Man stay in the group? I don’t know; lately he’s been bitching about being in too many groups. But unless Johnny Storm returns or Wolverine finds a costume made of unstable molecules with “4X” on the chest, I think he’ll be there for a while. Not a long while. There’ll be a Human Torch there eventually – certainly in time for the next FF movie – and he’ll probably be Johnny.

There are two lessons to be learned here. I’m not addressing this to comics fans, as we learned this lesson a long time ago. I’m addressing this to employees of Marvel and DC Comics.

The first lesson is: no more death stories. They totally lack verisimilitude. And they’re kind of insulting to anyone who has ever lost a loved one. Which is, like, everyone. Second: stop the cancel/replace/revert cycle. We know you’ll revert, usually within two years. It’s just another phony, contrived attempt at attracting sales on the collectibles market. Fight the impulses with another #0 issue complete with nine variant covers, one printed on bubble-gum and shrink-wrapped for your protection.

Ah, well. Even though they could have retitled the book Reed Richards’ Cosmics and Stories, it will be nice to see Fantastic Four back.

Until it’s not.

THURSDAY: Dennis O’Neil

“Paul” Bonus Clip: The Musical That Wasn’t

[[[Paul]]] was an underrated humorous movie aimed at us. Sadly it performed poorly at the box office this spring and you’ve probably forgotten all about it.

Today, the movie from Simon Pegg came out on disc, available in a combo pack complete with Blu-ray, DVD, and digital copy. The best part may be that it has the Unrated version as well as the Theatrical version. We’re eagerly awaiting to see what was missing.

Universal did send us this Bonus Clip  with film stars Bill Hader (Haggard), Joe Lo Truglio (O’Reilly) and Kristen Wiig (Ruth Buggs) deciding to come up with their own musical version of Paul on the set in this behind-the-scenes clip from the “Paul the Musical”. The clip is also included on the DVD so you can cherish it forever.



Paul reunites Simon Pegg and Nick Frost (Hot Fuzz, Shaun of the Dead) as two sci-fi geeks on a pilgrimage to America’s UFO heartland, where they accidentally encounter an alien who sends them on an insane road trip that alters their universe forever. Written by Pegg and Frost, Paul boasts a star-studded cast that features Seth Rogen (The Green Hornet, Knocked Up) as the voice of Paul, Sigourney Weaver (Avatar), Jason Bateman (Hancock), Kristen Wiig (Date Night, Knocked Up), Jane Lynch (“Glee”), Bill Hader (Pineapple Express), Joe Lo Truglio (Role Models), Jeffrey Tambor (“Arrested Development”) and Blythe Danner (Little Fockers). Directed by Greg Mottola (Superbad), Paul comes loaded with in-depth, behind-the-scenes features, bloopers, filmmaker and cast commentary and more, to take viewers on a comical journey behind the making of this critically hailed film. (more…)