As we approach the start of San Diego Comic-Con next week, we’d like to remind the women going to the convention of one of the greatest dangers lurking there…
We’d also like to remind you about Tarna the Tarakian, Catwoman, Storm, Dr. Harleen Quinzel, Emma Frost, Leeta, Shanna the She-Devil, Katma Tui, Dark Phoenix, Ursa, Rocket, Manhunter, Black Canary, Zatanna, Firestar, and if you want to make Gail Simone happy, Batgirl.
ALL PULP REVIEWS- By RON FORTIER
Don McGregor‘s elderly mother and other family medical emergencies have forced this fine man and fierce writer of the Black Panther, Killraven, and Detectives Inc., to put his personal collection of art (from stories he wrote) on the selling block.
I will be representing Don McGregor’s personal collection of artwork–original pages from stories that he wrote for Marvel.
I am not taking a commission from Don. All monies will go directly from you to him and he will ship directly to you; I am just sitting in the middle because Don is a wonderful and kind man who has never been about money (imagine that) and I don’t want him to get a dime less than he deserves or might otherwise get.
When a man like Don McGregor sells cherished art that was gifted to him by the artists that drew his beautiful stories, you know it’s painful for him. Don loves this art and it should go to people who love it, too. It’s being sold because he needs the funds. Ain’t that America.
I won’t allow art dealers to steal these from him. And I am not expert enough, despite the posturing, to know what these pieces are really worth. So here’s the deal: Some friends of mine and I going to bid on Don’s art while spreading the word far and wide. We are hoping you’ll beat our bids because we want Don to get top dollar. We hope that you will help spread the word. The bidding can end at any time (when Don says, “That’s a fair price; I’ll take it!”) But let’s not let this drag out too long, chums. Let’s pretend we actually learned something from those superheroes we grew up reading when Don was still writing them.
What else can you do? If you’re an artist, a small drawing would be nice. Black Panther, Killraven…something that Don worked on for sentimental reasons. I’ll be the first bidder and I’ll bid generously…and then I expect others to do the same. Let’s make the world go round.
Contact me if you’re genuinely interested in buying art from Don at fair market value. And spread the word to other art collectors. This is a rare opportunity, and you will have my gratitude and Don’s. And you will have Gene Colan’s gratitude where he rests in the World of Truth.
Current bid on the piece you see on this page: $1750.
At last you get a chance to see the finished cover of the upcoming FOUR BULLETS FOR DILLON. The artwork is courtesy of Anthony Castrillo while the lettering and design work was done by the extraordinarily talented Damon Orrell. You need to bounce on over to his website
http://www.damonorrell.com and check out all his other goodness. And keep watching for further news on the release date of the book and no, it’s not too early to start saving your milk money to get your copy. Trust me when I say that it’ll be worth it.
Growing up, there was nothing more captivating than Frank Frazetta’s amazing cover paintings for the Science Fiction Book Club editions of Edgar Rice Burroughs’ John Carter series of novels set on Barsoom, er, Mars.
While there have been many abortive attempts at adapting John Carter as a cartoon or live-action film, we’re finally getting one with a strong pedigree. Pixar’s first live-action film, directed by Andrew Stanton, is shaping up to be 2012’s first blockbuster. Opening March 9, it leads a super-heroic slate of films and now the first trailer for the feature is available.
From a screenplay by Andrew Stanton & Mark Andrews and Michael Chabon the movie stars Taylor Kitsch, Lynn Collins, Samantha Morton, Mark Strong, Ciaran Hinds, Dominic West, James Purefoy, Daryl Sabara, Polly Walker, Bryan Cranston, with Thomas Haden Church and Willem Dafoe.
For those unfamiliar with the concept, here’s the studio’s official synopsis: The studio goes on to note: From Academy Award®–winning filmmaker Andrew Stanton comes John Carter—a sweeping action-adventure set on the mysterious and exotic planet of Barsoom (Mars). John Carter is based on a classic novel by Edgar Rice Burroughs, whose highly imaginative adventures served as inspiration for many filmmakers, both past and present. The film tells the story of war-weary, former military captain John Carter (Taylor Kitsch), who is inexplicably transported to Mars where he becomes reluctantly embroiled in a conflict of epic proportions amongst the inhabitants of the planet, including Tars Tarkas (Willem Dafoe) and the captivating Princess Dejah Thoris (Lynn Collins). In a world on the brink of collapse, Carter rediscovers his humanity when he realizes that the survival of Barsoom and its people rests in his hands.
Notes:
Chapter 25 – “The End For a Ghost”
The Final Chapter of “Revenge of the Masked Ghost”
The body is in the grave and the Mask is put away, but the Ghost is restless.
http://revengeofthemaskedghost.blogspot.com/
Thanks to all my Pulp Supporters who have stuck with me since September.
Kevin Paul Shaw Broden
Long on the list of Pulp classics fans have been waiting to get a proper treatment from Hollywood, Edgar Rice Burroughs’ classic tale of a soldier from Earth transported to a savage Mars populated with warring tribes and exotic creatures may actually be getting the due it deserves. Follow the link below to the first trailer from Disney’s upcoming JOHN CARTER!
http://www.bleedingcool.com/2011/07/14/the-first-trailer-for-john-carter/
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Pulp 2.0 Press Opens up The Agent 13 Dossier
Pulp Publisher to Collect the AGENT 13 Novels by Flint Dille and David Marconi
Los Angeles, CA – Pulp 2.0 Press CEO Bill Cunningham today announced that the company has signed an agreement to redesign and republish the adventures of the classic pulp character, Agent 13, created and written by Flint Dille (Transformers G1) and David Marconi (Enemy of the State). This Pulp 2.0 collectorâ edition titled The Agent 13 Dossier will be exclusively in print, and will collect all three of the original Agent 13 novels as well as exclusive features disclosing the secrets behind the mysterious Midnight Avenger.
Agent 13 was originally published in 1986 by TSR in a trilogy of novels – The Invisible Empire, The Serpentine Assassin and Acolytes of Darkness. The character spawned a set of graphic novels drawn by artist Dan Spiegle (with covers by Jeff Butler) as well as a role-playing game and comic. Kidnapped as a young child in 1907, a gifted boy was brought to The Shrine, the hidden headquarters of the ancient organization known as The Brotherhood. His past memories were erased, he was assigned the title Agent 13 and trained as an assassin and agent in clandestine operations. He became the best disciple and would have risen high in the ranks of the Brotherhood, until he discovered its true evil nature under its cadaverous leader, Itsu – The Hand Sinister. Fleeing The Brotherhood he is hunted by their ninja-like agents, and begins a deadly cat-and-mouse contest against the organization. He fights back, forming his own group of allies against the Brotherhood who dare to plunge the world toward war.
âAgent 13 is Dille and Marconiâs love letter to the pulps, cliffhanger serials and comics. We at Pulp 2.0 are ecstatic to present our readers with these great pulp adventures in an exclusive collectorâs print edition,â said Pulp 2.0 CEO Bill Cunningham. âI remember reading… okay devouring these books when they first came out, and Iâve always loved the world and characters that Flint and David created. To be able to design a new edition to share these rare novels and the secrets behind Agent 13 is an honor.â
âWe were sitting in Flintâs living room one day, and we started jamming ideas back and forth. Flint was a big fan of the pulps and he showed me some of the old materials he had. He had a book featuring the old pulp covers that we looked at that was very inspiring. I had just written some screenplays for Warner Brothers and had good relationships there, and said that if we came up with an interesting story/pitch about this stuff, we can possibly set it up as a screenplay to write.â So we originally developed AGENT 13 as a studio pitch to set up as a film, and spent quite a lot of time developing the story and characters as we pitched it around to the various producer/buyers around town,â said co-creator David Marconi.
âThen, when the movie wasnât getting set up as quickly as we hoped, but the story had progressed to the level where we had all the characters and everything else worked out, we decided to just write the book. Flint had access to Random House through Gary Gygax and TSR, so we were able to get a publishing deal, and dove straight into Agent 13 novel world. Which at the end of the day, was more fun in that it allowed us to go much deeper into the characters and backstory which canât be explored in great detail in a 2 hour script format.â
More details will be forthcoming as the project progresses. The Agent 13 contract was negotiated on behalf of the creators by Howard Bliss of Union Entertainment.
About Flint Dille:
Flint Dille is a living embodiment of Transmedia. His career started by turning toys into TV Shows with G1 Transformers, G.I. Joe, Inhumanoids and Visionaries. He has designed games with Gary Gygax and written movies for Steven Spielberg. Flint has sold game design documents as feature films – Venom (Dimension 2006) and Agent In Place (Lionsgate 2010). Flint directed the interactive movie Terror T.R.A.X., Track of the Vampyre which became a television pilot for Fox as well as Dragonstrike, one of the first hybrid film projects.
Flint has twice won ‘Game Script of the Year’ (Riddick: Escape from Butcher Bay (with JZP) and Dead to Rights and was nominated for Ghostbusters and Dark Athena. He has worked on crown jewel franchises including James Bond, Mission: Impossible, Tiny Toons, Batman: Rise of Sin Tsu (Guiness Book of Videogame Records for creating the first Batman villain outside of the comics), Superman, Dungeons & Dragons, Teen Titans and Scooby-Doo.
He has a degree in Ancient History from U.C. Berkeley and an MFA from USC. Currently, Flint is teaching a class on Alternate Reality Games at UCLA. His follow up book to The Ultimate Guide to Video Game Writing and Design is about Transmedia.
About David Marconi:
A native of Highland Park, Ill., Marconi was passionate about film making from an early age. After winning several high-school film making competitions, Marconi was awarded an Alumni Merit Scholarship to attend the University of Southern California’s Film School. Upon graduation, landed his first job as Francis Ford Coppola’s assistant on The Outsiders.
Working closely with Coppola, Marconi “cut his directing teeth” watching Francis direct both The Outsiders and Rumblefish. In 1993, Marconi wrote and directed his first feature, The Harvest, (Columbia TriStar). The film premiered in the ‘official selection’ of the San Sebastian Film Festival and went on to win numerous awards in International Film festivals.
The success of The Harvest brought Marconi to the attention of Simpson/Bruckheimer who commissioned Marconi to write his original screenplay Enemy of the State (Disney) starring Will Smith and Gene Hackman. Marconi continued creating tent-pole action films for the major studios; WW3.com (which served as the basis for the Die Hard sequel; Live Free or Die Hard ) (Twentieth Century Fox,) Perfect Suspect for Chris Rock (Twentieth Century Fox,) and the high-tech., science fiction epic; No Man’s Land. (Dreamworks.)
Most recently, Marconi was a featured guest speaker for IADC, International Attorney’s Defense Council, and the Department of Defense Cyber-Crime Conference where he lectured on his film Enemy of the State and how it relates to privacy concerns and cyber-warfare in a post 9-11 world. 2011 will mark Marconi’s second foray behind the lens as a writer/director with his new feature film; INTERSECTION, a gritty thriller currently in pre-production being produced by Luc Besson, the director of THE PROFESSIONAL, FIFTH ELEMENT and Europa Corp. Holding duel citizenship for the US and EU (Italy,) Marconi divides his time between Los Angeles and Europe.
So the universe upheaved and a gap appeared in time and here we are, at the far end of that gap. (Or the near end, if we’re looking backwards. But never mind.) We’ve again grubbed residence in Comicmixland and vowed to deliver weekly blather.
But, with a deep bow to Bill Maher, we have new rules—or to be exact, just rules, since when I last did this nobody mentioned rules, though I did promise Mike Gold and myself to do at least 500 words per installment, lest I be mistaken for a carbuncle. The 500 word deal still holds, but Mike has added a new proviso; subject matter should be somehow related to comics.
Pretty draconian, huh?
Actually, Mike’s edict doesn’t much close any doors. First, a lot is happening in comics and related media per se and, second, virtually everything in our media-drenched, perpetual-news-cycling global civilization is connected. Always has been. Really. Remember the butterfly effect: The sumbitch flapping around a garden in Tokyo today will cause your hat to blow off next Tuesday and the breath I just took may have contained an atom that was once part of Cleopatra. (And, more painfully, the monetary crisis in Greece may bump your mortgage.) And we all come from the same place, out there among the stars in the baby cosmos.
So yeah, the world is a vast network of interconnections, and it’s a lot easier to see that now that it was a century ago. It shouldn’t be much of a rhetorical trick to write about comics and still acknowledge that other things exist, and are worthy our notice.
(I wonder: could you have a comprehensive knowledge of comics, beginning with [[[The Yellow Kid]]] and ending with…oh, I dunno – Chris Claremont’s run on [[[X-Men]]]? – could you know that and be ignorant of the history of the United States in the Twentieth Century? Maybe not.)
But where to begin?
Well, this week, nowhere. I’ve already burned away 329 of those 500 words and unless I want to content myself with knocking off a few haiku, there isn’t much room left for pontificating. But next week? Hey, this has been called the summer of the superhero movie, hasn’t it? And although I haven’t seen all of the films in question, and probably won’t in the next seven days (Thor has already hammered back to Asgard, which I think is somewhere just off Sunset Boulevard, and is not available for viewing) but doesn’t utter ignorance of my subject qualify me as a pundit? Darn right! And what’s happening behind the cameras—the changes in management—is worth a bit of uninformed opinionating, too.
A final note: In the previous incarnation of this feature, and in a comic book that the aforementioned Mike Gold and I worked on a couple of decades past, we recommended books we thought might amuse our readers. I’d like to continue recommending reading, but not every week, just when I come across something I think will be of particular interest to y’all.
Happy trails…
FRIDAY… Martha Thomases
The street date for the home video release of Thor has been revised to September 13 and it appears the disc will come with an interesting bonus feature. Marvel Studios reportedly shot two short films feature SHILED agent Phil Coulson (Clark Gregg) intended to be included with the DVD releases of Thor and Captain America: The First Avenger (presumably available fore the holidays).
Film School Rejects reports that Marvel Studios has not directly denied such a plan or that if successful, more shorts may be shot for inclusion in the theatrical releases of future films, possibly starting with 2012’s The Avengers.
Coulson, like his boss Nick Fury (Samuel L. Jackson) has been a recurring player since 2008’s Iron Man and helps unify the Marveul Universe on screen. For example, at the end of Iron Man 2, we saw him on site where Thor’s uru hammer Mjolnir landed in the desert, a scene replicated in Thor. Coulson is already in The Avengers, being directed currently by Joss Whedon, and set for a May 4, 2012 release.
The Marvel Universe films continue to roll out with Iron Man 3 ticketed for May 3, 2013 and Thor 2 recently staked out a July 26, 2013 slot. Sequels to Captain America are also expected but unscheduled while the next round of original heroes — including Edgar Wright’s Ant Man, remain a source of speculation with possible announcements coming at Comic-Con International next week.
At the con, the first trailer for The Amazing Spider-Man, from Sony and not part of the Marvel Studios’ universe, is said to be screening. The film itself is due in July 3, 2012.
Columns / Glenn Hauman / News
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