“Just when I thought I was out, they drag me back in.”
– Michael Corleone

“This is a moment of history.”
– Jim Lee

“ I told you so.”
– Michael Davis

“Bitch better have my money.”
–Fly Guy

Michael Corleone was talking about not being able to escape the Mafia.

Jim Lee was talking about the DC Comics Reboot.

I’m taking about my return to ComicMix.

Fly guy was talking about a bitch having his money.

Don’t waste anytime trying to figure out why I used the Fly Guy quote. I’ll just tell you, I simply like saying, “Bitch better have my money.”

I’m told there are a lot more ComicMix users now then when I was writing here. Because of that I’m going to write a brief bio of myself in case you never heard of me.

My name is Michael Davis and I’m Master Of The Universe. I’m also a writer, TV producer artist and dealmaker. I work in mainstream publishing, comics, television and the music industry, yada, yada, blah, blah. When ComicMix started I wrote a wildly popular column called “Straight No Chaser”.  I was fired from ComicMix because I was black.

OK, the black thing is just what I told girls at comic conventions when I wanted them to feel bad for me. Now I’ll tell them ComicMix brought me back because of pressure from the NAACP and President Obama.

My column WAS wildly popular. If you hear differently remember that’s the white man trying to keep me down.

As I mentioned my column was called Straight No Chaser. I can’t call my return to ComicMix that because I continue my weekly rants under that title at my WILDLY popular website, www.michaeldavisworld.com.

If anyone tells you it’s not wildly popular, remember,

White man.

Down.

Me.

(more…)

After netting nearly 300 million dollars worldwide in ticket sales, no one can question the motives behind making the final HARRY POTTER film in 3-D. We talk to the men who guided the movie to the top and the screenwriter who helped bring J.,K. Rowling’s stories to life. Plus we are set fore ComicCon 2011 – are you? No worries, we’ve got your FREE PASS right here.

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There’s a scene in Sleepless In Seattle where Tom Hanks, whose libido has been dead in the water since his wife died, comes home from work to discover his young son hanging out with a friend in his room – and that’s a literal hanging out, as the two of them are cozy cuddling on one of those mod hanging chairs built for one. Oh, did I forget to mention that the son’s friend is grrrl? One of those 9-going-on-24 types who seem to have waaaay too much information ‘bout the birds and the bees and who looks on grown-ups as burnt-out Muggies without a clue about the magic in the world and who you just have to tolerate because, well, that’s just the way life is.

“H-A-G,” the girl says to Tom. And, proving her point, he says, “Huh?”

“Hi and good-bye,” she sighs with a sad shake of her head.

“Oh. Yeah. Right” says Tom, and closes the door. Now Tom is such a brilliant actor, and you can just see the thoughts going through his head about just being kicked out of his son’s room, number one being, my 9 year old son is gettin’ some! And number two being fuck that! And the soundtrack gears up and Gene Autry sings “I’m Back in the Saddle Again” while we watch Tom going through his Rolodex and dialing the number of that cute interior decorator he works with.

So how does that relate to comics? As you’ll learn as you read my columns, my mind works in mysterious ways and I have given up trying to understand how that works.

See, it was a Saturday. A few days earlier Mike Gold had asked me to write for ComicMix. I was so flattered that I said yes immediately, and then after we hung up I’m like, “What the hell am I doing? Why did I say yes? I haven’t written anything in years. I’ve haven’t been involved with comics for years. I don’t even have an account at my local comics store anymore. I’m calling him back and telling him, thanks, but no thanks.” Only I didn’t. I watched Sleepless on HBO instead.

So the next day is Sunday and I’m driving out to Watchung to see my parents, and I’m listening to the Buffy “Once More With Feeling” soundtrack for like the millionth time and singing along and all of a sudden in the middle of I’ll Never Tell my mind flashes on that scene with Tom and his son and the wise-ass girl and Gene Autry singing in the background and I say to myself, Back in the Saddle Again. What a great title for my column.

So here I am.

I was going to write today about how I got into comics. See, I’m a nurse. An R.N. With extensive education and fancy certificates. I don’t talk about my “other career” at work. (For a reason. I’ll tell you about that later on, maybe.) But somehow someone always finds out. Through their kid, or their cousin, or their accountant, who are readers or collectors and “your name came up in conversation yesterday and my boyfriend asked me if you’re the Mindy Newell who wrote Wonder Woman. And I googled you and, wow, you worked for DC?” And then, you know, gossip, and in the middle of a laparoscopic cholecystectomy, the surgeon says to me, “Somebody told me you wrote the Legion of Super-Heroes. I loved the Legion. Read it all the time when I was growing up.” Once I had a patient who couldn’t get over that the writer of the Amethyst mini-series was his nurse.

And on the other side, the people who do read and work in comics, they always find it fascinating that I work in the operating room. A lot of them – maybe it has do with being comics fans? – always ask me about the blood, they all think there’s a lot of blood in the operating room, they’re like “how do you handle all that blood and guts and stuff?” and their eyes are glowing with excitement, and I swear, some of them, their mouths are watering, and I know they think I work in The Tomb of Dracula, but I love to fuck with them, and so I tell them that there really isn’t a lot of blood in the operating room, and that it can really be quite boring, but no one ever believes me, and they look so disappointed, so for those of you who really need that blood gratification, I will say that, yeah, sometimes there is tons of the red stuff, and that’s when it’s Avengers Asssemble!!

I promise I’ll tell you next time how I got into comics.

Oh, and one more thing.

I love being back in the saddle again.

Hope you’ll join me.

TUESDAY: Michael Davis!

A very intelligent man, one Dennis O’Neil (who you will also find here on ComicMix), and I were talking once about comics’ future. He noted that comics didn’t have to survive. Like the dinosaur, they could die out. Early cars had places for buggy whips; I doubt that you’ll find that feature on your car today. Food we need, water we need, air and so on. Story we need, I think, but comics as a venue for story? Not necessarily.

It’s no secret that comics sales are declining. The numbers of readers are declining, the numbers of stores are declining, the amount of cash being made is declining. It happened once before when comics were sold only on the newsstand, back in the Neolithic Era for you who are too young to remember. What saved it then was the Direct Market but that’s now killing it; the market is constricting and the numbers of readers are finite. What may save it this time is going digital – comics here on the web.

The reason is this is where the eyeballs are. As a product in comic books stores, comics are a very specific market – a destination shop for those who already know the product exists. The problem with selling comics on the internet is that will inevitably undercut the brick and mortar retailers, just as e-books are doing. (Amazon now says it sells more e-books than physical ones.) I love comic book stores. I admire the retailers who have put their hard work and passion into building businesses that cater to we the fans. I’ve made a living for more than twenty years because these people sell my stuff (and, okay, some other stuff, too). However, it’s going to happen. Comics are headed for the digital market big time.

Up until now, the majors have been releasing some titles on the web after the onsale date in stores but that changes in September. DC is renumbering its books and relaunching and all that but, to me, the bigger story is that they’re crossing the Digital Rubicon and putting everything on sale digitally the same day they’re in the stores. If that is successful, expect lots more companies to follow, big and small.

The big question in my mind is – will people buy comics on the web? If so, how much are they willing to pay? If all that happens is that those who go to the stores now buy online, this won’t fly. This has to increase the overall market – the number of eyeballs – or it will not only fail, it could sink much of what’s left of the retail market.

I’m thinking it’s part of the reason for the renumbering and rebooting (despite denials from DC) – to make the books more attractive to new readers. It will also attract some national media attention. It’s also necessary. In an era when superhero movies (and movies made from all kinds of comics – i.e. Cowboys And Aliens) attract huge numbers in the theaters, there is clearly a following for these characters. If even a small percentage of that can be attracted to the comics, it would make an enormous difference. I think DC is making a gutsy move.

Make no mistake, however; whatever happens in September, the comics biz won’t be the same. By this time next year, we may know if we’re still viable or making buggy whips.

MONDAY: Mindy Newell